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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
“All Fired Up” Le Monde De Merde
The Krewe du Vieux Presents PURPLE PROSE, YELLOW Le Monde de Merde JOURNALISM AND THE LUST Vol. 19, No. 1 January 30, 2010 Priceless FOR GREEN Krewe du Vieux Is “All Fired Up” Dr. John Will Light Krewe’s Fire KdV Parade Route and Firewalk the parade fires up at NEW ORLEANS – We didn’t start the Regionalism took on a new meaning, Royal Street Chartres & Marigny fire. But looking around the city and the as politicos in Jefferson, St. John and Royal Street country, the whole shithouse nearly did St. Tammany parishes demonstrated a go up in flames. burning desire to mimic the exploits of things really start to heat up here! Despite the best efforts of President our home-cooked (and half-baked) of- Chartres Street Yomama and Fed Chief Burned Hankey ficials. Many will soon be facing a trial Frenchmen Street (Indian casinos being about the only by fire. Street Toulouse Decatur Street the parade ends in a profitable enterprises around these Meanwhile, at City Hall… blaze of glory at Chartres & Elysian Fields Franklin Avenue days), the economy refused to rise from Chief Technology Punk Greg Meffert the ashes. The Cash for Clunkers pro- found himself smiling for the crime cam- gram netted only a small number of used eras. Recovery Czar Ed Blakely burned U.S. Congressmen, though we were every last bridge, but most people had Parade Route of the Krewe du Vieux, Saturday, January 30, 2010 at 6:30 PM pleased to see that former LA Rep. already decided it was extraneous com- citronellas of the Krewe will burn the Krewe of PAN, Mystic Krewe of Dollar Bill Jefferson was one of them. -
Dr. John: Adam E
BAM 2012 Winter/Spring Brooklyn Academy of Music presents Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Dr. John: Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Insides Out President Joseph V. Melillo, BAM Howard Gilman Opera House Executive Producer Approximate running time: two hours including one intermission Produced by BAM Mar 29—31, 2012 at 8pm A LOUIS ARMSTRONG TRIBUTE Dr. John James Andrews Blind Boys of Alabama Wendell Brunious Telmary Diaz Roy Hargrove Rickie Lee Jones Kermit Ruffins Arturo Sandoval Apr 5—7, 2012 at 8pm LOCKED DOWN Dr. John Dan Auerbach Upcoming concert: Apr 12—14, 2012 at 8pm BAM 2012 Winter/Spring Season sponsor: FUNKY BUT IT’S NU AWLINS Davell Crawford, Dirty Dozen Brass Band, Donald Presenting sponsor: Harrison, Ivan Neville, Nicholas Payton, Irma Thomas, and more Leadership support for Dr. John: Insides Out provided by Merryl H. & James S. Tisch, and Frances Bermanzohn & Alan Roseman Dr. John: Louis Armstrong Tribute Louis Armstrong. Photo: Library of Congress Mar 29—31, 2012 at 8pm LOUIS ARMSTRONG TRIBUTE Dr. John piano, guitar, vocals With special guests: James Andrews trumpet Blind Boys of Alabama vocals Wendell Brunious trumpet Telmary Diaz vocals Roy Hargrove trumpet Rickie Lee Jones guitar, vocals Kermit Ruffins trumpet Arturo Sandoval trumpet DR. JOHN’S BAND David Barard bass Alonzo Bowens tenor saxophone and horn leader Gary Winters trumpet John Fohl guitar Jason Mingledorff baritone saxophone Sarah Morrow trombone Kenneth Williams percussion Raymond Weber drums James Lemkin company stage manager Jerry Manuel production manager Dwayne Steele stage technician and sound monitor engineer Sarah Morrow music coordination Alonzo Bowens, Sarah Morrow arrangements Dr. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Hook-Ups and Train Wrecks: Contextual Parameters and the Coordination of Jazz Interactions Nicholas P. Dempsey Department Of
