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SAG/AFTRA FILM (Partial List) Scare Package Supporting/ “Officer Ragen” Paper Street Pictures/ Aaron B. Koontz Dir. Human Pl
SAG/AFTRA FILM (Partial List) Scare Package Supporting/ “Officer Ragen” Paper Street Pictures/ Aaron B. Koontz Dir. Human Play Lead/ “James” Paper Street Pictures/ Mathieu Ricordi Dir. Little Woods Supporting/ "Man" Buffalo Picture House/ Nia DaCosta Dir. Elephone Man Lead/ "Bobby" Global Films/ Magarditch Halvadjian Dir. The Cable Men Starring/ "Barney" McShane Films/ Robin Conly Dir. Bitch (Short) Supporting/ "Will" Edgen Films/ Robin Conly Dir. Small Packages (Short) Starring/ "Porter" Grade A Films/ Anthony Faust Dir. An American In Texas Lead/ "Earl Doonan" Film Exchange/ Anthony Pedone Dir. Overcast (Short) Lead/ "Paulie" Atomic Productions/ Ben Adams Dir. Bomb City Supporting/ "Officer Chuck" 3rd Identity Films/ Jamie Brooks Dir. As Far As The Eye Can See Supporting/ "Bob Tanner" AFATECS LLC/ David Franklin Dir. Entity Starring/ "Eugene" Screengage LLC/ Michael Yurinko Dir. Human Play Lead/ "James" Paper Street Pictures/ Mathieu Ricordi Dir. Hard Reset 3-D Lead/ "Det. Wright" Buk Films/ Deepak Chetty Dir. The Doo Dah Man Supporting/ "Frank" Flatiron Pictures/ Claude Green Dir. Adventures of Pepper and Paula Lead/ "Ricky" The Nations/ Kevin & Robin Nations Dir. Sin City 2 Supporting/ "Tourist" Troublemaker/ Robert Rodriguez Dir. TELEVISION The Pact (Mini Series) Lead/ ”Drummer” Katara Studios/ Michael Phillips EP. Three Knee Deep (Mini Series) Lead/ "Jack" Luna/Luca Bercovichi Dir. The Leftovers Recurring/ "Sam" HBO/ Damon Lindelof EP. Queen of the South Co-Star/ "Donald Henry" USA/ Matthew Penn EP. From Dusk Til Dawn Co-Star/ "Chester" El Rey/ Eduardo Sanchez Dir. In An Instant Starring/ "Pete Soulis" ABC/ Todd Cobery Dir. American Crime Co-Star/ "Patrol Officer" ABC/ John Ridley Dir. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Koch Brothers Exposed: 2014 Edition
Presents: Koch Brothers Exposed: 2014 Edition A film by Robert Greenwald (56 min., USA, 2013) Language: English Publicity: Linsey Pecikonis Brave New Films Tel: 310-204-0448x225 E-mail: [email protected] High-resolution film stills may be downloaded at http://www.bravenewfilms.org/koch_presskit ABOUT THE FILM In early 2011, Robert Greenwald and the Brave New Films (BNF) staff questioned how to make ordinary Americans care about the activities of David and Charles Koch, billionaire brothers who were spending hundreds of millions of dollars to influence federal, state and local elections. The Koch brothers were not yet in the daily conversations of the average American, but that would change with the 2012 release of BNF’s investigative documentary Koch Brothers Exposed. Originally Greenwald envisioned Koch Brothers Exposed as a series of thirteen short investigative videos that shed light on the Koch political dealings and the negative impact their money has on a variety of aspects of American life. These mini-documentaries immediately went viral, and viewers made it clear to BNF that they wanted more comprehensive coverage of the Koch’s activities. The first edition of the hour-long Koch Brothers Exposed highlighted the Koch’s efforts to gut Social Security by spending more than $28 million to popularize the fiction that the federal program was on the brink of collapse. It also addressed the Koch’s attempts at re-segregating schools in North Carolina; their efforts at voter suppression by supporting misleading voter ID laws; and the disastrous impact of their environmental policies on oil and gas projects and on industrial toxic waste. -
Ellie Smith 1St Assistant Director
