DOCSLIB.ORG

The Gamut Archives Publications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Gamut Archives Publications Cleveland State University EngagedScholarship@CSU The Gamut Archives Publications Fall 1982 The Gamut: A Journal of Ideas and Information, No. 07, Fall 1982 Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/gamut_archives Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons How does access to this work benefit ou?y Let us know! Recommended Citation Cleveland State University, "The Gamut: A Journal of Ideas and Information, No. 07, Fall 1982" (1982). The Gamut Archives. 5. https://engagedscholarship.csuohio.edu/gamut_archives/5 This Book is brought to you for free and open access by the Publications at EngagedScholarship@CSU. It has been accepted for inclusion in The Gamut Archives by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. Note: Original cover was cut at margins Deadline: January 15, 1983 Mail entries to: Concrete Poetry Contest The Gamut Rhodes Tower 1216 Cleveland State University Cleveland , OH 44115 Eligibility: Open to anyone. No limit on number of submissions. Submissions must be original $500.00 work of the contestant and must not have in prizes been previously published. plus publication in Definition: For the purposes of this contest. a concrete poem is defined as a unified liter­ The Gamut, issue *9 ary work involving a necessary visual ele­ (Sprin9'Summer, 1983) ment. Rules and restrictions: Submissions must be such as can be published in The Gamut, e.g ., they must be reproducible in black and white on one or more 7" x 10" pages. Black-and-white photographs are ac­ ceptable. Photocopies may be submitted, on the un; John M. Bennett derstanding that the originals will be provided for Perry L. Peterson publication. Include name, address, telephone Mary Ellen Salt number, and Social Security number with submis­ and The Gamut sion. Manuscripts will be returned if accompanied editorial staff. by stamped, self-addressed envelope. The editors urge entrants to eschew the facile! For more on concrete poetry, see The Gamut, issue #6 (Spring/Summer 1982). ON THE FRONT COVER: Ian Deakin as Ariel in the 1982 Stratford production of Shakespeare's The Tempest. Photo by RobertC. Ragsdale, F.R.P.S., reproduced cour­ tesy of the Stratford Festival, Stratford, Ontario. A JOURNAL OF IDEAS AND INFORMATION Number 7 Fall,1982 Published by Cleveland State University Editor: Co-Editor: Associate Editor: Leonard M. Trawick Louis T. Milic Stephen R. Coleman Managing Editor: Circulation Manager: Sandra J. Philipson Lynn Beamer Advisory Board John A. Flower George A. Coulman Sanford E. Markey Bernard Hamermesh William R. Martin Julie Haug Samuel A. Richmond David L. Hopcraft James G. Taaffe Herbert Kamm Diana Tittle Editorial Consultants: Fred E. Ekfelt, Gary Engle, John Gerlach Volunteer Staff: Jan Milic, Toby Katz Photography: Louis T. Millc The Gamut: a Journal of Ideas and Infonnation is published in the fall, winter, and spring of each year by Cleveland State University, Cleveland, Ohio. Subscription rate: one year (three issues), $12.00; two years, $20.00; three years, $25.00. Library rate, $15.00 per year. Foreign subscriptions $3.00 per year additional. Single copies, $5.00; back issues, $6.00. Claims for missing issues honored within six months of publication. The Gamut invites commentaries for its "Back Matter" section and also the submission of new articles and creative works, especially by Ohio writers and artists, on topics of interest to readers of this region. Preliminary inquiries are welcome; detailed information for con­ tributors on request. Submitted material will be returned if accompanied by a stamped, self-addressed envelope. Address all correspondence to: The Gamut, Room 1216 Rhodes Tower, Cleveland State Uni­ versity, Cleveland, OH 44115. Copyright © 1982 by Cleveland State University. All rights reserved. Printed in the U.S.A. ISSN 0275-0589. CONTENTS OF ISSUE NO.7, FALL, 1982 Marianne Evett. The Many Faces of Ariel. 3 The strikingly different ways in which Shakespeare's"airy spirit" in The Tempest has been represented on the stage reflect major shifts in sexual and social, as well as the­ atrical, attitudes since the first production 371 years ago. Frederick H. Holck. By Their Handwriting Ye Shall Know Them. 15 Grapho-psychology is being used in personnel selection, law, and other situations requiring insight into peoples' personalities. Lawrence Martin. A Case for Intensive Care. 33 Often a hospital's Intensive Care Unit can only keep a patient alive while the body tries to heal itself. Without such support, however, a critically ill patient has no chance. Even with full ICU support, the outcome may be disastrous. An actual case history. Larry R. Sherman and Nancy L. Carney. The False Saint Nicholas. Detecting and evaluating a forged nineteenth-century Russian icon. James A. Miller. "No Stranger Could Have Said." An elegy for John Gardner (1933-1982) Robert Fox. Two Short-Short Stories. 