Other Cities Eye Nyc Cap
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Russia Technology Internet Local Dominance Strengthens
12 December 2018 | 1:51AM MSK Russia Technology: Internet Local dominance strengthens; competition among ecosystems intensifies It’s been a year since we published Russia’s internet champions positioned to Vyacheslav Degtyarev +7(495)645-4010 | keep US giants at bay. We revisit our thesis, highlighting that the domestic internet [email protected] OOO Goldman Sachs Bank incumbents are successfully defending their home turf from international competition. We have seen only modest incremental efforts from global players, with some recognizing the importance of local expertise (Alibaba’s agreement to transfer control in AliExpress Russia to local partners) or conceding to domestic market leaders (Uber merged its Russian operations with Yandex.Taxi, citing Yandex’s strong technology and brand advantage). The two domestic market leaders, Yandex and Mail.ru, have solidified their dominant positions in search and social networks, respectively, and are leveraging these core businesses to exploit new sources of growth across their ecosystems (e.g. advertising, taxi, food tech, music). While their ever-expanding competitive overlap is worrying, we note this is not unique for global tech and is still relatively limited in scale. We expect the local dominance trend to continue and see significant untapped opportunities in e-commerce, messengers, local services, cloud and fintech. We re-iterate our Buy ratings on Yandex (on CEEMEA FL) and Mail.ru, and view them as the key beneficiaries of internet sector growth in Russia. We believe the market -
List of Brands
Global Consumer 2019 List of Brands Table of Contents 1. Digital music 2 2. Video-on-Demand 4 3. Video game stores 7 4. Digital video games shops 11 5. Video game streaming services 13 6. Book stores 15 7. eBook shops 19 8. Daily newspapers 22 9. Online newspapers 26 10. Magazines & weekly newspapers 30 11. Online magazines 34 12. Smartphones 38 13. Mobile carriers 39 14. Internet providers 42 15. Cable & satellite TV provider 46 16. Refrigerators 49 17. Washing machines 51 18. TVs 53 19. Speakers 55 20. Headphones 57 21. Laptops 59 22. Tablets 61 23. Desktop PC 63 24. Smart home 65 25. Smart speaker 67 26. Wearables 68 27. Fitness and health apps 70 28. Messenger services 73 29. Social networks 75 30. eCommerce 77 31. Search Engines 81 32. Online hotels & accommodation 82 33. Online flight portals 85 34. Airlines 88 35. Online package holiday portals 91 36. Online car rental provider 94 37. Online car sharing 96 38. Online ride sharing 98 39. Grocery stores 100 40. Banks 104 41. Online payment 108 42. Mobile payment 111 43. Liability insurance 114 44. Online dating services 117 45. Online event ticket provider 119 46. Food & restaurant delivery 122 47. Grocery delivery 125 48. Car Makes 129 Statista GmbH Johannes-Brahms-Platz 1 20355 Hamburg Tel. +49 40 2848 41 0 Fax +49 40 2848 41 999 [email protected] www.statista.com Steuernummer: 48/760/00518 Amtsgericht Köln: HRB 87129 Geschäftsführung: Dr. Friedrich Schwandt, Tim Kröger Commerzbank AG IBAN: DE60 2004 0000 0631 5915 00 BIC: COBADEFFXXX Umsatzsteuer-ID: DE 258551386 1. -
E-Hail Regulation in Global Cities
November 2019 Meera Joshi Nicholas Cowan Olivia Limone Kelly McGuinness Rohan Rao The Rudin Center for Transportation Policy and Management at NYU's Wagner school explores challenges in transportation and infrastructure. The Center draws upon faculty and graduate students to conduct research on cities and mobility, infor- mation technology in transportation, and access to mass transit. For more information, please visit https://wagner.nyu.edu/rudincenter Contents Executive Summary 1 Introduction 3 Overview of City Regulations 4 Glossary 6 Cities 7 New York City 8 Toronto 12 Chicago 15 Los Angeles & San Francisco 18 Mexico City 22 São Paulo 25 London 27 Moscow 31 Accra 33 Beijing 35 Mumbai 38 Melbourne 41 Conclusion 44 Acknowledgements 44 References 45 Rudin Center for Transportation November 2019 EXECUTIVE SUMMARY In recent years—and with increasing speed— Data global cities are exercising their authority to regulate Global cities recognize the need to collect trip e-hail services such as Uber, Ola, Lyft, and Didi. This data in order to monitor and control the growth of report, by the NYU Rudin Center for Transporta- the industry, as well as to improve safety, increase ac- tion, describes the current and future regulatory strat- cess, understand drivers’ working conditions and to egies of 13 international cities for e-hail services. To effectively track use of their public streets. Of the 13 craft stronger regulation in the future, cities can learn cities studied, most require the submission of trip from each other's regulatory approaches to leverage data; the remaining cities have publicly recognized the power of shared information. -
