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BIBLIOGRAPHY Ackroyd, Peter. London: The Biography . London: Vintage, 2001. ———. Albion, The Origins of English Imagination . London: Random House, Vintage, 2004. Adams, Henry. The Education of Henry Adams . New York: Penguin, 1995. Aitken, Robert. Taking the Path of Zen . New York: North Point Press, 1982. Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self . Bloomington, IN: U of Indiana P, 2010. Albright, Daniel. “Early Cantos I-XLI.” The Cambridge Companion to Ezra Pound . Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 59–91. ———. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts . Chicago: U of Chicago P, 2000. Amato, Joseph Anthony. On Foot: A History of Walking . New York: New York UP, 2004. American Psychiatric Association. Diagnostic and Statistical Manual of Mental Disorders , DSM-5, 2013. Ammons, A.R. Collected Poems 1951–1971 . New York: Norton, 1972. ———. Set in Motion: Essays, Interviews and Dialogues . Ed. Zofi a Burr. Ann Arbor, MI: U of Michigan P, 1996. Ammons, A.R. and Jonathan Williams. “Selected Correspondence, 1960–1973.” Chicago Review 57.1/2 (2012): 212–27. Anderson, Benedict. The Spectre of Comparisons: Nationalism, Southeast Asia and the World. London: Verso, 1998 . Anderson, George Parker. American Modernism 1914–1945. Research Guide to American Literature . New York: Facts on File, 2010. © The Editor(s) (if applicable) and The Author(s) 2016 297 K. Benesch, F. Specq (eds.), Walking and the Aesthetics of Modernity, DOI 10.1057/978-1-137-60364-7 298 BIBLIOGRAPHY Anderson, Jon. “Researching Environmental Resistance: Working through Secondspace and Thirdspace Approaches.” Qualitative Research 2(3) (2002): 301–321. ———. “Talking Whilst Walking: A Geographical Archaeology of Knowledge.” Area 36 (2004): 245–261. Antoine, Philippe. “Une Rhétorique de la spontanéité. Le cas de la Promenade.” Voyager en France au temps du romantisme. Poétique, esthétique, idéologie . Ed. 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Women Travel Writers and the Language of Aesthetics, 1716– 1818 . Cambridge: Cambridge UP, 1995. Bordwell, David. “Art Cinema as a Mode of Film Practice.” Film Criticism 4.1 (1979): 56–64. Rep. in The European Cinema Reader . Ed. Catherine Fowler. London: Routledge, 2002. 94–102. Bouquet, Stéphane and Lalanne, Jean-Marc. Gus Van Sant . Paris: Editions Cahiers du cinéma, 2009. Bouveresse-Quilliot, Renée. L’Empirisme anglais . Paris: Presses Universitaires de France, 1997. 300 BIBLIOGRAPHY Bradbury, Ray. “Forever and the Earth.” Long after Midnight . New York: Bantam, 1978. Bradshaw, Peter. “Elephant,” The Guardian . 30 Jan. 2004. http://www.the- guardian.com/film/News_Story/Critic_Review/Guardian_ review/0,,1134158,00.html [last accessed on December 14, 2015]. Bray, Bernard. “Le dialogue comme forme littéraire au XVIIe siècle.” CAIEF 24 (1972): 9–29. Breslin, Paul. The Psycho-Political Muse: American Poetry Since the Fifties . Chicago, IL: U of Chicago P, 1987. Brontë, Charlotte. Jane Eyre . Ed. by Richard J. Dunn. New York: Norton, 2001. Brown, Bill. “The Dark Wood of Postmodernity (Space, Faith, Allegory).” PMLA 120.3 (2005): 734–50. Buddhist Scriptures . Selected and trans. E. Conze. Middlesex, England: Penguin, 1973. Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture . Cambridge, MA: Harvard UP, 1995. ———. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination . Oxford: Blackwell, 2005. Bulson, Eric. Novels, Maps, Modernity. The Spatial Imagination, 1850–2000 . New York/London: Routledge, 2007. Burger, John Michael. “A Stone, a Leaf, an Unfound Door. Thomas Wolfe’s Platonic Search.” M. A. Thesis. Ames: Iowa State University, 1988. http://lib. dr.iastate.edu/cgi/viewcontent.cgi?article=1124&context=rtd [last accessed on December 14, 2015]. Bush, Douglas. Mythology and the Romantic Tradition in English Poetry . Cambridge, MA: Harvard UP, 1969. Bush, Ronald. “Late Cantos LXXII-CXVII.” The Cambridge Companion to Ezra Pound . Ed. Ira B. Nadel. Cambridge: Cambridge UP, 1999. 