Visible Cloaks Reassemblage

Total Page:16

File Type:pdf, Size:1020Kb

Visible Cloaks Reassemblage Visible Cloaks Reassemblage Visible Cloaks’ Reassemblage is a collection of delicately rendered passages of silence and sound that invokes – and invites - consciousness. The foundation of the duo’s second album is gently poured upon the ground their musical predecessors explored, using the materials of chance operations, MIDI “translation,” and other generative principles that favor inclusive musical environments over the narrowly constrained. In 2010, Spencer Doran, one part of Visible Cloaks alongside Ryan Carlile, prepared the first volume ofFairlights, Mallets, and Bamboo, a mixtape indicated by Doran as “an investigation into fourth-world undercurrents in Japanese ambient and pop music, years 1980 - 1986.” These mixes contextualized the outré orbit of Yellow Magic Orchestra-related solo projects and their abstract, radiant forays as forever futuristic modes of music. Reassemblage evokes similar musical futures celebrated on the Fairlights mixes, but does so observantly rather than reverently. The title Reassemblage, for example, is taken from a film essay byTrinh T. Minh-ha, which explores the impossibility of ascribing meaning to ethnographic images. The author aims to “speak nearby” rather than “speak about.” In other words, to embrace lapses of understanding, and realize that the impulse to map direct meaning across a cultural gap often results in further disconnect. In an effort to “speak nearby” rather than “speak about,” Visible Cloaks Track Listing RVNG Intl. filters and forms source material to become young again. Often the duo strip 1. Screen PO Box 20752 tonal elements of their specificity or randomize melodies so they become 2. Valve (ft. Miyako Koda) Tompkins Sq. stirring and lucid. Essential patterns emerge, conscious experience heightens. 3. Bloodstream New York NY 10009 In these moments, the musical language of Reassemblage finds unlimited 4. Terrazzo (ft. Motion Graphics) 5. Wintergreen [email protected] resonance and presents a path to uninhabited realities. 6. Circle 718 812 8443 The origin of this language could be described as translingual or 7. Mask polyglottal, working within the eastern / western feedback loop of influence, 8. Mimesis UPC Fourth World ambiguity, and the universality of human emotion. Incorporating 9. Skyscraper LP— 716670165627 an international array of virtual instruments to advance the idea of pan- 10. Neume (ft. Matt Carlson) 11. Place globalism through digital simulation, tones and colors cohere into a living, 12. Cave (Bonus Track) breathing pool of sensorial experience in Visible Cloaks’ environs. 13. Imprint (Bonus Track) Beyond embracing the fluidity of worldly musical influences, Visible 14. Moon (Bonus Track) Cloaks works fluently between mediums. The contribution of stalwart digital 15. Visible Cloaks & dip in the pool CD— 716670165610 Valve (Revisited) and installation artist Brenna Murphy’s dream dimensions to Reassemblage’s cover artwork and surrounding videos extends the album’s exploration of Cat# global headspace into a visual, visceral reality. RVNGNL37 Additional Information Artist • Hometown: Portland, OR Visible Cloaks • Key Markets: New York, London, Tokyo, Los Angeles, Berlin, Los Angeles, Title Chicago, Paris Reassemblage • RIYL: Ryuichi Sakamoto / Harumi Hosono, Franco Battiato, Roberto Musci & Giovanni Venosta, Erik Satie, Yasuaki Shimizu and Seigen Ono, Eno :~) Genre • Reassemblage is Visible Cloaks’ second album and their first for RVNG Intl. Avant-Garde / Ethnoambient / Interplanetary Folk Music / Musique Plastique • Reassemblage follows in the footsteps of Visible Cloaks’ influentialFairlights, Mallets and Bamboo and Interiors mix series Release dates • Early press support from Resident Advisor, FACT, Fader, Tiny Mix Tapes, and February 17, 2017 more Formats • Reassemblage features artwork and surrounding videos from stalwart LP / CD / Digital Exclusively distributed by digital and installation artist Brenna Murphy Vinyl Is Not Returnable SC Distribution • Reassemblage vinyl comes packaged with a unique holographic obi strip t: 812 335 1572 Box Lot f: 888 678 0167 LP— 23 Inner, 46 Master Carton CD— 80 Inner, 320 Master Carton US domestic sales contact Shelly Westerhausen [email protected] International sales contact Lauren Brown [email protected].
