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Study Guide REFUGE
A Guide for Educators to the Film REFUGE: Stories of the Selfhelp Home Prepared by Dr. Elliot Lefkovitz This publication was generously funded by the Selfhelp Foundation. © 2013 Bensinger Global Media. All rights reserved. 1 Table of Contents Acknowledgements p. i Introduction to the study guide pp. ii-v Horst Abraham’s story Introduction-Kristallnacht pp. 1-8 Sought Learning Objectives and Key Questions pp. 8-9 Learning Activities pp. 9-10 Enrichment Activities Focusing on Kristallnacht pp. 11-18 Enrichment Activities Focusing on the Response of the Outside World pp. 18-24 and the Shanghai Ghetto Horst Abraham’s Timeline pp. 24-32 Maps-German and Austrian Refugees in Shanghai p. 32 Marietta Ryba’s Story Introduction-The Kindertransport pp. 33-39 Sought Learning Objectives and Key Questions p. 39 Learning Activities pp. 39-40 Enrichment Activities Focusing on Sir Nicholas Winton, Other Holocaust pp. 41-46 Rescuers and Rescue Efforts During the Holocaust Marietta Ryba’s Timeline pp. 46-49 Maps-Kindertransport travel routes p. 49 2 Hannah Messinger’s Story Introduction-Theresienstadt pp. 50-58 Sought Learning Objectives and Key Questions pp. 58-59 Learning Activities pp. 59-62 Enrichment Activities Focusing on The Holocaust in Czechoslovakia pp. 62-64 Hannah Messinger’s Timeline pp. 65-68 Maps-The Holocaust in Bohemia and Moravia p. 68 Edith Stern’s Story Introduction-Auschwitz pp. 69-77 Sought Learning Objectives and Key Questions p. 77 Learning Activities pp. 78-80 Enrichment Activities Focusing on Theresienstadt pp. 80-83 Enrichment Activities Focusing on Auschwitz pp. 83-86 Edith Stern’s Timeline pp. -
A List of Titles
Dalkey Archive Press Champaign / Dublin / London www.dalkeyarchive.com [email protected] F: Fiction; N: Non-fiction, Memoir & Biography; P: Poetry; CT: Criticism & Theory; A: Art; M: Multimedia / p: paperback; cl: cloth BEST EUROPEAN FICTION Translated by John Lambert Best Euopean Fiction 2010 978-1-56478-434-6 . $15.95 (p) F Reticence 978-1-56478-710-1. $12.95 (p) F Edited by Aleksandar Hemon (Preface by Zadie Smith) Translated by John Lambert Best European Fiction 2011 978-1-56478-600-5 . $16.95 (p) F Running Away 978-1-56478-567-1 ................................ $12.95 (p) F Edited by Aleksandar Hemon (Preface by Colum McCann) Translated by Matthew B. Smith Best European Fiction 2012 978-1-56478-680-7 . $15.95 (p) F Self-Portrait Abroad 978-1-56478-586-2.......................... $12.95 (p) F Edited by Aleksandar Hemon (Preface by Nicole Krauss) Translated by John Lambert Best European Fiction 2013 978-1-56478-792-7 . $16.00 (p) F Television (Afterword Warren Motte) 978-1-56478-372-1 ...................$12.95 (p) F Edited by Aleksandar Hemon (Preface by John Banville) Translated by Jordan Stump Best European Fiction 2014 FORTHCOMING The Truth about Marie 978-1-56478-367-7 ....................... $12.95 (p) F Translated by Matthew B. Smith ALBANIA Verhaeghen, Paul. Omega Minor 978-1-56478-477-3...................$16.00 (p) F Vorpsi, Ornela. The Country Where No One Ever Dies 978-1-56478-568-8 $12.95 (p) F Translated by Robert Elsie and Janice Mathie-Heck BRAZIL Ângelo, Ivan. The Celebration 978-1-56478-290-8..................... $13.50 (p) F ARGENTINA Translated by Thomas Colchie Chitarroni, Luis. -
Sigmaringen's Secret Story
VOLUME 16 NO.2 FEBRUARY 2016 journal The Association of Jewish Refugees Sigmaringen’s secret story arl Marx’s famous dictum, victory at Sedan (1 September 1870). in his essay The Eighteenth Napoleon III was taken prisoner and Brumaire of Louis Napoleon abdicated. On 18 February 1871, K(1852) – that history repeats itself, the in the Hall of Mirrors at Versailles, first time as tragedy, the second time King Wilhelm of Prussia was declared as farce – can appositely be applied to German Emperor, and the unification the two occasions on which the small of Germany was complete. No prince German town of Sigmaringen made of Hohenzollern-Sigmaringen ever sat an appearance on the stage of modern on the Spanish throne. European history. Sigmaringen is an In September 1944, Sigmaringen attractive small town of just under became the setting for an extraordinary 20,000 inhabitants, situated on the episode in the Second World War, upper reaches of the River Danube when it witnessed the final days of in the south-western Land of Baden- the Vichy government that had ruled Württemberg, south of Tübingen that part of France not occupied by and about 25 miles north of Lake Sigmaringen Castle the Germans in 1940, until it fled in Constance. face of the Allied invasion of France The town is dominated by Sigmaringen stunning Prussian victory over Austria and in 1944. Marshal Philippe Pétain, the head of Castle, which was built on the Schlossberg the emergence across the Rhine of a powerful the collaborationist Vichy state, Pierre Laval, his (castle hill) high above the Danube and Prussia ruling over the greater part of Germany; prime minister from April 1942 until August was until 1850 the seat of the house of they now faced the prospect of a relative of the 1944, along with a number of their political Hohenzollern-Sigmaringen. -
