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Economics for Real People
Economics for Real People An Introduction to the Austrian School 2nd Edition Economics for Real People An Introduction to the Austrian School 2nd Edition Gene Callahan Copyright 2002, 2004 by Gene Callahan All rights reserved. Written permission must be secured from the publisher to use or reproduce any part of this book, except for brief quotations in critical reviews or articles. Published by the Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832-4528. ISBN: 0-945466-41-2 ACKNOWLEDGMENTS Dedicated to Professor Israel Kirzner, on the occasion of his retirement from economics. My deepest gratitude to my wife, Elen, for her support and forbearance during the many hours it took to complete this book. Special thanks to Lew Rockwell, president of the Ludwig von Mises Institute, for conceiving of this project, and having enough faith in me to put it in my hands. Thanks to Jonathan Erickson of Dr. Dobb’s Journal for per- mission to use my Dr. Dobb’s online op-eds, “Just What Is Superior Technology?” as the basis for Chapter 16, and “Those Damned Bugs!” as the basis for part of Chapter 14. Thanks to Michael Novak of the American Enterprise Insti- tute for permission to use his phrase, “social justice, rightly understood,” as the title for Part 4 of the book. Thanks to Professor Mario Rizzo for kindly inviting me to attend the NYU Colloquium on Market Institutions and Eco- nomic Processes. Thanks to Robert Murphy of Hillsdale College for his fre- quent collaboration, including on two parts of this book, and for many fruitful discussions. -
Last Apollo Flight Heads for Moon and Seven Seconds of the Countdown
On The Inside Trend to off-campus living ...7 Clarke gets ax from H-man ...page 3 THE OBSERVER serving the notre dame - st. mary's community VOL. V II No. 59 Thursday, December 7, 1972 Third stage prob Last Apollo flight heads for moon and seven seconds of the countdown. The would be the nation’s sixth landing of men by John Noble Wilford term inal countdown sequencer, as the on the Moon and the 11th manned mission (C) 1972 New York Times News Service computer is called, is programmed to stop of the Apollo project. Cernan and Schmitt the launch if it senses any malfunction. A plan to land their lunar module, named r ape Kennedy, Dec. 7- Apollo 17 few minutes after the scheduled lift-off, Challenger, in a narrow valley just beyond ‘'Listed.off toward the moon this morning, which was to have been at 9:53 p.m. a the southeastern rim of the Sea of its fiery exhaust turning night into day, in spokesman for the national aeronautics Serenity. The site is called Taurus-Littrov, a delayed though spectacular beginning of and space administration announced that after the Taurus mountains and the Lit- the nation's last planned lunar mission. the oxygen tank had failed to be trow crater in the area of Apollo 17’s The lift-off came at 12:33 a.m. after a pressurized at the proper time. target. The landing is scheduled for 2:54 delay of more than two hous because of Launch controllers quickly pressurized p.m. -
The Scene Issue 1
i ARI remixthe scene issue 1 NOTHING HAPPENED Artist: Unknown Medium: Mixed Media Location: Brisbane Date: Circa 1980s If you had one word for the Brisbane 80ss art scene what would it be? and if one word isn’t enough then help yourself to some more nothing happened... nothing could be further from the truth time to change the story Brian Doherty If you had one word for the Brisbane 80s art scene what would it be? Please tell me - and if one word isn’t enough then help yourself to some more. I really need your contribution for three ARI Remix publications to help correct the proposition that NOTHING happened. The first publication, to be available online at issuu.com, has a focus on the overall art scene in Brisbane in the 1980s. The second will focus on the Artist Run Spaces and the third will focus on artists. We will be using some content from this facebook site and from the remix.org.au site. You can also submit your ideas and images specifically for the Remix publications at http://www.remix.org.au/pages/ contact-us-01-2/ Just put ‘newsletter’ in the ‘post tag’ field. Hope to hear from you soon!# ariremix “... despite the work that has been done, there remains a general perception that there is not much to either write about or exhibit when it comes to the history of Artist-Run projects in Brisbane...” Peter Anderson Marginal Notes: towards a history of an artist-run scene, Brisbane, the 1980s Eyeline 82, p62 nothing happened.. -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
Boston Planning & Development Agency Scoping Determination 1000 Boylston Street Submission Requirements for Draft Project Im
