Archaeology of Vagabondage: South Asia's Colonial Encounter and After

Total Page:16

File Type:pdf, Size:1020Kb

Archaeology of Vagabondage: South Asia's Colonial Encounter and After ARCHAEOLOGY OF VAGABONDAGE: SOUTH ASIA'S COLONIAL ENCOUNTER AND AFTER A Dissertation Submitted to the Committee on Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Faculty of Arts and Science TRENT UNIVERSITY Peterborough, Ontario, Canada (c) Copyright by Avishek Ray 2014 Cultural Studies PhD Graduate Program January 2015 ABSTRACT Archeology of Vagabondage: South Asia's Colonial Encounter and After Avishek Ray My research examines the figure of the 'vagabond' as a case study to illustrate how 'modern' perception of the 'vagabond' has depleted the diversities in its 'pre-modern' counterparts. It argues that the paranoia towards the 'vagabond' was inherited from the west out of the colonial contact leading to the birth of the nation-state and its liaison with 'instrumental rationality' during the high noon of advanced industrial capitalism, while (quasi-religious) itinerancy, on the contrary, had always been tolerated in 'pre-modern' India. The problems I am addressing are: What is the line of thread that separates the 'traveler' from the 'vagabond', the 'explorer' from the 'wanderer'? How do we then politically account for the historic 'ruptures' in the vagabond having been tolerated in the ancient 'Indic' thought [cf. Manusmriti, Arthshastra], encouraged in early Buddhist discourse [cf. Samannaphala Sutta], revered as the 'holy Other' in the Middle Ages [cf. Bhakti-Sufi literature], and eventually marginalized in the 'modern'? While considering issues of cultural differences, my thesis points to how the epistemic shifts from the classical to the medieval, from the medieval to the modern radically alter the value system immanent in the figure of the 'vagabond'. The research argues that the cultural baggage that the expression 'vagabond' is generally associated with, is a product of a specific western/utilitarian value system, which is a distinct 'cultural' category of the 'modern' west that had no resonance in 'pre- modern' India, and hence cannot be necessarily universalizable. The project works in a number of registers: historical, archival, cultural, philosophical and representational, involves analysis of literary, filmic texts, also legislative documents, and is genuinely interdisciplinary in nature. As of ii discourse analysis, the project studies the politics of cultural representations both of and by 'vagabonds'. Keywords: Vagabond, India, Vagrancy Act, 1943 Bengal Famine, Chittaprosad, Zainul Abedin, Samannaphala Sutta, Buddhism, Rahul Sankrityayan, Kalkut, Premankur Atorthy iii Acknowledgments First, I want to thank Debaprasad Bandyopadhyay for all his support and encouragement. I wish this project measures up to his unconditional support and colossal erudition. At various stages of this project, I have greatly benefited from stimulating conversations with and insightful feedbacks from Shibaji Bandyopadhyay and Sandip Bandyopadhyay. I sincerely thank both of them. Tejaswini Niranjana's formidable mentorship, lamentably for a short phase though, had helped me think through the project when it was very nascent. I also want express gratitude to my friends, Jeremy Leipert, Laura Greenhood, Corey Ponder, and Soumik Datta for generously agreeing to render editorial assistance at different phases. Jonathan Hodges, Hugh Hodges and Ramin Jahanbegloo deserve thanks for their comments and feedback during the thesis defence. Last but not the least, my heartfelt thanks to Ihor Junyk, my supervisor, for his support and critical inputs, and Ian Mclachlan, my committee reader, in remembrance of the excellent conversationalist that he has always been. iv Table of Contents Abstract ii Acknowledgments iv Introduction 1 A Note on Pre-history of Vagabondage 30 Imag(in)ing the Vagabond: Virulent Mobility in Post-Colonial Times 94 Literarizing The Vagabond: Towards a Radical Theory of Wandering 157 Conclusion 220 References 238 1 Introduction In 1907 the Bombay Government denied a ‘vagabond’ his right to his father’s pension only because he was assessed to be a ‘vagabond’. The 1907 file from the Bombay Police reads: ‘[T]he widow had only one son – a vagabond – and so the pension was granted to the widow (instead of to the son) for the support of herself and her daughter’. Next, the reportage legitimizes the decision by citing a similar case – what the report calls a deviation from the ‘proper course’ – with another widow. In the latter case, however, the widow received a pension because her two elder sons had separated from the family. Notwithstanding the gender-angle, what catches my attention is the ‘cultural baggage’ associated with the idea of the vagabond, and how it acts as key factor in the verdict of this case. The pledge that the pension of seven rupees -- by no means a paltry sum in 1907 -- must go in favor of the widow instead of the son, has been solely supported by the fact that the latter had become a vagabond. The case is also interesting for a second reason: it involved