The Personnel of the French Occupation in Germany After 1945
Contemporary European History (2019), 28, 31944–341 doi:10.1017/S0960777318000462 ARTICLE Vichy in Baden-Baden – The Personnel of the French Occupation in Germany after 1945 Julia Wambach* Max Planck Institute for Human Development, Center for the History of Emotions, Lentzeallee 94, 14195 Berlin, Germany *[email protected] This article examines the contested presence of Vichy administrators in high positions of the French administration of occupied Germany after the Second World War. In occupied Germany, where many of Pétain’s officials pursued their careers, resisters and collaborators negotiated their new positions in the wake of the German occupation of France. Key to understanding this settlement are the notions of expertise and merit as well as the role of the inherited French social order untouched by the collaboration. ‘The French administration in Germany is full of survivors of Vichy’, ran the headline of the French communist newspaper Ce Soir on 16 November 1945.1 Part of a longer reportage entitled ‘The failure of Baden-Baden’, this article was far from the only one that uncovered the peculiar situation of the personnel in the capital of the French occupation zone in Germany in autumn 1945. Indeed, all major left-wing newspapers in France were outraged by the surprisingly large number of former Vichy officials employed in French-occupied Germany: Combat, Le Monde, Front National, Temps Présent, Nouvelles de France, Ordre and Résistance all discussed the topic over the course of the first three weeks of November 1945.2 Most of the articles were travelogues by journalists who had visited the zone and informed their readers back home about the simi- larities between the two spa towns: Vichy, the capital of Marshal Pétain’s collaborationist French State, and Baden-Baden, the capital of the French zone of occupation in Germany.3 The jour- nalists picked up nicknames for the capital of the French zone circulating in the city itself and shared them with their readers in France. -
Slought Networks Premiers John Boskovich's North (2001)
Online at Slought Networks [http://slought.net] Premier: October 26, 2002 Director’s Notes and Synopsis "I am fascinated by the film -- and find it, like the rest of your work, extremely intelligent, beautiful, enigmatic -- what I'm interested in is the particular choice of this politically compromised figure and the politically compromised scene that he describes -- you are once again hitting the right buttons in an age when notions of collaboration, resistance and critique are all highly COMPROMISED ideas, despite the best intentions of our peers to work with purity. Céline's contempt for his contemporaries’ self-righteousness is something I have always admired -- and his insistence upon his contempt is ethical. All of this has to do with the way in which those of us who came of age in the eighties (you and me, etc.) have had a jaundiced view of the abuse and abandonment of the notion of the political in the art world…I think that the notions of collaboration and compromise are important to this work.” -- Catherine Liu on North, 7/29/01 My first film Without You I’m Nothing (1990) remained my singular film credit for almost eleven years until North (2001). Before Without You I’m Nothing and since I had done a considerable body of work in other media such as installation, photo and text, painting, sculpture, design and writing. My work in other media relates in some way to my film work either formally or thematically. North I consider as a kind of code, which attempts to bring unity to many aspects of my inter-genre career. -
The Ghosts of Sigmaringen
