(Eds.), Walking and the Aesthetics of Modernity, DOI 10.1057/978-1-137-60364-7 298 BIBLIOGRAPHY
Total Page:16
File Type:pdf, Size:1020Kb
BIBLIOGRAPHY Ackroyd, Peter. London: The Biography . London: Vintage, 2001. ———. Albion, The Origins of English Imagination . London: Random House, Vintage, 2004. Adams, Henry. The Education of Henry Adams . New York: Penguin, 1995. Aitken, Robert. Taking the Path of Zen . New York: North Point Press, 1982. Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self . Bloomington, IN: U of Indiana P, 2010. Albright, Daniel. “Early Cantos I-XLI.” The Cambridge Companion to Ezra Pound . Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 59–91. ———. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts . Chicago: U of Chicago P, 2000. Amato, Joseph Anthony. On Foot: A History of Walking . New York: New York UP, 2004. American Psychiatric Association. Diagnostic and Statistical Manual of Mental Disorders , DSM-5, 2013. Ammons, A.R. Collected Poems 1951–1971 . New York: Norton, 1972. ———. Set in Motion: Essays, Interviews and Dialogues . Ed. Zofi a Burr. Ann Arbor, MI: U of Michigan P, 1996. Ammons, A.R. and Jonathan Williams. “Selected Correspondence, 1960–1973.” Chicago Review 57.1/2 (2012): 212–27. Anderson, Benedict. The Spectre of Comparisons: Nationalism, Southeast Asia and the World. London: Verso, 1998 . Anderson, George Parker. American Modernism 1914–1945. Research Guide to American Literature . New York: Facts on File, 2010. © The Editor(s) (if applicable) and The Author(s) 2016 297 K. Benesch, F. Specq (eds.), Walking and the Aesthetics of Modernity, DOI 10.1057/978-1-137-60364-7 298 BIBLIOGRAPHY Anderson, Jon. “Researching Environmental Resistance: Working through Secondspace and Thirdspace Approaches.” Qualitative Research 2(3) (2002): 301–321. ———. “Talking Whilst Walking: A Geographical Archaeology of Knowledge.” Area 36 (2004): 245–261. Antoine, Philippe. “Une Rhétorique de la spontanéité. Le cas de la Promenade.” Voyager en France au temps du romantisme. Poétique, esthétique, idéologie . Ed. Alain Guyot and Chantal Massol. Grenoble: ELLUG, 2003, 131–146. Arakawa and Madeline Gins. Architectural Body . Alabama: U of Alabama P, 2002. Arata, Stephen. Fictions of Loss in the Victorian Fin de Siècle: Identity and Empire . Cambridge: Cambridge UP, 1996. Arnoboldy, Edouard. Gus Van Sant: Le cinéma entre les nuages . Liège: Editions Yellow Now, 2009. Asselineau, Charles, Revue fantaisiste (1861). Ed. Jean Richer. Nerval par les témoins de sa vie . Paris: Minard, 1970. Attridge, Derek. Poetic Rhythm: An Introduction . Cambridge: Cambridge University Press, 1995. Augé, Marc. Non-lieux: Introduction à une anthropologie de la surmodernité . Paris: Seuil, 1992. Auster, Paul. The New York Trilogy . London: Faber and Faber, 2004. Austin, Norman. “Odysseus and the Cyclops: Who is Who.” Approaches to Homer . Eds. Carl A. Rubino and Cynthia W. Shelmerdine. Austin: U of Texas P, 1983. 3–37. Balázs, Béla. Theory of the Film: Character and Growth of a New Art . Trans. Edith Bone. New York: Dover, 1970. Balzac, Honore de. Théorie de la démarche. La comédie humaine . Paris: Gallimard, 1981. Barrell, John. The Dark Side of the Landscape: The Rural Poor in English Painting 1730–1840 . Cambridge: Cambridge UP, 1980. Barrett, William. “A Prize for Ezra Pound.” Partisan Review 16.4 (1949): 344–47. Barthes, Roland. The Semiotic Challenge . Trans. Richard Howard. Berkeley, CA: U California P, 1994. Basho, Matsuo. “The Narrow Road Through The Provinces.” Japanese Poetic Diaries. Selected and trans. Earl Miner. Berkeley, CA: U of California P, 1976. 155–197. Bate, Jonathan. The Song of the Earth . Cambridge, MA: Harvard UP, 2000. Baudelaire, Charles. Œuvres Complètes . Ed. Claude Pichois. 2 Vols. Paris: Gallimard, 1975. ———. Poems of Baudelaire . Trans. Roy Campbell. New York: Pantheon Books, 1952. ———. “Les Foules.” Petits Poèmes en prose (Le Spleen de Paris) (1869). Ed. H. Lemaître. Paris : Éditions Garnier Frères, 1962. BIBLIOGRAPHY 299 ———. “Un Mangeur d’opium.” Les Paradis artifi ciels (1860). Paris: Flammarion, 1966. 73–158. ———. “The Swan.” Poetry Archive, 2002. http://www.poetry-archive.com/b/ the_swan.html [last accessed on December 14, 2015]. Baudino, Isabelle and Marie Gautheron, eds. Gilbert & George. E1 . Lyon: ENS Éditions, 2005. Benesch, Klaus. “Cultural Immobility: Thoreau, Heidegger, and the Modern Politics of Place.” Amerikastudien/American Studies 57.3 (2012): 403–18. Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism . Trans. Harry Zohn. London: Verso, 1973. ———. The Arcades Project . Trans. H. Eiland and Kevin McLaughlin. Cambridge, MA: Harvard UP, 1999. Benon, R., and Froissart, P. “Conditions sociales et individuelle de l’état de fugue.” Annales médico-psychologiques 10 (1909): 289–294. Bermingham, Ann. Landscape and Ideology. The English Rustic Tradition, 1740– 1860 . Berkeley, CA: U of California P, 1986. Berque, Augustin, ed. Cinq Propositions pour une théorie du paysage . Seyssel: Champ Vallon, 1994. ———. “Identifi cation of the Self in the Medial Process.” Conceptions of the Self in Japan . Ed. Nancy R. Rosenberger. Cambridge: Cambridge UP, 1992. 93–104. ———. Les Raisons du paysage: De la Chine antique aux environnements de syn- thèse . Paris: Hazan, 1995. Beugnet, Martine. Cinema and Sensation: French Film and the Art of Transgression . Edinburgh: Edinburgh UP, 2007. Beugnot, Bernard. L’Entretien au XVIIe siècle , Leçon inaugurale faite à l’Université de Montréal le mercredi 17 février 1971 . Montréal: Presses de l’Université de Montréal, 1971. Bhabha, Homi. The Location of Culture . London: Routledge, 1994. Biró, Yvette. “The Fullness of Minimalism.” Rouge 9 (2006): np. Blake, William. “London.” Romantic Poetry and Prose . Ed. Harold Bloom and Lionel Trilling. New York: Oxford UP, 1973. Bloom, Harold, and Trilling, L., eds. Romantic Poetry and Prose . New York: Oxford UP, 1973. Bohls, Elizabeth A. Women Travel Writers and the Language of Aesthetics, 1716– 1818 . Cambridge: Cambridge UP, 1995. Bordwell, David. “Art Cinema as a Mode of Film Practice.” Film Criticism 4.1 (1979): 56–64. Rep. in The European Cinema Reader . Ed. Catherine Fowler. London: Routledge, 2002. 94–102. Bouquet, Stéphane and Lalanne, Jean-Marc. Gus Van Sant . Paris: Editions Cahiers du cinéma, 2009. Bouveresse-Quilliot, Renée. L’Empirisme anglais . Paris: Presses Universitaires de France, 1997. 300 BIBLIOGRAPHY Bradbury, Ray. “Forever and the Earth.” Long after Midnight . New York: Bantam, 1978. Bradshaw, Peter. “Elephant,” The Guardian . 30 Jan. 2004. http://www.the- guardian.com/film/News_Story/Critic_Review/Guardian_ review/0,,1134158,00.html [last accessed on December 14, 2015]. Bray, Bernard. “Le dialogue comme forme littéraire au XVIIe siècle.” CAIEF 24 (1972): 9–29. Breslin, Paul. The Psycho-Political Muse: American Poetry Since the Fifties . Chicago, IL: U of Chicago P, 1987. Brontë, Charlotte. Jane Eyre . Ed. by Richard J. Dunn. New York: Norton, 2001. Brown, Bill. “The Dark Wood of Postmodernity (Space, Faith, Allegory).” PMLA 120.3 (2005): 734–50. Buddhist Scriptures . Selected and trans. E. Conze. Middlesex, England: Penguin, 1973. Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture . Cambridge, MA: Harvard UP, 1995. ———. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination . Oxford: Blackwell, 2005. Bulson, Eric. Novels, Maps, Modernity. The Spatial Imagination, 1850–2000 . New York/London: Routledge, 2007. Burger, John Michael. “A Stone, a Leaf, an Unfound Door. Thomas Wolfe’s Platonic Search.” M. A. Thesis. Ames: Iowa State University, 1988. http://lib. dr.iastate.edu/cgi/viewcontent.cgi?article=1124&context=rtd [last accessed on December 14, 2015]. Bush, Douglas. Mythology and the Romantic Tradition in English Poetry . Cambridge, MA: Harvard UP, 1969. Bush, Ronald. “Late Cantos LXXII-CXVII.” The Cambridge Companion to Ezra Pound . Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 109–138. Butterick, George F. A Guide to The Maximus Poems of Charles Olson. Berkeley, CA: U of California P, 1978. Byron, Mark. “A Defi ning Moment in Ezra Pound’s Cantos : Musical Scores and Literary Texts.” Literature and Music . Ed. Michael J. Meyer. Amsterdam: Rodopi, 2002. 157–182. Calbérac, Yann. Terrains de géographes, géographes de terrain. Communauté et imaginaire disciplinaires au miroir des pratiques de terrain des géographes fran- çais du XXe siècle . Doctoral dissertation in geography. Université Lumière Lyon 2, 2010. Available on line: http://tel.archives-ouvertes.fr/tel-00551481 [last accessed on December 14, 2015]. Caoli, Manuel A. The Origins of Metropolitan Manila: A Political and Social Analysis . Diliman, Quezon City: U of Philippines P, 1999. Careri, Francesco. Walkscapes: La marche comme pratique esthétique . Trans. J. Orsoni. Paris: Jacqueline Chambon, 2013. BIBLIOGRAPHY 301 Carr, Garrett. “The Map of Watchful Architecture.” EchoGéo 18 (2011) http:// echogeo.revues.org/12673 [last accessed on December 16, 2015]. Carter, Paul. The Road to Botany Bay. An Essay in Spatial History . London: Faber and Faber, 1987. __________. The Lie of the Land . London: Faber and Faber, 1996. Casey, Edward. “Between Geography and Philosophy: What Does It Mean to Be in the Place-World? ” Annals of the Association of American Geographers 91 (2001): 683–93. Chambers, Samuel A. The Lessons of Rancière . Oxford: Oxford UP, 2013. Charcot, Jean-Martin . Leçons du mardi à la Salpêtrière. Policlinique 1887–1888 . Paris: Publications du Progrès médical, 1892. 112 ff.; and Policlinique 1888– 1889 , 1889.