Recommended publications
  • Freunde Guter Musik Berlin Ev
    PRESSEMITTEILUNG FREUNDE GUTER MUSIK BERLIN e.V. Erkelenzdamm 11 – 13 B IV • 10999 Berlin • Telefon ++ 49-30-615 2702 • Fax ++49-30-614 8695 [email protected] • www.freunde-guter-musik-berlin.de 25 Jahre Freunde Guter Musik Berlin e.V. DI ▪ 2. Dezember 2008 ▪ 21:00 The Lappetites Eliane Radigue (France) Kaffe Matthews (UK) Ryoko (Japan) Antye Greie AGF (Germany) The Lappetites is a laptop group playing with digital and sonic linking games for composition – 4 women from different backgrounds and different generations. Maria am Ostbahnhof ▪ An der Schillingbrücke 12 / 8 € DO ▪ 4. Dezember 2008 ▪ 21:00 Heaven And Record Release Concert "Sweeter As The Years Roll By" (Staubgold 87) Tony Buck ▪ Drums Steve Heather ▪ Percussion Martin Siewert ▪ Guitars zeitblom ▪ Bass David Cunningham Solo Electric Guitar and Effects Dj Alec Empire Eat Your Heart Out/Dhr, Berlin Dj Markus Detmer Staubgold/Quecksilber, Berlin Maria am Ostbahnhof ▪ An der Schillingbrücke 15 / 10 € ___________________________________________________________________ Freunde Guter Musik Berlin e.V. in Zusammenarbeit mit Klangraum Minoritenkirche Krems / Nö Festival GmbH, staubgold und Maria am Ostbahnhof, gefördert durch Initiative Neue Musik Berlin e.V. PRESSEMITTEILUNG FREUNDE GUTER MUSIK BERLIN e.V. Erkelenzdamm 11 – 13 B IV • 10999 Berlin • Telefon ++ 49-30-615 2702 • Fax ++49-30-614 8695 [email protected] • www.freunde-guter-musik-berlin.de 25 Jahre Freunde Guter Musik Berlin e.V. Eine avancierte Frauencomputerband und eine avantgardistische, kompromisslose Rock-Männerband mit Gastauftritt und DJ-Nacht sind das diesjährige Jubiläumsprogramm der Freunde Guter Musik Berlin im Kultort Maria am Ostbahnhof. Besucher früherer Freunde-Konzerte werden unter den etablierten Labels FEMMES ÉLÉCTRONIQUE und BANDS’N’BOYS alte Bekannte in neuen Formationen wieder treffen wie Eliane Radigue und zeitblom.
    [Show full text]
  • Variations 05
    Curatorial > VARIATIONS With this section, RWM continues a line of programmes VARIATIONS #5 devoted to exploring the complex map of sound art from different points of view organised in curatorial series. The Discipline "Variation" is the formal term for a musical composition As art and industrial practitioners formally map out the discipline, hip-hop's based on a previous musical work, and many of those discovery of digital sampling technology in the mid-80's provided a reintroduction traditional methods (changing the key, meter, rhythm, to its original roots in block party DJ collage. The international success of the new harmonies or tempi of a piece) are used in much the same genre then prompts a legal backlash against the art form, with a rash of lawsuits manner today by sampling musicians. But the practice of filed against both commercially successful pop artists like De La Soul, Biz Markie sampling is more than a simple modernization or expansion & 2 Live Crew and left-field provocateurs like the KLF, Negativland and John of the number of options available to those who seek their Oswald. inspiration in the refinement of previous composition. The history of this music traces nearly as far back as the advent 01. Summary of recording, and its emergence and development mirrors the increasingly self-conscious relationship of society to its experience of music. Starting with the precedents achieved The audience that had come of age during the era of the studio-produced pop by Charles Ives and John Cage, VARIATIONS will present an song was ready for a genre of music which made explicit use of earlier recordings overview of the major landmarks in Sampling Music, to construct new music.