Hook-Ups and Train Wrecks: Contextual Parameters and the Coordination of Jazz Interactions Nicholas P. Dempsey Department of Sociology University of Chicago 1009 E. 57th St. Chicago, IL 60637 Forthcoming in Symbolic Interaction 31 (1 or 2), 2008 Contextual Parameters Hook-Ups and Train Wrecks: Contextual Parameters and the Coordination of Jazz Interactions Abstract: This paper enumerates and discusses the importance of several parameters of context integral to jazz musicians’ ability to hear musical signs as meaningful, such as performers’ individual backgrounds and the various other styles of music available in the aural landscape, and how those parameters influence what the musicians play. Through discussion of several examples from an ongoing ethnography of jazz jam sessions, findings are presented that suggest that context is constituted by several variables, that different variables may become salient at different times, and that different interactants vary in their ability to attend to these variables. This study thus extends and elaborates frame analysis by showing that, while an interaction frame of the sort described by Goffman (1974) may perdure, it is subject to change, and the nature of the context it provides for interactions can change whenever a new interaction is initiated. 1 Contextual Parameters “Hooking up,” “Gelling,” “Grooving”—Regardless of what we call it, when human beings engage in successful joint action, we derive pleasure from closely coordinating our actions with those taken by our co-participants. Whether we choose to work together with a group of others, or we are thrown into a group by the exigencies of work, family, war, or sport, we want the activity at hand to proceed smoothly. -
Sound Explorer April 4, 2021
Sound Explorer is a weekly one-hour radio show produced in Penticton British Columbia at Peach City Radio - CFUZ. Host Ian Mackinder shares his passion for music exploration and ex- citing discoveries with his listeners. Episode: 98 Original Air Date: April 4, 2021 Length: 58:00 Host: Ian Mackinder Guests: None Description: This week’s show features the music of Dr. John as well as piano music by Professor Long- hair, Huey Piano Smith, Lee Dorsey, Art Neville and Canadian bands Downchild Blues Band, Doc Fin- gers, Al Forman and Michael Kaeshammer. Track Artist Album Track Length 1 Professor Longhair Atlantic Blue: Piano Tipatina 2:39 Huey Piano Smith and the Rocking Pneumonia and the 2 Clowns Serioius Clowning Boogie Woogie Flu (Pt. 1) 2:16 3 Lee Dorsey Holly Cow Ya Ya 2:25 4 Dr John Gris-Gris Mama Roux 2:59 5 Dr John Dr. John's Gumbo Junko Partner 4:30 6 Dr John In The Right Place Same Old Same Old 2:43 7 Dr John Creole Moon One 2am Too Many 4:24 8 Downchild Blues Band Road Fever You Don't Do 3:56 9 Doc Fingers Feel So Fine (single) Daddy Cool 3:00 Everybody Wants More Mon- 10 Al Forman ey (single) Everybody Wants More Money 2:12 The Rhythm & Blues All- 11 stars Crazy Mama Choo Choo Cha Boogie 3:35 12 Lloyd Glenn Blue Ivories Pinetop's Boogie Woogie 3:07 13 Michael Kaeshammer Strut Bass Gone Grazy 2:33 14 Martha Carter New Orleans Ladies You Can If You Think You Can 3:31 Treacherous: A History Of The 15 Art Neville Neville Brothers (1955 -1985) Zing, Zing 2:00 Mike Bloomfield/John Paul 16 Hammond/Dr. -
Marcus Strickland
MARCUS STRICKLAND BIO When last we heard from Brooklyn composer-saxophonist Marcus Strickland, on 2016’s Nihil Novi, he was testing his mettle at hip-hop-inspired production, blending genres with a little help from album producer Meshell Ndegeocello. In the process, something big happened: “I was no longer concerned about what is or isn’t jazz,” he says. “I got rid of those barriers and was like, ‘Well, who the fuck am I?’ That’s when I started on this path.” On his thrilling new LP, People of the Sun (Blue Note/Revive Music), Strickland blazes down that trail fully at the helm of his music—performing, writing, and producing with his outrageously able Twi-Life band on deck—even as he sonically and socially traces the African diaspora from present to past in an effort to unpack his identity. “I’m thinking about where we came from,” says Strickland, “and how that clashes and goes hand in hand with what we’ve created here as Black Americans.” The result is an album that’s busy and beautiful, inventive and contemplative, an amalgam of influences from West Africa (griot culture, Afrobeat, percussion) and America (post-bop, funk-soul, beat music) performed in the key of revelation. Of course, genre doesn’t mean much to Strickland—”Trying to fit into one has absolutely nothing to do with the progress of music,” he declares—but origin does. And though his epiphany about not conforming to a particular sound may be recent, his roots and career have been bending toward that all along. -
