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Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
Directory to Western Printed Heritage Collections
Directory to western printed heritage collections A. Background to the collections B. Major named Collections of rare books C. Surveys of Early and Rare Books by Place of Origin D. Surveys of Special Collections by Format A. Background to the Collections A1. Introduction. The Library was founded in 1973 (British Library Act 1972). A number of existing collections were transferred into its care at that time, the most extensive of which were those of the British Museum’s Department of Printed Books (including the National Reference Library of Science and Invention), Department of Mss, and Department Oriental Mss and Printed Books. Other collections of rare and special materials have been added subsequently, most notably the India Office Library & Records in 1982. The Library today holds over 150 million collection items, including books, pamphlets, periodicals, newspapers, printed music, maps, mss, archival records, sound recordings, postage stamps, electronic titles, and archived websites; this figure includes an estimated 4.1 million books, pamphlets and periodical titles printed in the West from the 15th cent to the 19th cent. The breadth of collecting in terms of subjects, dates, languages, and geographical provenance has always been a feature of collection building policies. A wide range of heritage materials continues to be acquired from Britain and overseas through purchase and donation. The Library’s early printed materials feature prominently in a range of digital facsimile products, e.g. Early English Books Online, Eighteenth Century Collections Online, Early Music Online, Nineteenth Century Collections Online, and Google Books. Direct links to facsimiles are increasingly provided from the Library’s website, particularly from the main catalogues. -
British Library Report to the Digital Library Federation October, 2005 I
British Library Report to the Digital Library Federation October, 2005 TABLE OF CONTENTS i. Collections, services, and systems ii. Projects and programs iii. Specific digital library challenges iv. Digital library publications, policies, working papers, and other documents I. Collections, services, and systems A. Collections Caxton's Chaucer This project has made available William Caxton's two editions of Chaucer's Canterbury Tales, probably printed in 1476 and 1483. The originals are both in the British Library. The digitisation was undertaken by a team of 14 Japanese experts, including a professional photographer, bibliographers and IT specialists, all from the HUMI (Humanities Media Interface) project at Keio University in Tokyo. The work was directed by Professor Toshiyuki Takamiya, a specialist in 15th-century English literature, and managed by Masaaki Kashimura. The images are accompanied with a detailed background on Caxton and his editions of Chaucer's Canterbury Tales, carefully structured to provide information for users ranging from school-leaver age to the level of the specialist scholar. http://www.bl.uk/treasures/caxton/homepage.html Gutenberg Bible Johann Gutenberg's Bible was the first real book to be printed using the technique of printing, which Gutenberg invented in the 1450s. The British Library has two complete copies, one printed on paper and one on vellum (calf's skin). We also have an important one-leaf fragment, and the site also presents two other items in the British Library which are closely connected with Gutenberg's Bible, a school book and a letter of indulgence. The Gutenberg page makes it possible to compare the two complete copies. -
Travelling Africa & the Archives 2015 Abstracts
TRAVELLING AFRICA & THE ARCHIVES 5 JUNE 2015 SOAS, University of London Room 116 10:00-10:30 Registration and coffee/tea 10:30 – 12:00 SESSION 1. Jenny SCHANK Travelling the Neighbour’s Colony: Luxembourgish Students in pre- Independence Belgian Congo Stephanie DE GOEIJEN The Archive of Dreams: Malagasy Micropolitics in the Missionary Archive Hana SANDHU ‘I may not be considered a competent witness’: Women’s Travel Writing, Orientalism and the Representation of Egypt LUNCH at the October Gallery for 12:30 2:00-3:30 SESSION 2. Elspeth TOLLEMACHE Re-capturing the International Gaze, Rwanda 1994-95: Stewart Wallis’s Travels in Africa and the Power of the Visual Archive Taaka ODERA The Ndere Dance Troupe Milo GOUGH Multi-Axial Travels in the Highlife Archive: An Audio/Textual Journey through a Music Genre Closing & Reception – THE LAMB Kai EASTON Vessels, Voyages and Visitors: HMS Vanguard and the Royal Tour of South Africa [1947] 2 ABSTRACTS Jenny SCHANK: Travelling