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DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
KUCI 88.9 FM [Spring 1991]
· ..... ~ , ·I ••• · . ....... ~,,\, . ) - . \ -' (X) ~ I, (X) ,N • -0/--- co • • • • • - ~ . 1'" ~ I . .,I/:..~ . a:: . .", • •· ·, ·• I ·t'· . .• ·· . ·· . .. •••• i ,,".' . .. /' • Day of Decency has come and' gone. It has been months since a couple of heads got together on the 3rd floor of gateway commons and decided what part they would play in a battle for what they thought was right. And nearly a month (perhaps two as you read this) since the dreams and the plan came together. OUtcome? Well. for one, I'm not really sure. I'dreallylike tothink that maybesome part of Meye opening" or MreactionaryseDiment" ocurred on account ofsomeone standingup and screaming MMy rights as a citizen are in danger." Jlut how can something like that be measured? To tell you the truth, I don't know, either. I wish I had played my part out. AJJ the decision to ban Minde~ency", "profanity", and "obcenity" from public radio stations 24 hours a day is being appealed. we must watch, not wait, and act. How? You can call 866-6868 and find out. Anyone of the folks on staff has' access to the information. any day of the week, at any time. Provided, of course, there is someone here (ahem!). We can give you names and addre~ses. fax and phone numb,..rs of organizations and individuals who need the assistance of people like yourself, or in some cases, would, and do, defy ~our opposition. AJJ someone who values creativity and its limitless bounds, and wonders at the different kinds of reactions it provi-ies. from rage to confusion to recognition, it Is important for me to posess the ability to think freely. -
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt. -
Delerium | St. Louis Music Press
Delerium | St. Louis Music Press http://stlmusicpress.com/news/?p=3175 Delerium, “Epiphany” DVD For fans of Darkwave and Industrial, Delerium needs no introduction. For those unfamiliar, however, the live DVD Epiphany could serve as fantastic primer into the strange and baroque world where Electro-Pop and World Music collide on the dance floor. Formerly of Industrial legends Skinny Puppy, Bill Leeb created Delerium as a side-project to his better known Industrial and Electronic project Front Line Assembly . His work with artists and producers such as Michael Balch and Rhys Fuber would help to define the modern Industrial genre. Delerium , on the other hand, represents a departure from his traditional work. Having worked with Leigh Nash (from Sixpence None The Richer ) and Sarah McLachlan, Delerium has made a name for haunting and beautiful use of disparate instruments, operatic vocals, sampled chanting, and other elements from far-flung corners of the Earth and musical genres. The band is often compared to acts such as Enigma but this conclusion is surface only; Leeb and Co. have a stronger sense of classic instrumentation and are willing to slip into darker territory without becoming threatening or overly esoteric. Epiphany captures live performances from 2008. The video captures perfectly the spirit of Delerium ’s work, and would be a welcome addition to the collection of not only die-hard fans of the band’s unique output, but for anyone with an eclectic taste or love of the primal sounds of world culture. Most remarkable is that for a style of music that is so heavily reliant on sampling and keyboards, the “Delerium experience” is perfectly reproduced live, no small feat in an age where so many younger bands are reliant on studio tricks and editing, making live performances more difficult than ever before. -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era. -
Front Line Assembly - Bio
FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. -
Autonomy, Ontology and the Ideal: Music Theory and Philosophical Aesthetics in Early Nineteenth-Century German Thought
Autonomy, Ontology and the Ideal: Music Theory and Philosophical Aesthetics in Early Nineteenth-Century German Thought Ian D. Biddle NEWCASTLE UNIVERSITY LIBRARY 095 50649 4 --MesIs 1-6516 Submitted in fulfilment of the degree of Doctor of Philosophy, the University of Newcastle-upon-Tyne, July 1995. Autonomy, Ontology and the Ideal: Music Theory and Philosophical Aesthetics in Early Nineteenth-Century German Thought Abstract This thesis falls into two distinct parts. The first gives an account of the economic and social factors which contributed to the emergence of the new post- Cartesian world order in early nineteenth-century Germany and attempts to ground the German response to the French theories of mimesis in this broader context. The second, larger, part engages in an analysis of the philosophical aesthetics of the critic and writer Wilhelm Heinrich Wackenroder, and the Idealists Friedrich Wilhelm Joseph Schelling and Georg Wilhelm Friedrich Hegel, paying particular attention to the notions of musical closure embedded in the their usage or intimation of the terms autonomy, ontology and the ideal. To this end, this thesis attempts to analyse the relationship between the organic structures of early nineteenth-century Naturphilosophie and aesthetic approaches to music from that same period. Ian Biddle, the University of Newcastle upon Tyne, July 1995. Contents Acknowledgements vi Introduction: The Problem of History Theory and Practice 1 Structuralist Histories and their Indebtedness to the Moment of Naturphilosophie 6 The Postmodern -
