Lamorinda Weekly Issue 10 Volume 3
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Beets Documentation Release 1.5.1
beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
An Inquiry Into Modes of Existence
An Inquiry into Modes of Existence An Inquiry into Modes of Existence An Anthropology of the Moderns · bruno latour · Translated by Catherine Porter Harvard University Press Cambridge, Massachusetts London, England 2013 Copyright © 2013 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America The book was originally published as Enquête sur les modes d'existence: Une anthropologie des Modernes, copyright © Éditions La Découverte, Paris, 2012. The research has received funding from the European Research Council under the European Union’s Seventh Framework Programme (fp7/2007-2013) erc Grant ‘ideas’ 2010 n° 269567 Typesetting and layout: Donato Ricci This book was set in: Novel Mono Pro; Novel Sans Pro; Novel Pro (christoph dunst | büro dunst) Library of Congress Cataloging-in-Publication Data Latour, Bruno. [Enquête sur les modes d'existence. English] An inquiry into modes of existence : an anthropology of the moderns / Bruno Latour ; translated by Catherine Porter. pages cm “The book was originally published as Enquête sur les modes d'existence : une anthropologie des Modernes.” isbn 978-0-674-72499-0 (alk. paper) 1. Civilization, Modern—Philosophy. 2. Philosophical anthropology. I. Title. cb358.l27813 2013 128—dc23 2012050894 “Si scires donum Dei.” ·Contents· • To the Reader: User’s Manual for the Ongoing Collective Inquiry . .xix Acknowledgments . xxiii Overview . xxv • ·Introduction· Trusting Institutions Again? . 1 A shocking question addressed to a climatologist (02) that obliges us to distinguish values from the ac- counts practitioners give of them (06). Between modernizing and ecologizing, we have to choose (08) by proposing a different system of coordinates (10). -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
The Tragic Story of the Empress of Ireland
. ^H^^B^BH^^^^HSb. OF I aMJKy;fer'^-Hff<?T!'TNfeVj-'V't3iJ-T,-Jai?5;?a!.'S^^>--BS?!<--«T;j-.'J:f'.-. ^, mmummmmmm Class. Book. Gopyiightls^?. CCPyRIGHT DEPOSfR The Tragic Story -Of The - Empress of Ireland An Authentic Account of the Most Horrible Disaster in Canadian His- tory, Constructed from the Real Facts Obtained from Those on Board Who Survived And Other Great Sea Disasters BY LOGAN MARSHALL Author of "The Story of Polar Conquest," "The Story of the Panama Canal," Etc. Containing the Statements of CAPTAIN HENRY GEORGE KENDALL Commanding the Empress of Ireland ^And CAPTAIN THOMAS ANDERSEN Commanding the Storstad ILLUSTRATED With Numerous Authentic Photogr^hs and Drawings G|4'^'° Copyright, 1914, bv L. T. MYERS JUL-7)9J4 ©C1,A376570 .. CONTENTS CHAPTER PAGE Introduction 9 I. The Empress of Ireland Sails to Her Doom 13 II. Captain Kendall Blames the Storstad.. 29 III. Captain Andersen's Defense 33 IV. Miraculous Escape of the Few 37 V. The Stricken Survivors Return 44 VI. Heroes of the Empress Disaster 64 VII. The Surgeon's Thrilling Story 71 VIII. Ship of Death Reaches Quebec 74 IX. Solemn Services for the Dead 83 X. Crippling Loss to the Salvation Army. 92 XI. Notable Passengers Aboard 110 XII. List of Survivors and Roll of the Dead 118 XIII. The Storstad Reaches Port 125 XIV. Parliament Shocked by the Calamitv. 132 XV. Messages of Sympathy and Help 134 XVI. Placing the Blame %: 140 XVII. Empress in Fact, as in Name 156 (5) 6 CONTENTS CHAPTER PAGE XVIII. The Norwegian Collier Storstad 161 XIX. -
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2006 VOLUME 43, NUMBER 1 AMICA CONVENTION 2006 July 26-30 in Chicago
