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Alberto Oderiz (Navarre, 1983) albertoderiz.com @alberto_oderiz Studied Architecture at ETSA in Barcelona and a Master’s degree at the UNAM. He’s been living in Spain and Mexico for the past ten years. He has recently been working under “La Inexplicable Roca” theme, using archeology’s methods to explore different events of the present which, due to their tragically rebellious nature or Oderiz uses local materials and social resources, opening up his projects to participation and appropriation that may emerge throughout his processes. “La Inexplicable Roca” is an exploration on our capacity to make symbols out of matter. Sculpture, collage, and photography ope- rate as tools to transform a rock into the moon, a piece of wire into a cloud or a series of gold bullions into a mountain. Atardecer (Cuarto Menguante), 2019 Pink stone from Queretaro 50 x 40 x 10 cm Pirámide, 2021 Plaster and gold leaf 40 x 30 x 40 cm Borja Colom Bofarull (Madrid, 1998) borjacolom.com @borjacolom Architecture student and enthusiast of visual arts. From cinema- tography to the pictoric realm, Borja has taken advantage of every tool available in order to express his creativity. His career as an artist began recently, during his stay in Mexico City, where As part of a collection based on the reduction of architectural space, “Y Corner” and “B Corner” portray both an essential and inevitable element in architecture: corners. One of the main ins- pirations for the collection is the Mexican renown architect Luis Barragan, who’s formal aesthetics and usage of colour stands out. In a two-dimensional canvas, “Corner” pieces seek for a three-dimensional sense through a simple gesture. The artwork of this young artist uses colour as a transitory element towards capturing light and depth. Y Corner, 2020 Corner Series Acrylic on canvas 100 x 50 cm B Corner, 2020 Corner Series Acrylic on canvas 100 x 50 cm Celine Maestroni (Malaga, 1950) arte.celinemaestroni.com @celinemaestroni_art Daughter of French people born in Malaga, which soon moved to Paris at the age of 9. She studied Economics at Université de Dauphine and later started working with textiles. She then moved to Madrid to work full time in fashion, jewelry, and accessory design, where she founded Abalorios Maestroni S.A, where she took care of the execution and distribution of European pro- ducts. She is currently studying at the Escuela de Artes y Anti- güedades, where she is widening her knowledge on different styles and techniques of the classic and avant-garde masters. She completed her artistic education as pupil to Lalo Relinque Aragón (painter). Her work has been shown in several parts of Spain, including Madrid, Ibiza, Marbella, and Barcelona, as well as France, Switzerland, and South Korea. Her most recent show was at the Galerie Sonia Monti in Paris in December 2020. She is a passionate artist who has spent her life making her dream a reality, expressing her emotions and life experiences through painting, fashion, and jewelry. Mur 8 MX, 2020/21 Mixed media on canvas Hector de Anda (Jalisco, 1950) hectordeanda.net @hector.deanda.37 He studied Theatre at UNAM and has gone through several disciplines, studying Art History and Photography at Academia Lorenzo di Medici in Florence, Serigraphy at Academia de San Carlos, and workshops with masters such as Dimitrio Sarras and Julio Castillo. He was a member of the theatre group named Ergonico led by Juan Carlos Uviedo, and also editor for Vogue Magazine. He was a member of Sistema Nacional de Creadores art programme from 2011 to 2014. His work belongs to collections such as MUAC UNAM, the Museo de Arte Abstracto Manuel Felguerez, the Museo de Arte Carrillo Gil, the Museo de Arte Moderno de Cartagena de Indias, the Museo de Arte Contemporaneo de Aguascalientes, among others. To this moment, his work has been shown in more than 50 solo exhibitions, and in more than 70 group exhibitions in Mexico and in foreign countries. Hector de Anda’s work is characterised by capturing the movement and sounds of urban life, through his own language. He gathers multiple materials into a wide variety of assemblies, collages, and interventions, where he puts forth a meaning-charged reading. He works with multiple mediums, such as paintings, sculptures, installations, books of artists, videos and objects that revolve around the individual’s relationship with his place and time. El Cuerpo Interior XII, 2016 Mixed on wood 100 x 100 cm El Cuerpo Interior XII, 2016 Mixed on wood 107 x 75 cm Irene Zundel (Mexico City, 1958) irenezundel.com @irenezundel She studied Graphic Design at the Philadelphia College of Art. She was a pupil of Enrique Jolly, considered one of the best sculptors in Mexico, where she realised that abstraction and and her inner world. Her work is based on the graphic and ultimately physical representation of sound. Zundel has worked with different materials such as wax, clay, ceramics, Plexiglas, from which she has been able to conceive fascinating projects through limitless possibilities. To