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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Artists and Yamaha
Artists and Yamaha CONTENTS Turning The Artist’s Imagination INTRO CONTENTS 1 ELECTRIC BASSES OTHERS YAMAHA GUITAR DEVELOPMENT 3 RBX4A2/4A2M/5A2 22 GIGMAKER 39 YASH (YAMAHA ARTIST SERVICES HOLLYWOOD) 3 BB INTRO 23 ACCESSORIES/AMP 40 YMC (YAMAHA MUSIC CRAFT) 4 Into Tomorrow’s Music. BB2024/2024X/2025/2025X 25 YAMAHA ARTISTS 41 ELECTRIC GUITARS BB1024/1024X/1025/1025X 27 For over 60 years, we’ve been committed to improving the quality, sound, playability, durability, and design of our instruments. Feedback SG INTRO 5 BB424/424X/425/425X 29 from our valued customers and the professional musicians that use our instruments has always played an instrumental role in our passion SG FEATURES 7 ATTITUDE LTD3 31 for constant improvement. Because we believe that instruments are the tools musicians use to create music, our strive to create the ideal SG1820 9 BB714BS 32 instrument for the player is never ending. SG1820A/1802 11 BBNE2 33 Professional musicians are the most critical when it comes to requests and requirements, and we focus a great deal of time and effort bringing CV820WB 13 TRBJPII 34 their ideas to life. Our purpose is to turn what exists only in their imagination, into something they can hold and use in their hands—fi nding PAC1511MS 14 TRB1006J/1005L/1004J 35 the right type of tone, the perfect attack, or a neck that fi ts better in the hand. PAC212VFM/VQM/112V 15 RBX374/375/270J/170 37 The evolution of Yamaha guitars has always been closely related to our long-standing relationships with the musicians that use them. -
Folk & Rock Legends, Peter Yarrow & John Waite, To
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] FOLK & ROCK LEGENDS, PETER YARROW & JOHN WAITE, TO PERFORM IN THE EVENT GALLERY AT BETHEL WOODS THIS OCTOBER Tickets On Sale April 6th at 10 AM April 2, 2018 (BETHEL, NY) – The intimate, indoor Event Gallery at Bethel Woods Center for the Arts will host two acclaimed performers this October, including Peter Yarrow, of legendary folk group Peter, Paul & Mary, on Friday, October 5th at 8:00 p.m. and John Waite, of English/American rock supergroup Bad English, on October 21 at 8:00 p.m. Reserved seating tickets for both shows go on-sale to the general public on Friday, April 6th at 10:00 a.m. at www.BethelWoodsCenter.org Prior to the Peter Yarrow performance on October 5, indulge in an exclusive pre-show, farm-to-table dinner, presented by Bethel Woods’ own Executive Chef Armand Vanderstigchel. Plus, enhance your visit by making it a weekend getaway and joining us on Saturday, October 6th for the seventh annual Wine Festival at Bethel Woods located throughout the Bethel Woods’ main campus. Savor the finest wines from the Hudson Valley and Finger Lake regions, shop unique artisans and crafters, and enjoy specialty foods and food trucks to satisfy all cravings, all against the backdrop of live music and the beauty of the Sullivan County Catskills during peak fall foliage. Tickets for the Wine Festival are on sale now at BethelWoodsCenter.org. Continue to celebrate fall at Bethel Woods with a bountiful farm-to-table dinner presented by Executive Chef Armand Vanderstigchel with a pre-show, multi-course dinner that will take place in the Market Sheds prior to the John Waite concert on October 21. -
Oshkosh Waterfest in August
TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Nueva Mordida De La Serpiente Blanca
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown El CD Forevermore, de Whitesnake, nos pone ante una banda aguerrida.Autor: Internet Publicado: 21/09/2017 | 05:13 pm Nueva mordida de la serpiente blanca Publicado: Miércoles 21 septiembre 2011 | 09:37:42 pm. Publicado por: Joaquín Borges-Triana Después de tres años de la salida al mercado del disco titulado Good to be bad, el vocalista David Coverdale y su tropa de Whitesnake vuelven a la carga en el presente 2011. El pasado 25 de marzo fue puesto en circulación a nivel mundial el fonograma denominado Forevermore, decimoprimero en la carrera de esta vieja agrupación británica que, pese al tiempo transcurrido desde su aparición y a los muchos cambios de alineación en su nómina, persiste en reinventarse una y otra vez. Desde que uno empieza a escuchar los 14 temas recogidos en el CD, se da cuenta de que este es un material con profundo sabor retro, pletórico en reminiscencias de álbumes grabados por el ensemble entre fines de los 70 y la década de los 80. En tal sentido, cabe afirmar que estamos ante un puñado de composiciones e interpretaciones signadas por un sonido gordo y cortante, con una base rítmica bien empastada. Asimismo, es evidente que Coverdale y sus compañeros de grupo se propusieron al enfrentarse a la producción de este nuevo fonograma, hacer un retorno a lo que pudiera definirse como una propuesta del más clásico rock y blues metalero. Con una actual nómina en la que acompañan al vocalista David Coverdale los guitarristas Doug Aldrich y Reb Beach, así como el baterista Brian Tichy, Michael Devin en el bajo y el teclista Brian Ruedy, Forevermore se inicia con Steal your heart away, corte cuya introducción me lleva a evocar los tiempos ya lejanos de Love Hunter, uno de los trabajos discográficos de la banda que más he disfrutado personalmente, junto al afamado 1987. -
Makes It Easy to Find Manuals Online!