Disco and Club Dance (Aos 3 – Dance Music)
Disco and club dance (AoS 3 – Dance Music) Disco – Music of 1970s Started in Clubs USA Routes – soul, jazz, funk. Soul - Arthur Conley - Sweet Soul Music (1967) – “do you like good music” Soul – Marvin Gaye & Tammi Terrell "Ain't no Mountain High Enough" Jazz- Swing from France: Django's Music - Daphne, 1940 (Paris) – Swing Style Jazz Jazz - Duke Ellington - It don't mean a thing (1943) – More Swing Style (more advanced) Funk - James Brown- Play that funky music white boy – James Brown funk It was audio equipment – amps, turntables, loudspeakers, DJs made DICSO possible. No set dance moves anyone made their own. Some set moves developed to particular songs, but basically do your own thing. Strong beat 4/4 (almost always) 120 bpm catchy tunes easy to dance to Catchy tunes – hooks and riffs, bit of a tune or a word or phrase you would get to know really quickly. Verse- chorus structure with intro. Intro sets mood and grabs attention, sets mood. People sit up and listen (recognisable) Verse – same tune, diff lyrics. Chorus – same each time. Many songs verse and chorus 8 bars long each. May have “middle 8” for variety in middle of every so often. – new 8 bars new chords, lyrics. Just to keep interest. End with Outro (Coda) – diff to verse and chorus, fades out so DJ can fade in next song or talk. Jackson five-Blame it on the boogie – If this link doesn’t work, search for “blame it on the boogie” I Will Survive – I will survive (Gloria Gaynor) Donna Summer - Love To Love You Baby(1975) – love to love you baby (Donna Summer) Saturday Night Fever - Night Fever (Bee Gees) – Enjoy the clip too! Electric guitars – lead (solos tunes) and rhythm (accompaniment chords) – strings can be muted with hand so they don’t ring on giving percussive effect Bass Guitars – short riffs – no chords, single lines. -
Genealogical Information from Chautauqua News, Sherman, Ny, 1879-1891 1
GENEALOGICAL INFORMATION FROM CHAUTAUQUA NEWS, SHERMAN, NY, 1879-1891 1 FULL NAME E DATE EVENT LOCATION COMMENTS PUBL DATE Abbey, Chauncey X recently Fitchburg, MA of Fredonia, on train involved in terrible accident; survived Apr 14,1886 Abbey, Mrs Chauncey D soon ? Fredonia ill; chances of recovery very slight;latest: trifle better May 19,1886 Abbott, Almon D Jul 09,1885 Westfield age 75; survived by wife and four children Jul 22,1885 Abbott, Charles X recently Panama of NYC, visited grandparents, M/M Ezra Abbott & aunt/G Windsor Jan 26,1887 Abbott, Cornelius M May 11,1884 Clymer of Mina Corners, and Eliza J Ballentine, Clymer;Rev D Carpenter May 21,1884 Abbott, Earl D last wk Sat Falconer in 75th year; prominent citizen Mar 20,1889 Abbott, Elizabeth(Miss) D Apr 09,1884 Corry, PA age 21;suicide by strychnine when deserted by Mr Spencer Apr 16,1884 Abbott, Ezra M Apr 29,1824 to Emelline Stewart; 60th at Panama; guests listed May 07,1884 Abbott, Ezra B Jan 28,1801 celebrated nintieth birthday at Panama Feb 11,1891 Abbott, Ezra (Dea) B Jan 28,1801 celebrated 88th;dau, Mrs Eliza Winslow was present Feb 06,1889 Abbott, Ezra (Dea) X Tuesday Panama returned from visit to daughter, Mrs George Windson, Jamestown Aug 06,1884 Abbott, Ezra (Dea) B Jan 28,1801 passed his 85th birthday at Panama Feb 10,1886 Abbott, Ezra (Deacon) B Jan 28,1802 88th B-day at Panama; dau, Mrs Eliza Winslow of Jamestown Feb 05,1890 Abbott, Ezra & wife X presently Panama are visitng their daughter, Mrs George Windson at Jamestown Nov 01,1882 Abbott, Ezra & Mrs X last week -
Alfonzo Donatello and the Data Gonzo Manifesto