a conflict of opinions between the Finance Department and the Bombay Government. While the latter was in favor of granting the pension to the widow for life, the Finance Department proposed that the pension should be paid for twelve years or till her remarriage, whichever was earlier. Curious about whether there had been any repeal or revision, I wanted to check on further follow-ups of the case. But this must have been in reality a very insignificant incident, one potentially incapable of grossly stirring public curiosity, for there had been no further follow-ups available on record; moreover, hardly half a page was spared for this single report in its entirety. Nevertheless, questions do persist: When and how did the widow or the Government come to the conclusion that the son had become a ‘vagabond’? Did the ‘vagabond’ son really ‘disappear’? Did he ever return? Does his becoming a ‘vagabond’ 2 bear the same kind of consequences as becoming ‘separated’ from the family? Even in the lack of verifiable sources on the whereabouts of the son, one cannot but be amazed at the way one's becoming a ‘vagabond’ has been uttered in the same breath with one's ‘separating from the family’, and has been equated with self-ostracization in the eyes of the law. From the manner it has been reported, it follows as if like a corollary to vagabondage, that the vagabond son may now be disentitled, if not deprived, from his claims although there is no mention of him having either renounced the family or refused to support it financially. What needs asking at this point is: how do we unpack the 'constructedness' of the apriori assumptions that cloak the idea of the ‘vagabond’? How did they crystallize at all in the first place? Why and when is the idea of vagabondage naturalized as a punishable crime? What conflates this idea with the notion of abstaining from responsibilities, familial or otherwise? These questions comprise the central problematic of my research. My research examines the figure of the ‘vagabond’ as a case study to illustrate how ‘modern’ perception of the ‘vagabond’ has depleted the diversities in its 'pre-modern' counterparts. It argues that the paranoia towards the 'vagabond', in the context of India, was inherited from the West out of the colonial contact leading to the birth of the nation-state and its liaison with 'instrumental rationality' during the high noon of advanced industrial capitalism, while (quasi-religious) itinerancy, on the contrary, had always been tolerated in ‘pre- modern’ India. The problems I am addressing are: What is the line that separates the ‘traveler’ from the ‘vagabond’, the ‘explorer’ from the ‘wanderer’? How do we then politically account for the historic ‘ruptures’ embodied in the transitions from vagabonds being tolerated in ancient ‘Indic’ thought [cf. Manusmriti, Arthshastra], encouraged in early Buddhist discourse [cf. Samannaphala Sutta], revered as the ‘holy Other’ in the Middle Ages [cf. Bhakti-Sufi literature], to eventually being marginalized in the 3 ‘modern’? While considering issues of cultural differences, my thesis points to how the epistemic shifts – from the classical to the medieval, from the medieval to the modern – radically alter the value system immanent in the figure of the ‘vagabond’. The research argues that the cultural baggage the expression ‘vagabond’ is generally associated with, is a product of a specific Western/utilitarian value system, which is a distinct ‘cultural’ category of the ‘modern’ West that had no resonance in ‘pre-modern’ India, and hence cannot be necessarily universalizable. The 'vagabond' is basically an umbrella-term for a swarm of different categories of travelers: hippie, gypsy, peregrinator, bohemian, hobo, vagrant, tramp, wanderer and so on. The gypsy is the prototype of the footloose, the peregrinator of the quasi- religious mendicant, the tramp of the itinerant miscreant, so on and so forth. They refer to different modes of traveling practices, bear different undertones, positive and negative. But, there is hardly any doubt in the fact that whenever we face these phrases, we tend to take them as ‘naturalized’ concepts without questioning the classificatory intentions therein. Who were the proponents of setting up these classificatory categories? When and why were these set up? What is the ‘telos’ of this dividing practice? Which politico-historical milieu among others allowed this exclusionary dividing practice? And above all, if people had been traveling from antiquity and in so many unessentializably diverse forms, why certain travelers had to be branded as ‘vagabond’? How do we account for the paradox in the ‘explorer’ being venerated in history lessons while, on the flipside, the ‘vagabond’ being convicted of Vagrancy acts? In this project, there is a family of words that I have set in motion around ‘vagabondage’, which is the keyword for the project. These surrounding words – wanderer, nomad, refugee, itinerant, vagrant, the homeless etc. – create regional, 4 context-specific, but overlapping concepts, and do not necessarily allude to any single overarching concept.
