Dr. V Sujata Raju Associate Professor of Philosophy Daulat Ram College
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Mandukya Upanishad Class 6
Mandukya Upanishad Class 6 Mantra # 5: That is the state of deep sleep wherein the sleeper does not desire any objects nor does he see any dream. The third quarter (pada) is the “Prajna” whose sphere is deep sleep, in whom all (experiences) become unified or undifferentiated, who is verily a homogeneous mass of Consciousness entire, who is full of bliss, who is indeed an enjoyer of bliss and who is the very gateway for projection of consciousness into other two planes of Consciousness-the dream and the waking. Swamiji said the four padas are being explained from mantra # 3. First pada is the sthula atma where “I”, Chaitanyam, am connected with Sthula nama rupa. When I am connected with one sthula nama rupa I am vishwa sthula atma. When I am connected with samashti, I am called Samashti Sthula atma. In second pada or mantra the sukshma atma has both micro and macro aspects to it. Thus, I have Vyashti and samashti aspects in dream state. Vyashti is Taijasa and samashti is Hiranyagarbha. In the fifth mantra we have come to karana atma. Here I am in shushupti avastha associated with karana nama rupas, all in potential form. Individual nama rupa are called Pragya karana atma. All nama rupa’s in potential form are called anataryami karana atma. In jagrat and svapna avastha micro and macrocosm are visibly different while in sushupti I can’t differentiate between Vyashti and samashti; however, differences do exist. Pragya and anatharyami are physically visible but theoretically we should know that they are different. -
The Development of Prajna in Buddhism from Early Buddhism to the Prajnaparamita System: with Special Reference to the Sarvastivada Tradition
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 2001 The development of Prajna in Buddhism from early Buddhism to the Prajnaparamita system: with special reference to the Sarvastivada tradition Qing, Fa Qing, F. (2001). The development of Prajna in Buddhism from early Buddhism to the Prajnaparamita system: with special reference to the Sarvastivada tradition (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/15801 http://hdl.handle.net/1880/40730 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Dcvelopmcn~of PrajfiO in Buddhism From Early Buddhism lo the Praj~iBpU'ranmirOSystem: With Special Reference to the Sarv&tivada Tradition Fa Qing A DISSERTATION SUBMIWED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF RELIGIOUS STUDIES CALGARY. ALBERTA MARCI-I. 2001 0 Fa Qing 2001 1,+ 1 14~~a",lllbraly Bibliolheque nationale du Canada Ac uisitions and Acquisitions el ~ibqio~raphiiSetvices services bibliogmphiques The author has granted anon- L'auteur a accorde une licence non exclusive licence allowing the exclusive pernettant a la National Library of Canada to Eiblioth&quenationale du Canada de reproduce, loao, distribute or sell reproduire, priter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. -
Topic 5. the Nature of Jiva and Isvara. 1. Both Are Reflections. the Reflection of Consciousness in Maya Which Is Indescribable As Real Or Unreal Is Isvara
Topic 5. The nature of jiva and isvara. 1. Both are reflections. The reflection of consciousness in maya which is indescribable as real or unreal is Isvara. The reflection of consciousness in the infinite number of limited parts of maya, which have avarana and vikshepasakti and which are known as avidya is jiva. The part of maya with both avarana and vikshepa sakti is avidya. This is the view of Prakatarthakara. 2. Mulaprakriti is maya when it is predominantly pure sattva not overcome by rajas and tamas and it is avidya when it is impure sattva subordinated by rajas and tamas. The reflection in maya is Isvara and the reflection in avidya is jiva. This is the view of Swami Vidyaranya in Tattvaviveka, chapter 1 of Panchadasi. 