Studies in 20th Century Literature Volume 23 Issue 1 Empire and Occupation in France and Article 4 the Francophone Worlds 1-1-1999 The Ghosts of Sigmaringen Phillip Watts University of Pittsburgh Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Watts, Phillip (1999) "The Ghosts of Sigmaringen," Studies in 20th Century Literature: Vol. 23: Iss. 1, Article 4. https://doi.org/10.4148/2334-4415.1453 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Ghosts of Sigmaringen Abstract There seem to be two ways to write about Sigmaringen, the German town where an incapacitated Vichy government landed in September 1944… Keywords Sigmaringen, Ghost, Germany, German, Vichy government, 1944 This article is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol23/iss1/4 Watts: The Ghosts of Sigmaringen The Ghosts of Sigmaringen Philip Watts University of Pittsburgh There seem to be two ways to write about Sigmaringen, the German town where an incapacitated Vichy government landed in September 1944. The first is to cast the town as the site of an oper- etta, a fantasy world in which the Vichy government is seen as noth- ing more than a spectacle, a parodic version of its former self. -
Collective Memory in the French World War II Museum
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2015 Of Myth and Memory: Collective Memory in the French World War II Museum Elisabeth S. Bloxam College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the European History Commons, Modern Languages Commons, and the Other French and Francophone Language and Literature Commons Recommended Citation Bloxam, Elisabeth S., "Of Myth and Memory: Collective Memory in the French World War II Museum" (2015). Undergraduate Honors Theses. Paper 209. https://scholarworks.wm.edu/honorstheses/209 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Of Myth and Memory: Collective Memory in the French World War II Museum A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the Department of Modern Languages at the College of William and Mary by Elisabeth Bloxam Accepted for _________________________________ (Honors, High Honors, Highest Honors) _________________________________ Michael Leruth, director _________________________________ Loïc Bourdeau _________________________________ Ronald Schechter Williamsburg, Virginia April 17, 2015 Table of Contents Acknowledgements ……………………………………..……….. i Introduction …………………………………………………..….. 1 Chapter One ……….………………………………………..….. 14 Chapter Two ……………………………………………………. 37 Chapter Three …………………………………………………... 57 Chapter Four …………………………………………………… 80 Epilogue ………………………………………………………. 105 Appendix A: Illustrations ……………………………………... 109 Bibliography …………………………………………………...119 Acknowledgements My fascination with the memory of the Second World War began in seventh grade, a time far removed from honors theses and collective memory theory. -
The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary
Guilt and the War Within: The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary Ann LaMarca Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Professor Alice Y. Kaplan, Supervisor ___________________________ Professor Mary Ann Frese Witt ___________________________ Professor Paol Keineg ___________________________ Professor David F. Bell Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2008 ABSTRACT Guilt and the War Within: The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary Ann LaMarca Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Professor Alice Y. Kaplan, Supervisor ___________________________ Professor Mary Ann Frese Witt ___________________________ Professor Paol Keineg ___________________________ Professor David F. Bell An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in French Literature in the Department of Romance Languages in the Graduate School of Duke University 2008 Copyright by Mary Ann LaMarca 2008 Abstract The moral and ethical choices made during the Nazi Occupation of France would echo for generations: they served as a source of pain and pride when the French sought to rebuild their national identity after the ignominy of the defeat, and acted as the foundation for the intellectual legacy on which post-war life stands. In my dissertation I examine the diverse trajectory of two writers, Jean- Paul Sartre and Jean Giraudoux, during the Occupation by focusing on their dramatic works. During this period, no writer could legally exercise his vocation and receive compensation without submitting to certain legalities designed to monitor the content of artistic output. -
Contemporary Georgian Fiction