51 The Malarky Sisters, The Divorce of the Unmarried. Henry T. King, Jr. Nuremberg Revisited. Former prosecutor at the Nuremberg Trials in 1945-46 returns after 35 years and talks with the German defense attorney who opposed him at the trials, and also with Al­ bert Speer, the convicted Nazi war criminal. Peter Baker. Birth Defects: a Realistic View. Medical science has no remedy for the majority of birth defects, but some, such as those caused by alcohol, can be prevented. Louis T. Millc. Arabic. 6i First in a series of Languages of the World. Thylias Moss. Four Poems. 7 One-Legged Cook, Good Amnesia, Usual Betrayals, From the Bride's Journal. Robert Finn. Critics: the Essential Outsiders. 75 Award-winning critic maintains that critics and reviewers serve a vital function in the world of the arts ­ a function that the artists themselves cannot perform. Leah Beth Ward. The Consumers League of Ohio: Early Champion of Working Women. 81 Wealthy Oeveland women versus employers who exploited working women sixty and eighty years ago. David Guralnik. Word Watch: Productive suffixes. 94 Watergate has spawned a multitude of new coinages based on the suffix -gate. Harold Ticktin. My Fair Lady is Italian. 95 "The rain in Spain" leads to a romance with Italian - and to Italian Romanzas, in one of which the author discovers Henry Kissinger. The Gamut is published with the aid of a grant from the Cleveland Foundation. This issue of the The Gamut is printed by R. V.R., Inc., Newbury, Ohio. Typography by the Cleve­ land State University Graphic Services, Marian E. Sachs, Manager of Composition Services. The Gamut logo was designed byJohn Pressello. 3 Marianne Evett The Many Faces of Ariel The strikingly different ways in which Shakespeare's Ifairy spirit" has been represented on the stage reflect major shifts in sexual and social, as well as theatrical, attitudes since the first production 371 years ago. Consider two pictures: one shows a On the surface, it is a simple play - every­ pretty, even voluptuous young woman in thing happens in one afternoon, on a single flowing late-Regency attire, corkscrew curls island. But the central figure of the play is an cascading down her neck, butterfly wings enigmatic magician, Prospero, and the central springing from her shoulders, pearls drip­ problem, his actions toward old enemies, ping from herloose sleeves, a garland of shells equally enigmatic as to tone and emphasis, and sea creatures encircling her curving hips, making valid quite different productions. two large scallop shells covering her bodice, Prospero's spells become visible illusions many-pointed stars glinting atop hair and through his mysterious servant, Ariel. But wand and more stars sprinkled on skirt, Ariel, as we have seen, can also be realized in bracelets, necklace. The other picture shows a wildly different ways - and, indeed, was man, tall, neither young nor old, dressed only played by a boy in Shakespeare's time, then in a white singlet and knee breeches, straight for about 300 years by a woman, and now rou­ pale hair cut close to his head like a cap. Both tinely by a man. are stage representations of the same charac­ These shifts and changes in the way ter-Ariel, the "airy spirit" of Shakespeare's Ariel has been presented obviously reflect the The Tempest. The first description is of Miss way directors have perceived the relationship Maria Louisa Carr, who played the role in between the spirit and his (her?) master, and London in 1831; the second is Nicholas Pen­ hence ultimately the play's meaning for audi­ nell, the Ariel at Stratford, Ontario, in 1976. ences at a given time. A study of Ariel in the These are only two among countless Ariels theater, then, can reveal something about since the play was first performed in 1611. changing ideas of sexual roles in society, and, Shakespeare's plays, because they have since Ariel is a strange being who makes real been performed almost continuously for Prospero's ideas, will also afford clues to pop­ nearly 400 years, offer an unusual opportu­ ular conceptions of the imagination and nity to study changes in fashions of perform­ sources of the fantastic. ance that often reflect deeper changes in social According to the play, Pro spero, once attitudes outside the theater. None, perhaps, Duke of Milan, was overthrown byhis brother has had more varied performance than The and the King of Naples and cast away on an Tempest, because it allows so much room for island with his daughter, Miranda. There, he interpretation and extravagant visual effects. practices magic, effecting his spells through Marianne Evett is Professor ofLiberal Artsat the Cleveland Institute of Art and a contributing editor and regular theater critic for Northern Ohio Live magazine. A native of Maryland, she ooIds a B.A.
