DOCSLIB.ORG

Steve Vai Passion and Warfare Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steve Vai Passion and Warfare Pdf, Epub, Ebook STEVE VAI PASSION AND WARFARE PDF, EPUB, EBOOK Steve Vai | 224 pages | 01 Aug 1991 | Hal Leonard Corporation | 9780793503193 | English | Milwaukee, United States Steve Vai Passion and Warfare PDF Book Sign In Don't have an account? I would watch myself play in the mirror and I would imagine how I wanted my fingers to look, and I wanted everything to look elegant, effortless, mellifluous, beautiful, flowing and totally in control. Change shipping region. And the first person I played it for was David Coverdale. Steve Vai started his career working for the legendary Frank Zappa. What was happening to you and how did your attitude shift? His style isn't quite as derivative of influences Frank Zappa and Joe Satriani as it was six years earlier on Flex-able ; while some of Vai 's sense of humor is still evident on tracks like the cock rock strut of "The Audience Is Listening," it is mostly replaced by a spiritual reflectiveness on ballads like "For the Love of God" and "Blue Powder" and dignified, committed rockers like "I Would Love To" and "Liberty. Romantic Evening Sex All Themes. For The Love Of God. By the time Vai joined Whitesnake in , Flex-Able had picked up steam. It all came to a crash landing when I hit the bed and awoke with the remnants of this galactic philharmonic still reverberating in my head. Latest Reviews. Greasy Kid's Stuff 5. So I knew Cliff would do his best with this piece of my heart and we signed a deal and they sold close to a million and a half units. But getting back to the perplexing dilemma of emotional content versus technique. In many ways it recalls the purity of Flex-Able ; this is music for the pure of heart, those who believe in a world populated by aliens, angels, demons and a mischievous God who allows us to work out all the confusing bits on our own. Not really, because we were having fun. Holy Hell! Interview: Peter Garrett from Midnight Oil. This is where a lot of the energy on Passion and Warfare came from. Answers 5. It contains full tablature and notation for guitar for each song found on the album. The Real Illusions guitar tone is very nice and smooth, but its very dark sounding. To be so young and receive validation by someone as discerning and brilliant as Frank Zappa was no small thing, and people began to take notice as his street cred soared. And when it came out, when I actually figured out how to put it out there and it started to sell, I realised it was really a conduit to people: making music and releasing it. Concert Review: The Mountain Goats. We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. March 11, Later on in life I would occasionally have experiences that were somewhat similar to the earlier ones. It was clear that big things were in store for the kid who could play anything Zappa could dish out, but it would take a few years. Erotic Nightmares 3. Stream or buy on:. Top 20 Albums of My main focus was just on thrilling myself with the funny music I was making. He provided the scores parts for Liberty and Answers. Resequence: Prince: Latest News. At first they would seem like very lucid dreams of grandeur and magnificence. Recording Location Mothership. Immediately, I saw the whole thing and thought, Oh my God! Item is being sold "as is" with no returns. Post Sat Jan 21, am iceman27 wrote: what pedals, guitars, amp settings,ect. This wiki All wikis. Sisters Energetic Happy Hypnotic. Love Secrets. Track Listing. In the Mood for Love Turns Unsurprisingly, Vai soon regains his footing, in part by channeling his influences. Steve Vai Passion and Warfare Writer Thanks for looking! I was playing the guitar while recklessly rocketing through colors and space at a brutal speed. They come when they want and go as they please. I Would Love To 3. Advanced Search. With an increasing profile and an appearance in the film Crossroads , Vai was no longer a player that people simply talked about; he was a player that people heard. The greatest music ever sounded on this earthly plane is a pathetic, feeble shadow of the purity and magnitude of the music within, but I am not an authority on this, although I believe that authorities on the subject do exist. Criminally Underrated: A Perfect World. The Real Illusions guitar tone is very nice and smooth, but its very dark sounding. Follow on Instagram. Blue Powder 4. Interview: Anna Burch. Hi, Google [Bot]! No one ever writes a check on my behalf. Oeuvre: David Cronenberg: The Fly. However, during the production of the book, Jesse left to play with Todd Rundgren, and Dave Whitehill had to finish his work. The book contains both tab and standard music notation with the guitar parts. You can fascinate yourself with your own technique and get lost in it. Sexy Trippy All Moods. Then the inner worlds open up. Shadow of the Vampire Turns Satch ushered in a new age of cool. Learn More. Electronic Folk International. How do I know what other people would think? He rewrote the deal for a substantially better offer. For The Love Of God 8. I Would Love To. Register Login. Despite hints of Zappa and Leonard Bernstein, Vai has a voice and vision that tends to mute his precursors. It was more of a toning and it would draw me into it. The 25 Best Songs of Product Specs. Listing Ended. His style isn't quite as derivative of influences Frank Zappa and Joe Satriani as it was six years earlier on Flex-able ; while some of Vai 's sense of humor