    [Show full text]
  • Music 10378 Songs, 32.6 Days, 109.89 GB
    Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…
    [Show full text]
  • Kazumi Watanabe Kylyn Mp3, Flac, Wma
    Kazumi Watanabe Kylyn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Kylyn Country: Japan Released: 1988 Style: Fusion MP3 version RAR size: 1720 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1709 mb Rating: 4.6 Votes: 771 Other Formats: MP3 DMF AIFF DTS AIFF MP2 AUD Tracklist 1 199X 1:56 2 Sonic Boom 6:30 3 Water Ways Flow Backward Again 5:17 4 Milestones 8:15 5 E-Day Project 5:45 6 Akasaka Moon 4:34 7 Kylyn 2:29 8 I'll Be There 6:38 9 Mother Terra 3:26 Companies, etc. Record Company – Nippon Columbia Co., Ltd. Manufactured By – Nippon Columbia Co., Ltd. Distributed By – Nippon Columbia Co., Ltd. Credits Alto Saxophone, Soprano Saxophone – Toshiyuki Honda Artwork By – Bam-Voo Bass – Rey J. O'Hara* Co-producer – Akira Ikuta, Taku Kashiwabara Drums – Shuichi "Ponta" Murakami*, Yukihiro Takahashi Guitar [Guitars] – Kazumi Watanabe Keyboards – Mikio Masuda Keyboards, Vocals – Akiko Yano Mixed By – Ryuichi* Mixed By, Producer – Kazumi* Other [Publicist] – Jin Nakahara Percussion – Pecker Producer, Keyboards – Ryuichi Sakamoto Tenor Saxophone – Yasuaki Shimizu Trombone – Shigeharu Mukai Barcode and Other Identifiers Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Kazumi YX-7595-ND Kylyn (LP, Album) Better Days YX-7595-ND Japan 1979 Watanabe Kazumi 35C38-7135 Kylyn (CD, Album) Denon 35C38-7135 Japan 1984 Watanabe Jroom Jazz, Kazumi Kylyn (CD, Album, COCB-53333 Columbia Music COCB-53333 Japan 2005 Watanabe Ltd, RE, RM, Pap) Entertainment Related Music albums to Kylyn by Kazumi Watanabe Kazumi Watanabe - Mobo Live Kazumi Watanabe - Olive's Step Kazumi Band - Ganaesia Kazumi Watanabe - Mobo Kazumi Watanabe = 渡辺香津美 - Lonesome Cat = ロンサム・キャット Ryuichi Sakamoto & Kazumi Watanabe - Tokyo Joe Kazumi Watanabe With Friends - Super Selection Akiko Yano - Home Music II.