Load more

Recommended publications
  • Gold Medal 2018
    Thursday 10 May 7pm, Barbican Hall Gold Medal 2018 Finalists Ljubica Stojanovic Dan-Iulian Drut¸ac Joon Yoon Guildhall Symphony Orchestra James Judd conductor Guildhall School of Music & Drama Barbican Founded in 1880 by the Gold Medal 2018 City of London Corporation Please try to restrain from coughing until the normal breaks in the performance. Chairman of the Board of Governors Thursday 10 May 2018 If you have a mobile phone or digital watch, Deputy John Bennett 7pm, Barbican Hall please ensure that it is turned off during the Principal performance. The Gold Medal, the Guildhall School’s premier Lynne Williams In accordance with requirements of the award for musicians, was founded and endowed Vice–Principal and Director of Music licensing authority, sitting or standing in in 1915 by Sir H. Dixon Kimber Bt MA Jonathan Vaughan any gangway is not permitted. No cameras, tape recorders, other types of Please visit our website at gsmd.ac.uk Finalists recording apparatus may be brought into the auditorium. It is illegal to record any Ljubica Stojanovic piano performance unless prior arrangements Dan-Iulian Drut¸ac violin have been made with the Managing Director Joon Yoon piano and the concert promoter concerned. No eating or drinking is allowed in the The Jury auditorium. Smoking is not permitted Donagh Collins anywhere on the Barbican premises. Kathryn Enticott Paul Hughes Barbican Centre James Judd Silk St, London EC2Y 8DS Jonathan Vaughan (Chair) Administration: 020 7638 4141 Box Office Telephone Bookings: Guildhall Symphony Orchestra 020 7638 8891 (9am-8pm daily: booking fee) James Judd conductor barbican.org.uk The Guildhall School is part of Culture Mile: culturemile.london The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal winners since 1915 Gold Medal 2018 Singers 1979 Patricia Rozario 1947 Mary O White Ljubica Stojanovic piano 1915 Lilian Stiles-Allen 1981 Susan Bickley 1948 Jeremy White Prokofiev Piano Concerto No.
    [Show full text]
  • 1949-2019: the 70-Year Shared Legacy of the American College of Cardiology and the Irish Cardiac Society 18Th October 2019 Galway Bay Hotel Galway, Ireland
    1949-2019: The 70-Year Shared Legacy of the American College of Cardiology and the Irish Cardiac Society 18th October 2019 Galway Bay Hotel Galway, Ireland John Gordon Harold, MD MACC, MACP, FESC, FRCPI, FRCP, FCSI, FCCP, FAHA ACC Past President Disclosure Slide John Gordon Harold, MD MACC, MACP, FESC, FRCPI, FRCP (Lon), FCSI, FCCP, FAHA ACC Past President Chair, ACC Campaign for the Future Editor-in-Chief Cardiology Magazine Past Chair, ACC Board of Governors Professor of Medicine Cedars-Sinai Smidt Heart Institute and David Geffen School of Medicine No Conflicts to Report Thank You to Dr. James Crowley – President Irish Cardiac Society Seen Here With Irish President Michael D. Higgins - Galway 70th Anniversary of the American College of Cardiology and Irish Cardiac Society 1949 - 2019 Heart House, Washington DC This Talk is Dedicated to the Memory of Brian J. Maurer, MB, BCh, FACC The Tempest (1611), Act 2, Scene I History sets the context for the present… Robert I. Aitken: The Future (1935) National Archives, Washington, D.C. The Vitruvian Man (Le proporzioni del corpo umano secondo Vitruvio) da Vinci - 1490 Leonardo da Vinci (15 April 1452 – 2 May 1519) 500th Anniversary of da Vinci’s Death Back to the Future – 512 Years Ago Leonardo da Vinci -1507 • The American College of Cardiology and the Irish Cardiac Society were founded 70 years ago in 1949 during the Golden Age of Cardiology” – a time of dramatic change in cardiovascular medicine • 2019 marks the 70th anniversary of the founding of both the American College of Cardiology and the Irish Cardiac Society.