Downloaded from www.Manualslib.com manuals search engine Photo © Jay Banbury From Jim Marshall I am really pleased that you have chosen this 1959RR Randy Rhoads Signature Series Super Lead 100W head. It is only the fourth signature amplifier that we have produced and I feel it is a great addition to this select range. I first met Randy when he came to the factory in January 1980. He had not long ago joined Ozzy Osbourne and they were working on their first album. He came here knowing exactly what he was looking for, he just needed to find the amplifier that was going to be capable of delivering the power, the tone, and the reliability that he wanted, but was also in keeping with the image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tone was not quite right. He spent some time with my Service Manager, explaining the slight difference he was looking for, and after a few trials we were able to fit a modification which made the subtle change to the standard tone of the 1959. Randy left the factory to proudly stand in front of his white Marshall stack for all of his hugely successful, but sadly too brief career with Ozzy Osbourne. In this time the legendary guitarist could be seen by thousands of fans, performing in front of his Marshall stack – a sight to behold and a triumphant assault on the ears. Our design team have spent many hours investigating the original Randy Rhoads amplifier, speaking to the Randy Rhoads family, talking to people who knew Randy and heard him play, and talking to the Service Manager who was at the factory when Randy came in and made the modification to the amplifier. -
Schitterende Witte Slang Laat Er Geen Misver- Standen Over Be- Staan: „David Cover- Dale Is the Man
woensdag, 13 juli 2011 Schitterende witte slang Laat er geen misver- standen over be- staan: „David Cover- dale is the man. Hij is Whitesnake. Het is zíjn naam, het zíjn legacy. Wij zijn er om hem te laten schitte- ren.” Zaterdag treedt de hardrockband op in de Rodahal in Kerkrade. door Jeroen Geerts itarist Doug Aldrich werd in 2003 inge- huurd als leadgitarist van Whitesnake. Daar- Gmee is hij van de huidige bezet- ting van de legendarische hardrockband de langst dienende huurling. „Ik ben wel een officieel bandlid”, verzekert hij. Maar de in Los Angeles woonachtige snaren- koning weet ook wel dat White- snake, vanaf het moment dat Coverdale de band na zijn vertrek uit Deep Purple in 1978 oprichtte, altijd een draaideur had wat muzi- kanten betreft. „Bovendien ko- men we steeds dichter bij de dag dat David niet meer zo vaak wil optreden dan hij tot op heden al- tijd gedaan heeft. Maar voor zo lang het nog duurt, geniet ik er van. Ik heb bij hem, in Whitesna- ke, de perfecte pasvorm gevon- den.” Whitesnake anno 2011 met links gitarist Doug Aldrich en in het midden David Coverdale. foto’s Rough Trade David Coverdale behoort tot de eli- te-troepen van de klassieke niet zo. Hij klinkt echt nog zo en tijdse rocker van begin tot eind. een echte groepsplaat. Aldrich: waren best wel ongerust over in het geval van discussie altijd hardrockzangers die groot werden dat zul je straks live horen ook.” De nieuweling Forevermore zet die „Bij de vorige waren Dave en ik hoe de plaat ontvangen zou wor- het laatste woord. -
Suffocation Gloom Adrenaline Mob Beastmaker
SUFFOCATION GLOOM ADRENALINE MOB BEASTMAKER ...OF THE DARK LIGHT SOLARIS WE THE PEOPLE INSIDE THE SKULL NUCLEAR BLAST E1 CENTURY MEDIA RISE ABOVE New York death metallers Suffocation return Combining death metal, black metal, doom Recorded once again at Sonic Stomp Studios “When I describe what we do to do people with ...Of the Dark Light. The disc was pro- metal, progressive metal, post-grunge, and oc- over a year-plus period, We the People sounds that don’t know about us I like to say if Danzig duced by Suffocation and tracked at Full casionally described as “blackened death huge. Each riff is massive, every drum hit a and Black Sabbath had a child of darkness it Force Studios with longtime engineer Joe Cin- groove,” Gloom earns a place in the pan- chest-thumping pound, and each line frontman would be Beastmaker,” says vocalist and cotta (Obituary). Mixing and