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2006 VOLUME 43, NUMBER 1 AMICA CONVENTION 2006 July 26-30 in Chicago SCHEDULE OF EVENTS Tuesday: Board Meeting (A.M.) Wednesday: Welcoming Breakfast (A.M.) Collection Tours (ALL DAY) OPTIONAL Nathan Bello – Piano Concert Thursday: Collection Tours (ALL DAY) OPTIONAL Pumper Contest (EVENING) Friday: Workshops (A.M.) Mart (P.M.) Ron Bopp Presentation (EVENING) A Musical History of Patriotic Music Ice Cream Social (EVENING) Saturday: Membership Meeting (A.M. w/BREAKFAST) Tour of Sanfilippo Collection w/Lunch (ALL DAY) Banquet w/Entertainment (EVENING) Sunday: Farewell Continental Breakfast (EARLY A.M.) Open Houses (VARIOUS TIMES) There’s gonna be a Convention! ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritius: Robin Pratt VOLUME 43, Number 1 January/February 2006 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication The Famous Coinola X . .Don Teach . .6 Letters to the Publisher Chapter News Smith Lyraphone . .Ray Fairfield . .8 UPCOMING PUBLICATION DEADLINES Sing Us A Song . .Caroline Donhack . .14 The ads and articles must be received by the Publisher on the 1st of the Beethoven’s Bones . -
Party Warehouse Jukebox Song List
Party Warehouse Jukebox Song List Please note that this is a sample song list from one Party Warehouse Digital Jukebox. Each jukebox will vary slightly so we cannot gaurantee a particular song will be on your jukebox Song# ARTIST SONG TITLE 1 2 PAC CALIFORNIA LOVE 2 28 DAYS RIP IT UP 3 28 DAYS AND APOLLO FOUR FORTY SAY WHAT 4 3 DOORS DOWN BE LIKE THAT 5 3 DOORS DOWN HERE WITHOUT YOU 6 3 DOORS DOWN ITS NOT MY TIME 7 3 DOORS DOWN KRYPTONITE 8 3 DOORS DOWN LET ME GO 9 3 DOORS DOWN LOSER 10 3 JAYS FEELING IT TOO 11 3 JAYS IN MY EYES 12 3 THE HARDWAY ITS ON 13 30 SECONDS TO MARS CLOSER TO THE EDGE 14 3LW NO MORE 15 3O!H3 FT KATY PERRY STARSTRUKK 16 3OH!3 DONT TRUST ME 17 3OH!3 DOUBLE VISION 18 3OH!3 STARSTRUKK ALBUM VERSION 19 3OH!3 AND KESHA MY FIRST KISS 20 4 NON BLONDES CALLING ALL THE PEOPLE 21 4 NON BLONDES DEAR MR PRESIDENT 22 4 NON BLONDES DRIFTING 23 4 NON BLONDES MORPHINE AND CHOCOLATE 24 4 NON BLONDES NO PLACE LIKE HOME 25 4 NON BLONDES OLD MR HEFFER 26 4 NON BLONDES PLEASANTLY BLUE 27 4 NON BLONDES SPACEMAN 28 4 NON BLONDES SUPERFLY 29 4 NON BLONDES TRAIN 30 4 NON BLONDES WHATS UP 31 48 MAY BIGSHOCK 32 48 MAY HOME BY 2 33 48 MAY INTO THE SUN 34 48 MAY LEATHER AND TATTOOS 35 48 MAY NERVOUS WRECK 36 50 CENT 21 QUESTIONS 37 50 CENT CANDY SHOP 38 50 CENT IN DA CLUB 39 50 CENT JUST A LIL BIT 40 50 CENT PIMP 41 50 CENT STRAIGHT TO THE BANK 42 50 CENT WINDOW SHOPPER 43 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 44 6400 CREW HUSTLERS REVENGE Party Warehouse Jukebox Songlist Song# ARTIST SONG TITLE 45 98 DEGREES GIVE ME JUST ONE NIGHT -
The Durant Role Explained
Currents You can find this and many other issues at lrboi.com Mdaamini-Giizis(Corn Moon) Megwa Ezhiweback September 2008 Vol. 5 Issue 9 ALSO IN THIS PUBLICATION P2.- From the Office of Ogema P3.-Council “LRBOI buys Great Lakes Downs!” P6&7.-About the Durant Roll P11.- Chinook Salmon Concent Decree P12.&13.- Tribe invests in the future. P16&17.-Members Assistance P24&25.- Princesses P26.- Members Assistance P28.- Michigan Indian Family Tribe invests in Muskegon! Olympics On July 16th, the tribal government held a press conference of major tribal and state significance. Ogema Larry Romanelli and Commerce Director Robert Memberto announced the purchase of the Great Lakes Downs racetrack and other property at the intersection of I-96 and US 31 in Muskegon. They were accompanied by Tribal Council members, Pat Ruiter and Robert Hardenburgh. A simultaneous announcement appeared on the tribal website. Office of Public Affairs This investment of tribal resources signifies the tribes’ plans to build a second site casino and Contact Information facilitate other development in Western Michigan. It also shows their commitment to the