DOCSLIB.ORG

Our 2018 Summer Musicals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Our 2018 Summer Musicals OUR 2018 SUMMER MUSICALS Open to Ages 6-18 Open to Ages 11-18 Must be minimum age by May 1 Must be minimum age by May 1 Rehearses Monday-Thursday Rehearses Monday-Thursday 4pm-6pm 6:30pm-9:30pm First Rehearsal: June 11 First Rehearsal: June 11 No rehearsal July 2-5 No rehearsal July 2-5 Tech/Dress Rehearsals: Tech/Dress Rehearsals: IF YOU CAN’T DO THESE DATES, IF YOU CAN’T DO THESE DATES, YOU CAN’T DO THE SHOW. YOU CAN’T DO THE SHOW. July 20 (12pm-4pm) July 21 (12pm-5pm) July 23-25 (12pm-4pm) July 23-25 (5pm-9pm) Show Dates: Show Dates: July 26 at 7pm July 27 at 7pm July 28 at 2pm & 6pm July 29 at 2pm & 7pm Fees Fees $260 per student, $260 per student, with a $50 audition fee due with registration. with a $50 audition fee due with registration. Dance Auditions: April 29 Dance Auditions: April 29 Singing/Acting Auditions: May 11 & 12 Singing/Acting Auditions: May 11 & 12 Callbacks: May 18 & 19 Callbacks: May 18 & 19 Students will need to attend both the Dance Students will need to attend both the Dance Auditions and a Singing/Acting Audition. Auditions and a Singing/Acting Audition. Callback Auditions are by invitation only. Callback Auditions are by invitation only. Students will need to prepare an audition Students will need to prepare an audition monologue as listed in Audition Packet and monologue as listed in Audition Packet and one of the following songs: one of the following songs: Over the Rainbow Young and Healthy If I Only Had a Brain I Only Have Eyes for You Merry Old Land of Oz Lullaby of Broadway To audition, parents will need to complete an To audition, parents will need to complete an online registration form. Once registration is online registration form. Once registration is complete, an email will be sent confirming complete, an email will be sent confirming audition dates and times. audition dates and times. Overview Our Summer Musicals Program runs 6 weeks including the final week of Tech/Dress Rehearsals and Performances (there is no rehearsal July 2-5). Casting is based on auditions, however past experiences and conflicts will be taken into consideration. Who can audition The program is open to students ages 6-18 for “Wizard of Oz” and ages 11-18 for “42nd Street.” Students must be the minimum age for each show by May 1. Students can select to audition for both shows if they meet the age requirement. We suggest auditioning for both shows to increase casting opportunities. Please note that due to ​ the difficulty level of the material, there is an age requirement for “42nd Street.” Location Auditions and Rehearsals take place at STEPS. Tech/Dress Rehearsals and Performances will take place at a local Auditorium (TBD). Cost Fee is $260 per student, with a $50 audition fee due with registration. If student is cast, the audition fee will be applied to the cost, making the balance $210, due by June 12, 2017. If student is not cast, the $50 will be refunded. If student is cast and does not ​ ​ accept the role, the audition fee will not be refunded. ​ ​ 1 Audition To request an audition, please complete and submit an online Application Form for each student auditioning. Once the form is submitted, the $50 Audition Fee will be posted to the credit card you have on file. If you do not have a credit card on file, the $50 Audition Fee will be due at the time of the audition. Once registration is complete, an email will be sent confirming audition dates and times. The audition will include a group session (via Audition Block) and a dance call. Callback Auditions are by invitation only. Audition materials will be provided with the Audition Information Packet. Dance Audition Blocks ● OZ (ages 6-11): 1:00pm-2:00pm April 29 ● OZ and 42ND (ages 12-18): 2:00pm-3:00pm ● TAP: 3:00pm-4:00pm The Tap Call is by invitation only. Students may be asked to attend this call based on the 1pm and 2pm call. Please be prepared to stay and tap if asked. If you have tap shoes, please bring. If you don’t tap, don’t worry. There will be both a Tap ​ Ensemble and a Non-Tap Ensemble for 42nd Street. Audition Blocks ● 5:30pm-6:30pm: Ages 6-11 May 11 ● 6:30pm-7:30pm: Ages 9-12 ● 