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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
1 Bound by Oath | Season 2 | Episode 5: Under Color of Law John: In
1 Bound By Oath | Season 2 | Episode 5: Under Color of Law John: In 1958, at 5:45 in the morning, Chicago police burst into the home of James and Flossie Monroe and dragged them out of bed at gunpoint. And they scared the hell out James and Flossie’s six children. Houston Stevens: The children we made a lot of noise. We screamed. We did a lot of yelling to alert all the neighbors. Cause we didn't know who these were. It was 14 white guys armed with pistols drawn. Jacqui Abrams: They pulled out a picture and showed me a picture. “Is this James Monroe?” Of course it is! Yes, that's him, but who are you? Ralph Stevens: All I can say is that I tried to block it out like a nightmare because it felt like, and I lived that way for many, many years growing up, like it was a nightmare. It was denial -- my way to suppress and deny how traumatic it was. John: James Monroe had not committed the crime he’d been accused of, and the police did not have a warrant to search his home or arrest him. So the family sued, seeking damages from the officers. But rather than suing in state court, James and Flossie did something that Congress had said they could do way back in 1871. They filed suit against the officers in federal court under Section One of the Ku Klux Klan Act. Today Section One is known as Section 1983. And it’s one of the most important and most frequently litigated civil rights laws on the books. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
67Th Legislature HR 4.1
67th Legislature HR 4.1 1 HOUSE RESOLUTION NO. 4 2 INTRODUCED BY A. OLSEN 3 4 A RESOLUTION OF THE HOUSE OF REPRESENTATIVES OF THE STATE OF MONTANA TO LIMIT THE 5 PRODUCTION AND FIRST USE OF NUCLEAR WEAPONS. 6 7 WHEREAS, the use of even a small number of nuclear weapons could have catastrophic human, 8 environmental, health, and economic consequences globally; and 9 WHEREAS, the United States is currently planning to spend nearly $2 trillion over the next 30 years 10 rebuilding its entire nuclear weapons arsenal, which is a gross misuse of funds that could be devoted instead to 11 improving security, health, and education; and 12 WHEREAS, Montana is home to Malmstrom Air Force Base, the common center for L50 Minuteman III 13 intercontinental nuclear missiles located throughout north central Montana; and 14 WHEREAS, Montanans have a special responsibility to advocate for no first use because the 15 intercontinental nuclear missiles buried in their prairie give them a heightened awareness of the reality and 16 threat of nuclear armaments; and 17 WHEREAS, the United States currently reserves the right to use nuclear weapons in response to 18 nonnuclear attacks by Russia, China, or North Korea, which could respond by using their own nuclear 19 weapons, resulting in a nuclear war that could have devastating consequences; and 20 WHEREAS, the sole purpose of United States nuclear weapons should be to deter a nuclear attack on 21 the United States, its forces, and its allies, so that there is no reason for the United States to ever use nuclear -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Flying the Line Flying the Line the First Half Century of the Air Line Pilots Association
Flying the Line Flying the Line The First Half Century of the Air Line Pilots Association By George E. Hopkins The Air Line Pilots Association Washington, DC International Standard Book Number: 0-9609708-1-9 Library of Congress Catalog Card Number: 82-073051 © 1982 by The Air Line Pilots Association, Int’l., Washington, DC 20036 All rights reserved Printed in the United States of America First Printing 1982 Second Printing 1986 Third Printing 1991 Fourth Printing 1996 Fifth Printing 2000 Sixth Printing 2007 Seventh Printing 2010 CONTENTS Chapter 1: What’s a Pilot Worth? ............................................................... 1 Chapter 2: Stepping on Toes ...................................................................... 9 Chapter 3: Pilot Pushing .......................................................................... 17 Chapter 4: The Airmail Pilots’ Strike of 1919 ........................................... 23 Chapter 5: The Livermore Affair .............................................................. 30 Chapter 6: The Trouble with E. L. Cord .................................................. 42 Chapter 7: The Perils of Washington ........................................................ 53 Chapter 8: Flying for a Rogue Airline ....................................................... 67 Chapter 9: The Rise and Fall of the TWA Pilots Association .................... 78 Chapter 10: Dave Behncke—An American Success Story ......................... 92 Chapter 11: Wartime............................................................................. -