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Name Prediman Krishan (P.K.) Shah, M.D., M.A.C.C. Business Division of Cardiology Cedars-Sinai Heart Institute and Cedars-Sinai Medical Center 127 S. San Vicente Boulevard, Suite A-3307 Los Angeles, CA 90048 EDUCATION 1962-1964 Premedical, S.P. College, Srinagar, Kashmir, India 1964-1969 Medical School, Medical College, Srinagar, Kashmir, India (M.D.) 1969-1970 Internship, S.M.H.S. Hospital of Medical College, Srinagar, Kashmir, India 1970-1971 Residency, All India Institute of Medical Sciences, New Delhi, India 1971-1972 Internship, Mount Sinai Hospital of University of Wisconsin, Milwaukee 1972-1973 Residency (Internal Medicine) Mount Sinai Hospital of University of Wisconsin, Milwaukee 1973-1974 Residency (Internal Medicine) Montefiore Hospital of Albert Einstein College of Medicine, Bronx, New York 1974-1976 Fellowship (Cardiology) Montefiore Hospital of Albert Einstein College of Medicine, Bronx, New York 1976-1977 Research Fellowship (Cardiology), Cedars-Sinai Medical Center, Los Angeles, California 1992-1993 Sabbatical and Visiting Assocaite Professor, Massachusetts General Hospital, Harvard Medical School LICENSURE State of California A 031604 DEA AS7855224 BOARD CERTIFICATION 1975 Internal Medicine 1977 Cardiology PROFESSIONAL EXPERIENCE Cedars-Sinai Medical Center 1995-2013 Director, Division of Cardiology 2 1993-present Director, Oppenheimer Atherosclerosis Research Center 2013-present Director, Atherosclerosis Prevention and Treatment Center 2011-present Director, Steven S. Cohen Fellowship Program in Atherosclerosis
    [Show full text]
  • Dorothy Todd's Modernist Experiment in British Vogue, 1922 -1926, by Amanda
    This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. “A plea for a renaissance”: Dorothy Todd’s Modernist experiment in British Vogue, 1922 -1926 Figure 1 Amanda Juliet Carrod A thesis submitted for the degree of Doctor of Philosophy in English Literature June 2015 Keele University Abstract This is not a fashion paper: Modernism, Dorothy Todd and British Vogue "Style is thinking."1 In 1922, six years after its initial inception in England, Vogue magazine began to be edited by Dorothy Todd. Her spell in charge of the already renowned magazine, which had begun its life in America in 1892, lasted until only 1926. These years represent somewhat of an anomaly in the flawless history of the world's most famous fashion magazine, and study of the editions from this era reveal a Vogue that few would expect. Dorothy Todd, the most enigmatic and undocumented figure in the history of the magazine and, arguably within the sphere of popular publications in general, used Vogue as the vehicle through which to promote the innovative forms in art and literature that were emerging at the beginning of the twentieth century.
    [Show full text]
  • Xerox University Microfilms
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Mrs. Patrick Campbell, Caesar in Ccarsnr Or~Rlclcopatrn for Forbes Robertson, and Lady Cicely in Captain Brassbot~~Rd'j Cor~~,Crsiorlfor Ellen Terry
    This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] This publication has been prepared with the generous support of the Arnold '44 and Gloria Tofias Fund and the Bernard E Burgunder Fund for George Bernard Shaw. + Issued on the Occasion of "77re Instinct of an Artist:" Straw and the Theatre. An Exhibition from the Bernard F. Hurgunder Collection of George Bernard Shaur, Division of Rare and Manuscript Collections Carl A. Kroch Library April 17-June 13,1997 Cover and lnsidc Cover Illustrations: Shown are Shaw's photographic postcards sent to actress Evlarparet Halstan, critiquin~her performance as Raina in Arnold Dnly's ign revival of Annr and the )Man. [Item iA] Title page illustration by Antnny Wysard Note: Shaw ohcn spelled words phonetically, and sometimes used archaic forms of words. In quoting Shaw, we have retained his unusual spelling throughout O 1997 Cornell University Library The Instinct of an Artist + he Bernard F. Burgunder Collection of George Bernard Shaw was established at Cornell University in 1956, the centennial of Shaw's birth. The Collection repre- T sents a lifelong enthusiasm of the donor, Bernard Rurgundcr, who began collect- ing Shaviana soon after his graduation from Cornell in 1918.