is still evident on tracks like the cock rock strut of "The Audience Is Listening," it is mostly replaced by a spiritual reflectiveness on ballads like "For the Love of God" and "Blue Powder" and dignified, committed rockers like "I Would Love To" and "Liberty. You can check it out here! I always owned my own publishing. Categories :. Yup, that sounds about right. Steve Vai Passion and Warfare Reviews The closer I let it pull me, the more resonant it became. Vai has awed fans of all genres with his exceptional guitar skills and musicianship for decades. Make a Wish. Romantic Evening Sex All Themes. There was what sounded like a piece orchestra of unknown instrumentation, all out of tune but divinely perfect, audibly racing with me. But I get that a lot, that a lot of young people discovered it when they were going to school and it was the soundtrack for their year or something. But I really liked what we created in the Classified, and over the years I was always looking for a suitable way to release it. You are deeply loved and will be missed. Post Sat May 13, am this banjo trick was funny hahahahaha:- or maybe he used only one acoustic guitar with only 5 strings on it? The technique becomes your tool to express something deeper. Playing with Zappa probably gave you confidence to pursue your vision, no matter how skewed it was. I put the keyboards down, the voices in the background, and I was putzing with the pitch to make it flow a certain way, right? After parting ways with Roth, I was determined to finish this record. I was playing the guitar while recklessly rocketing through colors and space at a brutal speed. I was just an egomaniac. Discography: David Bowie: Heathen. Post Sat May 13, am. I know what I want, I know how to do it, and here I go. Love Secrets. Click To Comment. The Audience Is Listening 2. Very, very simple. Flex-Able represents probably five percent of what I recorded in that period. It is acclaimed as his best album, finding him coming into his own as a composer, as well as bypassing vocals almost entirely. Long Live Rock! I was very fortunate. Hejira is probably my favorite Joni creation, not the least of Answers 5. Holy Hell! Answers Steve Vai. Similar Listings See More. Though Vai might have become a star in his own time, both Malmsteen and Van Halen may have helped his career. The main amps were seven different Marshall watt heads modified by Jose Arrendondo, used in various combinations. About This Listing. I released it independently and had very modest expectations in terms of sales or success. Steve Vai Passion and Warfare Read Online Erotic Nightmares. Shipped From. Post Sat Jan 21, am iceman27 wrote: what pedals, guitars, amp settings,ect. I requested a release from the label and they let me go. Similar Products. IMO, the sound isn't that impressive, the guitar tones sound "far away" like the mics were placed feet from the amps. Release Date September, It was enormously loud but was coming from within. Azure Ray: Azure Ray 20th Anniversary. AllMusic relies heavily on JavaScript. Comment Name Email Website. Blue Powder 4. Love Secrets. You can check it out here! The other is a ms repeat which sounds a Perfect 4th higher. One Night in Miami. I was very fortunate. For all upcoming shows, check our tourdates page No shows booked at the moment. There was always music involved but not like the music that we hear with our physical ears. I released it independently and had very modest expectations in terms of sales or success. The main amps were seven different Marshall watt heads modified by Jose Arrendondo, used in various combinations.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
    The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO .
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • Frankly, It's Dweezil
    AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage.
    [Show full text]
  • Steve Vai Has Become Synonymous with Tone, Technique, and All
    Steve Vai has become synonymous with tone, technique, and all aspects of the electric guitar with tenacious, creative energy that explodes through his music, performances, and especially his signature gear designs. From having one of the most successful signature electric guitars in history to distortion pedals and a long-standing line of tube amps, his meticulous attention to detail and unwavering commitment to tone has driven it all. And now he’s bringing that same passion for perfection to Synergy. The Steve Vai Signature analog tube preamp module is the outcome of hours upon hours of designing, testing, and tweaking until Synergy met Vai’s exacting standards. It’s all culminated in a 2-channel design that offers everything from the drop-tuned rage of “Bad Horsie” to the opulent harmonic sustain of “For the Love of God.” And with mini toggle switches for Boost, Bright, and Fat, you’re sure to find your own signature tones as well. With all of this available in an affordable and compact package, there’s never been an easier way to harness the sound of a bonafide guitar legend. By partnering with such iconic artists and amp designers as Steve Vai, we’re able to offer you these sought-after tones in all-tube designs that are perfect for the direct-recording, lower-stage-volume, and compact-guitar-rig demands of today. It’s easy to see why the Synergy preamp module system is taking the industry by storm. CATHODE SELECT SWITCH: This three-position switch allows you to configure the input tube bass response to match the original circuit of the selected module.