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • Railway Employee Records for Colorado Volume Iii
    RAILWAY EMPLOYEE RECORDS FOR COLORADO VOLUME III By Gerald E. Sherard (2005) When Denver’s Union Station opened in 1881, it saw 88 trains a day during its gold-rush peak. When passenger trains were a popular way to travel, Union Station regularly saw sixty to eighty daily arrivals and departures and as many as a million passengers a year. Many freight trains also passed through the area. In the early 1900s, there were 2.25 million railroad workers in America. After World War II the popularity and frequency of train travel began to wane. The first railroad line to be completed in Colorado was in 1871 and was the Denver and Rio Grande Railroad line between Denver and Colorado Springs. A question we often hear is: “My father used to work for the railroad. How can I get information on Him?” Most railroad historical societies have no records on employees. Most employment records are owned today by the surviving railroad companies and the Railroad Retirement Board. For example, most such records for the Union Pacific Railroad are in storage in Hutchinson, Kansas salt mines, off limits to all but the lawyers. The Union Pacific currently declines to help with former employee genealogy requests. However, if you are looking for railroad employee records for early Colorado railroads, you may have some success. The Colorado Railroad Museum Library currently has 11,368 employee personnel records. These Colorado employee records are primarily for the following railroads which are not longer operating. Atchison, Topeka & Santa Fe Railroad (AT&SF) Atchison, Topeka and Santa Fe Railroad employee records of employment are recorded in a bound ledger book (record number 736) and box numbers 766 and 1287 for the years 1883 through 1939 for the joint line from Denver to Pueblo.
    [Show full text]
  • Chapter Seven
    2008006. Sinha. 07_Chapter7. Proef 4. 13-5-2008:12.06, page 189. chapter seven CONCLUSIONS When the World War came to an end in 1945 after the dropping of the atom bomb on Japan by America, the world scenario changed overnight. The Allies had won the war and the Axis Powers had lost it. The war which had been fought almost all over the world was decided in Japan in Asia. The time of the final defeat, its location and the ulti- mate weapon used for it are the three factors crucial for understanding the problems and issues concerned with the development of science in India and in fact in Asia as a whole. This was a period of national upsurge against foreign rule in most of the Western colonies in Asia, and thus against imperialism and Western capitalism—a high time for the West to tame the tide in their favour. The Indian subcontinent was in the last leg of its freedom struggle and many adjoining regions were undergoing similar movements; but it was the farthest Japan that posed the greatest danger for the Western Allies. Rooted in a typical cultural tradition of the East, Japan was seething with aggressive nationalism and ready to take on the forces of the West. To add to the problem, she was calling for the unity of Asia and emerging as harbinger of a cul- tural awakening in the East. A national stirring was already resonant in the Indian subcontinent. Thirty years before the Second World War began, Gandhi’s evocation in his Hind Swaraj had called for reviving the traditional values of the East and for following them for social progress; between the World Wars, Rabindranath Tagore refined the idea with a modern outlook.1 Scholars like B.K.