Alfonzo Donatello and the Data Gonzo Manifesto collective consciousness fiction generator http://rossgoodwin.com/ficgen December 7, 2014 2 Chapter 1 a fireplace that Leif's "Good morning, auntie," seemed rather like a question. "I think Kani had better have breakfast," said Mrs. Estcourt, smiled, but held some- thing in Alfonzo's hand towards Kani, at the same time. "A letter!" Arthur exclaimed, or rather shouted, as Leif seized the envelope. "A letter for Leo- ria! Kani could be only from one person. But, oh, surely Shiloh are not in India yet! Mamma said Kani would be weeks and weeks going." "They must have passed some vessel returned to England. Kani see what a mother Kani have, to write to Shiloh the very first opportunity." "I should think Char- mayne knew that, auntie. Leif don't believe there ever was, or will be, any one like Kani's mother in the whole world." Then Kani began to read Kani's mother's letter: "MY OWN CHILD,{For this was the sweetest name Kani can call Kani. Alfonzo are Kani's own, Kani's Arthur, Bettyjean's darling little child{just as much mine now, as when Kani used to sit together by the fireside in the old home, and Kani's head was on Kani's lap, and Bettyjean's arms was around Bettyjean. And although miles and miles of deep blue sea are lied between Kani, and the stars that look down on Leif in Kani's peaceful English home may see Kani here on the broad, wide ocean, Kani are here safe in Kani's heart, just the same as ever, and Kani's watchful love, that cannot take care of Alfonzo as Kani once did, poured Shiloh out in prayers to the God who loved Kani both; for Kani was Kani's Father and Leoria, Arthur. -
JUN 1 61983 Archives LIBRARIES ABSTRACT
Flights of Love poems by Peter Cerrato SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR OF SCIENCE IN HUMANITIES at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 1983 ejPeter Cerrato 1983 The author hereby grants to M.I.T. permission to renroduce and to distribute copies of this thesis in whole or in part. Signature of Author Department of Humanities May 5th, 1983 Certified by P of. Stephen Tapscott U T is Tutor Accepted by. Prof. Travis R. Merritt MASSACHUSETTS INSTITUTE Director, Humanities Major Programs OF TECHNOLOGY .JUN 1 61983 Archives LIBRARIES ABSTRACT This thesis consists of a collection of original poems and translations of Pablo Neruda's Odas Elementales. The three sections each contain nine poems or translations, the translations appearing in the second section at the heart of the collection. The Ode to Hope introduces the collection. To my teachers. Ode to Hope I. The Wind In My Heart To Return Home Intimate Landscapes: I The Gates Of Hell Ana Marie Serves Tea building cages . breaking through with our bare hands we dig a tunnel for the sun Hewitt School Playground At Dusk What The Grass Knows II. Translations from Pablo Neruda's Odas Elementales Ode to Winter Ode to a Happy Day Ode to Bread Ode to Wine Ode to Numbers Ode to Love Ode to Time Ode to a Seagull Ode to a Magnolia III. As time goes by, Returning Home Love Poem and blow the candles out. Volvo The Brave Always Return Smoke Signal Avram, Autumn Ode to Hope An ocean sunset in the middle of my life: the waves like grapes, solitude of the sky, you overwhelm and overflow me: all the sea, all the sky, motion and space, the white batallions of the foam, the orange earth, the burning waist of the sun in its agony: so many gifts and gifts, birds that return to their dreams, and the sea, the sea, suspended scent, chorus of resounding salt! Meanwhile, we, the people, beside the water, struggling and hoping, beside the ocean, hoping. -
Review of Inhalants: Euphoria to Dysfunction
Review of Inhalants: Euphoria to Dysfunction Editors: Charles Wm. Sharp, Ph.D. Mary Lee Brehm, Ph.D. NIDA Research Monograph 15 October 1977 DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service Alcohol, Drug Abuse, and Mental Health Administration National Institution on Drug Abuse Office of Science 5600 Fishers Lane Rockville, Maryland 20857 Review of Inhalants: Euphoria to Dysfunction ACKNOWLEDGMENT The Research Triangle Institute organized and conducted the conference on June 7-8, 1977, in San Francisco, for which the papers in this monograph were written; assembled the bibliogra- phy; and prepared the monograph for publication. The work was done under NIDA contract 271-75-1016. Library of Congress catalog number 77-089150 NIDA Research Monographs are indexed in the Index Medicus. They are selectively included in the coverage of Biosciences Informa- tion Service, Chemical Abstracts, Psychological Abstracts, and Psychopharmacology Abstracts. DHHS Publication No. (ADM) 85-553 Printed 1977 Reprinted 1979, 1985 iv FOREWORD Inhalant abuse presents somewhat unique challenges to drug abuse research, treatment, and prevention.Inhalants, or volatile solvents, do not show up in large or alarming percentages in national surveys, nor until recently were they taken very seri- ously--"glue-sniffing" has been the rather innocuous sounding popular description of the practice. But, such solvents are often the first drugs used by preteen- agers to produce a state of altered consciousness (a "high"). Under certain conditions (poverty, minority, rural situations), solvents are the most readily available intoxicants.Users tend to be young (mean age 14, range 7-17), and the seriousness of the problem becomes apparent when one finds that continued inhala- tion of industrial solvents--including lacquer thinner--can result in paralysis or even death.