    [Show full text]
  • 'Modern Baroque'
    ‘Modern Baroque’ ‘Approaches and Attitudes to Baroque Music Performance on the Saxophone’ Jonathan Byrnes 4080160 Masters of Music Projecto Cientifico IV ESMAE 2010 1 Contents Page ‘Introduction’ (Prelude) 4 ‘Education’ (Allemande) 7 ‘Performance’ (Courante) 12 ‘Morality – Responsibility and Reasons.’ (Sarabande) 18 ‘Transcription or adaptation’ – note for note transcription (Minuet I) 36 ‘Transcription or adaptation’ – adaptation (Minuet II) 58 Conclusion (Gigue) 70 ‘Bibliography’ 73 ‘Discography’ 77 ‘Internet Resourses’ 78 2 Thank you. This Masters Thesis would not have been possible without the help and assistance from the people below. I would like to thank them sincerely for all their guidence and support. Sofia Lourenço, Henk Van Twillert, Fernando Ramos, Gilberto Bernardes, Madelena Soveral, Dr. Cecília, Filipe Fonseca, Luís Lima, Nicholas Russoniello, Cláudio Dioguardi, Cármen Nieves, Alexander Brito, Donny McKenzie, Andy Harper, Thom Chapman, Alana Blackburn, Paul Leenhouts, Harry White, And of course my family. Without these people, I am sure I would not have achieved this work. 3 1. Introduction (Prelude) Baroque music has been part of the saxophone repertoire in one form or another since the instruments creation, as it so happened to coincide with the Baroque revival. ‘It was Mendelssohn's promotion of the St Matthew Passion in 1829 which marked the first public "revival" of Bach and his music’ 1, either through studies or repertoire the music of the baroque period has had an important role in the development of the majority of all saxophonists today. However the question remains. What function does this music have for a modern instrumentalist and how should this music be used or performed by a saxophonist? Many accolades have been given of saxophone performances of Baroque music.
    [Show full text]
  • Arte, Producción E Investigación Espaci
    UNIVERSIDAD POLITÉCNICA DE VALENCIA FACULTAD DE BELLAS ARTES PROGRAMA DE DOCTORADO: ARTE, PRODUCCIÓN E INVESTIGACIÓN ESPACIOS HIBRIDOS: ARQUITECTURAS EMERGENTES DE LA INTERACCION FISICO-VIRTUAL TESIS DOCTORAL PRESENTADA POR LAURA RODRIGUEZ MOSCATEL DIRIGIDA POR DR. MOISES MAÑAS CARBONELL DRA. BLANCA MONTALVO GALLEGO VALENCIA, Enero 2016 1 2 Agradezco a mis directores por su apoyo, conocimientos y tiempo empleado en esta tesis. A mi pequeña familia, por la paciencia y el cariño. 3 4 Espacios híbridos: arquitecturas emergentes de la interacción físico-virtual Prólogo ................................................................................................. 7 Introducción ................................................................................................ 9 CAPÍTULO I. AGENTES Y CONTEXTO DE LA COMUNICACIÓN ARTÍSTICA MEDIADA POR COMPUTADOR. .............................................................. 20 1.1Colisiones, aproximaciones y encuentros. Contextualización del arte electrónico y computacional. ...................................................................... 20 1.2 Agentes contemporáneos para la creación artística. ............................. 46 1.2.1 Interfaces, herramientas forjadoras de canales para los procesos comunicacionales. .................................................................................. 46 1.2.2 Dato, Información, criterio y conocimiento. Elementos para la interacción con datos procesados. ........................................................ 77 1.2.3 Conectividad e interacción.
    [Show full text]
  • 28Th Leeds International Film Festival Presents Leeds Free Cinema Week Experience Cinema in New Ways for Free at Liff 28 from 7 - 13 November
    LIFF28th 28 Leeds International Film Festival CONGRATULATIONS TO THE LEEDS INTERNATIONAL FILM FESTIVAL IN YOUR 28TH YEAR The BFI is proud to partner with Screen Yorkshire in a fantastic year for filmmaking in the region INCLUDING ‘71 GET SANTA SCREENING AT LIFF28 X + Y CATCH ME DADDY & LIFF28 OPENING NIGHT FILM TESTAMENT OF YOUTH Image: (2014) Testament of Youth James Kent Dir. bfi.org.uk/FilmFund Film Fund Ad LIFF 210x260 2014-10_FINAL 3.indd 1 27/10/2014 11:06 WELCOME From its beginnings at the wonderful, century-old Hyde Park Leeds International Film Festival is a celebration of both Picture House to its status now as a major national film event, film culture and Leeds itself, with this year more than 250 CONGRATULATIONS Leeds International Film Festival has always aimed to bring screenings, events and exhibitions hosted in 16 unique a unique and outstanding selection of global film culture locations across the city. Our venues for LIFF28 include the TO THE LEEDS INTERNATIONAL to the city for everyone to experience. This achievement main hub of Leeds Town Hall, the historic cinemas Hyde is not possible without collaborations and this year we’ve Park Picture House and Cottage Road, other city landmarks FILM FESTIVAL IN YOUR 28TH YEAR assembled our largest ever line-up of partners. From our like City Varieties, The Tetley, Left Bank, and Royal Armouries, long-term major funders the European Union and the British Vue Cinemas at The Light and the Everyman Leeds, in their Film Institute to exciting new additions among our supporting recently-completed Screen 4, and Chapel FM, the new arts The BFI is proud to partner with Screen Yorkshire organisations, including Game Republic, Infiniti, and Trinity centre for East Leeds.