Download Detailseite
Wettbewerb/IFB 2000 MAN ON THE MOON DER MONDMANN MAN ON THE MOON Regie: Milos Forman USA 1999 Darsteller Andy Kaufman Jim Carrey Länge 102 Min. George Shapiro Danny DeVito Format 35 mm, Lynne Margulies Courtney Love Cinemascope Bob Zmuda Paul Giamatti Farbe Maynard Smith Vincent Schiavelli Ed Weinberger Peter Bonerz Stabliste Jerry Lawler Jerry Lawler Buch Scott Alexander Stanley Kaufman Gerry Becker Larry Karaszewski Janice Kaufman Leslie Lyles Kamera Anastas Michos Barbesitzer George Shapiro Kameraassistenz Steven J.Winslow J.Alan Kaufman J.Alan Kaufman Schnitt Christopher Tellefsen Jack Burns Bob Zmuda Lynzee Klingman „Taxi“-Schauspieler Judd Hirsch Adam Boome Marilu Henner Ton Chris Newman Christopher Lloyd Tonschnitt Ron Bochar Jeff Conawy Musik Michael Stipe Carol Kane Mike Mills David Letterman David Letterman Peter Buck (R.E.M.) Production Design Patrizia von Jim Carrey Brandenstein Ausstattung James Truesdale Ray Kluga DER MONDMANN Kostüm Jeffrey Kurland Andy Kaufman, 1949 in New York geboren, gehörte in den späten 70er Jah- Regieassistenz David McGiffert ren zu den populärsten Komikern Amerikas – zugleich war er der meist Aufnahmeleitung James R.Maceo gehaßte. Aufgewachsen auf Long Island, tat er sich schon auf Kinderge- Produzenten Danny DeVito burtstagen als Alleinunterhalter hervor. Als er später durch die New Yorker Michael Shamberg Stacey Sher Clubs tingelte, verwirrte er das Publikum mit stümperhaften Parodien pro- Executive Producers George Shapiro minenter Zeitgenossen. Seine Masche bestand darin, das Publikum nicht Howard West zum Lachen zu bringen: „Ich bin kein Komiker. Ich mache keine Witze. Ich Michael Hausman weiß nicht mal, was komisch ist.“ Ab 1978 gehörte er (neben Danny DeVi- Co-Executive Producer Bob Zmuda to) zum Personal der TV-Sitcom „Taxi“, in der er den in unverständlichem Associate Producers Scott Ferguson Pamela Abdy Englisch radebrechenden Mechaniker Latka Gravas verkörperte. -
Monday, June 03, 2013 a Three Day Weekend That Extends Into Monday
Monday, June 03, 2013 A three day weekend that extends into Monday makes for a short week. The short week, in turn, makes for an abundant amount of fast paced activities. Somehow, everyone managed to fit these activities into the four day week. Tuesday evening provided a special time for the school board and I to discuss the district’s vision and goals. The school board’s focused work over the course of the evening provided clear direction for our administration and we look forward to embracing the challenges that lie ahead. Wednesday gave me the chance to walk through my old elementary – Garfield. Although the campus is not the same, walking through some classrooms reminded me of the excitement for learning which teachers created then and continue to create today. When I entered Mrs. Jackeline Rodriguez’s second grade class I observed students working on what appeared to be a writing assignment. As soon as I asked one student for permission to read their essay, four others pleasantly asked me if I would read their work as well. One student suggested that I read all five pieces and then select the best one. Clearly, he suggested we have an essay contest. Being an avid proponent for competition, I agreed and read all five pieces. Congratulations to David Underwood, the winner of our unofficial essay contest. Thursday morning I visited Buena Vista’s Fitness Day and was able to observe firsthand the organized excitement created for the students. Back in our elementary days, the field day events were mostly individual events where there were clearly winners and losers, a notion that is sometimes too hard for a seven year old to handle. -
Descargar Catastro Prestadores De Servicios Digitales Formato