ELLIE SMITH 1ST ASSISTANT DIRECTOR TELEVISION A LEAGUE OF THEIR OWN (Pilot) Sony/Amazon Prod: Abbi Jacobson, Will Graham, Michael Cedar Dir: Jamie Babbit THE STRANGER (Limited series) Fox 21 TV/Quibi Prod: Veena Sud, Jeffrey Katzenberg Dir: Veena Sud LIGHT AS A FEATHER (Season 2) Hulu/Awesomeness TV Prod: Brin Lukens, Dylan Vox Dir: Alexis Ostrander PEARSON (Season 1) UCP/USA Prod: Daniel Arkin, David Bartis, Aaron Korsh, Dir: Anton Cropper Doug Liman, Gina Torres LESS THAN ZERO (Pilot) Fox 21/Hulu Prod: Craig Wright, Rebecca Sinclair, Bob Williams Dir: Brett Morgen FOURSOME (Season 4) Awesomeness TV/ Prod: Lance Lanfear, Dan Suhart Dir: Various YouTube Red THE CHI (Season 1) Fox 21 TV/Showtime Prod: Elwood Reid, Lena Waithe, Common, Aaron Kaplan Dir: Various *Nominated – Television – Peabody Awards, 2019 IDIOTSITTER (Season 2) Comedy Central Prod: Jillian Bell, Charlotte Newhouse, Dan Kuba Dir: Various GRAVES (Promo) Lionsgate TV/EPIX Prod: Joshua Michael Stern Dir: Larry Charles THE CATCH (Season 1) (2nd Unit) ABC Studios/ABC Prod: Shonda Rhimes, Kevin Dowling Dir: Various DOPE GIRLS (Pilot) MTV Prod: Harry Elfont, Deborah Kaplan, Ken Ornstein Dir: Michael Blieden SIRENS (Seasons 1 & 2) Fox 21 TV/USA Prod: Denis Leary, Jim Serpico, Tom Sellitti Dir: Various CHICAGO FIRE (Season 1) (2nd AD) Universal TV/NBC Prod: Dick Wolf, Joe Chappelle, John L. Roman Dir: Various NCIS-LA (Seasons 1 & 2) CBS TV/CBS Prod: Shane Brennan Dir: Various HEROES (Seasons 1 & 2) (2nd AD) Universal TV/NBC Prod: Tim Kring Dir: Various LAST MYSTERIES OF TITANIC -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Mediaflo Operations Center Tour Script
MediaFLO USA Operations Center Tour Script I. Introduction/Overview [4:30] Welcome to the MediaFLO Operations Center tour. My name is [ ] and I’ll be your guide for this tour, which should last about 40 minutes. A. Before we start, a few reminders: 1. You’re welcome to take one of the MediaFLO USA brochures. They have information and diagrams to supplement the content of our tour. 2. Please set your cell phones to silent or meeting mode. B. A few minutes on what MediaFLO USA is MediaFLO USA is a wholly owned subsidiary of Qualcomm that aggregates and delivers premium, TV-quality entertainment and information services to mobile phones over its dedicated, nationwide wireless network via the FLO TV service. We are wholesalers, providing wireless carriers a full, end-to-end service. We have agreements in place with content providers; NBC, CBS, ESPN, FOX Comedy Central, Nickeloden and MTV Networks to package and distribute their programming. We’ve built in the capacity to accommodate advertising. We encode the programs, ads, and guides in this building, and we have agreements with two of the top US wireless carriers; Verizon Wireless and AT&T/Cingular to transmit the programming over the air to their subscribers. The subscribers are using phones with a special chipset that can receive and decode the MediaFLO signal, allowing them to unleash the power of TV on their cell phones. We describe ourselves as a wholesaler because we offer all of these services to wireless carriers, who in turn offer them at retail to their customers. Currently you can get the FLO TV service via Verizon’s VCast Mobile TV for $15 a month. -
IAN SEABROOK Underwater Director of Photography
IAN SEABROOK Underwater Director of Photography www.dorsalfin.net FEATURES DIRECTORS PRODUCERS/STUDIOS JUNGLE CRUISE Jaume Collet-Serra John Davis, John Fox, Danny Garcia, Hiram Garcia Disney IN THE SHADOW OF THE MOON Jim Mickle Rian Cahill, Brian Kavanaugh-Jones Linda Morgan, Ben Pugh / Netflix IT: CHAPTER 2 Andy Muschietti Seth Grahame-Smith, David Katzenberg, Roy Lee Dan Lin, Barbara Muscietti / Warner Bros. FONZO Josh Trank Russell Ackerman, Lawrence Bender Aaron L. Gilbert, John Schoenfelder / Universal ELI Ciaran Foy Trevor Macy, John Zaozirny / Paramount GLASS M. Night Shyamalan Mark Bienstock, Jason Blum, Ashwin Rajan Universal DEADPOOL 2 David Leitch Simon Kinberg, Lauren Shuler Donner / Fox