    [Show full text]
  • Radio 3 Listings for 1 – 7 August 2020 Page 1 Of
    Radio 3 Listings for 1 – 7 August 2020 Page 1 of 26 SATURDAY 01 AUGUST 2020 04:10 AM Charles Avison (1709-1770) SAT 01:00 Through the Night (m000l8zq) Concerto Grosso No.2 in G major for strings and continuo Roger Morello cello recital Tafelmusik Baroque Orchestra, Jeanne Lamon (director) Music by Ligeti, George Crumb and Brahms performed by cellist 04:24 AM Roger Morello. Presented by Jonathan Swain. Lili Boulanger (1893-1918) Nocturne for flute and piano 01:01 AM Valentinas Gelgotas (flute), Audrone Kisieliute (piano) Gyorgy Ligeti (1923-2006) Cello Sonata 04:27 AM Roger Morelló (cello) Edward Elgar (1857-1934) Serenade for Strings Op 20 01:10 AM Royal Academy Soloists, Clio Gould (director) Elisenda Fàbregas (1955) Homenatge a Pau Casals (Homage to Pau Casals) 04:39 AM Roger Morelló (cello) Johann Strauss II (1825-1899), Alban Berg (arranger) Wein, Weib und Gesang (Wine, Woman and Song) waltz 01:18 AM Canadian Chamber Ensemble, Raffi Armenian (director) George Crumb (1929-) Cello Sonata (1955) 04:49 AM Roger Morelló (cello) Francis Poulenc (1899-1963) Capriccio (excerpt Finale of 'Bal masque') 01:32 AM Wyneke Jordans (piano), Leo van Doeselaar (piano) Joan Magrané Figuera (b.1988) Tombeau 04:55 AM Roger Morelló (cello) Carl Nielsen (1865-1931) Maskerade (FS.39) - overture 01:40 AM Danish National Radio Symphony Orchestra, Michael Johannes Brahms (1833-1897) Schonwandt (conductor) Cello Sonata in E minor, Op 38 Roger Morelló (cello), Bernat Català (piano) 05:01 AM Stanislaw Moniuszko (1819-1872) 02:07 AM Flis ('The Raftsman') (Overture)
    [Show full text]
  • (Subjective) Impressive Territory and Physical (Scientific) Territory
    © Seigen Ono for Saidera Recirds 2004年1月9日 1 COMPARE pont-A and pont-B. A (the master) = B (the clone) Do not mix Personal (subjective) impressive territory and Physical (scientific) territory Personal (subjective) impressive territory: Good sound, favorite sounds, disliked sounds, colored sounds, variety Physical (scientific) territory: Signal processing, media, duplication, Amplifier process, Impulse response, spectrograph, frequency domein, phase, time domein, changeless date, 1=1, as it is on the date, equable, artless Physical territory (transformation) should not add any color, flavor, etc. Where music has fixed to the master, then delver it as it is to the audience. © Seigen Ono for Saidera Recirds 2004年1月9日 2 1 © Seigen Ono for Saidera Recirds 2004年1月9日 3 © Seigen Ono for Saidera Recirds 2004年1月9日 4 2 The quality beyond the qu ality Beatles or Miles never thought ho w their sounds playback on CD They imagine peace and love Enjoy your favorite wine as much as you want with your own wine glass W o uld you care more quantity or quality? © Seigen Ono for Saidera Recirds 2004年1月9日 5 About Saidera Paradiso. Saidera Paradiso (www.saidera.co.jp) is founded and managed by Seigen Ono and is divided in 3 divisions; 1/Saidera Records, 2/Saidera Mastering and 3/Saidera Music Supervision. Saidera Paradiso is a pioneer and one of the world’s leading specialists in multi-channel 5.1 surround sound SACD (http://www.superaudio-cd.com) formats and is consulting major audio manufacturers and musicians in this field. Seigen Ono is a renowned composer, music producer and recording/mastering engineer. © Seigen Ono for Saidera Recirds 2004年1月9日 6 3 About Seigen Ono Composer, music producer, recording engineer.