BOSTON PLANNING & DEVELOPMENT AGENCY SCOPING DETERMINATION 1000 BOYLSTON STREET SUBMISSION REQUIREMENTS FOR DRAFT PROJECT IMPACT REPORT (DPIR) PROPOSED PROJECT: 1000 BOYLSTON STREET PROJECT PROJECT SITE: LOCATED IN BOSTON’S BACK BAY NEIGHBORHOOD, THE PROJECT SITE IS IN AN UNDEVELOPED LOCATION NEAR THE HYNES CONVENTENTION CENTER AND PRUDENTIAL CENTER, THE SHOPS AND RESIDENCES OF THE BACK BAY, THE BUSTLING CORRIDOR OF MASSACHUSETTS AVENEU AND THE CHRISTIAN SCIENCE CENTER PLAZA. PROPONENT: ADG SCOTIA II LLC c/o WEINER VENTURES LLC DATE: JULY 7, 2017 The Boston Redevelopment Authority d/b/a Boston Planning & Development Agency (“BPDA”) is issuing this Scoping Determination pursuant to Section 80B-5 of the Boston Zoning Code (“Code”), in response to a Project Notification Form (“PNF”) which ADG Scotia II LLC c/o Weiner Ventures LLC (the “Proponent”), filed for the 1000 Boylston Street project on January 3, 2017. Notice of the receipt by the BPDA of the PNF was published in the Boston Herald on January 3, 2017, which initiated a public comment period with a closing date of February 2, 2017; the public comment period was subsequently extended until March 17, 2017. Comments received since then have subsequently been added as well. On November 16, 2016, the Proponent filed a Letter of Intent in accordance with the Executive Order regarding Provision of Mitigation by Development Projects in Boston. On January 3, 2016 the Proponent filed a Project Notification Form (PNF) pursuant of Article 80 Large Project Review for a proposal, which includes the development of two new residential buildings at 1000 Boylston St in the Back Bay. -
Pajisad.Es Free Library PALISADES
lni(§ PaJisad.es Free Library Mot to be taken from this room THE PALISADES NEWSLETTER DECEMBER 2004 NUMBER 187 PALISADES KINDER GAR TNERS +he end nf December is a season filled with festivals •f liaht, when we a need it mast. +his liafit reminds us that the sun will eventually vanquish the cold and darkness nf winter- and our children remind us that jay, curiosity and Growth are the key to everyone's future. CLASS OF 2017 LEFT TO RIGHT: Henry Garrison, Katie Lappin, Rontan Carroll, Dionna Sheer, Shaan Greenberg, Cole Thomas Cappelletti, Kevin Lynch. PHOTOS: GERRY MIRAS A Dark Season That Celebrates Light +he Spirit Is Willing but the Supply Chain is Weak... by Greta Nettleton lions of other workers seated in front of On a damp, grey day their computers are doing all across our in mid-November, metropolitan area in a mind-bending array of 'diverse' jobs and professions. None of us it's not hard to understand the has to go out into the fields in the rain and whack clods of cold black mud with a short- fundamental need handled hoe to dig up turnips for dinner - to celebrate light we eat well, easily, winter and summer. and warmth in December. For better or for worse, petroleum plays the key role in supporting the many comforts utside, the sky seems dark even at provided by our civilization as it is orga• midday and cold rain falls steadily nized right now. (Gas is still as cheap as bot• Othrough the woods. Inside, the tled water — compare the prices next time house is warm, the dog lies sleeping by the you go to a convenience store.) radiator on his little red rug and the radio emits a cheerful parade of Irish fiddle tunes. -
From Radical to Routine: BURNING MAN and the TRANSFORMATION of a COUNTERCULTURAL MOVEMENT
From Radical to Routine: BURNING MAN AND THE TRANSFORMATION OF A COUNTERCULTURAL MOVEMENT Thesis Presented in partial fulfillment of the requirements for the degree Master of Arts in the Welch School for Graduate Studies Goucher College By Miriam Fathalla, B. Soc. Sci. Master of Arts in Cultural Sustainability Program Goucher College 2015 Thesis Committee: Robert Baron, Ph.D., Advisor Rory Turner, Ph.D. Brian Doherty Abstract Burning Man refers to three entities; a community of motivated creatives, an organizational body and the week-long Nevada-desert art event that attracts up to 70,000 participants annually and culminates in the burning of a large effigy. All three iterations are rapidly growing and ask participants to embrace Ten Principles (or social ideals held in common) in order to create the liminal space that is ripe for individual and social transformation inherent to the Burning Man experience. With what may be considered widespread success of the event, Burning Man is grappling with how to sustain, protect and grow the culture of the event and community with many new participants each year. This work explores how the radical, avant-garde and transgressive event has necessarily changed over its 29-year history and how institutionalization, normalization and regulation has affected the spirit of curiosity, ingenuity and communitas at the heart of this extreme experience. It examines the trajectory of emergent culture, how emergent and dominant cultures interface and the role of cultural incorporation in this process. This work points to new directions for the practice and growing body of Cultural Sustainability work and theory by focusing on emerging cultural phenomenon and analyzing how Cultural Sustainability practices may be applied to the conscious creation/evolution of a culture. -
Economics-For-Real-People.Pdf
Economics for Real People An Introduction to the Austrian School 2nd Edition Economics for Real People An Introduction to the Austrian School 2nd Edition Gene Callahan Copyright 2002, 2004 by Gene Callahan All rights reserved. Written permission must be secured from the publisher to use or reproduce any part of this book, except for brief quotations in critical reviews or articles. Published by the Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832-4528. ISBN: 0-945466-41-2 ACKNOWLEDGMENTS Dedicated to Professor Israel Kirzner, on the occasion of his retirement from economics. My deepest gratitude to my wife, Elen, for her support and forbearance during the many hours it took to complete this book. Special thanks to Lew Rockwell, president of the Ludwig von Mises Institute, for conceiving of this project, and having enough faith in me to put it in my hands. Thanks to Jonathan Erickson of Dr. Dobb’s Journal for per- mission to use my Dr. Dobb’s online op-eds, “Just What Is Superior Technology?” as the basis for Chapter 16, and “Those Damned Bugs!” as the basis for part of Chapter 14. Thanks to Michael Novak of the American Enterprise Insti- tute for permission to use his phrase, “social justice, rightly understood,” as the title for Part 4 of the book. Thanks to Professor Mario Rizzo for kindly inviting me to attend the NYU Colloquium on Market Institutions and Eco- nomic Processes. Thanks to Robert Murphy of Hillsdale College for his fre- quent collaboration, including on two parts of this book, and for many fruitful discussions. -