PIRATES OF THE CARIBBEAN: Joachim Rønning Jerry Bruckheimer / Disney DEAD MEN TELL NO TALES & Esper Sandberg MONSTER TRUCKS Chris Wedge Mary Parent, Denis Stewart / Paramount ALPHA Albert Hughes Andrew Rona / Sony BATMAN VS. SUPERMAN: Zack Snyder Charles Roven. Deborah Snyder / Warner Bros DAWN OF JUSTICE UNDER THE SILVER LAKE. David Robert Mitchell Chris Bender, Michael De Luca, Jake Weiner / A24 TULLY Jason Reitman Diablo Cody, A.J. Dix, Helen Estabrook Aaron L. Gilbert, Beth Kono, Mason Novick Paramount POWER RANGERS Dean Isrealite Marty Bowen, Wyck Godfrey/ Lionsgate THE EDGE OF SEVENTEEN Kelly Fremon Craig Julie Ansell, James L. Brooks, Richard Sakai / STX THE SHACK Stuart Hazeldine Brad Cummings, Gil Netter / Lionsgate THE 9TH LIFE OF LOUIS DRAX Alex Aja Tim Bricknell, Max Minghella Shawn Williamson Miramax AGE OF ADALINE Lee Toland Krieger Gary Lucchesi, Tom Rosenberg / Lionsgate GODZILLA Gareth Edwards Jon Jashni, Mary Parent / Legendary HECTOR & THE SEARCH FOR Peter Chelsom Christian Angermayer, Klaus Dohle, Trish Dolman HAPPINESS Phil Hunt, Judy Tossell / Screen Siren MAN OF STEEL Zack Snyder Charles Roven, Deborah Snyder, Emma Thomas Warner Bros. -
Female Sexuality in Toni Morrison's Love Katharine Lynn Fulton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2009 Female sexuality in Toni Morrison's Love Katharine Lynn Fulton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Fulton, Katharine Lynn, "Female sexuality in Toni Morrison's Love" (2009). Graduate Theses and Dissertations. 10621. https://lib.dr.iastate.edu/etd/10621 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Female sexual identity in Toni Morrison’s Love by Katharine Lynn Fulton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Kathleen Hickok, Major Professor Diane Price-Herndl Margaret LaWare Iowa State University Ames, Iowa 2009 ii TABLE OF CONTENTS Chapter 1: Introduction.............................................................................1 Chapter 2: Critical Views of Female Sexuality.........................................4 Oedipal Configurations and Female Sexuality.............................5 Triangular Desire and Female Sexuality.......................................8 -
Agenda Board of Directors Orange County Sanitation
AGENDA BOARD OF DIRECTORS ORANGE COUNTY SANITATION DISTRICT DISTRICT’S ADMINISTRATIVE OFFICES 10844 ELLIS AVENUE FOUNTAIN VALLEY, CA 92708 REGULAR MEETING March 26, 2003 – 7:00 P.M. In accordance with the requirements of California Government Code Section 54954.2, this agenda has been posted in the main lobby of the District’s Administrative Offices not less than 72 hours prior to the meeting date and time above. All written materials relating to each agenda item are available for public inspection in the office of the Board Secretary. In the event any matter not listed on this agenda is proposed to be submitted to the Board for discussion and/or action, it will be done in compliance with Section 54954.2(b) as an emergency item, or that there is a need to take immediate action which need came to the attention of the District subsequent to the posting of the agenda, or as set forth on a supplemental agenda posted not less than 72 hours prior to the meeting date. All current agendas and meeting minutes are also available via Orange County Sanitation’s Internet site located at www.ocsd.com. Upon entering the District’s web site, please navigate to the Board of Directors section. 1. Invocation and Pledge of Allegiance 2. Roll Call 3. Consideration of motion to receive and file minute excerpts of member agencies relating to appointment of Directors, if any. (See listing in Board Meeting folders) 4. Appointment of Chair pro tem, if necessary 5. Public Comments: All persons wishing to address the Board on specific agenda items or matters of general interest should do so at this time.