7:30pm-8:30pm: Ages 12-18 ● 12:30pm-1:30pm: Ages 6-8 ● 1:30pm-2:30pm: Ages 9-12 May 12 ● 2:30pm-3:30pm: Ages 12-18 ● 3:30pm-4:30pm: Ages 12-18 2 REHEARSAL SCHEDULE Shaded dates are scheduled rehearsals. “Wizard of Oz” rehearses from 4pm-6pm; “42ND Street” rehearses 6:30pm-9:30pm. It is expected that you are available for all rehearsals, however, we will work with conflicts. Please note conflicts will be a determining factor in casting. Also, all July Rehearsals are mandatory rehearsals. If you are not available for these ​ dates, you are not able to do the show. JUNE SUN MON TUES WED THURS FRI SAT 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 JULY SUN MON TUES WED THURS FRI SAT FOURTH OF JULY HOLIDAY (No Rehearsal from June 29-July 8) 8 9 10 11 12 13 14 15 16 17 18 19 20 21 OZ TECH 42ND TECH 12pm-4pm 12pm-5pm 22 23 24 25 26 27 28 OZ OZ OZ OZ 42ND OZ 12pm-4pm 12pm-4pm 12pm-4pm OPENING OPENING 2pm Show 42ND 42ND 42ND 7pm Show 7pm Show 6pm Show 5pm-9pm 5pm-9pm 5pm-9pm 29 42ND 1:30pm Show 6:00pm Show 3 42ND STREET Please note: The heart of 42nd Street are the Chorus Kids. The show glorifies the Ensemble, featuring them in number after number. The Main Company will be the Ensemble and all roles will be cast from the Ensemble. At some point, all actors in the Ensemble will be singing, acting, and dancing. SINGING ROLES The following roles require skills in acting and singing. CHORUS KIDS: Singers and Dancers in the show “Pretty Lady” ​ DOROTHY BROCK: An established Broadway star. Stunning and demanding. Great ​ ​ vocalist. JULIAN MARSH: A bigtime Broadway producer and director. Handsome and ​ charismatic, full of bravado. Strong vocalist. MAGGIE JONES: A Broadway show writer. Sassy and brash. ​ ​ BERT BARRY: A Broadway show writer. Comic and quirky. ​ ​ SINGING/DANCING ROLES The following roles require skills in acting, singing, and tap. CHORUS KIDS: Singers and Dancers in the show “Pretty Lady” ​ PEGGY SAWYER: A young, talented Chorus Kid. Somewhat naive, but full of warmth ​ ​ and charm. BILLY LAWLOR: A Broadway song and dance man. Youthful and charismatic. ​ ​ ANYTIME ANNIE: A Chorus Kid. Perky and cute with lots of fire. ​ PHYLLIS DALE: A Chorus Kid. Stunning with a dry wit. ​ LORRAINE FLEMING: A Chorus Kid. Cute and bit kooky. ​ ​ 4 SPEAKING ROLES The following roles require skills in acting with some minimal singing. PAT DENNING: A former vaudeville partner of Dorothy’s. Handsome and charming. ​ ​ ABNER DILLON: An investor and Dorothy’s boyfriend. Big and loud with lots of ​ charisma. ANDY LEE: The dance director. A taskmaster. Passionate with a good heart. Strong ​ tapper. Could be male or female. OTHER ROLES The following roles require skills in acting, singing, or tap. DIANE LORIMER: A Chorus Kid. Elegant and sophisticated. ​ ETHEL: A Chorus Kid. A snot. ​ FRANKIE: A Chorus Kid. ​ WILLARD: A Chorus Kid. ​ ROBIN: A Chorus Kid. ​ GLADYS: A Chorus Kid. ​ MILLIE: A Chorus Kid. ​ WINNIE: A Chorus Kid. ​ OSCAR: The rehearsal pianist. ​ MAC: The stage manager. Efficient and smart. ​ THUGS: A couple of gangsters. ​ DOCTOR: A medic. ​ 5 THE WIZARD OF OZ SINGING ROLES The following roles require skills in acting and singing. DOROTHY GALE: A young girl from Kansas. Sweet and sincere. ​ SCARECROW / HUNK: A man of straw. Youthful and brave. Also plays Hunk, a ​ farmhand with similar qualities to the Scarecrow. TINMAN / HICKORY: A man of tin. Warm and kind-hearted. Also plays Hickory, a ​ farmhand with similar qualities to the Tinman. COWARDLY LION / ZEKE: A big jungle lion. Affectionate and needy, quite the ​ ​ character. Also plays Zeke, a farmhand with similar qualities to the Cowardly Lion. GLINDA: A beautiful, magical witch. Angelic and wise with great poise. ​ ​ SPEAKING ROLES The following roles require skills in acting with some minimal singing. WICKED WITCH / MISS GULCH: A frightening witch with magical powers. She speaks ​ her mind and is afraid of no one. Also plays Miss Gulch, a spinster school marm with similar qualities to the Witch. THE WIZARD / PROFESSOR MARVEL: A foolish, little man who hides behind a false ​ persona he created to protect himself. Also plays Professor Marvel, a con artist with similar qualities to the Wizard. AUNTIE EM: Dorothy’s Aunt. Stern but loving. ​ ​ UNCLE HENRY: Dorothy’s Uncle. A charming, lovable farmer. ​ OTHER ROLES The following roles require skills in acting, singing, or dancing. TOTO: Dorothy’s dog. Spunky and brave. ​ MAYOR: A Munchkinland councilman. Singing role. ​ BARRISTER: A Munchkinland councilman. Singing role. ​ CORONER: A Munchkinland councilman. Singing role. ​ 6 LULLABY LEAGUE: Munchkin trio. Lovely and lyrical ladies. Singing roles. ​ LOLLIPOP GUILD: Munchkin trio. Tough and incorrigible lads. Singing roles. ​ PALACE GUARD: Emerald City Guard. A sour sap. ​ NIKKO: Winged Monkey Captain. Devout and loyal to the Witch. ​ WINKIE CAPTAIN: A guard at the Witch’s Palace. Steadfast and loyal. ​ MUNCHKINS: Innocent and kind citizens of Munchkinland. Singing roles.
Load more

Recommended publications
  • THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini
    THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy.
    [Show full text]
  • The Mountaineers Players Present the Wizard of Oz at the Magical Kitsap Forest Theater in Bremerton
    The Mountaineers Players present The Wizard of Oz at the magical Kitsap Forest Theater in Bremerton May 28-29, June 3-4, 10-11, 17-18; 2017 – 2:00 pm Contact: 206-542-7815; [email protected] FOR IMMEDIATE RELEASE BREMERTON, WA – The tradition of outdoor theater is alive and well at the Kitsap Forest Theater, and continues this spring with The Wizard of Oz. Each weekend from Memorial Day through Father’s Day the Mountaineers Players will present this beloved classic musical. Both residents of the Kitsap Peninsula and visitors from Seattle and beyond will delight in this family-friendly production at the beautiful Kitsap Forest Theater, located just west of Bremerton. A quarter-mile trail transports visitors to another time and place where stories for all ages have come to life since 1923. The presentation of our spring show coincides with the blooming of the wild rhododendrons that grow along the hillsides and down the trail to the theater. Generations of theatergoers have enjoyed the scenic drive or ferry ride to the theater, and often come early to picnic under the firs before the trail to the theater opens at 1:00 pm. Enjoy our treehouse play structure or hike to Big Tree before or after the show. With The Wizard of Oz in the spring and Tarzan in the summer, the Kitsap Forest Theater’s 2017 season brings two popular shows to life on our unique stage. These uplifting and family-friendly musicals will appeal to young and old alike – treat yourself to a “day away” in the forest and enjoy theater inspired by a magical place.
    [Show full text]
  • If I Only Had a Brain” by Dave Snell
    Article from: Forecasting & Futurism July 2013 – Issue 7 “If I only had a brain” By Dave Snell his often-quoted line from the 1939 movie, The Wizard of Oz, is part of a famous scene where T a Scarecrow (played by Ray Bolger) sings to Doro- thy (the young Judy Garland) about what he would do if he only had a brain. It is long past copyright protection so feel free to view it on the Internet (e.g., http://www.youtube.com/ watch?v=nauLgZISozs&noredirect=1 ). This issue is packed with brainy articles to get those neurons of yours firing away with ideas for exciting new actuarial applications of new techniques and tools that are now avail- able. We begin this set of offerings with an introduction to a neu- ral networking technique called Naïve Bayesian Networks. Jeff Heaton has written an easy-to-follow example, “Bayes- ian Networks for Predictive Modeling,” describing how to use simple conditional probability (remember our old pal Bayes, from your introductory actuarial exams?) enhanced by computer programs to infer an outcome from a collection of past events. He also included an Excel workbook as a One of those approaches is Hidden Markov Models. Brian model to enable you to substitute your own events and make Grossmiller and Doug Norris teamed up to write “Hidden your own inferences from them. After you enjoy his article, Markov Models and You,” an article about how to utilize read about his books on neural networking and his free and these less obvious (hidden?) extensions to the classic Markov open source engine, ENCOG, at his website www.Heaton- Chain models you saw in study notes.