3. Mulaprakriti itself with vikshepasakti being predominant is maya and is the upadhi of Isvara. With avarana sakti being predominent, mulaprakriti is avidya and it is the upadhi of jiva. Because of this, jiva has the experience of being ignorant, but not Isvara. This is the view of some. 4. Samkshepasariraka view—The reflection of consciousness in avidya is Isvara and the reflection in the mind is jiva. In the above views in which Isvara and jiva are reflections, the bimba (prototype) is pure consciousness (Brahman ) which is attained by the liberated. 5. Chitradipa view: Giving up the threefold aspect of Brahman as pure consciousness, Isvara, and jiva, a fourfold aspect is postulated. The reflection in ajnana tinged with the vasanas in the minds of all living beings, which is dependent on Brahman is Isvara. -
A Catechism on Hinduism
A CATECHISM ON HINDUISM SWAMI KRISHNANANDA The Divine Life Society Sivananda Ashram, Rishikesh, India Website: www.swami-krishnananda.org (Swami Krishnananda answers questions regarding Hinduism) Q: When was Hinduism founded? A: The word ‘Hinduism’ originated due to historical and linguistic circumstances, and refers to what more properly be designated as Bharatiya-dharma, or Sanatana-dharma. There is no personal founder for Hinduism. People who follow the faith or religion which goes by the name of Hinduism hold that the foundation of this outlook of life, or way of living, is eternal, since the way of life is an expression of the basic law operating in the universe. In fact, what popularly is known as Hinduism is a practical and ethical manifestation in day-to-day living of what should be considered as the inviolable law of existence, both in its immutable form known as Satya and operating form known as Rita. Hence, the name Sanatana (eternal or ever-present) associated with this inclusive ‘attitude to life’. Q: Where was it founded, and who founded it? A: Hinduism is not believed to be founded in any place, since it has no founder. Q: What were the prevailing circumstances when it was founded? A: While Hinduism has no founder, and therefore no circumstances can be cited in that regard, students of Hinduism and scholars who are accustomed to do research in its field have usually traced some sort of a logical background of the general structure of Hinduism in the panoramic vision of the Supreme Being as recorded in the Veda-Samhitas, which are supposed to find their detailed promulgation in the Brahmanas, Aranyakas and Upanishads. -
Aesthetic Philosophy of Abhina V Agupt A
AESTHETIC PHILOSOPHY OF ABHINA V AGUPT A Dr. Kailash Pati Mishra Department o f Philosophy & Religion Bañaras Hindu University Varanasi-5 2006 Kala Prakashan Varanasi All Rights Reserved By the Author First Edition 2006 ISBN: 81-87566-91-1 Price : Rs. 400.00 Published by Kala Prakashan B. 33/33-A, New Saket Colony, B.H.U., Varanasi-221005 Composing by M/s. Sarita Computers, D. 56/48-A, Aurangabad, Varanasi. To my teacher Prof. Kamalakar Mishra Preface It can not be said categorically that Abhinavagupta propounded his aesthetic theories to support or to prove his Tantric philosophy but it can be said definitely that he expounded his aesthetic philoso phy in light of his Tantric philosophy. Tantrism is non-dualistic as it holds the existence of one Reality, the Consciousness. This one Reality, the consciousness, is manifesting itself in the various forms of knower and known. According to Tantrism the whole world of manifestation is manifesting out of itself (consciousness) and is mainfesting in itself. The whole process of creation and dissolution occurs within the nature of consciousness. In the same way he has propounded Rasadvaita Darsana, the Non-dualistic Philosophy of Aesthetics. The Rasa, the aesthetic experience, lies in the conscious ness, is experienced by the consciousness and in a way it itself is experiencing state of consciousness: As in Tantric metaphysics, one Tattva, Siva, manifests itself in the forms of other tattvas, so the one Rasa, the Santa rasa, assumes the forms of other rasas and finally dissolves in itself. Tantrism is Absolute idealism in its world-view and epistemology. -