(Wooster, OH), 1993-09-17 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1991-2000 "The oV ice" Student Newspaper Collection 9-17-1993 The oW oster Voice (Wooster, OH), 1993-09-17 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1991-2000 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1993-09-17" (1993). The Voice: 1991-2000. 70. https://openworks.wooster.edu/voice1991-2000/70 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1991-2000 by an authorized administrator of Open Works. For more information, please contact [email protected]. Volume CX, Issue 3 The student newspaper of the College of Wooster Friday, September 17, 1993 TER Feature Campes Coeecil revises speech cede By TODD LEWIS not the result of student concern. aggressive kind of use of racially or esdycan"tanswerthatquestion. That's Rather, it reflected a wish on the part gender stereotypical slur." not a section which the committee Upperclass snxkjits atWooster this of Council to clarify a perceived mis- Asked ifthis meantthatonly speech looked at Clearly, all the other ex- year are returning to a campus where conception on the part of students directed at offending a fellow student amples listed in the code are directed restrictions on what theycan and can- about the ex- was prosecut-- " at an individual or group, so that isthe ' not say have been changed. -
PDF (V. 73:9, November 18, 1971)
BOD Makes Sweeping Financial Changes by Gavin Claypool of his dues he wishes to be Sharon Spivak, who asked for The ASCIT Board of Directors budgeted for each listing. Three reasons for "cutting the budget, approved legislation Monday dollars will still be used for a except to please certain people." allowing students to designate how subscription to The California Tech Supporting the lowering of dues their second term dues would be and an additional amount for the was lHC Chairman Ron Horn, who budgete d. general operation of ASCIT moved that a bylaws change for The motion was proposed by (stationery, phone bills, etc.). lowering the dues be drafted and Ron Horn as the culmination of a Rumored threats of large scale that the budget be revised. Norris two-hour long discussion on the role House secessions from ASCIT Krueger seconded the motion, but it of ASCIT and its responsibilities. c a use d the BOD to was defeated 3-4 with President While the final details still remain debate-sometimes heatedly-on the Steve Watkins casting the deciding to be worked out, the plan is that manner in which the corporation vote. students regIsterIng, . for secon d term dues have been budgeted. Watkins asked the BOD what will receive a form IIstmg·· th e The dl'scussI'on bounced back and their function would be, if funding following categones:. athI'etlcs, cI u bs, forth from the loss of revenue due to random campus clubs was cut social programs, and ASCIT to massive withdrawl of members, out. (These subsidies, according to mobvies. -
84 UD Students Arrested in Provost Search
In Sports In Section 2 An Associated Collegiate Press Four-Star All-American Newspaper A lot more to and a National Pacemaker Michelle Pfeiffer think about than comes of age just football THE innocently page 84 page Bl EVI TUESDAY FREE 84 UD students Perot bashes bill arrested No, not Clinton. Two School Lane parties lead to the former candidate underage drinking charges. rips onNAFTA. BY SHERRY A DORSEY BY E IANENE NOLAN carrying the c ountry on the ir Si.dlfReporter Associate News Editor shoulders ." A total of 122 people, 84 of whom Nearly 3,000 people packed In order to remain a safe were university students, were arrested the Bob Carpenter Center country and not take jobs away at two parties in the School Lane Sunday to hear former from American workers, Perot Apartments Saturday, said LL. Bill Presidential candidate H . Ross said, we must not break down Nefosky of Newark Police. Perot speak out against the the trade regulations with According to the Wilmingtqn News North. American Free Trade Canada'and especially Mexico. Journal, police said 112 of those Agreement (NAFTA). Music was used as a vehicle arrested at 16 and 18 Yale Avenue The lecture was sponsored by for enthusiasm and inspiration were charged with underage drinking, United We Stand America as Perot quoted lyrics from while four were charged with (UWSA) of Delaware, a local country music group Alabama's disorderly conduct, three with song "40-Hour Week," which disorderly premises and three with deals with the working-class noise violations. Up close with Ross, AS people in the country. -
What Is Post-Punk?
What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style ..........................................................................................................