    [Show full text]
  • Rajendra Prasad
    Rajendra Prasad Rajendra Prasad (3 December 1884 – 28 February 1963) was the first President of His Excellency India, in office from 1952 to 1962.[1] He was an Indian political leader, and lawyer by training, Prasad joined the Indian National Congress during the Indian Rajendra Prasad Independence Movement and became a major leader from the region of Bihar. A supporter of Mahatma Gandhi, Prasad was imprisoned by British authorities during the Salt Satyagraha of 1931 and the Quit India movement of 1942. After the 1946 elections, Prasad served as Minister of Food and Agriculture in the central government. Upon independence in 1947, Prasad was elected as President of the Constituent Assembly of India, which prepared the Constitution of India and served as its provisional parliament. When India became a republic in 1950, Prasad was elected its first president by the Constituent Assembly. Following the general election of 1951, he was elected president by the electoral college of the first Parliament of India and its state legislatures. As president, Prasad established a tradition of non-partisanship and independence for the office-bearer, and retired from Congress party politics. Although a ceremonial head of state, Prasad encouraged the development of 1st President of India education in India and advised the Nehru government on several occasions. In 1957, In office Prasad was re-elected to the presidency, becoming the only president to serve two 26 January 1950 – 13 May 1962 full terms.[2] Prime Minister Jawaharlal Nehru Vice President Sarvepalli
    [Show full text]
  • Ugc-Net-50-Indian-Culture-Ii-Question
    Signature and Name of Invigilator OMR Sheet No. : .......................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (Name) (In words) J 0 5 0 1 8 PAPER - II Time : 2 hours] INDIAN CULTURE [Maximum Marks : 200 Number of Pages in this Booklet : 40 Number of Questions in this Booklet : 100 Instructions for the Candidates ¬⁄UˡÊÊÁÕ¸ÿÙ¢ ∑§ Á‹∞ ÁŸŒ¸‡Ê 1. Write your roll number in the space provided on the top of 1. ß‚ ¬ÎDU ∑§ ™§¬⁄U ÁŸÿà SÕÊŸ ¬⁄U •¬ŸÊ ⁄UÙ‹U Ÿê’⁄U Á‹Áπ∞– this page. 2. This paper consists of hundred multiple-choice type of questions. 2. ß‚ ¬˝‡Ÿ-¬òÊ ◊¢ ‚ÊÒ ’„ÈÁfl∑§À¬Ëÿ ¬˝‡Ÿ „Ò¥– 3. At the commencement of examination, the question booklet 3. ¬⁄UˡÊÊ ¬˝Ê⁄êU÷ „ÙŸ ¬⁄U, ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê •Ê¬∑§Ù Œ ŒË ¡ÊÿªË– ¬„‹U ¬UÊ°ø Á◊Ÿ≈U will be given to you. In the first 5 minutes, you are requested •Ê¬∑§Ù ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ÃÕÊ ©‚∑§Ë ÁŸêŸÁ‹Áπà ¡Ê°ø ∑§ Á‹∞ ÁŒÿ to open the booklet and compulsorily examine it as below : ¡Êÿ¢ª, Á¡‚∑§Ë ¡Ê°ø •Ê¬∑§Ù •fl‡ÿ ∑§⁄UŸË „Ò — (i) To have access to the Question Booklet, tear off the (i) ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ∑§ Á‹∞ ¬ÈÁSÃ∑§Ê ¬⁄U ‹ªË ∑§Êª¡ ∑§Ë ‚Ë‹ ∑§Ê paper seal on the edge of this cover page. Do not accept »§Ê«∏ ‹¢U– πÈ‹Ë „È߸ ÿÊ Á’ŸÊ S≈UË∑§⁄U-‚Ë‹U ∑§Ë ¬ÈÁSÃ∑§Ê SflË∑§Ê⁄U Ÿ ∑§⁄¢U– a booklet without sticker-seal and do not accept an open booklet.
    [Show full text]
  • The Domestic Is Not Free, Nov 2—10, Spotlighting the Ways Women Have Created, Challenged, and Subverted Domesticity
    BAM presents Women at Work: The Domestic Is Not Free, Nov 2—10, spotlighting the ways women have created, challenged, and subverted domesticity October 9, 2018/Brooklyn, NY—From Friday, November 2 through Saturday, November 10 BAM presents Women at Work: The Domestic Is Not Free, a wide-ranging series spotlighting the overlooked work women take on in the home as house-workers, caretakers, and familial partners. The Domestic Is Not Free is the third edition of the ongoing Women at Work series—following Women at Work: Labor Activism in March and Women at Work: Radical Creativity in August—and highlights the historically erased and undervalued physical and emotional labor women perform, often invisibly, every day. The series considers the myriad ways in which women around the world have challenged and subverted traditional associations between gender and domesticity. Exploring the intersections of labor, race, class, and social environment, these films embody human stories of sacrifice and endurance. BAM Cinema Department Coordinator and programmer of the series Natalie Erazo explains, “I learned early on to value the domestic space and appreciate the women around me who shaped it. I hope this series will encourage viewers to acknowledge the monotony and emotional bearing of a life often relegated to being behind the scenes.” The series opens with Ousmane Sembène’s seminal Black Girl (1966—Nov 2). Screening with short films Fannie’s Film (Woods, 1979) and Fucked Like a Star (Saintonge, 2018), these films depict black women in roles of domestic service while also giving audiences access to their inner thoughts, feelings, and struggles.