    [Show full text]
  • MCA-500 Reissue Series
    MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366.
    [Show full text]
  • Kitsap Forest Theater
    The Mountaineer Players eelebrating our 80th year present At the beautiful, outdoor Forest Theater Bremerton-Seabeek Hwy. Director: Craig Schieber Choreographer: Guy Caridi Music Director: Ellen Mclain Lowrie Costume Designer: Mary Duckering Sets: Mark jensen We are proud to dedicate this production to 50+ year Mountaineer/Player and life-long 'Oz' enthusiast, Evie MacDonald. THE WIZARD OF OZ by L. Frank Baum With Music and Lyrics of the MGM motion picture score by Harold Arlen and E.Y. Harburg Adapted by john Kane for the Royal Shakespeare Company from the motion picture screenplay. Produced by arrangement with, and the music and dialogue material furnished by TAMS-WJTMARK MUSIC LIBRARY, INC., 560 Lexington Avenue, New York, NY 10022 Synopsis Of Seenes AcrONE SCENE 1: The Kansas Prairie Opening ...................................................................... Girls' Chorus ScENE 2: The Rainbow Over the Rainbow ............................................................... Dorothy SCENE 3: Kansas SCENE 4: Gypsy Caravan SCENE 5: The Twister SCENE 6: Munchkinland Munchkinland 1'Aahs" ................................................. Girls' Chorus Munchkin Musical Sequence .............. Glinda, Dorothy, Munchkins ScENE 7: Munchkinland -The Wicked Witch Yellow Brick Road .......................................................... Munchkins ScENE 8: Scarecrow -The Corn Field ScENE 9: Crows in Cornfield If I Only Had a Brain ............................. Dorothy, Scarecrow, Crows We're Off to See the Wizard .............................. Dorothy, Scarecrow ScENE 10: Tinman -With Apple Trees in Front of his Cottage If I Only Had a Heart .................................... Dorothy, Tinman, Trees ScENE 11: Want to Play Ball? We're Off to See the Wizard ................ Dorothy, Scarecrow, Tin man ScENE 12: The Lion -Wild Forest Lions, Tigers and Bears ........................ Dorothy, Scarecrow, Tinman If I Only Had the Nerve ............... Dorothy, Scarecrow, Tin man, Lion We're Off to See the Wizard .........
    [Show full text]
  • The Behind Google Apps
    The WIZARDS behind Google Apps ADVICE FOR ADMINS FROM ADMINS Pay no attention to that man – or woman – behind the curtain! Actually, that’s not true. When it comes to those dedicated IT professionals who are “behind the curtain,” you should pay attention. They are, in fact, crucial not only to the IT operation in general, but to the successful management of Google Apps in particular. These are the folks who ensure that Google Apps is properly set up and maintained so that it’s always available for everyone that relies on it. Ignore them at your own peril. We won’t make that mistake. Even better, we’ll make sure you don’t make that mistake. Google Apps is a dynamic collaboration platform that enables people to communicate better and be more productive. But it doesn’t happen by wizardry. It just appears that way. We’ve assembled a panel of experienced IT managers who are responsible for keeping Google Apps running in their organizations. We temporarily stopped them from pulling their levers and punching their buttons so they could share their collective wisdom with you. The goal is to help you with your jobs when you have to step back behind your curtain. We suggest you pay close attention. Contents We’re not in Kansas anymore ……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…4 Follow the Yellow Brick Road ……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…6 Data migration ..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…6 Account sync …..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…7
    [Show full text]
  • ​Audition Song Sheet If I Only Had a Brain
    ​AUDITION SONG SHEET IF I ONLY HAD A BRAIN SCARECROW: Do?! Why... if I had a brain... ​ I could while away the hours Conferrin' with the flowers, Consulting with the rain; And my head I'd be a scratchin' While my thoughts are busy hatchin' If I only had a brain. I'd unravel ev'ry riddle for my Individ-diddle In trouble or in pain With the thoughts that you'll be thinkin' You could be another Lincoln If you only had a brain. Oh, I, could tell you why The oceans near the shore I could think of things I'd never Thunk before, And then I'd sit down and think some more. I would not be just a muffin', My head all full of stuffin', My heart all full of pain; And perhaps I'd deserve you and be Even worthy’urve ya, If I only had a brain. ​AUDITION SONG SHEET SOMEWHERE OVER THE RAINBOW DOROTHY: It’s not a place you can get to by boat or train, it’s far, far away, ​ Behind the moon and beyond the rain … Somewhere over the rainbow, way up high There's a land that I've heard of once in a lullaby. Somewhere over the rainbow, skies are blue And the dreams that you dare to dream, Really do come true. Someday I'll wish upon a star And wake up where the clouds are far behind me. Where troubles melt like lemon drops, High above the chimney tops, That's where you'll find me.