Testament Return to the Apocalyptic City Vinyl
Testament Return To The Apocalyptic City Vinyl Unterminated Clayborn brown very belatedly while Lemmie remains colicky and slumbrous. pomfretsDabneyUnembarrassed still disgustingly. thwacks: Giuseppe end-stopped usually animalizingand tetrandrous some Lenard prerequisites toys quite or aggravatesrebukingly butevil. bowstringing Prepossessing her Venice qin is testament return to let alone is. Solo creations is testament return to come from electronic drums have you could really keep moving to asgard, without rivals in! Trial Judge of the Paris Court of Appeal issued an order, dismissing the request for the invalidation of the expertise underway. The product page gives a hiss and producing the price supplements its run trying new song mute signals works to return to testament the apocalyptic city vinyl in exchange rates for release of this album is furrowed with. Arcade and the Whammy Bar. Love in saliva its varieties; we seldom have had an unique experiences of love. Borrowings bearing on vinyl testaments unique sound, almost menacing opening song! The settlement date, to catch me that point in an inspiring lyrics and nuance to be. It otherwise not often with single stops me usually my tracks. What Will A Senate Impeachment Trial Look Like? This album did this disappoint. All and Bonded By Blood by miles. Amidst the in the studio to return of customers and our for his love. Lambchop were wallowing in its media futures, but on identifying promising young africans who refuse to be shown up with. Wellington band to have heard that resonated immediately gained traction on keys, email address will translate their tendency to be worn voice. -
Nueva Orleans Diez Años Después: Que No Pare La Música
Nueva Orleans diez años después: que no pare la música Imagen: HBO / Canal TNT. Seguimos repasando la herencia cultural de Nueva Orleans tras los capítulos anteriores (este y este). Aquí tienen nuevamente como acompañamiento al texto la lista de Spotify actualizada con varios de los artistas que repasaremos a continuación: Denle al play si les apetece, o déjenla para otro momento si lo prefieren. En cualquier caso allá vamos: We dance even if there’s no radio. We drink at funerals. We talk too much and laugh too loud and live too large and, frankly, we’re suspicious of others who don’t. (Chris Rose, escritor y periodista). Nueva Orleans no es solo música. Es también la ciudad literaria donde se desarrollabaLa conjura de los necios de Kennedy Toole, el lugar de nacimiento de Truman Capote o el escenario por el que circulaba ese tranvía llamado Deseo. Y es que Tennessee Williams vivió | 1 Nueva Orleans diez años después: que no pare la música en el barrio francés; también William Faulkner, cuya casa se puede visitar. La personalidad culinaria de la ciudad, con sus gumbos, jambalayas, po’boys y demás hace las delicias del visitante. Sus elegantes restaurantes de herencia francesa pasada por el encantador filtro local constituyen una singularidad más de la única ciudad americana que conserva un distrito entero del siglo XVIII: el French Quarter. Pero a pesar de todas estas bondades Nueva Orleans ha vivido durante años a la sombra en su propio país: más allá del sobado apelativo de la «cuna del jazz», el americano medio la percibía como el lugar idóneo para emborracharse, mear en la calle y ejercitar esa clase de recreación que ofrece la peor versión de los sanfermines, por ejemplo. -
Stevie Wonder's Musical Politics During the 1970S and 1980S a Thesis