the Neighbour’s Colony: Luxembourgish Students in pre-Independence Belgian Congo From 1954 until 1959, the Compagnie Maritime Belge each year offered a free journey to the Belgian Congo to two Luxembourgish students, a report of which they had to hand in upon their return. An exploration of the correspondence between this Belgian shipping company and the Luxembourgish government, the students’ application letters, and the final reports – all consulted during two visits to the Luxembourgish National Archives – gives interesting insights into the wider context of Luxembourg’s ambiguous relationship with its neighbour and the marginalized, only recently discovered, history of the Grand-Duchy’s colonials. -
Analytics & Metrics Education to Employment Reading List Solution Transforming Literacy World Cultures
IssN 1466-9358 online Volume 41 Number 3 August 2015 Analytics & metrics Education to employment Reading list solution Transforming literacy World cultures Multimedia Information & Technology Volume 39 Number 2 May 2013 1 welcome We’d o love t hear your ideas for articles, reviews or case contents This issue we’re studies. on the cusp News News of our MMIT AMMIT new Gr lookoup for Annual the journal Conference ; MMIT 2015 Group — survey programme & prize winners 3 Conference in Just email the editor: ShakespeareBook research;e does bursary Manga winners 53 06 Bibliometrics; bamboo notebooks; totem pole art 4 September and BFI News Free keyboard; animation updates; Credo news; voice control 5 Internet Librarian catherine.dhanjal@ Vivre sa Vie 6 BFI: 1920s nature DVD; samurai epics 6 Conference in theansweruk.com On Yer Bike 7 October. LesBest Yeux of the Sans blog Visage 87 We’ve also Changes to the profession, Google Wave & more introduced a new regular section to MmIT is published quarterly Reviews the journal: ‘Marketing insights’ with by the Multimedia Reviews Book review: Information Professionals’ Career Confidential 9 some favourite tools and software to Information & Technology Book review: Library AnalyticsMashups and Metrics 108 use in communications both online Group of Cilip in electronic 09 BookProduct review: review: Envisioning iPhone cases future academic library services: 12 and in print. format in February, May, initiaBooktives, review: ideas Mobile and Socialchallenges Marketing in Libraries 10 Book review: Information is Beautiful 12 August and November. Copy Features Book review: Content licensing: buying and selling digital resources 14 Warm regards, deadlines: six weeks prior to Worldreader, transforming literacy 13 Product review: Xtreme Web Designer 5 15 publication. -
Review and Accounts 2012/2013 National Life Stories Chairman’S
Life NATIONAL stories Review and Accounts 2012/2013 National Life Stories Chairman’s When many people think about history, they think about initiated a series of innovative interviewing programmes books and documents, castles or stately homes. In fact history funded almost entirely from sponsorship, charitable and Foreword is all around us, in our own families and communities, in the individual donations and voluntary effort. living memories and experiences of older people. Everyone has a story to tell about their life which is unique to them. Each collection comprises recorded in-depth interviews of Whilst some people have been involved in momentous a high standard, plus content summaries and transcripts to historical events, regardless of age or importance we all assist users. Access is provided via the Sound and Moving have interesting life stories to share. Unfortunately, because Image Catalogue at www.cadensa.bl.uk and a growing memories die when people do, if we don’t record what number of interviews are made available for remote web people tell us, that history can be lost forever. use. Each individual life story interview is several hours long, covering family background, childhood, education, work, National Life Stories (NLS) was established in 1987 and its leisure and later life. mission is: ‘To record the first-hand experiences of as wide a cross section of society as possible, to preserve the recordings, Alongside the British Library’s other oral history holdings, to make them publicly available and encourage their use’. which stretch back to the beginning of the twentieth century, As an independent charitable trust within the Oral History NLS’s recordings form a unique and invaluable record of Section of the British Library, NLS’s key focus and expertise people’s lives in Britain today. -
The BBC Folk Music and Dialect Recording Scheme (1952-57) As Its Case Study, Tuning Into a Particular Form of Radio Fieldwork