    [Show full text]
  • “THE WIZARD of OZ” Lyrics by E. Y. HARBURG Music by HAROLD
    “THE WIZARD OF OZ” For the Wicked Witch. Lyrics by E. Y. HARBURG Who began to twitch, and was reduced to just a stitch Of what was once the Wicked Witch. Music by HAROLD ARLEN Munchkin #1 We thank you very sweetly, for doing it so neatly. Munchkin #2 SOMEWHERE OVER THE RAINBOW You've killed her so completely, (Academy Award Best Song, 1939) That we thank you very sweetly. Glinda Somewhere over the rainbow, way up high, Let the joyous news be spread, There's a land that I heard of The Wicked Old Witch at last is dead! Once in a lullaby. Somewhere over the rainbow, skies are blue, DING DONG! THE WITCH IS DEAD And the dreams that you dare to dream Really do come true. Munchkins Someday I'll wish upon a star Ding Dong! The Witch is dead. And wake up where the clouds are far Which old Witch? The Wicked Witch! Behind me. Ding Dong! The Wicked Witch is dead. Where troubles melt like lemon drops, Wake up - sleepy head, rub your eyes, get out of bed. Away above the chimney tops Wake up, the Wicked Witch is dead. That's where you'll find me. She's gone where the goblins go, Somewhere over the rainbow, bluebirds fly. Below - below - below. Birds fly over the rainbow. Yo-ho, let's open up and sing and ring the bells out. Why then, oh why can't I? Ding Dong the merry-oh, sing it high, sing it low. If happy little bluebirds fly beyond the rainbow, Let them know Why, oh why can't I? The Wicked Witch is dead! Mayor MUNCHKIN LAND As Mayor of the Munchkin City, In the County of the Land of Oz, Glinda I welcome you most regally.
    [Show full text]
  • CT HS Performing Arts Center THURSDAY, JANUARY 26, 7:30PM SATURDAY, JANUARY 28, 7:30PM MONDAY, JANUARY 30, 7:30PM the WIZARD of OZ by L
    Chisholm Trail High School Fine Arts Present CT HS Performing Arts Center THURSDAY, JANUARY 26, 7:30PM SATURDAY, JANUARY 28, 7:30PM MONDAY, JANUARY 30, 7:30PM THE WIZARD OF OZ By L. Frank Baum With Music and Lyrics by Harold Arlen and E. Y. Harburg Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard Orchestration by Larry Wilcox Adapted by John Kane for the Royal Shakespeare Company Based upon the Classic Motion Picture owned by Turner Entertainment Co. and distributed in all media by Warner Bros. Directed by Jesse Esquierdo and Carla Hardy Orchestra Director—Jared Hardy Orchestra Organizers—John Canfield and Hannah Stephens Set and Technical Director—Jeremy Beck Lighting Design—Jesse Esquierdo and Deleon Mejia Costuming—Carla Hardy and Costumes by Dusty Jitterbug Choreography—Lindsey Lindley and Britton Melton Backdrops—Paul Randall and Carla Hardy Foyer Décor—Melanie Bell and Michaela Hanna THE WIZARD OF OZ is presented by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC. 560 Lexington Avenue, New York, New York 10022 (212) 688-2525 www.tamswitmark.com SCENES AND MUSICAL NUMBERS ACT ONE Scene 1: Kansas Prairie...........................................................................................Narrators and Orchestra Scene 2: The Rainbow....................................................................................................“Over the Rainbow” Dorothy Scene 3: Kansas.................................................Miss Gulch, Aunt Em, Uncle Henry, Hickory, Hunk, Zeke Scene 4: Gypsy Caravan............................................................................................Dorothy
    [Show full text]
  • The Wizard of Oz 1939
    The Wizard Of Oz by Noel Langley Florence Ryerson and Edgar Allen Woolf Last revised March 15, 1939 FADE IN -- Title: For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion. To those of you who have been faithful to it in return ...and to the Young in Heart --- we dedicate this picture. FADE OUT: MS -- Dorothy stoops down to Toto -- speaks to him -- then runs down road to b.g. -- Toto following -- DOROTHY She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on -- we'll go tell Uncle Henry and Auntie Em. Come on, Toto. LS -- Farm yard -- Dorothy enters left b.g. along road -- Toto following her -- CAMERA PANS right -- she comes forward thru gate -- runs forward to Aunt Em and Uncle Henry working at Incubator -- DOROTHY Aunt Em! Aunt Em! MS -- Aunt Em and Uncle Henry working with baby chicks in incubator -- Dorothy runs in -- speaks to them -- Dorothy picks up baby chick -- CAMERA TRUCKS back as Aunt Em and Dorothy come forward -- Aunt Em puts chick in coop with hen -- then TRUCKS forward as they go to b.g. to incubator -- Dorothy reacts -- Uncle Henry looks at her -- CAMERA PANS her to left across yard -- DOROTHY Aunt Em! AUNT EM Fifty-seven, fifty-eight -- DOROTHY Just listen to what Miss Gulch did to Toto! She -- AUNT EM Dorothy, please! We're trying to count! Fifty-eight-- DOROTHY Oh, but Aunt Em, she hit him over the -- UNCLE HENRY Don't bother us now, honey -- this old incubator's gone bad, and we're likely to lose a lot of our chicks.