109–138. Butterick, George F. A Guide to The Maximus Poems of Charles Olson. Berkeley, CA: U of California P, 1978. Byron, Mark. “A Defi ning Moment in Ezra Pound’s Cantos : Musical Scores and Literary Texts.” Literature and Music . Ed. Michael J. Meyer. Amsterdam: Rodopi, 2002. 157–182. Calbérac, Yann. Terrains de géographes, géographes de terrain. Communauté et imaginaire disciplinaires au miroir des pratiques de terrain des géographes fran- çais du XXe siècle . Doctoral dissertation in geography. Université Lumière Lyon 2, 2010. Available on line: http://tel.archives-ouvertes.fr/tel-00551481 [last accessed on December 14, 2015]. Caoli, Manuel A. The Origins of Metropolitan Manila: A Political and Social Analysis . Diliman, Quezon City: U of Philippines P, 1999. Careri, Francesco. Walkscapes: La marche comme pratique esthétique . Trans. J. Orsoni. Paris: Jacqueline Chambon, 2013. BIBLIOGRAPHY 301 Carr, Garrett. “The Map of Watchful Architecture.” EchoGéo 18 (2011) http:// echogeo.revues.org/12673 [last accessed on December 16, 2015]. Carter, Paul. The Road to Botany Bay. An Essay in Spatial History . London: Faber and Faber, 1987. __________. The Lie of the Land . London: Faber and Faber, 1996. Casey, Edward. “Between Geography and Philosophy: What Does It Mean to Be in the Place-World? ” Annals of the Association of American Geographers 91 (2001): 683–93. Chambers, Samuel A. The Lessons of Rancière . Oxford: Oxford UP, 2013. Charcot, Jean-Martin . Leçons du mardi à la Salpêtrière. Policlinique 1887–1888 . Paris: Publications du Progrès médical, 1892. 112 ff.; and Policlinique 1888– 1889 , 1889.
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    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 The aF mily Motif in Thomas Wolfe's Drama and Fiction. John Ruffinle P asant Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pleasant, John Ruffinr J , "The aF mily Motif in Thomas Wolfe's Drama and Fiction." (1976). LSU Historical Dissertations and Theses. 2936. https://digitalcommons.lsu.edu/gradschool_disstheses/2936 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
  • Wright Diss in Template Revised

    Wright Diss in Template Revised

    Disconsolate Subjects: Figures of Radical Alterity in the Twentieth Century Novel, From Modernism to Postcolonialism. by Timothy Wright Department of English Duke University Date:_______________________ Approved: ___________________________ Michael Valdez Moses, Supervisor ___________________________ Ian Baucom ___________________________ Srinivas Aravamudan ___________________________ Ranjana Khanna Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2012 ABSTRACT Disconsolate Subjects: Figures of Radical Alterity in the Twentieth Century Novel, From Modernism to Postcolonialism. by Timothy Wright Department of English Duke University Date:_______________________ Approved: ___________________________ Michael Valdez Moses, Supervisor ___________________________ Ian Baucom ___________________________ Srinivas Aravamudan ___________________________ Ranjana Khanna An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2012 Copyright by Timothy Wright 2012 Abstract This dissertation focuses on a group of 20 th and 21 st century novelists writing in English – Samuel Beckett, J.M. Coetzee, and Kazuo Ishiguro – whose fiction is populated by figures of disconsolation: characters who resist, evade, or – in the case of Ishiguro’s protagonists – assiduously attempt to conform to the constitutive social formations and disciplinary technologies of late modernity, among them, notably, the novel itself. These characters thus question the possibilities and limits of political critique and ethical life within a global modernity. I delineate a history of the disconsolate subject that cuts across the categories of modernist, postmodernist, and postcolonial literatures in order to reveal a different literary genealogy, in which an exilic postcoloniality becomes the paradigmatic sensibility for a global late modernist novel.