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. National Phonography Field Recording and Sound Archiving in Postwar Britain Tom Western Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Music University of Edinburgh 2015 i Declaration I hereby declare that this thesis, submitted in candidature for the degree of Doctor of Philosophy at the University of Edinburgh, and the research within it is my own work, except where explicitly stated in the text, and has not been submitted for any other degree or professional qualification. _______________________ Tom Western 10 August 2015 ii iii Contents List of Figures v Abstract vi Acknowledgements vii Introduction 1 1. Locating National Phonography in the Literature 1.1 Recorded Music 21 1.2 Ethnomusicology, Technology, History 25 1.3 Defining Phonography 30 1.4 Applying this to Folk Musics in Britain 35 2. -
South African Jazz and Exile in the 1960S: Theories, Discourses and Lived Experiences
South African Jazz and Exile in the 1960s: Theories, Discourses and Lived Experiences Stephanie Vos In fulfilment of the requirements for the degree of Doctor of Philosophy in Music Royal Holloway, University of London September 2015 Declaration of Authorship I, Stephanie Vos, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 August 2016 2 Abstract This thesis presents an inquiry into the discursive construction of South African exile in jazz practices during the 1960s. Focusing on the decade in which exile coalesced for the first generation of musicians who escaped the strictures of South Africa’s apartheid regime, I argue that a lingering sense of connection (as opposed to rift) produces the contrapuntal awareness that Edward Said ascribes to exile. This thesis therefore advances a relational approach to the study of exile: drawing on archival research, music analysis, ethnography, critical theory and historiography, I suggest how musicians’ sense of exile continuously emerged through a range of discourses that contributed to its meanings and connotations at different points in time. The first two chapters situate South African exile within broader contexts of displacement. I consider how exile built on earlier forms of migration in South Africa through the analyses of three ‘train songs’, and developed in dialogue with the African diaspora through a close reading of Edward Said’s theorization of exile and Avtar Brah’s theorization of diaspora. A case study of the Transcription Centre in London, which hosted the South African exiles Dorothy Masuku, Abdullah Ibrahim, and the Blue Notes in 1965, revisits the connection between exile and politics, broadening it beyond the usual national paradigm of apartheid politics to the international arena of Cold War politics. -
Review and Accounts 2013/2014 National Life Stories Chairman’S
Life NATIONAL Review and Accounts 2013/2014 National Life Stories Chairman’s When many people think about history, they think about has initiated a series of innovative interviewing programmes books and documents, castles or stately homes. In fact history funded almost entirely from sponsorship, charitable and Foreword is all around us, in our own families and communities, in the individual donations and voluntary effort. living memories and experiences of older people. Everyone has a story to tell about their life which is unique to them. Each collection comprises recorded in-depth interviews of Whilst some people have been involved in momentous a high standard, plus content summaries and transcripts to historical events, regardless of age or importance we all assist users. Access is provided via the Sound and Moving have interesting life stories to share. Unfortunately, because Image Catalogue at http://sami.bl.uk and a growing number memories die when people do, if we don’t record what of interviews are made available for remote web use at people tell us, that history can be lost forever. http://sounds.bl.uk. Each individual life story interview is several hours long, covering family background, childhood, National Life Stories was established in 1987 and its mission education, work, leisure and later life. is: ‘To record the first-hand experiences of as wide a cross section of society as possible, to preserve the recordings, Alongside the British Library’s other oral history holdings, to make them publicly available and encourage their use’. which stretch back to the beginning of the twentieth century, As an independent charitable trust within the Oral History NLS’s recordings form a unique and invaluable record of Section of the British Library, NLS’s key focus and expertise people’s lives in Britain today. -
Digitisation of Special Collections: National and Academic Libraries’ Examples