    [Show full text]
  • A Cognitive Study of Gesture in Shakespeare's Plays
    Actions that a (Hu)man Might Play: a Cognitive Study of Gesture in Shakespeare’s Plays Thesis submitted by Laura Seymour for the degree of Doctor of Philosophy at Birkbeck, University of London. 1 Declaration The work presented in this thesis is my own. Signed: 2 Acknowledgements In the seventeenth century, the word ‘cognition’ could mean ‘acknowledgement of gratitude’. In the words of John Evelyn in 1655, ‘I must justifie...with infinite cognition, the benefit I have received’ most of all from my incredibly wise and generous supervisors Laura Salisbury and Gillian Woods; there is no way I could have written this thesis without their encouragement and the way that they illuminated Shakespeare’s plays and ideas of representation and cognition. I am hugely grateful to Adam Smyth and Michael Dobson for their supervision in the earlier stages of the thesis, to Isabel Davis and Susan Wiseman and everyone else who helped me at Birkbeck, to Sarah Cain for encouraging me in my studies before I arrived here, and to Amy Cook, Rhonda Blair, Raphael Lyne, Peter Garratt, Guillemette Bolens, Tim Chesters and Kathryn Banks, and the other members of the Cognitive Futures in the Humanities network. Also I would like to say thanks a million to all of my friends and loved ones for their help and support, especially Sandy Steel for his constant kindness and for keeping my motivation and morale up, Sophie Zadeh for chatting to me about violence and society, Amrita Dhar for filling my times in the RSC archives with her clever ideas and laughter, and my family for supporting me throughout the whole of my studies.
    [Show full text]
  • Radial Artery Applanation Tonometry
    Radial Artery Applanation Tonometry for Continuous Noninvasive Cardiac Output Measurement: A Comparison With Intermittent Pulmonary Artery Thermodilution in Patients After Cardiothoracic Surgery Julia Y. Wagner, MD1; Harun Sarwari1; Gerhard Schön, MSc2; Mathias Kubik, MD3,4; Stefan Kluge, MD3; Herrmann Reichenspurner, MD4; Daniel A. Reuter, MD1; Bernd Saugel, MD1 Objectives: Radial artery applanation tonometry allows completely a pulmonary artery catheter (PAC-CO) with regard to accuracy, noninvasive continuous cardiac output estimation. The aim of the precision of agreement, and trending ability. present study was to compare cardiac output measurements Design: A prospective method comparison study. obtained with applanation tonometry (AT-CO) using the T-Line Setting: The study was conducted in a cardiosurgical ICU of a system (Tensys Medical, San Diego, CA) with cardiac output German university hospital. measured by intermittent pulmonary artery thermodilution using Patients: We performed cardiac output measurements in 50 patients after cardiothoracic surgery. Interventions: None. 1Department of Anesthesiology, Center of Anesthesiology and Intensive Care Medicine, University Medical Center Hamburg-Eppendorf, Ham- Measurements and Main Results: Three independent sets of burg, Germany. three consecutive thermodilution measurements (i.e., PAC- 2Department of Medical Biometry and Epidemiology, University Medical CO) each were performed per patient, and AT-CO was mea- Center Hamburg-Eppendorf, Hamburg, Germany. sured simultaneously. The average of the three thermodilution 3 Department of Intensive Care Medicine, University Medical Center Ham- cardiac output measurements was compared with the aver- burg-Eppendorf, Hamburg, Germany. age of the corresponding three AT-CO values resulting in 150 4Department of Cardiovascular Surgery, University Heart Center Ham- burg, Hamburg, Germany. paired cardiac output measurements.
