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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
Economics for Real People
Economics for Real People An Introduction to the Austrian School 2nd Edition Economics for Real People An Introduction to the Austrian School 2nd Edition Gene Callahan Copyright 2002, 2004 by Gene Callahan All rights reserved. Written permission must be secured from the publisher to use or reproduce any part of this book, except for brief quotations in critical reviews or articles. Published by the Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832-4528. ISBN: 0-945466-41-2 ACKNOWLEDGMENTS Dedicated to Professor Israel Kirzner, on the occasion of his retirement from economics. My deepest gratitude to my wife, Elen, for her support and forbearance during the many hours it took to complete this book. Special thanks to Lew Rockwell, president of the Ludwig von Mises Institute, for conceiving of this project, and having enough faith in me to put it in my hands. Thanks to Jonathan Erickson of Dr. Dobb’s Journal for per- mission to use my Dr. Dobb’s online op-eds, “Just What Is Superior Technology?” as the basis for Chapter 16, and “Those Damned Bugs!” as the basis for part of Chapter 14. Thanks to Michael Novak of the American Enterprise Insti- tute for permission to use his phrase, “social justice, rightly understood,” as the title for Part 4 of the book. Thanks to Professor Mario Rizzo for kindly inviting me to attend the NYU Colloquium on Market Institutions and Eco- nomic Processes. Thanks to Robert Murphy of Hillsdale College for his fre- quent collaboration, including on two parts of this book, and for many fruitful discussions. -
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飞鸟ä¹é ˜Ÿ 音樂專輯 串行 (专辑 & 时间表) Sweetheart of the Rodeo https://zh.listvote.com/lists/music/albums/sweetheart-of-the-rodeo-928243/songs Fifth Dimension https://zh.listvote.com/lists/music/albums/fifth-dimension-223578/songs Mr. Tambourine Man https://zh.listvote.com/lists/music/albums/mr.-tambourine-man-959637/songs Younger Than Yesterday https://zh.listvote.com/lists/music/albums/younger-than-yesterday-2031535/songs Ballad of Easy Rider https://zh.listvote.com/lists/music/albums/ballad-of-easy-rider-805125/songs (Untitled) https://zh.listvote.com/lists/music/albums/%28untitled%29-158575/songs Byrds https://zh.listvote.com/lists/music/albums/byrds-1018579/songs Dr. Byrds & Mr. Hyde https://zh.listvote.com/lists/music/albums/dr.-byrds-%26-mr.-hyde-1253841/songs Byrdmaniax https://zh.listvote.com/lists/music/albums/byrdmaniax-1018576/songs Byrdmaniax https://zh.listvote.com/lists/music/albums/byrdmaniax-1018576/songs Farther Along https://zh.listvote.com/lists/music/albums/farther-along-1397186/songs Easy Rider https://zh.listvote.com/lists/music/albums/easy-rider-1278371/songs History of The Byrds https://zh.listvote.com/lists/music/albums/history-of-the-byrds-16843754/songs The Byrds https://zh.listvote.com/lists/music/albums/the-byrds-16245109/songs There Is a Season https://zh.listvote.com/lists/music/albums/there-is-a-season-7782757/songs 20 Essential Tracks from the Boxed https://zh.listvote.com/lists/music/albums/20-essential-tracks-from-the-boxed-set%3A- Set: 1965–1990 1965%E2%80%931990-38341997/songs The -
Montana Kaimin, April 17, 1981 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-17-1981 Montana Kaimin, April 17, 1981 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, April 17, 1981" (1981). Montana Kaimin, 1898-present. 7140. https://scholarworks.umt.edu/studentnewspaper/7140 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Editors debate news philosophies By Doug O’Harra of the Society of Professional Montana Kaimin Reporter Journalists about a controversy arising out of the Weekly News’ , Two nearly opposite views of reporting of the trial and senten journalism and newspaper cing, and a Missoulian colum coverage confronted one another nist’s subsequent reply several yesterday afternoon as a Mon days later. tana newspaper editor defended On Sept. 3, Daniel Schlosser, a his paper’s coverage of the trial 36-year-old Whitefish man, was and sentencing of a man con sentenced to three consecutive 15- victed of raping young boys. year terms in the Montana State Before about 70 people, packed Prison for three counts of sexual in the University of Montana assault. -
Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
“Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists. -
Irish Ballads 1. "The Shan Van Vocht" Thomas Moore (Romanticism) 2
Irish Ballads 1. "The Shan Van Vocht" Thomas Moore (Romanticism) 2. "The Minstrel Boy" 3. "The Harp That Once Through Tara's Halls" Anonymous 19th Century 4. "The Old Orange Flute" 5. "The Croppy Boy" Young Ireland 6. “Arthur McBride” (first collected in 1840) 7. "My Dark Rosaleen" (Clarence Mangan) 8. "The West's Asleep" (Thomas Davis) Fenian 9. "The Rising of the Moon" (John Keegan Casey) Easter Rising 10. "Boulavogue" (P. J. McCall, 1898) 11. "Whack Fol the Diddle" (Peadar Kearney, 1916) Contemporary: 1960s and 70s 12. "Four Green Fields" (Tommy Makem) 13. “Free the People” (Phil Coulter, performed by the Dubliners) 14. “The Town I Loved So Well” (Phil Coulter, performed by the Dubliners) 1. The Shan Van Vocht By Anonymous OH! the French are on the say, Says the Shan Van Vocht; The French are on the say, Says the Shan Van Vocht; Oh! the French are in the Bay, 5 They’ll be here without delay, And the Orange will decay, Says the Shan Van Vocht. Oh! the French are in the Bay, They’ll be here by break of day 10 And the Orange will decay, Says the Shan Van Vocht. And where will they have their camp? Says the Shan Van Vocht; Where will they have their camp? 15 Says the Shan Van Vocht; On the Curragh of Kildare, The boys they will be there, With their pikes in good repair, Says the Shan Van Vocht. 20 To the Curragh of Kildare The boys they will repair And Lord Edward will be there, Says the Shan Van Vocht. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
Last Apollo Flight Heads for Moon and Seven Seconds of the Countdown
On The Inside Trend to off-campus living ...7 Clarke gets ax from H-man ...page 3 THE OBSERVER serving the notre dame - st. mary's community VOL. V II No. 59 Thursday, December 7, 1972 Third stage prob Last Apollo flight heads for moon and seven seconds of the countdown. The would be the nation’s sixth landing of men by John Noble Wilford term inal countdown sequencer, as the on the Moon and the 11th manned mission (C) 1972 New York Times News Service computer is called, is programmed to stop of the Apollo project. Cernan and Schmitt the launch if it senses any malfunction. A plan to land their lunar module, named r ape Kennedy, Dec. 7- Apollo 17 few minutes after the scheduled lift-off, Challenger, in a narrow valley just beyond ‘'Listed.off toward the moon this morning, which was to have been at 9:53 p.m. a the southeastern rim of the Sea of its fiery exhaust turning night into day, in spokesman for the national aeronautics Serenity. The site is called Taurus-Littrov, a delayed though spectacular beginning of and space administration announced that after the Taurus mountains and the Lit- the nation's last planned lunar mission. the oxygen tank had failed to be trow crater in the area of Apollo 17’s The lift-off came at 12:33 a.m. after a pressurized at the proper time. target. The landing is scheduled for 2:54 delay of more than two hous because of Launch controllers quickly pressurized p.m. -
The Scene Issue 1
i ARI remixthe scene issue 1 NOTHING HAPPENED Artist: Unknown Medium: Mixed Media Location: Brisbane Date: Circa 1980s If you had one word for the Brisbane 80ss art scene what would it be? and if one word isn’t enough then help yourself to some more nothing happened... nothing could be further from the truth time to change the story Brian Doherty If you had one word for the Brisbane 80s art scene what would it be? Please tell me - and if one word isn’t enough then help yourself to some more. I really need your contribution for three ARI Remix publications to help correct the proposition that NOTHING happened. The first publication, to be available online at issuu.com, has a focus on the overall art scene in Brisbane in the 1980s. The second will focus on the Artist Run Spaces and the third will focus on artists. We will be using some content from this facebook site and from the remix.org.au site. You can also submit your ideas and images specifically for the Remix publications at http://www.remix.org.au/pages/ contact-us-01-2/ Just put ‘newsletter’ in the ‘post tag’ field. Hope to hear from you soon!