economic health of the Southernmost-county in the tribes’ 9-county area of responsibility. Almost 1000 tribal 1-888-723-8288 members live in the Muskegon vicinity. The press conference, organized by the tribal Office of Public Affairs, drew five television stations; numerous newspaper and radio newspersons and even some Internet News groups such as MiBiz. See more articles and comments on Pages 12 & 13. (article by Glenn C. Zaring) Special Pull Out section inside Constitutional Changes from Ogema Romanelli, and Tribal Council! The Durant Role explained “The first of a three part article on the Durant Role appears on pages 6 and 7. -
Sheet1 Page 1 ARTIST TITLE Bad Meets Evil Ft
Sheet1 ARTIST TITLE Bad Meets Evil ft Bruno Mars- Lighters Beau Ryan ft Justice Crew Craig David -Whats Your Fla Jennifer Lopez ft Pitbull Dance Again Lupe Fiasco -The Show Goes On McAilister Kemp -Country Proud Pitbull ft GRL- Wild Wild Love Timbaland ft SoShy and Nelly Furtado Will i am -The Hardest Ever OUTKAST Hey Ya! *NSYNC Pop 10cc Dreadlock Holiday 2 Chainz ft Wiz Khalifa We Own It 2 Pac feat Ashanti And TI Pacs Life 2 PAC FEAT ELTON JOHN GHETTO GOSPEL 2Pac Feat. Dr. Dre and Roger Troutman California Love 3 DOORS DOWN Here without you 3 DOORS DOWN Its Not My Time 3 DOORS DOWN Kryptonite 3 DOORS DOWN Loser 3 DOORS DOWN When I'm Gone 3 The Hard Way It's On 30 Seconds To Mars Closer To The Edge 30 Seconds To Mars The Kill Bury Me 30H3 Your Going To Love This 360 Child 360 Run Alone 360 ft Daniel Johns Impossible 360 ft Glossling Boys Like You 360 ft Gossling Price Of Fame 360 ft Josh Pyke Throw It Away 360 ft Pez Just Got Started 360 ft Pez Live It Up 3LW Players Gonna Play 3O!H3 ft Katy Perry Starstrukk 3OH!3 Dont Trust Me 3oh3 Double Vision 3OH3 ft Kesha My First Kiss 4 Non Blondes Superfly 5 Seconds Of Summer Amnesia 5 Seconds Of Summer Dont Stop 5 Seconds Of Summer She Looks So perfect 5 Seconds Of Summer Shes Kinda Hot 50 Cent In Da Club 50 Cent In Da Club 50 Cent PIMP 50 Cent Straight To The Bank 50 Cent ft Eminem And Adam Levine My Life 50 cent ft Justin Timberlake Ayo Technology 50 Cents Candy Shop 50 Cents Just A Lil Bits 50 Cents Feat Mobb Deep Outta Control Page 1 Sheet1 A Great Big World ft Christina Aguilera Say Something A Lighter Shade Of Brown On A Sunday Afternoon Featuring Huggy Boy A R Rahman ft The Pussycat Dolls Jai Ho A Studio feat Polina S O S A Tribe Called Quest Can I Kick It? A1 Caught In The Middle AALIYAH Hot Like Fire AALIYAH Try Again AALIYAH TRY AGAIN ABBA Chiquitita ABBA Dancing Queen ABBA Fernando ABBA I Do, I Do, I Do, I Do, I Do ABBA Knowing Me, Knowing You ABBA Mamma Mia ABBA Money, Money, Money ABBA Ring Ring ABBA S.O.S. -
Untitled (!) in the Estate of Rochelle F
30 BOMB 114 Rochelle Feinstein’s work is hard to decipher. It is full of jokes, yet oddly lacking in punch lines. Unlike that of many of her postmodernist R O C H E L L E contemporaries, the elusive meaning of Feinstein’s work has consistently deferred any sort of commodifica- FEINSTEIN tion. Alongside a continuous and insistent engagement with the problems of painting, she has pro- duced video and time-based work as well as sculpture and installation, and yet her works are not an intertextual pastiche or a pedagogical decon- structive tool. Ironically, they seem Justin Lieberman to continue the modernist project in spite of itself. It was said of Picabia that he was, above all, an abstrac- tionist. For Feinstein, abstraction and non-instrumentalized thought have always reigned supreme. This makes her work particularly timely. Should we not, at the tail end of our post- modern, post-ideological era, look to those who kept the faith all along? Her paradoxically political brand of art pour l’art and her laissez-faire atti- tude toward subjects could easily be seen