The Philosophy of the Upanisads
THE PHILOSOPHY OF THE UPANISADS BY S. RADHAKRISHNAN WITH A FOREWORD BY RABINDRANATH TAGORE AND AN INTRODUCTION BY EDMOND HOLMES " AUTHOR OF THE CREED OF BUDDHA," ETC. LONDON : GEORGE ALLEN & UNWIN LTD. RUSKIN HOUSE, 40 MUSEUM STREET, W.C. i NEW YORK: THE MACMILLAN COMPANY {All rights reserved) Atfl> ITOKCMO DEDICATION TO THE REV. W. SKINNER, M.A., D.D., ETC. INDIAN PHILOSOPHY BY S. RADHAKRISHNAN George V Profe*or of Phflo*ophy b the Uomratjr of Calcatta i Demy 8v. Two 0ob. 21*. each SOME PRESS OPINIONS " We are fortunate in that Professor Radhakrishnan is evidently deeply read in the Philosophy of the West, and shows considerable blend of acquaintance with general Western literature ; a happy Eastern conceptions with Western terminology makes the book intelligible even to the inexpert, and, it need hardly be added, instructive.'* The Times " In this very interesting, Incid, and admirably written book . the author has given us an interpretation of the Philosophy of India written by an Indian scholar of wide culture." Daily News. 44 It is among the most considerable of the essays in interpre- tation that have come from Indian scholars in recent years. English readers are continually on the look-out for a compendium of Indian thought wntten by a modern with a gift for lucid statement . Here is the book for them." New Statesman. 41 The first volume takes us to the decay of Buddism in India after dealing with the Vedas, the Upanisads, and the Hindu con- temporaries of the early Buddists. The work is admirably done*" BBRTRAND RUSSELL in the Nation. -
The Prajna Paramita Heart Sutra (2Nd Edition)
TheThe PrajnaPrajna ParamitaParamita HeartHeart SutraSutra Translated by Tripitaka Master Hsuan Tsang Commentary by Grand Master T'an Hsu English Translation by Ven. Master Lok To Second Edition 2000 HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. The Prajna Paramita Heart Sutra Translated from Sanskrit into Chinese By Tripitaka Master Hsuan Tsang Commentary By Grand Master T’an Hsu Translated Into English By Venerable Dharma Master Lok To Edited by K’un Li, Shih and Dr. Frank G. French Sutra Translation Committee of the United States and Canada New York – San Francisco – Toronto 2000 First published 1995 Second Edition 2000 Sutra Translation Committee of the United States and Canada Dharma Master Lok To, Director 2611 Davidson Ave. Bronx, New York 10468 (USA) Tel. (718) 584-0621 2 Other Works by the Committee: 1. The Buddhist Liturgy 2. The Sutra of Bodhisattva Ksitigarbha’s Fundamental Vows 3. The Dharma of Mind Transmission 4. The Practice of Bodhisattva Dharma 5. An Exhortation to Be Alert to the Dharma 6. A Composition Urging the Generation of the Bodhi Mind 7. Practice and Attain Sudden Enlightenment 8. Pure Land Buddhism: Dialogues with Ancient Masters 9. Pure-Land Zen, Zen Pure-Land 10. Pure Land of the Patriarchs 11. Horizontal Escape: Pure Land Buddhism in Theory & Practice. 12. Mind Transmission Seals 13. The Prajna Paramita Heart Sutra 14. Pure Land, Pure Mind 15. Bouddhisme, Sagesse et Foi 16. Entering the Tao of Sudden Enlightenment 17. The Direct Approach to Buddhadharma 18. -
What Is Causal Body (Karana Sarira)?