    [Show full text]
  • Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00
    Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Two Day Autograph Auction - Day 1) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 CRICKET: A good 8vo page removed from an autograph album GRACE W. G.: (1848-1915) English Cricketer. Fine fountain individually signed in fountain pen ink by eight cricketers, four of pen ink signature ('W. G. Grace') on a slip of paper, them Test Captains, comprising William Newham (1860-1944, professionally matted in green and ivory beneath four different England & Sussex), C. Aubrey Smith (1863-1948, England & vintage postcard photographs of Grace, three showing him in Sussex), Arthur Kemble (1862-1925, Lancashire), William L. full length cricket poses and one standing in a full length pose Murdoch (1854-1911, Australia & Sussex), A. E. Stoddart (1863- alongside the young Edward, Prince of Wales. Framed and 1915, England & Middlesex; committed suicide), Walter Read glazed in a wooden frame to an overall size of 21.5 x 14.5. VG (1855-1907, England & Surrey), Ernest Smith (1869-1945, Estimate: £200.00 - £300.00 England & Yorkshire) and John Ferris (1867-1900, Australia, England & Gloucestershire; tragically died at the age of 33). Annotated in ink at the head of the page by a collector, 'Cricket Lot: 7 for Ever!' and dated Hastings, 16th September 1891. A rare AUSTRALIAN CRICKET: A page removed from an autograph grouping of cricket signatures, about VG album individually signed by fourteen members of the Estimate: £200.00 - £300.00 Australian Cricket team of 1909, comprising Monty Noble, Sammy Carter, Victor Trumper, Syd Gregory, Warren Bardsley, Warwick Armstrong, Vernon Ransford, Bert Hopkins, Peter Lot: 2 McAlister, Bill Whitty, Barlow Carkeek, Jack O'Connor, Roger CRICKET: A good selection of individual signed clipped pieces Hartigan and William Ferguson (scorer and baggage man).
    [Show full text]
  • Quick Guide to Cardiopulmonary Care
    Edwards Clinical Education Quick Guide to Cardiopulmonary Care 4th Edition This reference guide is presented as an aide to guide medical personnel by Edwards Lifesciences. The information in this reference guide has been compiled from available literature. Although every effort has been made to report faithfully the information, the editors and publisher cannot be held responsible for the correctness. This guide is not intended to be, and should not be construed as, medical advice. For any use, the product information guides, inserts and operation manuals of the various drugs and devices should be consulted. Edwards Lifesciences and the editors disclaim any liability arising directly or indirectly from the use of drugs, devices, techniques or procedures described in this reference guide. Note: Algorithms and protocols included in this book are for educational reference only. Edwards does not endorse or support any one specific algorithm or protocol. It is up to each individual clinician and institution to select the treatment that is most appropriate. ISBN 978-0-615-96605-2 Quick Guide to Cardiopulmonary Care 4th Edition Editors William T. McGee, MD, MHA, FCCP, FCCM Critical Care Medicine Associate Professor of Medicine and Surgery University of Massachusetts Medical School Caulette Young, BSN, RN, CCRN, CHSE Clinical Nurse Consultant John A. Frazier, BS, RN, RRT Sr. Manager Edwards Lifesciences Previous edition editor Peter R. Lichtenthal, M.D. Previous editions contributors and reviewers Diane K. Brown, RN, MSN, CCRN Barbara “Bobbi” Leeper, MN, RN, CCRN Quick Guide to Cardiopulmonary Care Pertinent clinical information dedicated to the critical care clinician The intent of the Quick Guide is to provide a ready reference for hemodynamic monitoring and oxygenation assessment of the critically ill.