MARCA SERVICIOS FECHA FIN DE PROVEEDOR DESCRIPCIÓN REFERENCIA DOMICILIADO O EP REGISTRADO SRI FECHA DE REGISTRO COMISIÓN REGISTRO NETFLIX Contenidos audiovisuales por streaming 1 Netflix Contenidos audiovisuales por streaming 1 SPOTIFY Reproducción de música vía streaming 1 Spotify Reproducción de música vía streaming 1 APPLE COM BILL Software y servicios en línea 1 APPLE COM/BILL Software y servicios en línea 1 APPLE,COM BILL Software y servicios en línea 1 APPLE,COM/BILL Software y servicios en línea 1 APPLE.COM BILL Software y servicios en línea 1 APPLE.COM/BILL Software y servicios en línea 1 APPLE.COMBILL Software y servicios en línea 1 APPLECOM BILL Software y servicios en línea 1 APPLECOM/BILL Software y servicios en línea 1 APPLECOMBILL Software y servicios en línea 1 APPLESERVIC Servicio al Cliente en línea 1 GOOGLE Servicios relacionados con Internet y software 1 Google Servicios relacionados con Internet y software 1 Servicio de vídeos disponible en streaming y AMAZON PRIME 1 suscripción para envíos gratuitos AMAZON DIGIT Servicio de vídeos disponible en streaming 1 AMAZON MUSIC Plataforma de retransmisión de música 1 AMAZON VIDEO Servicio de vídeos disponible en streaming 1 AMAZON LUNA Servicio de videojuegos en línea 1 AMAZON MX DIGITAL Servicio de vídeos disponible en streaming 1 AMAZON KIDS Servicios Multimedia en línea para niños 1 AMAZON SELLER SERVICES Servicios para vendedores en línea 1 Amazon Prime Servicio de vídeos disponible en streaming 1 AmazonPrime Servicio de vídeos disponible en streaming 1 Amazon.ca Prime -
NAME E-Book 2012
THE HISTORY OF THE NAME National Association of Medical Examiners Past Presidents History eBook 2012 EDITION Published by the Past Presidents Committee on the Occasion of the 46th Annual Meeting at Baltimore, Maryland Preface to the 2012 NAME History eBook The Past Presidents Committee has been continuing its effort of compiling the NAME history for the occasion of the 2016 NAME Meeting’s 50th Golden Anniversa- ry Meeting. The Committee began collecting historical materials and now solicits the histories of individual NAME Members in the format of a guided autobiography, i.e. memoir. Seventeen past presidents have already contributed their memoirs, which were publish in a eBook in 2011. We continued the same guided autobiography format for compiling historical ma- terial, and now have additional memoirs to add also. This year, the book will be combined with the 2011 material, and some previous chapters have been updated. The project is now extended to all the NAME members, who wish to contribute their memoirs. The standard procedure is also to submit your portrait with your historical/ memoir material. Some of the memoirs are very short, and contains a minimum information, however the editorial team decided to include it in the 2012 edition, since it can be updated at any time. The 2012 edition Section I – Memoir Series Section II - ME History Series – individual medical examiner or state wide system history Presented in an alphabetic order of the name state Section III – Dedication Series - NAME member written material dedicating anoth- er member’s contributions and pioneer work, or newspaper articles on or dedicated to a NAME member Plan for 2013 edition The Committee is planning to solicit material for the chapters dedicated to specifi- cally designated subjects, such as Women in the NAME, Standard, Inspection and Accreditation Program. -
Indian Institute of Management Calcutta Working Paper Series WPS No 857 / February 2021
Indian Institute of Management Calcutta Working Paper Series WPS No 857 / February 2021 Cab Aggregator vs. Driver Partner: Conceptualising Labour Agency of digital platform workers in Mumbai, India Randhir Kumar* Assistant Professor Human Resource Management Group IIM Calcutta Joka, Kolkata 700104, India Email: [email protected] Mrinmoy Majumder IMI Delhi, India Email: [email protected] Manish Thakur Professor Public Policy and Management Group IIM Calcutta Joka, Kolkata 700104, India Email: [email protected] *Corresponding Author Indian Institute of Management Calcutta, Joka, D.H. Road, Kolkata 700104 URL: http://facultylive.iimcal.ac.in/workingpaper Cab Aggregator vs. Driver Partner: Conceptualising Labour Agency of digital platform workers in Mumbai, India Randhir Kumar1 Mrinmoy Majumder2 Manish Thakur3 Abstract: Cab drivers working on the digital platform of cab aggregators have a unique employment relationship, where the production process is effectively ‘unbundled’ from formal occupation and the workers are referred as ‘driver partners’ or ‘independent contractors’. Cab driverson digital platforms have limitedlegal protection and are deemed to beworkers without employers working for theshadow corporations of the gig economy. The digital platform intermediary is considered to undermine the collective agency of labour through individualized performance linked pay and incentive system. By having digital platform and Algorithmic Managementas intermediary, most of the angst between labour and capital is either redirected towards algorithm’s obstacles or in devising means to ingeniously optimize individual’s gains within the boundaries of algorithm. While effective in asserting control over labour process, a recent spate of strikes at multiple Indian cities highlights the undercurrent of worker’s activism against the cab-aggregator’s digital platform. -