VEDANTA CONCEPTS Sarada Cottage Cedar Rapids July 9, 2017 Peace Chanting (ShAnti PAtha) Sanskrit Transliteration Meaning ॐ गु셁땍यो नमः हरी ओम ्। Om Gurubhyo Namah Hari Om | Salutations to the Guru. सह नाववतु । Saha Nau-Avatu | May God Protect us Both, सह नौ भुन啍तु । Saha Nau Bhunaktu | May God Nourish us Both, सह वीयं करवावहै । Saha Viiryam Karavaavahai| May we Work Together तेजस्वव नावधीतमवतु मा Tejasvi Nau-Adhiitam-Astu Maa with Energy and Vigour, वव饍ववषावहै । Vidvissaavahai | May our Study be ॐ शास््तः शास््तः शास््तः । Om Shaantih Shaantih Enlightening and not give हरी ओम ्॥ Shaantih | Hari Om || rise to Hostility Om, Peace, Peace, Peace. Salutations to the Lord. Our Quest Goal: Eternal Happiness End of All Sufferings Transcending Birth & Death Problem: Fleeting Happiness Endless Suffering Cycle of Birth & Death 3 Vedanta - Introduction Definition: Veda = Knowledge, Anta = End End of Vedas Culmination or Essence of Vedas Leads to God (Truth) Realization Truth: Never changes; beyond Time-Space-Causation Is One Is Beneficial Transforms us Leads from Truth Speaking-> Truth Seeking-> Truth Seeing 4 Vedantic Solution To Our Quest Our Quest: Vedantic Solution: Goal: Cause of Problem: Ignorance (avidyA) of our Real Eternal Happiness Nature End of All Sufferings Attachment (ragah, sangah) to fleeting Objects & Relations Transcending Birth & Death Problem: Remedy: Fleeting Happiness Intense Spiritual Practice (sadhana) Endless Suffering Liberation (mukti/moksha) Cycle of Birth & Death IdentificationIdentification && -
Integral Drama: Culture, Consciousness and Identity Introduction
Integral Drama: Culture, Consciousness and Identity Introduction Drama and The Natyashastra The seven plays examined in this book focus on the difference between the experience of pure consciousness and our socially constructed identities and suggest how these two aspects of identity can coexist. In analyzing these plays, I apply theories of consciousness developed in Advaita (nondual) Vedanta (the sixth system of Indian philosophy) and the Indian philosophical treatise The Natyashastra, which deals with theatre aesthetics, as well as theories developed in the context of consciousness studies, a thriving interdisciplinary field that includes philosophy, neuroscience, psychology, physics and biology and increasingly focuses on the phenomenology of first- person experience. The seven plays analyzed here include Harold Pinter’s The Birthday Party and The Homecoming, Eugène Ionesco’s Rhinoceros, Tom Stoppard’s Arcadia, Luigi Pirandello’s Six Charac- ters in Search of an Author, Jean Genet’s The Balcony and Wole Soyinka’s A Dance of the Forests. As these plays demonstrate, performance has the effect of taking the characters and audience from an awareness of something toward awareness per se, and then toward having awareness per se simultaneously with the intentional content of the mind, thereby providing a glimpse of higher states of conscious- ness. The three ordinary states of consciousness are waking, dreaming and sleep, and the higher states include the fourth state of pure con- sciousness (Atman or turiya, the fourth), cosmic consciousness and unity consciousness. As Eliot Deutsch says in Advaita Vedanta, pure consciousness or 8 Integral Drama Atman (or paramatman, the highest Self), for Advaita Vedanta, is that pure, undifferentiated self-shining consciousness, timeless, spaceless, and unthinkable, that is not different from Brahman and that underlies and supports the individual human person. -
Chapter 2 INDEX
Chapter 2 INDEX S. No. Title Page No. IV Chapter 2 1. Verse 1 23 2. Verse 2 24 3. Mahabharata – Family Tree 26 4. Verse 3 27 5. Verse 4 28 6. Verse 5 30 7. Verse 6 31 8. Verse 7 33 9. Verse 8 34 10. Verse 9 36 11. Verse 11 38 12. Verse 12 40 13. Verse 13 42 [i] S. No. Title Page No. 14. Verse 14 44 15. Verse 15 47 16. Verse 16 48 17. Verse 17 50 18. Verse 18 52 19. Verse 19 54 20. Verse 20 56 21. Verse 21 58 22. Verse 22 60 23. Verse 23 62 24. Verse 24 63 25. Verse 25 65 26. Verse 26 70 27. Verse 27 71 28. Verse 28 73 [ii] S. No. Title Page No. 29. Verse 30 75 30. Verse 31 77 31. Verse 32 79 32. Verse 33 80 33. Verse 34 81 34. Verse 35 82 35. Verse 36 84 36. Verse 37 85 37. Verse 38 87 38. Verse 39 90 39. Verse 40 92 40. Verse 41 95 41. Verse 45 97 42. Verse 46 100 43. Verse 47 102 [iii] S. No. Title Page No. 44. Verse 48 105 45. Verse 49 107 46. Verse 50 109 47. Verse 51 110 48. Verse 52 112 49. Verse 53 113 50. Verse 54 117 51. Verse 55 120 52. Verse 56 123 53. Verse 57 126 54. Verse 58 128 55. Verse 59 131 56. Verse 60 133 57. Verse 61 136 58. Verse 62, 63 138 [iv] S. -
