Broadcast Bulletin Issue Number 57
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation. -
UK CMR Charts
Figure 1.1 Communications industry revenue – telecoms, TV, radio, post £billions Annual 5 year 80 change CAGR 61.1 61.6 60.2 59.8 59.6 59.5 Total -0.2% -0.5% 60 6.8 6.8 6.7 6.5 6.7 7.2 1.2 1.1 1.1 1.1 1.2 1.2 Post 7.0% 0.9% 11.0 11.2 11.1 11.7 12.2 12.3 40 Radio 2.7% 0.3% TV 0.8% 2.2% 20 42.1 42.5 41.3 40.4 39.5 38.8 Telecoms -1.8% -1.6% 0 2007 2008 2009 2010 2011 2012 Source: Ofcom/ operators Note: Includes licence fee allocation for radio and TV, Figures are in nominal terms 0 Figure 1.2 Digital communications service availability UK UK Platform UK 2012 England Scotland Wales N Ireland 2011 change Fixed line 100% 100% 0pp 100% 100% 100% 100% 2G mobile1 99.6% 99.7% -0.1pp 99.8% 99.3% 98.8% 98.5% 3G mobile2 99.1% 99.1% 0pp 99.5% 96.6% 97.7% 97.4% Virgin Media cable broadband3 48% - - 51% 38% 22% 28% LLU ADSL broadband4 94% 92% +3pp 95% 87% 92% 85% BT Openreach / Kcom fibre b’band5 56% n/a n/a 59% 25% 41% 93% NGA broadband6 73% 65% +8pp 76% 52% 48% 95% Digital satellite TV 98% 98% 0pp - - - - Digital terrestrial TV7 99% - - 99% 99% 98% 97% DAB BBC Network88 94.3% 92% +2.3pp 95.5% 90.9% 85.9% 85.4% DAB commercial network (Digital 85% 85% 0pp 90% 75% 60% - One)9 Sources: Ofcom and operators: 1. -
Annual Report and Accounts 2007/08 the BBC Executive’S Review and Assessment 07 08
PART TWO: Annual Report and Accounts 2007/08 The BBC Executive’s review and assessment 07 08 Director- General ’s introduction 01 About the BBC 02 BBC & me 04 BBC Executive Board 24 BBC at a glance 26 Review of services Future Media & Technology 29 Vision 32 Audio & Music 38 Journalism 44 Commercial activities 52 Engaging with audiences 54 ...quality programming that informs Performance us, educates us and more often BBC People 58 than not, entertains us. These three Operations 62 Statements of Programme Policy tenets are as important today as commitments 2007/08 70 when they were first uttered around Finance 80 years ago. Financial overview 82 Governance and financial statements 86 Getting in touch with the BBC 148 Other information Inside back cover THE DIRECTOR -GENERAL 01 WELCOME When I wrote to you a year ago, our award- Despite these difficulties, the BBC has had a downloads and streams. And it’s still growing. winning Gaza correspondent Alan Johnston year of outstanding creative renewal. From There is no evidence that it is impacting was still missing. We didn’t know if we would Cranford to Sacred Music to Gavin and Stacey, our linear television and radio ratings which ever see him again. And then, what we’d all television has lived up to our aim – to delight remain very strong. been hoping, working and praying for: Alan’s audiences. And we have seen the nation share tired but smiling face as he was led to freedom. some of the events that unite us all – from the With Freesat now launched, complementing Concert for Diana to Wales’ triumph at the Six our popular Freeview service, it’s clear But within a few days, we had fresh problems Nations Rugby championship. -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
Celebrating 40 Years of Commercial Radio With
01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22. -
Part Two: Annual Report and Accounts 2008/09