get to these results, she went through an arduous learning and research process, movement for the spectator through a multiplicity of colours and light. Some of her most important exhibitions include: Ottro il Vello dell´ Apparenza at the Sala Tiziano in 2017, a collective exhibition at Zona MACO 2016, and her individual show at the Franz Mayer Museum in 2014. In 2017 she was invited to participate at the Biennale di Venezia. Divergencia, 2017 Plexiglas 63 x 63 x 63 cm Isauro Huizar (Sinaloa, 1985) isaurohuizar.com @isaurohuizar He took the SOMA educational programme. As an extension of his practice, he has done museum projects for galleries and insti- tutions, unfolding his singular narrative abilities. He also periodically introducing children to art. He is currently the co-editor of AAF, a magazine on special topics, as well as the Abstract Painting Mexico project, which he administers, being a personal exploration to learn and to promote the work of Mexico-based painters. Since 2014, his work has been shown in more than 20 individual and group exhibitions in Mexico, London, Italy, the United States, Ireland, Japan, and France. He has worked on several curatorial projects, his most recent being Juegos y Hermosísimo Lucero in Mexico City. He has also had art residencies in several cities, in- cluding Los Angeles, Tokyo, Besançon, Mexico City, Oaxaca and Monterrey. His work is inspired by daily life and his daily routine. Through - derstand what surrounds him. He practices painting, sculpture, and most recently he has fallen into writing and photography. Carduelis magellanica, 2018 Acrylic and ink injection on canvas 100 x 75 cm Zanate, 2018 Acrylic and ink injection on canvas 90 x 60 cm Lourdes Almeida (Mexico City, 1952) Courtesy of the Oscar Roman Gallery in Mexico City @galeriaoscarroman She studied Photography in Florence, in 1972. She took the Charlas de Otoño workshop given by famous photographer Manuel Alvarez Bravo. In 1982 she joined Javier Hinojosa and Gerardo Suter in the Taller de la Luz a group of photographers interested in the manual intervention, experimentation with early methods of printing and fragmentation of images through individual Polaroid frames. She is currently considered a master in experimental Polaroid photography in Mexico. She worked as - berto Hermosillo. Since 1978 she has had more than 100 individual exhibitions in some of the most important museums in Mexico, Latin America, the United States, Europe, and Asia. Her work is a part of several public and private collections, including: The International Polaroid Collection at Cambridge, the Museum of Fine Arts at Houston, the Castilnovo Foundation in Spain; El Chopo, among others. Her photos stand out for the notorious manipulation of images where she scratched or scribbled the emulsion to create multiple effects; the vibrant colours; and the relationship between religious symbolism with everyday places and objects. Desierto, 2014 Acrylic mounted print on lambda 69 x 100 cm Luis Lopez Loza (Mexico City, 1939) Courtesy of the Oscar Roman Gallery in Mexico City @galeriaoscarroman He studied at Escuela de Pintura y Escultura La Esmeralda, at Mexico City’s Centro Superior de Artes Aplicadas and at Pratt Graphic Art Center in New York. In 1975, he received the Gug- genheim Scholarship. He taught engraving at the Strumica Uni- versity in former Yugoslavia and the Van Eyck Academy in Maastricht, Netherlands. In 2009 he was chosen as a member of the Academia Artes de Mexico. In 2010, he was granted the Premio Nacional de Ciencias y Arte in the category of Fine Arts by the Mexican Government. He has participated in more than 40 exhibitions in Mexico, the United States, Japan, Spain, Ecuador, former Yugoslavia, and Canada. Some of his works are at the Museum of Modern Art in New York, the National Art Museum in Poland, the Museo de Arte Moderno de Mexico and Casa de las Americas in Cuba. He wanders upon traditional pictorial values, which are then taken to the brink of breaking, which he then uses to turn into “anti-values”. His use of colour without texture, placed in deep contrasts, places him among the gutters of traditional art. His main mediums are sculpture, drawing and graphics. Estructura para una idea de volumen, 2011 Oil on canvas 140 x 140 cm Resplandor amarillo, 1990 Oil on canvas 150 x 140 cm Marcela Lobo (Mexico City, 1959) marcelalobo.info @mloboarte Painter, photographer, and ceramist that started in 1987. She started her artistic education when she studied engraving with Nela Gaos and Leticia Tarrago. painting with Mercedes Escobar and Luis Granda; and photography with Saul Serrano, Ignacio Urquiza, Since 1991 she has had 30 individual arts exhibitions in Mexico, the United States and Europe, which include: El Colour de México at the Instituto Cultural de Mexico in France and the Palacio de Independencia in Portugal; El colour de lo at the Museo Dolores Olmedo; Allá lejos y tiempo atrás at Casa Lamm; Sitios, espacios Museo de Arte Moderno, Toluca; and Cuerpos vibrantes at CECUT, MACAY and Museo Jose Luis Cuevas.