    [Show full text]
  • Anaesthesiology & Intensive Medicine
    1948 1959 Anaesthesiology & Intensive Medicine doc. MUDr. Jozef Firment, PhD. Košice, Tuesday, September 10th 2019 2 Logo – vital signs 3 ANAESTHESIOLOGY & INTENSIVE CARE MEDICINE COMPONENTS OF THE SUBJECT 1. Anaesthesiology 2. Intensive (Critical) Care Medicine 3. (Pre-hospital) Emergency Care, Acute Medicine, First Aid 4. Algesiology 4 prof.. MD. PhD. F.A.C.C. William Ganz *7.1.1919 Košice - †10.11.2009 Los Angeles 1937 Košice, school-leaving exam gymnasium • 1947 Prague UK graduation MD. • 1947 – 1966 U.C.L.A. • 1951 internal medicine Bulovka Prague 1970 introduced to clin. praxis - Swan S-G catheter • 1970 ass. professor • 1972 professor • 1992 Distinguished Scientist Award Swan HJC, Ganz W, Forrester J, Marcus H, Diamond G, Chonette D. Catheterization of the heart in man with use of a flowdirected balloon-tipped catheter. N Engl J Med 1970; 283:447-51. 5 Kadlic’s medal year 2013 21 Congress SSAIM Piešťany May 21st 2013 MUDr. Rudolf Klima – establisher of the 1st ICU ward in Czechoslovakia February 1st 1966 • February 1st 1966 – 53 years Establishment of the First Department of ICU in Czechoslovakia (Košice, R 43) 7 UNDERGRADUATE EDUCATION 8 Subjects that teach by our Clinic Study Year Programme Language First Aid 1 GM Slovak First Aid 1 GM Engl First Aid 2 DM Slovak First Aid 2 DM Engl Anaesthesiology & Intensive Medicine 5 GM Slovak Anaesthesiology & Intensive Medicine 5 GM Engl Anaesthesiology 5 DM Slovak Anaesthesiology 5 DM Engl Algesiology - Compulsory Elective Course 5 GM Slovak Algesiology - Compulsory Elective Course 5 GM Engl 9 CURRICULUM A+IM GM • 5th study Year • Block study (2 weeks daily lectures & practices, 1 week for exams) • Credit test (40 questions, one–the best answer) • Practical exam CPR (2’ BLS, electronical control & results) • Oral Exam 10 Anaesthesiology and Intensive Medicine Study program: 5.
    [Show full text]
  • 1 D 2 015724
    DOE/ER/61150--1 D_2 015724 CONFERENCE COMMITTEE D.J. Hnatowich, Ph.D., Conference Chairperson A.B. Brill, M.D., Ph.D. R.J. Callahan, Ph.D. F.P. Castronovo, Jr., Ph.D. M.A. Davis, M_D., D.Sc. D. Elmaleh, Ph.D. K. Ramberg, Ph.D. M. Rusckowski, Ph.D. <...._,___-_"t,_Tl<._rl,..........Ot_,i., C.1_!:ii-_tiil [DOC.'i iltlEN'l. i_:'t __l_vtll'7_O SPONSORS The United States Department of Energy The International Atomic Energy Agency Biomira, Inc. E.I. Dupont de Nemours and Co., Inc. Mallinckrodt Medical, Inc. McNeil Pharmaceuticals,_ Inc. Nihon Mediphysics Co., Inc. Sorin Biomedica Squibb Diagnostics Syncor International Corp. Canberra/Packard Cytogen Corpo Abbott Laboratories SEVENTH INTERNATIONAL SYMPOSIUM ON P_DIOPHARMACOLOGY BOSTON, MA, 3-6 JUNE, 1991 MONDAY, JUNE 3, 1991 8:30 a.m. Opening Remarks D.J. Hnatowich, Ph.D., Conference Chairperson 9:00 a.m. Invited Presentation L.C. Colombetti, D.Sc. "What is radiopharmacology?" Introduced by D.J. Hnatowich, Dh.D. 10:00 a.m. Coffee and Poster Viewing 10:20 a.m. Session I: Pharmacokinetics of Tc-99m Labeled Agents. M.W. Billinghurst, Ph.D., Session Chairperson i. Billinghurst MW, Abrams DN, Sl_yka C, Vaziri F, Coutts A, Perez J. The preparation and biodistribution of secondary Tc-_PAO. 2. Dewanjee MK, Ghafouripour AK, Kapadvanjwala M, Ganz WI, Serafini AN, Sfakianakis GN. Effect of stereoisomers (D, L and MESO) of Tc-99m HMPAO on platelet kinetics in beagle dogs: comparison with In-lll labeled platelets. 3. Hiltunen JV, Nikula TK, Pentti]a PI Bergstrom K, Mussalo H, Kuikka JT, Lansimies E.
    [Show full text]