Aacta Award Winners Announced at Star-Studded Ceremony in Sydney
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AACTA Announces Short Film Nominees for the 4Th AACTA Awards
MEDIA RELEASE Strictly embargoed until Wednesday 3rd September, 2014. AUSTRALIAN ACADEMY ANNOUNCES FIRST NOMINEES FOR 4TH AACTA AWARDS The countdown to Australia’s top screen Awards has officially started, with the first nominees for the 4th Australian Academy of Cinema and Television Arts (AACTA) Awards announced today. Nominees were announced in the Best Short Animation and Best Short Fiction Film categories for the 4th AACTA Awards, which will also see Australia’s best film, television and documentaries awarded in Sydney in January 2015. Feature Films in Competition and nominees for the AACTA Award for Best Feature Length Documentary for the 4th AACTA Awards will be announced in the coming weeks, and all Feature Film, Television and the remaining Documentary nominees will be announced later in 2014. NOMINEES FOR THE AACTA AWARD FOR BEST SHORT ANIMATION • GOD SQUAD. Nicholas Kempt, Troy Zafer • Grace Under Water. Anthony Lawrence • Love In The Time Of March Madness. Robertino Zambrano, Melissa Johnston • The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4. Steve Baker This year’s Best Short Animation nominees arrive at the AACTA Awards with a host of Festival screenings behind them, both national and international. The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4, which screened at SXSW 2014 and St Kilda Film Festival 2014, is by writer-director Steve Baker, a previous Tropfest and AFI Award winner. This darkly funny short film portrays Raymond, a loner with a penchant for peeing in the rain, as a likeable, if not likely, dating prospect. Also funny and touching is Love In The Time Of March Madness - a ‘tall short’ about a 6’4” woman whose success on the basketball court is at odds with her luck in love. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
For Release: on Approval Motion Picture Sound Editors to Honor
For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story. -
First AACTA Award Winners Announced at Industry Luncheon in Sydney
Media Release For immediate release First AACTA Award Winners Announced at Industry Luncheon in Sydney The first winners of the 7th AACTA Awards presented by Foxtel were announced today in Sydney at the Industry Luncheon, held at The Star Event Centre. A total of 35 Awards were presented, recognising and celebrating the nation’s top achievements in screen craft excellence across feature film, television, online, short film and documentary. Oscar®-nominated and AACTA International Award-winning feature film LION led the afternoon, winning all seven of its nominated categories, including Best Adapted Screenplay, Best Cinematography, Best Editing, Best Sound, Best Original Music Score, Best Costume Design and Best Production Design. ALI’S WEDDING took home the remaining feature film Award for Best Original Screenplay, marking Andrew Knight’s second consecutive year winning the category and Best Lead Actor nominee Osamah Sami’s first AACTA Award. SEVEN TYPES OF AMBIGUITY led the pack in television, taking home three out of a potential five AACTA Awards, including Best Direction in a Television Drama or Comedy, Best Cinematography in Television and Best Editing in Television. The AACTA Award for Best Television Comedy Series went to UTOPIA for the second time, having previously received the Award at the 4th AACTA Awards. Other television winners this afternoon included: WAKE IN FRIGHT, AUSTRALIAN SURVIVOR, BLUE MURDER: KILLER COP, A PLACE TO CALL HOME, LITTLE LUNCH – THE SPECIALS. Taking home consecutive AACTA Awards were CLEVERMAN for Best Hair and Makeup and GAME OF THRONES for Best Visual Effects or Animation for Iloura. The AACTA Subscription Television Awards for Best Female Presenter and Best Male Presenter went to Margaret Pomeranz and David Speers respectively, while first-time AACTA nominee WENTWORTH’s Zahra Newman took home the award for Best New Talent. -
AC Issue49 March2011.Pdf
ac_issue#49.indd 1 22/03/11 2:14 PM Complete 35mm Package You thought you couldn’t afford film anymore... ...think again. Complete 35mm is the 35mm film and processing package from FUJIFILM / Awesome Support and Deluxe. Designed to offer the flexibility and logistical benefits of the film origination at a preferential price. The package includes: • 35mm FUJIFILM motion picture film stock • 35mm negative developing at Deluxe 400’ roll* 1000’ roll* $424 ex gst $1060 ex gst *This special package runs from 1st December 2010 to 31st January 2011 and it is open to TVC production companies for TVC / Rock clips / Web idents etc. Package applies to the complete range of FUJIFILM 35mm film in all speeds. No minimum or maximum order. Brought together by AUSTRALIA Contact: Ali Peck at Awesome Support 0411 871 521 [email protected] Jan Thornton at Deluxe Sydney (02) 9429 6500 [email protected] or Ebony Greaves at Deluxe Melbourne (03) 9528 6188 [email protected] ac_issue#49.indd 2 22/03/11 2:15 PM Not your average day at the supermarket. It’s Bait in 3D. Honestly, it would have been very difficult to make this movie without Panavision. Their investment and commitment to 3D technologies is a huge advantage to filmmakers. Without a company the size and stature of Panavision behind these projects they would be very difficult to achieve. Ross Emery ACS Shooting in 3D is a complex and challenging undertaking. It’s amazing how many people talk about being able to do it, but Panavision actually knows how to make it happen. -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