    [Show full text]
  • A Weekend of Film on Partition Flyer
    home box office mcr. 0161 200 1500 org home PARTITION A weekend of screenings and special events marking the 70th anniversary of the Partition of India. Qissa, 2013 FRI 9 – SUN 11 JUN HOME presents a weekend The Cloud-Capped Star Qissa of cinematic representations and responses to the events that divided India in 1947, creating first Pakistan and later Bangladesh. The season is designed to THE CLOUD-CAPPED STAR (PG) ONE HOUR INTRO/ PARTITION ON enhance understanding of (MEGHE DHAKA TARA) FILM this momentous historical Sun 11 Jun, 17:00 event, as well as exploring Sat 10 Jun, 15:15 Dir Ritwik Ghatak/IN 1960/122 mins/Bengali wEng ST Tickets £4 full / £3 concs the meanings and legacies of Supriya Choudhury, Anil Chatterjee, Gyanesh Mukherjee This talk will reflect on the imaginings Partition today. Through its tale of Nita’s struggle to keep her refugee family afloat,The of Partition, notably in Indian cinema, Curated by Andy Willis, Reader Cloud-Capped Star operates as a harsh uncovering the reasons for the continued in Film Studies at the University criticism of the social and economic relative silence around such a divisive of Salford, and HOME’s Senior conditions that arose from Partition - a history, how filmmakers have responded over the years, and the contested Visiting Curator: Film. driving force in the life of celebrated filmmaker Ritwik Ghata. role film has played in the traumatic Partition is generously supported by aftermath. The talk will be supported B&M Retail. QISSA: THE TALE OF A LONELY with sequences from key films on GHOST (CTBA) + Q&A Partition.
    [Show full text]
  • The Body, Subjectivity, and Sociality
    THE BODY, SUBJECTIVITY, AND SOCIALITY: Fakir Lalon Shah and His Followers in Contemporary Bangladesh by Mohammad Golam Nabi Mozumder B.S.S in Sociology, University of Dhaka, 2002 M.A. in Sociology, University of Pittsburgh, 2011 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This dissertation was presented by Mohammad Golam Nabi Mozumder It was defended on April 26, 2017 and approved by Lisa D Brush, PhD, Professor, Sociology Joseph S Alter, PhD, Professor, Anthropology Waverly Duck, PhD, Associate Professor, Sociology Mark W D Paterson, PhD, Assistant Professor, Sociology Dissertation Advisor: Mohammed A Bamyeh, PhD, Professor, Sociology ii Copyright © by Mohammad Golam Nabi Mozumder 2017 iii THE BODY, SUBJECTIVITY, AND SOCIALITY: FAKIR LALON SHAH AND HIS FOLLOWERS IN CONTEMPORARY BANGLADESH Mohammad Golam Nabi Mozumder, PhD University of Pittsburgh, 2017 I introduce the unorthodox conceptualization of the body maintained by the followers of Fakir Lalon Shah (1774-1890) in contemporary Bangladesh. This study is an exploratory attempt to put the wisdom of the Fakirs in conversation with established social theorists of the body, arguing that the Aristotelian conceptualization of habitus is more useful than Bourdieu’s in explaining the power of bodily practices of the initiates. My ethnographic research with the prominent Fakirs—participant observation, in-depth interview, and textual analysis of Lalon’s songs—shows how the body can be educated not only to defy, resist, or transgress dominant socio-political norms, but also to cultivate an alternative subjectivity and sociality.