# ariremix “... despite the work that has been done, there remains a general perception that there is not much to either write about or exhibit when it comes to the history of Artist-Run projects in Brisbane...” Peter Anderson Marginal Notes: towards a history of an artist-run scene, Brisbane, the 1980s Eyeline 82, p62 nothing happened.. -
Joshua and Judges
AdultAdult BibleBible StudyStudy inin SimplifiedSimplified EnglishEnglish •• StudyStudy GuideGuide THE BOOKS OF Joshua and Judges Don Raney BAPTISTWAY PRESS Dallas, Texas ADULT BIBLE STUDY IN SIMPLIFIED ENGLISH Study Guide The Books of Joshua and Judges Copyright © 2005 by BAPTISTWAY PRESS®. All rights reserved. Permission is granted for a church to make as many copies of this publication as needed for use within its ministry. Copies of this publication are not to be sold, distributed, or used in any other manner whatsoever without written permission except in the case of brief quotations. For information, contact BAPTISTWAY PRESS, Baptist General Convention of Texas, 333 North Washington, Dallas, TX 75246-1798. BAPTISTWAY PRESS® is registered in the U.S. Patent and Trademark Office. Unless otherwise indicated, all Scripture quotations are from the HOLY BIBLE, NEW LIFE VERSION, Copyright © 1969, 1976, 1978, 1983, 1986, Christian Literature International, P. O. Box 777, Canby, OR 97013. Used by permission. Identified by “N.L.V.” First edition: August 2005 BAPTISTWAY Management Team Executive Director, Baptist General Convention of Texas: Charles Wade Coordinator, Church Health and Growth Section: H. Lynn Eckeberger Director, Bible Study/Discipleship Center: Dennis Parrott Publishing consultant: Ross West, Positive Difference Communications Language Materials Team Writer for The Books of Joshua and Judges Don Raney, South Oaks Baptist Church, Arlington, Texas Editor for The Books of Joshua and Judges Janet Roberts, Prestonwood Baptist Church, Plano, Texas Paul Atkinson, Facilitator for Basic English Team, Church Growth/New Work Consultant, Bible Study/ Discipleship Center, Baptist General Convention of Texas Patty Lane, Director, Office of Intercultural Initiatives, Baptist General Convention of Texas Nelda P. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
ARSC Journal, Fall 1989 195 Book Reviews
Book Reviews The major problem some people will have with this book involves the criteria for inclusion. But even here it is not too difficult to fault Stambler's reasoning. The major names are here, and covered well. The lesser-known artists are for the most part not included, or mentioned in other entries. However, there are some admirable examples of influential but lesser-known, bands or artists given full coverage, (e.g., The Blasters, Willy Deville, Nils Lofgren, Greg Kihn, Richard Hell and others). And some attempt has been made to include representative heavy metal, rap and punk artists, though not many appear. While it is obvious that in such an all-encompassing work there are bound to be some errors of omission, how could Stambler leave out a band such as R.E.M.? And how can there be an entry for Ian Matthews' semi-obscure band Southern Comfort, yet nothing for Richard Thompson or Fairport Convention? While the book seems to be mainly accurate and fact-filled, some errors did creep in. In the Mike Bloomfield entry, the late guitarist was credited for a solo album by his cohort Nick Gravenites; The Byrds' 1971 LP "Byrdmaniax" appears without the final letter, and at one point Nils Lofgren's pro-solo band Grin is referred to as Grim. There are no doubt a few others, but admittedly none of these errors are fatal. And though the inclusion of 110 pages of appendices in the form of Gold/Platinum Records and Grammy/Oscar winners is nice, I think most of us would prefer an index.