Brahma Sutra
BRAHMA SUTRA CHAPTER 1 1st Pada 1st Adikaranam to 11th Adhikaranam Sutra 1 to 31 INDEX S. No. Topic Pages Topic No Sutra No Summary 5 Introduction of Brahma Sutra 6 1 Jijnasa adhikaranam 1 a) Sutra 1 103 1 1 2 Janmady adhikaranam 2 a) Sutra 2 132 2 2 3 Sastrayonitv adhikaranam 3 a) Sutra 3 133 3 3 4 Samanvay adhikaranam 4 a) Sutra 4 204 4 4 5 Ikshatyadyadhikaranam: (Sutras 5-11) 5 a) Sutra 5 324 5 5 b) Sutra 6 353 5 6 c) Sutra 7 357 5 7 d) Sutra 8 362 5 8 e) Sutra 9 369 5 9 f) Sutra 10 372 5 10 g) Sutra 11 376 5 11 2 S. No. Topic Pages Topic No Sutra No 6 Anandamayadhikaranam: (Sutras 12-19) 6 a) Sutra 12 382 6 12 b) Sutra 13 394 6 13 c) Sutra 14 397 6 14 d) Sutra 15 407 6 15 e) Sutra 16 411 6 16 f) Sutra 17 414 6 17 g) Sutra 18 416 6 18 h) Sutra 19 425 6 19 7 Antaradhikaranam: (Sutras 20-21) 7 a) Sutra 20 436 7 20 b) Sutra 21 448 7 21 8 Akasadhikaranam : 8 a) Sutra 22 460 8 22 9 Pranadhikaranam : 9 a) Sutra 23 472 9 23 3 S. No. Topic Pages Topic No Sutra No 10 Jyotischaranadhikaranam : (Sutras 24-27) 10 a) Sutra 24 486 10 24 b) Sutra 25 508 10 25 c) Sutra 26 513 10 26 d) Sutra 27 517 10 27 11 Pratardanadhikaranam: (Sutras 28-31) 11 a) Sutra 28 526 11 28 b) Sutra 29 538 11 29 c) Sutra 30 546 11 30 d) Sutra 31 558 11 31 4 SUMMARY Brahma Sutra Bhasyam Topics - 191 Chapter – 1 Chapter – 2 Chapter – 3 Chapter – 4 Samanvaya – Avirodha – non – Sadhana – spiritual reconciliation through Phala – result contradiction practice proper interpretation Topics - 39 Topics - 47 Topics - 67 Topics 38 Sections Topics Sections Topics Sections Topics Sections Topics 1 11 1 13 1 06 1 14 2 07 2 08 2 08 2 11 3 13 3 17 3 36 3 06 4 08 4 09 4 17 4 07 5 Lecture – 01 Puja: • Gratitude to lord for completion of Upanishad course (last Chandogya Upanishad + Brihadaranyaka Upanishad). -
UGC NET PHILOSOPHY SAMPLE THEORY English Version
C SIR NET, GATE, IIT-JAM, UGC NET , TIFR, IISc , JEST , JNU, BHU , ISM , IBPS, CSAT, SLET, NIMCET, CTET UGC NET- PHILOSOPHY SAMPLE THEORY Rta : THE COSMIC ORDER ~ THE INSTITUTION OF YAJNA (SACRIFICE) CONCEPT OF Rna : (DUTY/OBLIGATIONS) THEORIES OF CREATION – CONCEPT OF ATMAN CONCEPT OF BRAHMAN CONCEPT OF KARMA – CONCEPT OF SAMSARA CONCEPT OF MOKSHA For IIT-JAM, JNU, GATE, NET, NIMCET and Other Entrance Exams 1-C-8, Sheela Chowdhary Road, Talwandi, Kota (Raj.) Tel No. 0744-2429714 Web Site www.vpmclasses.com [email protected] Phone: 0744-2429714 Mobile: 9001297111, 9829567114, 9001297243 W ebsite: www.vpmclasses.com E-Mail: vpmclasse [email protected] /[email protected] A ddress: 1-C-8, Sheela Chowdhary Road, SFS, TALWANDI, KOTA , RAJASTHAN, 324005 Page 1 C SIR NET, GATE, IIT-JAM, UGC NET , TIFR, IISc , JEST , JNU, BHU , ISM , IBPS, CSAT, SLET, NIMCET, CTET 1. Rta : The cosmic order 2. The institution of yajn% a (sacrifice) 3. Concept of Rna : (Duty / Obligations) 4. Theories of Creation 5. Concept of Atman 6. Concept of Brahman 7. Concept of Karma 8. Concept of Samsara 9. Concept of Moksha 1. RTA In the Vedic religion 'Rta' is the principle of natural order w hich regulates and coordinates the operation of the universe and everything w ithin it. 'Rta' is properly joined order, rule and truth. In the hy mns of the Vedas 'Rta' is the described as that which is ultimately responsible for the proper functioning of the natural, moral and sacrificial orders. Conceptually, it is closely allied to the injunctions and ordinances thought to uphold it, collectively referred to as 'Dharma', and the action of the individual in relation to those ordinances, referred to as 'Karma' - two terms w hich eventually eclipsed.