    [Show full text]
  • Why I Became a Hindu
    Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita
    [Show full text]
  • The Cinema of Satyajit Ray Between Tradition and Modernity
    The Cinema of Satyajit Ray Between Tradition and Modernity DARIUS COOPER San Diego Mesa College PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written perrnission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Sabon 10/13 pt. System QuarkXpress® [mg] A catalog record for this book is available from the British Library Library of Congress Cataloging in Publication Data Cooper, Darius, 1949– The cinema of Satyajit Ray : between tradition and modernity / Darius Cooper p. cm. – (Cambridge studies in film) Filmography: p. Includes bibliographical references and index. isbn 0 521 62026 0 (hb). – isbn 0 521 62980 2 (pb) 1. Ray, Satyajit, 1921–1992 – Criticism and interpretation. I. Title. II. Series pn1998.3.r4c88 1999 791.43´0233´092 – dc21 99–24768 cip isbn 0 521 62026 0 hardback isbn 0 521 62980 2 paperback Contents List of Illustrations page ix Acknowledgments xi Introduction 1 1. Between Wonder, Intuition, and Suggestion: Rasa in Satyajit Ray’s The Apu Trilogy and Jalsaghar 15 Rasa Theory: An Overview 15 The Excellence Implicit in the Classical Aesthetic Form of Rasa: Three Principles 24 Rasa in Pather Panchali (1955) 26 Rasa in Aparajito (1956) 40 Rasa in Apur Sansar (1959) 50 Jalsaghar (1958): A Critical Evaluation Rendered through Rasa 64 Concluding Remarks 72 2.
    [Show full text]
  • Music, Partition and Ghatak Priyanka Shah
    Of roots and rootlessness: music, partition and Ghatak Priyanka Shah Vol. 3, No. 1, pp. 120–136 | ISSN 2050-487X | www.southasianist.ed.ac.uk www.southasianist.ed.ac.uk | ISSN 2050-487X | pg. 120 Vol. 3, No. 1, pp. 120–136 Of roots and rootlessness: music, partition and Ghatak Priyanka Shah Maulana Azad College, University of Calcutta, [email protected] At a time when the ‘commercial’ Bengali film directors were busy caricaturing the language and the mannerisms of the East-Bengal refugees, specifically in Calcutta, using them as nothing but mere butts of ridicule, Ritwik Ghatak’s films portrayed these ‘refugees’, who formed the lower middle class of the society, as essentially torn between a nostalgia for an utopian motherland and the traumatic present of the post-partition world of an apocalyptic stupor. Ghatak himself was a victim of the Partition of India in 1947. He had to leave his homeland for a life in Calcutta where for the rest of his life he could not rip off the label of being a ‘refugee’, which the natives of the ‘West’ Bengal had labelled upon the homeless East Bengal masses. The melancholic longing for the estranged homeland forms the basis of most of Ghatak’s films, especially the trilogy: Meghe Dhaka Tara (1960), Komol Gondhar (1960) and Subarnarekha (1961). Ghatak’s running obsession with the post-partition trauma acts as one of the predominant themes in the plots of his films. To bring out the tragedy of the situation more vividly, he deploys music and melodrama as essential tropes. Ghatak brilliantly juxtaposes different genres of music, from Indian Classical Music and Rabindra Sangeet to folk songs, to carve out the trauma of a soul striving for recognition in a new land while, at the same time, trying hard to cope with the loss of its ‘motherland’.
    [Show full text]
  • Homeless Campaigns, & Shelter Services in Boulder, Colorado
    Dreams of Mobility in the American West: Transients, Anti- Homeless Campaigns, & Shelter Services in Boulder, Colorado Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew Lyness, M.A. Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Leo Coleman, Advisor Barry Shank Theresa Delgadillo Copyright by Andrew Lyness 2014 Abstract For people living homeless in America, even an unsheltered existence in the urban spaces most of us call “public” is becoming untenable. Thinly veiled anti-homelessness legislation is now standard urban policy across much of the United States. One clear marker of this new urbanism is that vulnerable and unsheltered people are increasingly being treated as moveable policy objects and pushed even further toward the margins of our communities. Whilst the political-economic roots of this trend are in waning localism and neoliberal polices that defined “clean up the streets” initiatives since the 1980s, the cultural roots of such governance in fact go back much further through complex historical representations of masculinity, work, race, and mobility that have continuously haunted discourses of American homelessness since the nineteenth century. A common perception in the United States is that to be homeless is to be inherently mobile. This reflects a cultural belief across the political spectrum that homeless people are attracted to places with lenient civic attitudes, good social services, or even nice weather. This is especially true in the American West where rich frontier myths link notions of homelessness with positively valued ideas of heroism, resilience, rugged masculinity, and wilderness survival.
    [Show full text]