Reasonable Adjustments by Not Providing an Employee with Quick Access to a Toilet
ISSUE 756/JUNE 2021 Employment Newsletter YOUR WEEKLY BULLETIN OF WIT AND WONDER OLD IS THE WORD AN INCONVENIENT TRUTH SHOCKING STUFF We marvel at the equal opportunities for How preventing a worker spending a penny Electrify your colleagues with our patently over-teen actors in Grease. cost Barclays several thousand. tempestuous trivia. A-WELLA, WELLA, WELLA - UGH! And if you’re not now singing ‘TELL ME MORE - TELL ME MORE!’ in your head, what is wrong with you? Apropos of nothing, INSIDER, on Yahoo! is reminding us this week that it’s been 43 years (I know - not 40 or 50, it’s random!) since some of us queued around the block to watch Grease. Twice. Three times, maybe. Although many younger readers will almost certainly have watched Grease on DVD or online over the years, it’s hard to convey the level of excitement - and hairspray - which accompanied those For teenagers with paper rounds and Saturday jobs it was a bit more do-able, as was the blockbuster queues back in that Summer double picture album. Collectors item, these days. Lovin’ June of 1978. But it’s quite entertaining, watching it back now, to note the real age of the actors portraying a Grease was as big a phenomenon in movie bunch of high school teens in the 1950s. John Travolta, as Danny Zuko, was 23, Olivia Newton- musicals as Star Wars was in Sci-Fi the year John, as Sandy, was 29. Jeff Conaway, who played Kenickie, was 26, Michael Tucci, playing before. WHAT A TIME TO BE ten!!! The Sonny, was 31 and Stockard Channing, as Rizzo, was 33! boys were desperate to get flick-combs and quiffs and the girls were desperate to While nobody would get away with casting an actor to play half their age today, you could get spray-on satin jeans and massive argue that Grease was ahead of its time when it comes to age discrimination. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
The Rebirth of Slick: Clinton, Travolta, and Recuperations of Hard-Body Nationhood in the 1990S
THE REBIRTH OF SLICK: CLINTON, TRAVOLTA, AND RECUPERATIONS OF HARD-BODY NATIONHOOD IN THE 1990S Nathan Titman A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Simon Morgan-Russell, Advisor Dr. Philip Terrie ii ABSTRACT Simon Morgan-Russell, Advisor This thesis analyzes the characters and performances of John Travolta throughout the 1990s and examines how the actor's celebrity persona comments on the shifting meanings of masculinity that emerged in a post-Reagan cultural landscape. A critical analysis of President Clinton's multiple identities⎯in terms of gender, class, and race⎯demonstrates that his popularity in the 1990s resulted from his ability to continue Reagan's "hard-body" masculine national identity while seemingly responding to its more radical aspects. The paper examines how Travolta's own complex identity contributes to the emergent "sensitive patriarch" model for American masculinity that allows contradictory attitudes and identities to coexist. Starting with his iconic turn in 1977's Saturday Night Fever, a diachronic analysis of Travolta's film career shows that his ability to convey femininity, blackness, and working-class experience alongside more normative signifiers of white middle-class masculinity explains why he failed to satisfy the "hard-body" aesthetic of the 1980s, yet reemerged as a valued Hollywood commodity after neoconservative social concerns began emphasizing family values and white male responsibility in the 1990s. A study of the roles that Travolta played in the 1990s demonstrates that he, like Clinton, represented the white male body's potential to act as the benevolent patriarchal figure in a culture increasingly cognizant of its diversity, while justifying the continued cultural dominance of white middle-class males.