DESIDOC Bulletin of Information Technology, Vol. 24, No.5, September 2004, pp. 3-9 © 2004, DESIDOC Digitisation of Special Collections: National and Academic Libraries’ Examples Rochna Srivastava Abstract The paper describes a few major national and academic libraries of the world that have undertaken projects to exploit the potential of digital technology for displaying unique and fragile materials. It also highlights major goals of these digital projects. Selection criteria of special collections for digitisation, by these libraries, have also been discussed in the paper. 1. SPECIAL COLLECTION four terabytes of digitised information1. Special collection forms the core of the Special collections of the BL are digitised to primary research collection of a library. maximise their use by facilitating a greater volume of networked access and by providing Whatever may be the format, the common features of special collection are that they are the enhanced functionality intrinsic to the unique, rare, require special handling, and in digitised items. Materials covered under limited availability or just something that digitisation programme may be: cannot be located in the open stacks. Equally q Owned by the BL important is that the material is valued as an q Deposited with the BL artifact. Special collection may use digitisation q Owned by a collaborative partner of the BL as a preservation technique but its real value 2 q Owned by a commercial partner of the BL . is related to the increased access to special collections. The Early Printed Collections Department of the BL provides wider access to important The selection of special collection material for digitisation is based upon the same criteria items by digitising them so as to preserve fragile originals for future generations of for placing material in special collections: researchers. -
Annual Review & Accounts 2019-2020
Life NATIONAL Review and Accounts 2019/2020 National Life Stories Highlights of the Year When many people think about history, they think about books has been oral history fieldwork. For over thirty years it has • In 2019 we added more than 800 hours of new recorded interviews and documents, castles or stately homes. In fact history is all initiated a series of innovative interviewing programmes to the collections. around us, in our own families and communities, in the living funded almost entirely from sponsorship, charitable and memories and experiences of older people. Everyone has a story individual donations and voluntary effort. NLS receives no to tell about their life which is unique to them. Whilst some funding from government. • 23 oral history collections totalling 6,139 analogue items were people have been involved in momentous historical events, regardless of age or importance we all have interesting life Each collection comprises recorded in-depth interviews of a high digitised through the National Lottery Heritage Funded ‘Unlocking Our Sound stories to share. Unfortunately, because memories die when standard, plus content summaries and transcripts to assist users. Heritage’ programme, including the Book Trade Lives and Lives in the Oil people do, if we don’t record what people tell us, that history Access is provided via the Sound and Moving Image Catalogue can be lost forever. at sami.bl.uk and a growing number of interviews are made Industry projects. There were 5,731 cassettes and 246 reels. available for remote web use through British Library Sounds at National Life Stories was established in 1987 and its mission sounds.bl.uk. -
Literary Representations of the British Museum, 1818-1929
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2014 "A Density of Meaning": Literary Representations of the British Museum, 1818-1929 Rory E. Sullivan College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons Recommended Citation Sullivan, Rory E., ""A Density of Meaning": Literary Representations of the British Museum, 1818-1929" (2014). Undergraduate Honors Theses. Paper 76. https://scholarworks.wm.edu/honorstheses/76 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Sullivan 2 Table of Contents “When a man wants to write a book full of unassailable facts, he always goes to the British Museum”: Introduction………..…………………………………………………………………..4 The British Museum: A Potted History…………………………………………………………...5 Heterotopias: Doorways in Time………………………………………………………………...10 Upholding Tradition or a Force for Revolution………………………………………………….15 “The Valley of the Shadow of Books”: The British Museum’s Reading Room……….………..28 “What do you see in that time-touched stone”: The Shifting Nature of Museum Objects….…...46 “Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world”: Time in the Museum……………………………...……………………………………..…….…….………...53