By Network Page 1 of 2
2ND AACTA AWARDS WINNERS BY TELEVISION NETWORK ABC1 (9 Awards) Redfern Now – 2 Awards • AACTA Award for Best Screenplay in Television - Episode 6 'Pretty Boy Blue' • AACTA Award for Best Lead Actress in a Television Drama - Leah Purcell - Episode 1 'Family' A Moody Christmas – 1 Award • AACTA Award for Best Performance in a Television Comedy - Patrick Brammall Agony Aunts – 1 Award • AACTA Award for Best Light Entertainment Television Series Dr Sarmast's Music School – 1 Award • AACTA Award for Best Sound in a Documentary Jack Irish: Bad Debts – 1 Award • AACTA Award for Best Direction in Television Lowdown - Season 2 – 1 Award • AACTA Award for Best Television Comedy Series Rake - Season 2 – 1 Award • AACTA Award for Best Lead Actor in a Television Drama - Richard Roxburgh Then The Wind Changed – 1 Award • AACTA Award for Best Documentary Under One Hour ABC3 (1 Award) The Adventures of Figaro Pho – 1 Award • AACTA Award for Best Children's Television Series FOXTEL - MOVIE NETWORK (2 Awards) Fighting Fear – 2 Awards • AACTA Award for Best Direction in a Documentary • AACTA Award for Best Cinematography in a Documentary 2nd AACTA Awards_Winners By Network Page 1 of 2 NINE NETWORK (3 Awards) Howzat! Kerry Packer's War – 2 Awards • AACTA Award for Best Telefeature or Mini Series • AACTA Award for Best Guest or Supporting Actress in a Television Drama - Mandy McElhinney - Part 2 Underbelly Badness – 1 Award • Award for Best Guest or Supporting Actor in a Television Drama - Aaron Jeffery - Episode 3 'The Loaded Dog’ NETWORK TEN (1 Award) Puberty Blues – 1 Award • AACTA Award for Best Television Drama Series SBS (2 Awards) Go Back To Where You Came From • AACTA Award for Best Documentary Series – 1 Award Once Upon A Time In Cabramatta – 1 Award • AACTA Award for Best Editing in a Documentary - Episode 1 SEVEN NETWORK (1 Award) The Amazing Race Australia – 1 Award • AACTA Award for Best Reality Television Series --End-- Details subject to change at the discretion of AFI | AACTA 2nd AACTA Awards_Winners By Network Page 2 of 2 . -
Press Release
4.1.2016 PRESS RELEASE THE WHITNEY MUSEUM OF AMERICAN ART ANNOUNCE THE WORLD PREMIERE OF FEATURE FILM THE SILENT EYE FEATURING CECIL TAYLOR & MIN TANAKA & DIRECTED BY ACCLAIMED AUSTRALIAN FILMMAKER AND ARTIST AMIEL COURTIN-WILSON. http://whitney.org/Exhibitions/OpenPlanCecilTaylor THE SILENT EYE is the World Premiere of a new feature length performance film by Amiel Courtin-Wilson featuring Min Tanaka and Cecil Taylor. Shot in Cecil Taylor’s home over three days in January 2016, the film is a highly intimate, impressionistic portrait of the unspoken rapport between two masters of their form. Shot by Sundance award winning cinematographer Germain McMicking and featuring sublime slow motion cinematography of Cecil and Min at work together, the film plays out like a timeless, elegant conversation between the two men- at once meditative and highly moving. The Robert D. Bielecki Foundation have just announced their generous support of the completion of the film and Robert had this to say about the project. “Filmmaker Amiel Courtin-Wilson's THE SILENT EYE is a marvel of time expanded and contracted. He captures a journey between old friends filled with prescient reminiscence - a meditation in sound and movement between two masters catching up, rewinding, and spinning forward the way ocean currents undulate when kissed by the wind.” Amiel is also thrilled to be working with the Robert D. Bielecki Foundation. “It is a humbling and deeply inspiring experience to be supported to create such a singular and specific film.” Acclaimed director Amiel Courtin-Wilson's feature films have screened and won awards at Venice Film Festival (HAIL, 2011 RUIN, 2013) Cannes (CICADA, 2009) and Sundance (CHASING BUDDHA, 2000). -
Celia Pacquola Comedian/ Writer/ Actor
Celia Pacquola Comedian/ Writer/ Actor Multi-award-winning comic Celia Pacquola has cemented her position as one of the most in-demand comedians in Australia, while also forging a comedy career in the UK and abroad. Her stand-out solo festival shows The Looking Glass, Let Me Know How It All Works Out, Delayed, Flying Solos and Am I Strange have all garnered rave reviews wherever they were performed, from Melbourne to Edinburgh. In 2014 Celia was nominated for the Barry Award at the Melbourne International Comedy Festival for the best show and won the Amused Moose Laughter Award at the Edinburgh Fringe. In 2016, Celia became the youngest woman to host the Oxfam Gala for the Melbourne International Comedy Festival/Network Ten. Celia is also a talented actor with roles in the acclaimed ABC1 drama The Beautiful Lie, the AACTA award-winning Laid, Logie Award winning drama Offspring and in Working Dog’s series Utopia, for which she won an AACTA Award in 2015. Her wit and jokes will be familiar from guest appearances on Spicks and Specks, The Project, Good News Week, Dirty Laundry, Have You Been Paying Attention? and more. Internationally, Celia has been a guest on Never Mind The Buzzcocks, Chelsea Lately and The Rob Brydon Show. She was also handpicked to support John Oliver on his 2015 Australian Tour. Following this, Celia was invited to the 2016 Just For Laughs festival in Montreal to perform as part of the Carrie Fisher Gala, and then to London for an appearance on Live At The Apollo. In 2016, Celia and her dear friend and Utopia colleague Luke McGregor starred on ABC1 in Rosehaven - a comedy series of their own creation. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..