CONTEMPORARY GEORGIAN FICTION Texts copyright © 2012 by the individual contributors Translation and introduction copyright © 2012 by Elizabeth Heighway This edition © 2012 by Dalkey Archive Press First edition, 2012 All rights reserved Library of Congress Cataloging-in-Publication Data Contemporary Georgian fiction / edited and translated by Elizabeth Heighway. -- 1st ed. p. cm. ISBN 978-1-56478-716-3 (pbk. : alk. paper) -- ISBN 978-1-56478-751-4 (cloth : alk. paper) 1. Short stories, Georgian--Translations into English. 2. Georgian fiction--20th century--Translations into English. I. Heighway, Elizabeth. PK9168.2.E6B47 2012 899’.969--dc23 2012004231 This book is published thanks to the support of the Ministry of Culture and Monument Protection of Georgia Partially funded by the National Lottery through Arts Council England, and a grant from the Illinois Arts Council, a state agency www.dalkeyarchive.com Cover: design and composition by Sarah French Printed on permanent/durable acid-free paper and bound in the United States of America CONTEMPORARY GEORGIAN FICTION TRANSLATED AND EDITED BY ELIZABETH HEIGHWAY Dalkey Archive Press Champaign | Dublin | London CONTENTS INTRODUCTION IX MARIAM BEKAURI Debi 3 LASHA BUGADZE The Round Table 9 ZAZA BURCHULADZE The Dubbing 21 DAVID DEPHY The Chair 35 TEONA DOLENJASHVILI Real Beings 38 GURAM DOCHANASHVILI The Happy Hillock 64 REZO GABRIADZE The White Bridge 95 KOTE JANDIERI Cinderella’s Night 99 IRAKLI JAVAKHADZE Kolya 114 DAVIT KARTVELISHVILI The Squirrel 148 BESIK KHARANAULI Ladies and Gentlemen! 163 MAMUKA KHERKHEULIDZE A Caucasian Chronicle 174 ARCHIL KIKODZE The Drunks 183 ANA KORDZAIA-SAMADASHVILI Rain 212 ZURAB LEZHAVA Love in a Prison Cell 216 MAKA MIKELADZE A Story of Sex 233 AKA MORCHILADZE Once Upon a Time in Georgia 247 ZAAL SAMADASHVILI Selling Books 297 NUGZAR SHATAIDZE November Rain 305 NINO TEPNADZE The Suicide Train 351 AUTHOR BIOGRAPHIES 357 INTRODUCTION When I was approached about translating an anthology of contempo- rary Georgian literature I was both delighted and intrigued. -
PRPL Master List 6-7-21
Author Title Publication Info. Call No. Abbey, Edward, 1927- The serpents of paradise : a reader / Edward Abbey ; edited by New York : H. Holt, 813 Ab12se (South Case 1 Shelf 1989. John Macrae. 1995. 2) Abbott, David, 1938- The upright piano player : a novel / David Abbott. London : MacLehose, Abbott (East Case 1 Shelf 2) 2014. 2010. Abe, Kōbō, 1924-1993. Warau tsuki / Abe Kōbō [cho]. Tōkyō : Shinchōsha, 895.63 Ab32wa(STGE Case 6 1975. Shelf 5) Abe, Kōbō, 1924-1993. Hakootoko. English;"The box man. Translated from the Japanese New York, Knopf; Abe (East Case 1 Shelf 2) by E. Dale Saunders." [distributed by Random House] 1974. Abe, Kōbō, 1924-1993. Beyond the curve (and other stories) / by Kobo Abe ; translated Tokyo ; New York : Abe (East Case 1 Shelf 2) from the Japanese by Juliet Winters Carpenter. Kodansha International, c1990. Abe, Kōbō, 1924-1993. Tanin no kao. English;"The face of another / by Kōbō Abe ; Tokyo ; New York : Abe (East Case 1 Shelf 2) [translated from the Japanese by E. Dale Saunders]." Kodansha International, 1992. Abe, Kōbō, 1924-1993. Bō ni natta otoko. English;"The man who turned into a stick : [Tokyo] : University of 895.62 Ab33 (East Case 1 Shelf three related plays / Kōbō Abe ; translated by Donald Keene." Tokyo Press, ©1975. 2) Abe, Kōbō, 1924-1993. Mikkai. English;"Secret rendezvous / by Kōbō Abe ; translated by New York : Perigee Abe (East Case 1 Shelf 2) Juliet W. Carpenter." Books, [1980], ©1979. Abel, Lionel. The intellectual follies : a memoir of the literary venture in New New York : Norton, 801.95 Ab34 Aa1in (South Case York and Paris / Lionel Abel. -
The French and World War II in the Novels of the Hussards (1949-1954)
Moving beyond the rhetoric of provocation: the French and World War II in the novels of the Hussards (1949-1954) Braganca, M. (2015). Moving beyond the rhetoric of provocation: the French and World War II in the novels of the Hussards (1949-1954). Journal of War & Culture Studies , 8(3), 228-239. https://doi.org/10.1179/1752628015Y.0000000015 Published in: Journal of War & Culture Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2015 The author General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:03. Oct. 2021 Moving beyond the rhetoric of provocation: the French and the Second World War in the novels of the Hussards (1949-1954) - Manu Braganca Moving beyond the rhetoric of provocation: the French and the Second World War in the novels of the Hussards (1949-1954) Manu Braganca Abstract In the immediate aftermath of the Second World War, only those who had opposed the Germans or were perceived to have done so could freely express themselves.