mastering was theon of heavy music in closer proximity to Russell Allen vocalizes exudes unbelievable guitarist Trevor Church. “I’ve always wanted handled by world-renowned producer/engi- timeless giants than forgettable clones. power and heart. Life-changing events may to express my love for horror films through neer Chris “Zeuss” Harris (Hatebreed, Arsis, Gloom represents honesty in its glorious have halted Adrenaline Mob’s momentum music, so you could say it was planned, but it Suicide Silence). “Suffocation worked heaviness, philosophically and musically. The several times, but the group›s third full-length took some natural evolution to figure out what through the end of 2016 to hash out and lay fact that Musicians Institute graduate Dante is proof positive they›re stronger now than works.” From the old-school evangelism of down the tracks at Full Force Studios with Joe Dalton, the band’s guitarist, has worked on they›ve ever been. -
“I Dig the Fact That Four Guys Can Grab the Same Fretless Bass and Sound
Furthermore, says Marco, different gigs demand different atti - tudes: “When I go into a quartet setup, I know there’s going to be a certain amount of freedom in the bass chair. But if it’s a quintet with keyboard and two guitars, my job is more about ““II ddiigg tthhee ffaacctt tthhaatt ffoouurr locking in with the drums and keeping the bottom heavy, groovy, gguuyyss ccaann ggrraabb tthhee ssaammee and fat.” ffrreettlleessss bbaassss aanndd ssoouunndd Mendoza says his favorite playing style is fingerstyle fretless. “For my money, fretless can be a little more expressive than ttoottaallllyy ddiiffffeerreenntt..”” fretted bass. I dig the fact that four guys can grab the same fretless bass and sound totally different, more so than with frets. I understand that certain genres of music need a fretted sound, but I like to think I excel a little more on the fretless.” Yet some of Mendoza’s best-known work was performed with a pick on four-string fretted bass. “On rock sessions, I end up playing with a pick 90-percent of the time, mainly because that’s what the guitar players want. Most rock guitarists have either worked with bass players who used a pick, or they’ve recorded a lot of the bass tracks themselves using a pick. They appreciate the attack of a pick—the clarity, the ping—especial - ly live. Ted Nugent was that way. So was the Thin Lizzy project. Given the opportunity, I’d rather play with my fingers, but I’ve learned to do both and jump between them.” “I guess I’m a chameleon of sorts,” muses session bassist Marco Mendoza. -
Interviews Exclusives Chroniques
ACTUALITÉS LIVE REPORTS INTERVIEWS CHRONIQUES .com mai/juin 2015 N° 5 magazine INTERVIEWS CHRONIQUES EXCLUSIVES no return, shuffle, klone, wyld, DEEP IN HATE warning, miss america band, Blazing War Machine snake eye, deadly scenes .com Nous revoilà avec moins de pages… Aïe ! Mais c’est toujours gratos ! Nous sommes fiers d’être Français ! D’être une belle démocratie libre et fiers d’avoir d’excellents musiciens, artistes, créateurs, auteurs, compositeurs, interprètes, producteurs, éditeurs, illustrateurs, photographes, journalistes, réalisateurs, des humoristes rebels, tout simplement des acteurs de la scène vivante de talents, des gens de bonne volonté qui se bougent le cul aussi pour organiser des grosses tournées comme : Fred Chouesne (Garmonbozia, interview prochainement sur le site), produire des gros festivals comme le fameux Ben Barbaud (Le Hellfest, interview vidéo sur le site), pour des tas de Metal Rock Maniacs exigeants, comme vous et nous ! Dynamiques Français et Françaises qui sont fin prêts aux combats ! La France a enfin des festivals dignes de ses ambitions avec le fameux Hellfest (qui est complet depuis des mois !), Photo : Carlos Sancho le Motocultor qui grossi, le Raismes Fest qui tient le pavé, le Fall Of Summer Festival II, le South Metal Fest, l’Extreme Factory Festival, Le Heart Sound Metal Festival 2015 qui démontre aussi que les rockeurs on du coeur, etc.… Même en temps de crise, nos artistes compatriotes nous envoient des tonnes d’albums f-a-n-t-a-s-t-i-q-u-e-s ! Mais nous ne traiterons pas seulement des artistes