    [Show full text]
  • PROBES #5 Devoted to Exploring the Complex Map of Sound Art from Different Points of View Organised in Curatorial Series
    Curatorial > PROBES With this section, RWM continues a line of programmes PROBES #5 devoted to exploring the complex map of sound art from different points of view organised in curatorial series. This fifth programme sets the scene for a wide range of very different approaches Curated by Chris Cutler, PROBES takes Marshall McLuhan’s to the exploration of timbre and looks at ways of modifying or preparing the conceptual contrapositions as a starting point to analyse and traditional piano. expose the search for a new sonic language made urgent after the collapse of tonality in the twentieth century. The series looks at the many probes and experiments that were 01. Summary launched in the last century in search of new musical resources, and a new aesthetic; for ways to make music In the late nineteenth century two facts conspired to change the face of music: adequate to a world transformed by disorientating the collapse of common practice tonality (which overturned the certainties technologies. underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical Curated by Chris Cutler resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new PDF Contents: aesthetics able to follow sound and its manipulations beyond the narrow confines 01. Summary of ‘music’. This series tries analytically to trace and explain these developments, 02. Playlist and to show how, and why, both musical and post-musical genres take the forms 03.
    [Show full text]
  • Taketeru Kudo
    Taketeru Kudo Bailarín, coreógrafo y maestro Butoh Nació en 1967 en Tokio, Japón. Se graduó en el departamento de literatura francesa en la Universidad de Keio, siendo sus orígenes escénicos a través del trabajo actoral en compañías de teatro. Pero su primer encuentro con la Danza Butoh le hizo dar un giro completo a su carrera, cambiando su camino para dedicarse en cuerpo y alma a esta disciplina artística japonesa. En Estados Unidos estudió bajo la tutela de Koichi Tamano y en 1992, después de aparecer en las obras de Yukio Waguri, (discípulo de Tatsumi Hijikata), comenzó su carrera como solista. Fundando su propia compañía Tokyo Gien-kan. Fue miembro de Sankai Juku de 1995 a 1998. En 2005 recibió el premio Japanese Dance Critic Association por su trabajo como solista en “Akimegusa”. También ganó el premio Golden Mask en Rusia por su interpretación en el papel principal de “Full Moon” en 2011-2013. Actualmente baila y da talleres por todo el mundo; Su obra se ha presentado en países tales como Japón, Estados Unidos, Rusia, Israel. Así como en numerosos festivales internacionales, de Danza y Arte. Tiene a sus espaldas más de 30 obras de repertorio como solista, así como otras muchas colaboraciones con las más importantes compañías de danza Butoh, tanto en el teatro como en el cine. Vídeos de algunos de sus trabajos: 『The Dream of Descending to Ocean』(2013) @Za Koenji Public Theater http://www.youtube.com/watch?v=XorAnEW-ylw 『A Vessel of Ruins』(2010) @TEDex Tokyo https://www.youtube.com/watch?v=pvrGgsyir2c 『The Love of Terror』(2017) @Za
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]