An Analysis of Airspace Violations and Pilot Report Data
NASA/CR—2005-213923 Violations of Temporary Flight Restrictions and Air Defense Identification Zones: An Analysis of Airspace Violations and Pilot Report Data Michael Zuschlag John A. Volpe National Transportation Systems Center, Cambridge, Massachusetts September 2005 The NASA STI Program Office ... in Profile Since its founding, NASA has been dedicated to • CONFERENCE PUBLICATION. the advancement of aeronautics and space Collected papers from scientific and science. The NASA Scientific and Technical technical conferences, symposia, Information (STI) Program Office plays a key seminars, or other meetings sponsored or part in helping NASA maintain this important co-sponsored by NASA. role. • SPECIAL PUBLICATION. Scientific, The NASA STI Program Office is operated by technical, or historical information from Langley Research Center, the lead center for NASA programs, projects, and missions, NASA’s scientific and technical information. The often concerned with subjects having NASA STI Program Office provides access to the substantial public interest. NASA STI Database, the largest collection of aeronautical and space science STI in the world. • TECHNICAL TRANSLATION. English- The Program Office is also NASA’s institutional language translations of foreign scientific mechanism for disseminating the results of its and technical material pertinent to research and development activities. These results NASA’s mission. are published by NASA in the NASA STI Report Series, which includes the following report types: Specialized services that complement the STI Program Office’s diverse offerings include • TECHNICAL PUBLICATION. Reports of creating custom thesauri, building customized completed research or a major significant databases, organizing and publishing research phase of research that present the results of results ... even providing videos. -
Reserve Duty for Flight Crewmembers
Federal Aviation Administration Aviation Rulemaking Advisory Committee Air Carrier Operations Issue Area Reserve Duty/Rest Requirements Working Group Task 1 – Reserve Duty for Flight Crewmembers Task Assignment [Federal Register: July 9, 1998 (Volume 63, Number 131)] [Notices] [Page 37167-37168] From the Federal Register Online via GPO Access [wais.access.gpo.gov] [DOCID:fr09jy98-136] [[Page 37167]] ======================================================================= ----------------------------------------------------------------------- DEPARTMENT OF TRANSPORTATION Federal Aviation Administration Aviation Rulemaking Advisory Committee; Air Carrier Operations Issues--New Task AGENCY: Federal Aviation Administration (FAA), DOT. ACTION: Notice of new task assignment for the Aviation Rulemaking Advisory Committee (ARAC). ----------------------------------------------------------------------- SUMMARY: Notice is given of a new task assigned to and accepted by the Aviation Rulemaking Advisory Committee (ARAC). This notice informs the public of the activities of ARAC. FOR FURTHER INFORMATION CONTACT: Quentin Smith, Flight Standards Service, AFS-200, Federal Aviation Administration, 800 Independence Avenue, SW., Washington, DC 20591. SUPPLEMENTARY INFORMATION: Background The FAA has established an Aviation Rulemaking Advisory Committee to provide advice and recommendations to the FAA Administrator, through the Associate Administrator for Regulation and Certification, on the full range of the FAA's rulemaking activities with respect to aviation- -
The First Four Churches
The Book of Revelation – Chapter 2: The First Four Churches The Paern for the 7 Leers1: Congregatio Comman Description Word of Word of Admonitio Call to Promise n d to Write of Speaker Commendatio Criticism n Hear n Ephesus 1 2 3 4 5 6 7 Smyrna 1 2 3 X 5 6 7 Pergamum 1 2 3 4 5 6 7 Thyatira 1 2 3 4 5 7 6 Sardis 1 2 5 3 4 7 6 Philadelphia 1 2 3 X 5 7 6 Laodicea 1 2 X 4 5 7 6 The Church in Ephesus – 2:1-7 - Command to Write: [2:1a] This is the paern for all subsequent addresses in the next couple chapters (2:1, 8, 12, 18; 3:1, 7, and 14) - Description of the Speaker: [2:1b] The one who holds the seven stars in his right hand [1:16; also John 10:28-29], and who walks among the seven golden lampstands [1:12ff; Mahew 18:20]. - Word(s) of Commendation: [2:2-3] a1) I know your deeds, a2) your hard work, a3) your perseverance, b) cannot tolerate wicked men, c) have tested false apostles [Acts 17:11; 1 John 4:1; Jeremiah 23:21], d) persevered and endured hardships for Jesus' name, and e) have not grown weary. - Word of Criticism: You have forsaken your first love. What was their “first love”? Some possibilities: + Predestination – First mention of “love” in Paul's leer [1:5], first mention of “firsts” in the leer [1:11-12] Not likely due to the commendation above. -