    [Show full text]
  • The Behind Google Apps
    The WIZARDS behind Google Apps ADVICE FOR ADMINS FROM ADMINS Pay no attention to that man – or woman – behind the curtain! Actually, that’s not true. When it comes to those dedicated IT professionals who are “behind the curtain,” you should pay attention. They are, in fact, crucial not only to the IT operation in general, but to the successful management of Google Apps in particular. These are the folks who ensure that Google Apps is properly set up and maintained so that it’s always available for everyone that relies on it. Ignore them at your own peril. We won’t make that mistake. Even better, we’ll make sure you don’t make that mistake. Google Apps is a dynamic collaboration platform that enables people to communicate better and be more productive. But it doesn’t happen by wizardry. It just appears that way. We’ve assembled a panel of experienced IT managers who are responsible for keeping Google Apps running in their organizations. We temporarily stopped them from pulling their levers and punching their buttons so they could share their collective wisdom with you. The goal is to help you with your jobs when you have to step back behind your curtain. We suggest you pay close attention. Contents We’re not in Kansas anymore ……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…4 Follow the Yellow Brick Road ……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…6 Data migration ..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…6 Account sync …..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..……..…7
    [Show full text]
  • American Dance Band Music Collection Finding Aid (PDF)
    American Dance Band Music Collection (UMKC) collection guide: adb = Series I adb2 = Series II Collection Title Composer1 Composer2 Lyricist1 Arranger Publisher Publishing Place Publishing Date Notes adb "A" - you're adorable Kaye, Buddy Wise, Fred Flanagan, Ralph Laurel Music Co., New York, N.Y.: 1948. Lippman, Sidney- comp. adb "Gimme" a little rose Turk, Roy Smith, Jack Bleyer, Archie Irving Berling, Inc., New York, N.Y.: 1926. Pinkard, Macco-comp. adb "High jinks" waltzes Friml, Rudolf Savino, D. G. Schirmer, New York, N.Y.: 1914. adb "Hot" trombone Fillmore, Henry The Fillmore Cincinnati, Oh.: 1921. Bros. Co., adb "March" Arabia Buck, Larry Alford, Harry L. Forster Music Chicago, Ill. : 1914. Publisher Company, adb "Murder," he says McHugh, Jimmy Loesser, Frank Schoen, Vic Paramount Music New York, N.Y.: 1943. Corp., adb "Nelida" three step Eaton, M.B. Lyon & Healy, 1902. adb A La Paree Verdin, Henri Belwin Inc., New York, N.Y.: 1920. adb A Los Toros Salvans, A. Lake, M.L. Carl Fischer, New York, N.Y.: 1921. adb A zut alors-As you please Lamont, Leopold Leo Feist Inc., New York, N.Y.: 1913. adb Aba daba honeymoon Fields, Arthur Donovan, Walter Warrington, Leo. Feist, Inc., New York, N.Y.: 1951. Johnny adb Abie, take an example from Brockman, James O'Hare, W.C. M. Witmark & New York, N.Y.: 1909. inc: If I could gain the your fader Sons, world by wishing adb About a quarter to nine Warren, Harry Dubin, Al Weirick, Paul M. Witmark & New York, N.Y.: 1935. Sons, adb Absence Rosen Sullivan, Alex Barry, Frank E.
    [Show full text]