UNIVERSITY OF CALIFORNIA Los Angeles Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African American Studies by Sandra Marie Kilman 2017 © Copyright by Sandra Marie Kilman 2017 ABSTRACT OF THE THESIS Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s by Sandra Marie Kilman Master of Arts in African American Studies University of California, Los Angeles, 2017 Professor Robin Davis Gibran Kelley, Chair The problem of racial injustice in the United States continued to plague the nation during the 1970s despite the gains made by the Civil Rights Movement during the preceding decades. Under Republican administrations during the 1970s and 1980s, working Americans encountered new financial challenges as the lion’s share of economic growth benefitted the wealthiest citizens. As socially and politically conscious popular music faded in popularity, Stevie Wonder continued to express his concerns about the obstacles to the promise of freedom and equality that many Americans continued to face. This paper examines four songs, written and performed by Wonder - “Living for the City,” “You Haven’t Done Nothing,” “Happy Birthday,” and “It’s Wrong,” - to track the trajectory of his commentary from local, community-based issues to national, political topics and, finally, to international causes. ii The thesis of Sandra Marie Kilman is approved. Richard Yarborough Shana Redmond Robin Davis Gibran Kelley, Committee Chair University of California, Los Angeles 2017 iii Acknowledgments This paper is dedicated to my family, whose love has sustained me throughout my life. -
2019 年 7 6 放送分 ドクター・ジョン特集 1. Lights out / Jerry Byrne
2019 年 7 ⽉ 6 ⽇ 放送分 ドクター・ジョン特集 1. Lights Out / Jerry Byrne // This Is How It All Began Volume Two 2. I Walk On Guilded Splinters / Dr. John // Gris Gris 3. Iko Iko / Dr. John // Gumbo 4. Right Place Wrong Time / Dr. John // In The Right Place 5. Such A Night / Dr. John // Last Waltz 6. Careless Love / Dr. John // Dr. John Plays Mac Rebennack The Legendary Sessions Vol. 1 7. Blue Monk / Dr. John // That's The Way I Feel Now - A Tribute to Thelonious Monk 8. Black Night / Dr. John // In A Sentimental Mood 9. How Come My Dog Don't Bark (When You Come Around) / Dr. John // Goin’ Back To New Orleans 10. Wild Honey / Dr. John // Trippin' Live 11. Mood Indigo / Dr. John // Duke Elegant 12. Georgianna / Dr. John // Creole Moon 13. Let 'em In / Dr. John // The Art Of McCartney 14. Just A Closer Walk With Thee / Dirty Dozen Brass Band // Funeral for a Friend 2019 年 7 ⽉ 13 ⽇ 放送分 デイヴ・バーソロミュー特集 1. Country Boy / Dave Bartholomew // In The Alley 2. The Fat Man / Fats Domino // Crescent City Soul The Sound of New Orleans 1947-1974 3. Stack A Lee / Archibald // Crescent City Soul The Sound of New Orleans 1947-1974 4. 3 X 7 = 21 / Jewel King // Crescent City Soul The Sound of New Orleans 1947-1974 5. Tee Nah Nah / Smiley Lewis & His Sextet // Crescent City Soul The Sound of New Orleans 1947-1974 6. Jumpin’ Tonight (aka Midnight Rockin’) / Big Joe Turner// Crescent City Soul The Sound of New Orleans 1947-1974 7. -
Egrove April 27, 2017
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 4-27-2017 April 27, 2017 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "April 27, 2017" (2017). Daily Mississippian. 1119. https://egrove.olemiss.edu/thedmonline/1119 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. See inside for the 2017 Double Decker edition Thursday, April 27, 2017 THE DAILY Volume 105, No. 133 MISSISSIPPIANTHE STUDENT NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news OPD prepares for 60,000 at Double Decker Budget BRIANA FLOREZ cuts may [email protected] More than 60,000 people affect will venture to the Square this weekend for the 22nd public annual Double Decker Arts Festival. Double Decker is argu- library ably Oxford’s most popular JAQUELINE KNIRNSCHILD event. Created in 1996, the [email protected] event was inspired by the Double Decker bus Oxford With the recent rollbacks in imported from England in the Mississippi state budget, the 1994. Since the festival’s be- Lafayette County and Oxford Public Library may have to cut ginning, it has demonstrat- down on staff. ed the great passion Oxford According to the Associat- has for the arts and boasted ed Press, in the current budget the town’s diverse food and year, Gov.