    [Show full text]
  • Joe Satriani 與steve Vai 的神乎其技(陳友信-陳彥皓-林忠村
    投稿類別：藝能類 篇名： Joe Satriani 與 Steve Vai 的神乎其技 作者： 陳友信。市立高雄高工。資訊二甲 陳彥皓。市立高雄高工。資訊二甲 林忠村。市立高雄高工。資訊二甲 指導老師： 許靖卿 老師 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 壹●前言 一、研究背景 在時代的進步下，現代人的生活充斥許多壓力，其中與人們生活息息相關的 音樂，總是帶給人許多不同感覺，有些音樂甚至帶給人舒服感，並有助於紓解壓 力。其中，高亢響亮的電吉他聲音吸引了我們，它所彈撥出來的不同的旋律帶領 我們走入不同的音樂世界，高低的音階帶領我們體會不同的風格感受，因此我們 想一探電吉他音樂大師獨創的特色與音樂學問。 二、研究目的 在台灣，電吉他演奏曲的觀眾似乎不多，但在許多地方卻能見到這類型的音 樂是多麼地流行，電吉他演奏曲不只餘音繞樑，更是許多電吉他手訓練自己演奏 能力的好教材。希望藉由本文的引薦，讓這類音樂在台灣展開一股新潮。 三、研究方法 因為此類型的作品甚多，所以我們以世界知名度較高的兩位電吉他手做為主 題，先介紹兩位大師的基本資料與經歷，其次以兩位電吉他大師的音樂做為分析 與討論的重點，再結合世人對此類型音樂的評比，最後提出我們的感受與心得， 並推薦幾首音樂讓大家嘗試聆聽。 除了非常喜愛這類型的音樂，也因為本組組員有接觸樂器的緣故，我們希望 能將自己對電吉他演奏曲的認知與看法融合網路與書籍的資料來分析與討論，讓 人們對這一片不熟悉的領域有初步的認識。 四、研究步驟 我們先在書籍與網路資訊中尋找兩位大師的基本資料與經歷，並蒐集他們有 何不同的創意作風。接著尋找兩位大師的音樂作品，並且分析其音樂主奏、背景 旋律與節奏的不同，記錄歌曲帶給我們的感受；由搜索網路其它歌迷對這首歌曲 的評價加以比較；最後將較受歡迎與悅耳動聽的歌曲記錄並推薦。 貳●正文 一、兩位電吉他大師的基本資料與經歷 1 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 (一)、吉他手中的吉他手─Joe Satriani Joe Satriani，出生於1956年7月15日，美國多 樂器演奏家，以彈奏電吉他聞名，早期為Kirk Hammett和Steve Vai的吉他教師，因獨特的吉他技 巧而聲名大噪！ Joe Satriani 受 Beatles 的影響，他開始學鼓， 14 歲因為 Jimi Hendrix 之死而放棄學鼓改學吉 他，並組了 Tarsus 樂團。 1983年發行了自己錄的專輯「Joe Satriani」。 1986年，Relativity唱片公司發行他的第一張 專輯「Not of This Earth」。 圖一、吉他巫師─ Joe Satriani 1987年，Joe Satriani發行了「Surfing with the Alien」之後才名聲遠播，並取得一 張金唱片，這是第一次吉他手僅憑演奏音樂不唱歌而獲得金唱片。 「1988年，被滾石樂隊的米克·賈格爾在第二次個人巡迴時聘為主吉他手。」( 註 一 ) 1990年，利用搖桿與泛音等技巧演奏出Flying in a Blue Dream 。 「1994年，擔任深紫的主吉他手。」(註二) 其風格主要受到藍調搖滾吉他的影響，不 過仍創造了他自己易辨的演奏風格。 1988年，Joe Satriani開始使用他的代言吉他，Ibanez JS系列，該系列在商店銷 售成績不錯。
    [Show full text]
  • Prince Puts out on His Latest Vinyl Newest Halen Musically Tasty
    Page 4, SIDELINES, Wednesday, June 8, 1988 Jlii v.«S;;;:i¥i¥' & :>>*:■• 3S Newest Halen musically tasty By DAVE CHANDLER Entertainment Writer Well kids, it's finally here, the long-awaited new album by Van Hagar, Van Hefflen, I mean Van Halen. What a catchy little tide it has, OU812, pretty clever huh? OU812 is the eigth Van Halen album or second one A.D. (after Dave). The bottom line to this album is thet it rocks. What is so great about OU812 is that it is not packed with the commercialism found in most of today's hard rock i albums. Now don't get me wrong, because it does include songs that will obviously be major hits. One track in particular, "When It's Love," is destined to be a Top 10 mainstay, but none of that Van Halen style was lost while producing the song. And if you're looking for the 90 m.p.h. speedbumers that the grovp is famous for, you'll also find them here. Two such songs are "Source of Infection" and "Sucker In A 3 Piece." These are sure to get your feet a tappin' or your head a bangin', whatever your preference may be. As usual there are the incredible guitar heroics of Eddie Van Halen and the band's great harmonies in the backup vocals. These are epitomized in the first single from the Wayne Cartwright+Staff album, "Black and Blue," which, incidentally, gets my vote Pleasing the crowd at Fan Fair... for the dirtiest song on the airwaves at the present time.