SHARING IDEAS/ CREATING VALUE/ Part Two: Annual Report and Accounts 2008/09 The BBC Executive’s review and assessment BBC EXECUTIVE’S REVIEW AND ASSESSMENT 2008/09/ 001 002 / / OVERVIEW BBC PURPOSES / FINANciaL perForMANce / THE YeaR EW AT A GLANCE / DIRECTOR-GENERAL ForeWorD / RVI DELiveriNG creative FutureS / PARTNERSHIPS / E OV 020 / PERFORMANce OBJectiveS / teLeviSioN / RADIO / FUTURE MEDIA & TecHNOLogY / JourNALISM / coMMerciaL / 084 / GOVERNANCE Executive boaRD / SUMMarY GoverNANce report / 094 / ResPONSIBILITY OperatioNS / 104 / FINANCIAL stAteMENts OvervieW / RISK ouTLOOK / HigHLigHTS / auDitoRS’ STATEMENT / SUMMarY FINANciaL StatEMENT / IFRS / coNtact US / otHer INForMatiON / OVERVIE W/ 003 / EW RVI E OV 004 / BBC PURPOSES/ 005 / FINANCIAL PERFORMANce/ 006 / THE YEAR AT A GLANCE/ 008 / DIRECTOR-GENERAL FORewoRD/ 012 / DELIVERING CREATIVE FUTURes/ 014 / PARTNERSHIPS/ OVERVIE W/ OvervieW/ purpoSES AND FINANciaL perForMANce/ BBC purpoSES/ THE BBC’S Six pubLic purpoSES – buiLT ON our priNcipLES to ‘INForM, EDucate AND ENtertaiN’ – UNDerpiN ALL THat WE DO, AND HELP US to FocuS ON OFFeriNG everYONE IN THE UK MEMorabLE AND DIStiNctive coNteNT AND ServiceS THat ENricH THeir LiveS. SoME HigHLigHTS FroM THIS Year INCLUDED: 004 CITIZENSHIP COMMUNITY The BBC has a worldwide reputation for its The UK is an incredibly diverse place, and we aim reportage and analysis of the world we live in. Our to reflect this diversity at national, regional and / UK-wide, international, national and local channels local levels. We offer services in English, Scottish EW and services cover a wide range of stories tailored Gaelic and Welsh, and programmes in over 30 RVI for a diverse range of users. This year we led the languages from Bengali to Urdu. -
Media Nations 2020 UK Report
Media Nations 2020 UK report Published 5 August 2020 Contents Section Overview 3 1. Covid-19 media trends: consumer behaviour 6 2. Covid-19 media trends: industry impact and response 44 3. Production trends 78 4. Advertising trends 90 2 Media Nations 2020 Overview This is Ofcom’s third annual Media Nations, a research report for industry, policy makers, academics and consumers. It reviews key trends in the TV and online video sectors, as well as radio and other audio sectors. Accompanying this report is an interactive report that includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. This year’s publication comes during a particularly eventful and challenging period for the UK media industry. The Covid-19 pandemic and the ensuing lockdown period has changed consumer behaviour significantly and caused disruption across broadcasting, production, advertising and other related sectors. Our report focuses in large part on these recent developments and their implications for the future. It sets them against the backdrop of longer-term trends, as laid out in our five-year review of public service broadcasting (PSB) published in February, part of our Small Screen: Big Debate review of public service media. Media Nations provides further evidence to inform this, as well as assessing the broader industry landscape. We have therefore dedicated two chapters of this report to analysis of Covid-19 media trends, and two chapters to wider market dynamics in key areas that are shaping the industry: • The consumer behaviour chapter examines the impact of the Covid-19 pandemic on media consumption trends across television and online video, and radio and online audio. -
Programme 1-2 June 2015 Croatia Hotel, Cavtat
CONNECT PROGRAMME 1-2 JUNE 2015 CROATIA HOTEL, CAVTAT In collaboration with #eurovisionconnect 2 DAY 1 - MONDAY 1 JUNE 2015 MORNING SESSION 08:30 REGISTRATION OPEN 09:00 OPENING AND INTRODUCTION OF DAY ONE By Vitold GRAND’HENRY, EUROVISION CONNECT Steering Group Chairman, Strategic advisor, RTBF 09:10 WELCOME BACK TO CROATIA Is Croatia really “full of life” as its new national tourist slogan claims? Speaker: Krešimir MACAN, General Manager, Manjgura PR After 10 years EUROVISION CONNECT returns to Croatia. This short introduction will try to show you how much Croatia has changed in that period. Has EU membership made the country different since 2013? And of course update you about its TV landscape and presentation styles. 