Dov Charney's American Dream Audio Part 3: Photos Https
Dov Charney’s American Dream Audio Part 3: Photos https://gimletmedia.com/episode/part-3-photos-season-4-episode-6/ Part 4: Boundaries https://gimletmedia.com/episode/part-4-boundaries-season-4-episode-7/ Part 5: Suits https://gimletmedia.com/episode/part-5-suits-season-4-episode-8/ Part 6: Anger https://gimletmedia.com/episode/part-6-anger-season-4-episode-9/ Part 7: MAGIC https://gimletmedia.com/episode/part-7-magic-season-4-episode-10/ Host: Lisa Chow Senior Producer: Kaitlin Roberts Producers: Bruce Wallace, Luke Malone, Molly Messick Associate Producer: Simone Polanen Editors: Alex Blumberg, Alexandra Johnes, Caitlin Kenney Audio Engineers: Andrew Dunn, David Herman, Martin Peralta, Dara Hersch 2 Episode Transcripts Part 3: Photos DOV: Look how cool that is, that metro thing. C’mon that is cool. Isn’t it? LISA: Oh yeah! There’s a metro stop right on a highway? DOV: Yeah, this is LA, dude. Get with the program. LISA: Hello. From Gimlet Media, this is StartUp. I'm Lisa Chow. And once again, I’m sitting in the car with the ex-CEO of American Apparel Dov Charney. And just a quick warning, there’s some swearing in this episode … and some sexual content. DOV: This is an interesting mural that I’m going to shoot now since we’re in traffic. That’s a good one. LISA: Dov’s taking photographs while driving. This happens all the time. Something catches his eye — a mural or an old sign or a storefront — and he has to get the shot. So he rolls down the window, grabs his phone, and stretches out both hands…and totally forgets about the steering wheel. -
The 10 Principles of Good Practice – Part II
Loss Control Bulletin ARCHITECTS AND ENGINEERS PROFESSIONAL LIABILITY INSURANCE The 10 Principles of Good Practice – Part II Introduction 6. Keep your client informed As a design professional, your role This may seem similar to principle can extend to a wide range of areas, #2, Educate your client, but this including original concept and design, mainly deals with managing the project supervision, expert analysis client’s expectations at the outset of and certification, and in some a project. However, keeping the client instances contract administration. informed is important throughout the However, at every step along the duration of a project—particularly way you are exposed to a number of when it comes to identifying problems liability exposures. and risks, and allowing the client to make decisions based on the To help you manage these exposures, consultant’s advice. we’ve developed The 10 Principles of Good Practice. These principles are For example, as a contract To reference our archive of loss prevention materials, claims examples and detailed based on lessons we’ve learned in our administrator, the consultant may product information, please go to our website more than 40 years of claims analysis be dealing with a contractor who is victorinsurance.ca. and risk assessment. In this second accumulating extras on a project. of two bulletins, we’ve outlined Given that the client could ultimately PROGRAM ENDORSED BY the importance of follow-through bear the cost of these extras, the on a project. This can be achieved consultant should identify why the by keeping your client informed; extras are being incurred and raise dealing with issues promptly; keeping the issue as soon as possible with written records; and ensuring the the client. -
95-345 & 95-346
OFFICIAL TRANSCRIPT PROCEEDINGS BEFORE THE SUPREME COURT OF THE UNITED STATES CAPTION: UNITED STATES, Petitioner v. GUY JEROME URSERY; and UNITED STATES, Petitioner v. $405,089.23 IN UNITED STATES CURRENCY, ET AL. CASE NO: 95-345 & 95-346 PLACE: Washington, D.C. DATE: Wednesday, April 17, 1996 PAGES: 1-76 ALDERSON REPORTING COMPANY 1111 14TH STREET, N.W. WASHINGTON, D.C. 20005-5650 202 289-2260 1 IN THE SUPREME COURT OF THE UNITED STATES 2 --------------- -X 3 UNITED STATES, : 4 Petitioner : 5 v. : No. 95-345 6 GUY JEROME URSERY; : 7 and : 8 UNITED STATES, : 9 Petitioner : 10 v. : No. 95-346 11 $405,089.23 IN UNITED STATES : 12 CURRENCY, ET AL. : 13 _x 14 Washington, D.C. 15 Wednesday, April 17, 1996 16 The above-entitled matter came on for oral 17 argument before the Supreme Court of the United States at 18 10:02 a.m. 19 APPEARANCES: 20 MICHAEL R. DREEBEN, ESQ., Deputy Solicitor General, 21 Department of Justice, Washington, D.C.; on behalf of 22 the Petitioner. 23 JEFFRY K. FINER, ESQ., Spokane, Washington; on behalf of 24 the Respondents $405,089.23, et al. 25 1 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. SUITE 400 WASHINGTON, D.C. 20005 (202)289-2260 (800) FOR DEPO 1 APPEARANCES: 2 LAWRENCE S. ROBBINS, ESQ., Washington, D.C.; on behalf of 3 the Respondent Ursery. 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 2 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W.