    [Show full text]
  • Zappa-Bootlegs
    MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968
    [Show full text]
  • 200 Motels De Frank Zappa (1971) François Ribac
    Petit essai d’analyse généalogique : 200 Motels de Frank Zappa (1971) François Ribac To cite this version: François Ribac. Petit essai d’analyse généalogique : 200 Motels de Frank Zappa (1971). Pierre Albert Castanet et Juliette Boisnel. Frank Zappa : L’un et le Multiple, Presses Universitaires de Rouen et du Havre, 2018. hal-01672691 HAL Id: hal-01672691 https://hal.archives-ouvertes.fr/hal-01672691 Submitted on 26 Dec 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Petit essai d'analyse généalogique : 200 Motels de Frank Zappa (1971) Avertissement (sons de klaxon) Dans cet article, je me propose d'analyser le film 200 Motels de Frank Zappa à partir de deux généalogies. Tout d'abord, les spectacles et les formes de divertissements qui sont apparus en Amérique du Nord au 19e et au début du 20e siècle. Ensuite, le cinéma musical hollywoodien de 1929 à 1960. Après avoir sommairement présenté ces deux corpus, je m'efforcerai de penser le film de Zappa à l'aune de ces deux mondes et de certaines de leurs caractéristiques. Je conclurai par une réflexion à propos des méthodes d'analyses que l'on peut mobiliser pour aborder un film musical et le répertoire rock.
    [Show full text]
  • Frank Zappa's Legacy: Just Another Hoover? L’Héritage De Frank Zappa : Juste Un Autre « Hoover »? Ben Watson
    Document généré le 26 sept. 2021 16:13 Circuit Musiques contemporaines Frank Zappa's Legacy: Just Another Hoover? L’héritage de Frank Zappa : juste un autre « Hoover »? Ben Watson Frank Zappa : 10 ans après Résumé de l'article Volume 14, numéro 3, 2004 Dans ce texte, Ben Watson révèle un fait en apparence anodin : lorsque Zappa référait à son « oeuvre », vers la fin de sa vie, en utilisant le mot français, il le URI : https://id.erudit.org/iderudit/902325ar prononçait comme le mot anglais Hoover, qui est le nom de l’une des marques DOI : https://doi.org/10.7202/902325ar d’aspirateurs les plus connues dans le monde. Watson choisit, en utilisant un procédé parfaitement en phase avec le dédain dadaïste que Zappa affichait Aller au sommaire du numéro pour les valeurs culturelles, de transformer cette homophonie en prémisse à son essai : l’oeuvre de Zappa est, en effet, un « Hoover ». La critique académique s’entend aujourd’hui pour faire l’éloge de Zappa en tant que compositeur, mais en laissant de côté l’angle critique de son travail. En fait, ce Éditeur(s) qui rendait Zappa particulier, c’était précisément le fait qu’il reconnaissait que Les Presses de l'Université de Montréal la mise en marché et l’industrie du legs, appliquées au concept de génie, répriment le désire et annihilent la musique. En utilisant des concepts littéraires et psychoanalytiques, l’algèbre zappologique de Watson arrive à ISSN l’équation suivante : Stéphane Mallarmé + Wilhelm Reich = Frank Zappa. Après 1183-1693 (imprimé) une étude approfondie de la récurrence du motif « Hoover » dans l’oeuvre de 1488-9692 (numérique) Zappa, l’auteur examine l’héritage du compositeur, qu’il remarque particulièrement dans le travail de Project/Object, des Muffin Men, de Matt Découvrir la revue Groening avec la série télévisée The Simpsons et du trio formé des improvisateurs Eugene Chadbourne, Jimmy Carl Black et Pat Thomas.
    [Show full text]
  • Dominican Republic Jazz Festival @ 20
    NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]