09:40 ALL YOU NEED IS LOVE Why winning hearts is as important as winning minds in the battle for public service broadcasting? Speaker: Jane LINGHAM, Director, BBC Brand This is a story about how we persuaded Britain to overcome its stiff upper lip and used emotions to remind people of the value they get from public service broadcasting. It’s a story about how marketing stretched beyond the realms of the traditional TV trail to influence editorial output and product development. Ultimately, it’s a story about how content is always king, and how love really can conquer all when making the continued case for public service broadcasting. #eurovisionconnect PROGRAMME 3 10:10 CONQUERING THE HEARTS OF YOUNGER GENERATIONS Speakers: Holly GOODIER, Director, Marketing & Audiences, BBC Digital Fredrik MARKLUND, Brand Manager, SVT Communications Innovation, Digital Media and Young Audiences: A BBC Perspective Holly will discuss about audience trends, BBC iPlayer and new open innovation product’ BBC Taster. -
The Web As a Content Management System on the BBC Music Beta
Nicholas Humfrey and Patrick Sinclair Software Engineers, BBC Audio and Music Interactive The Web as a Content Management System on the BBC Music Beta The BBC has a long and distinguished track record of bringing music to new audiences. From shows like: Later with Jools Holland Text only Help Search Explore the BBC Home What's On Venues Booking Broadcasts About Take Part Share Listen online BBC Proms 2009 Radio 3 Live The biggest ever Proms season starts on Friday 17 July and runs until 2009 Calendar Saturday 12 September. S M T W T F S 76 concerts at the Royal Albert Hall & 19 chamber recitals at Cadogan Hall. July 17 18 Find out What's On this year. 19 20 21 22 23 24 25 26 27 28 29 30 31 August Welcome to the Proms What's On 1 Everything you need to 100 concerts! 2 3 4 5 6 7 8 know: What are the 76 Proms at the Royal 9 10 11 12 13 14 15 BBC Proms? When did Albert Hall and 19 16 17 18 19 20 21 22 they begin? Where is chamber concerts at the Royal Albert Hall? Cadogan Hall. Plus 5 23 24 25 26 27 28 29 With video guides. Proms in the Park. 30 31 September 1 2 3 4 5 Inspire 2009 April Preview Concerts 6 7 8 9 10 11 12 The 2009 BBC Proms Four special concerts Inspire Young to mark the launch of See also Composers' BBC Proms 2009, with Competition is now a chance to hear about open for entries! this year's Proms from On Radio 3 Director Roger Wright. -
Beauty Is Only Skin-Deep, but So Was This Film
10 1G T Wednesday August 14 2019 | the times television & radio Beauty is only skin-deep, but so was this film Burke’s bugbear, understandably, is popularised “heroin chic”. “You have Chris the obscene beauty standard foisted to look at fashion as fantasy — what on women by Love Island, Instagram you are seeing in a magazine is not and the like, jostling more and more real,” were his weasel words. These Bennion young people into therapy or under things look pretty real — in the knife. She began with a visit to the magazines, on television, on social Love Island alumna Megan Barton- media — to teenage girls. Burke said TV review Hanson, a woman not afraid of that heroin chic was “repulsive”. But scalpels. “I don’t want young girls to she said it to the camera, not Rankin. have unrealistic expectations,” said An opportunity missed. Barton-Hanson, a walking unrealistic Beauty is only skin-deep was the expectation. Burke frowned. message Burke kept falling back on, Would a visit to a different idea of but everywhere she turned there were feminine beauty help? Burke has a lot young women desperate to conform to of time for Sue Tilley, the model for a homogenised physical ideal. Burke’s Lucian Freud’s 1995 painting Benefits well-meaning film, alas, was skin-deep Kathy Burke’s All Woman Supervisor Sleeping, a woman entirely too, amounting to an hour of fretting Channel 4 comfortable with her “magnificent and beautifully phrased Burkeisms. {{{(( piles of flesh”. Freud, said Tilley, “Where does this insecurity come Inside the Factory thought that libraries should be from?” Burke asked.