to prefigure the works of Rachel Harrison, or to sit alongside those of Jutta Koether, Michael Krebber, or Martin Kippenberger. Unwavering belief alternates with self-efface- ment, and then violently segues into an absurd surrealist game. A friend recently related an anecdote to me concerning her own experience of a work by Rochelle Feinstein: a painting of a grid with a meandering line disrupting the order. Of course, the easy way to deal with such a work would be to posit the two elements against one another: order and self-reflexivity versus the chaotic human gesture. -
Arena Party Hire Jukebox Music List 110 RAPTURE 2 PAC CALIFORNIA
Arena Party Hire Jukebox Music List 110 RAPTURE 2 PAC CALIFORNIA LOVE 28 DAYS RIP IT UP 28 DAYS RIP IT UP 28 DAYS AND APOLLO FOUR FORTY SAY WHAT 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN LET ME GO 3 DOORS DOWN LOSER 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 DOORS DOWN HERE WITHOUT YOU 3 DOORS DOWN ITS NOT MY TIME 3 DOORS DOWN BE LIKE THAT 3 JAYS FEELING IT TOO 3 JAYS IN MY EYES 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3LW NO MORE 3O!H3 FT KATY PERRY STARSTRUKK 3OH!3 DONT TRUST ME 3OH!3 DONT TRUST ME 3OH!3 DOUBLE VISION 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES WHATS UP 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES SUPERFLY 4 NON BLONDES DEAR MR PRESIDENT 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES DRIFTING 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES TRAIN 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES SPACEMAN 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY HOME BY 2 48 MAY HOME BY 2 48 MAY NERVOUS WRECK 48 MAY NERVOUS WRECK 48 MAY BIGSHOCK 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER KISS ME KISS ME 5 SECONDS OF SUMMER SHES KINDA HOT 50 CENT WINDOW SHOPPER 50 CENT 21 QUESTIONS 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT STRAIGHT TO THE BANK 50 CENT CANDY SHOP 50 CENT CANDY SHOP 50 CENT PIMP 50 CENT IN DA CLUB 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 50 -
Yale School of Architecture Dean's Council
YALE SCHOOL OF ARCHITECTURE DEAN’S COUNCIL Buenos Aires, Argentina March 9–14, 2014 INTRODUCTION Buenos Aires, the heritage of a universal periphery “I suspect that the birth of Buenos Aires is just a story; I deem her to be as eternal as water and air”. Jorge Luis Borges The Mythical Foundation of Buenos Aires, 1929 Borges’s allusion to the eternal nature of Buenos Aires and his doubts about the origin of the city, are a fne refection of its timeless identity. Buenos Aires is surrounded by a minimalist geography of water and land which strengthens the role of architecture as the only multi-form and exuberant physical variable, thus transforming it into a natural rather than cultural heritage. The world of Buenos Aires’ buildings is made up of leftovers of historical layers, either juxtaposed or superimposed. The concentrated, four hundred-year-old physical universe of Buenos Aires is like an architectural library of Babel or a labyrinth of styles representative of the Western World. It is forever a collage of historical and geographic variables, decanted from various cultural world centers and innumerable peripheries. 2 What remains today of the original “Big Village” are parts of the strict foundational grid and the noblest Andalusian-infuenced pieces that chronologically followed a mud and straw town. The last corner of the Spanish Empire—an impossible port called Trinidad and a wayward city called Buenos Aires—arose from an ambiguous tradition that received the contribution of diverse civilian and religious communities. When the baroque movement took over the continent and fourished into a Hispanic-indigenous fusion of cultures, the city was able to abstain from excesses.