Poststructuralism in English Classrooms: Critical Literacy and After
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Hypertext Semiotics in the Commercialized Internet
Hypertext Semiotics in the Commercialized Internet Moritz Neumüller Wien, Oktober 2001 DOKTORAT DER SOZIAL- UND WIRTSCHAFTSWISSENSCHAFTEN 1. Beurteiler: Univ. Prof. Dipl.-Ing. Dr. Wolfgang Panny, Institut für Informationsver- arbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik. 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien. Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Eingereicht am: Hypertext Semiotics in the Commercialized Internet Dissertation zur Erlangung des akademischen Grades eines Doktors der Sozial- und Wirtschaftswissenschaften an der Wirtschaftsuniversität Wien eingereicht bei 1. Beurteiler: Univ. Prof. Dr. Wolfgang Panny, Institut für Informationsverarbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Fachgebiet: Informationswirtschaft von MMag. Moritz Neumüller Wien, im Oktober 2001 Ich versichere: 1. daß ich die Dissertation selbständig verfaßt, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und mich auch sonst keiner unerlaubten Hilfe bedient habe. 2. daß ich diese Dissertation bisher weder im In- noch im Ausland (einer Beurteilerin / einem Beurteiler zur Begutachtung) in irgendeiner Form als Prüfungsarbeit vorgelegt habe. 3. daß dieses Exemplar mit der beurteilten Arbeit überein -
Interpretation in Recent Literary, Film and Cultural Criticism
t- \r- 9 Anxieties of Commentary: Interpretation in Recent Literary, Film and Cultural Criticism Noel Kitg A Dissertàtion Presented to the Faculty of Arts at the University of Adelaide In Candidacy for the Degree of Doctor of Philosophy March 7994 Nwo.rà"o\ \qq5 l1 @ 7994 Noel Ki^g Atl rights reserved lr1 Abstract This thesis claims that a distinctive anxiety of commentary has entered literary, film and cultural criticism over the last thirty years/ gathering particular force in relation to debates around postmodernism and fictocriticism and those debates which are concerned to determine the most appropriate ways of discussing popular cultural texts. I argue that one now regularly encounters the figure of the hesitant, self-diiioubting cultural critic, a person who wonders whether the critical discourse about to be produced will prove either redundant (since the work will already include its own commentary) or else prove a misdescription of some kind (since the criticism will be unable to convey the essence of , say, the popular cultural object). In order to understand the emergence of this figure of the self-doubting cultural critic as one who is no longer confident that available forms of critical description are adequate and/or as one who is worried that the critical writing produced will not connect with a readership that might also have formed a constituency, the thesis proposes notions of "critical occasions," "critical assemblages," "critical postures," and "critical alibis." These are presented as a way of indicating that "interpretative occasions" are simultaneously rhetorical and ethical. They are site-specific occasions in the sense that the critic activates a rhetorical-discursive apparatus and are also site-specific in the sense that the critic is using the cultural object (book, film) as an occasion to call him or herself into question as one who requires a further work of self-stylisation (which might take the form of a practice of self-problematisation). -
Formerly Theutsreview
formerly the UTS review Editorial Board IEN ANG Sydney, RUTH BARCAN Sydney, TONY BENNETT Milton Keynes, JODY BERLAND Toronto, CHRIS BERRY London, MARCUS BREEN Chapel Hill, ANNE BREWSTER Sydney, MARION CAMPBELL Melbourne, DIPESH CHAKRABARTY Chicago, ROSS CHAMBERS Ann Arbor, KUAN-HSING CHEN Hsinchu, NAIFEI DING Taipei, SIMON DURING Baltimore, ROSS GIBSON Sydney, DAVID GOODMAN Sydney, HELEN GRACE Hong Kong, LAWRENCE GROSSBERG Chapel Hill, GHASAN HAGE Sydney, JOHN HARTLEY Brisbane, GAY HAWKINS Sydney, CHRIS HEALY Melbourne, VILSONI HERENIKO Honolulu, JACKIE HUGGINS Brisbane, JANE JACOBS Edinburgh, LALEEN JAYMANNE Sydney, LESLEY JOHNSON Sydney, NOEL KING Sydney, MARCIA LANGTON Melbourne, JENNY LEE Melbourne, AMANDA LOHREY FALMOUTH Tasmania, ADRIAN MARTIN Melbourne, BRIAN MASSUMI Montreal, JENNA MEAD Hobart, PHILIP MEAD Hobart, AILEEN MORETON-ROBINSON Brisbane, MEAGHAN MORRIS Sydney and Hong Kong, PHILIP MORRISSEY Melbourne, STEPHEN MUECKE Sydney, TOM O’REGAN Brisbane, SUVENDRINI PERERA Perth, ELSPETH PROBYN Sydney, ZOE SOFOULIS Sydney, LESLEY STERN San Diego, JON STRATTON Perth, GRAEME TURNER Brisbane, THEO VAN LEEUWEN Sydney, MCKENZIE WARK New York, ROB WILSON Santa Cruz Former Editors (2002–2006) CHRIS HEALY, STEPHEN MUECKE Founding Editors (The UTS Review 2005–2002) MEAGHAN MORRIS, STEPHEN MUECKE history experiments VOL.14 NO.1 MAR 2OO8 edited by john frow and katrina schlunke Editors JOHN FROW & KATRINA SCHLUNKE EDITORIAL & SUBSCRIPTION OFFICE Reviews Editor RUTH BARCAN Cultural Studies Review Managing Editor ANN STANDISH School of Culture and Communication Thanks to Anne Brennan, Mark Byron, Clare The University of Melbourne, Victoria 3010 Corbould, Martin Harrison, Chris Healy, Roger Australia Hillman, Ross Gibson, Laleen Jayamanne, Michelle E <[email protected]> Langford, Meg Mumford, Julien Murphett, Klaus W <www.csreview.unimelb.edu.au> Neumann, Katrina Schlunke and Deane Williams. -
2015 – 2016 English Literature Fourth Year Option Courses
2015 – 2016 ENGLISH LITERATURE FOURTH YEAR OPTION COURSES 1 17 June 2015 SEMESTER ONE An English Heritage p. 3 Cities of Literature: Metropolitan Modernities p. 5 Contemporary American Fiction p. 6 Contemporary Postcolonial Writing p. 7 Decolonization and the Novel p. 9 Film Criticism and Analysis p.11 Literature and the Great War p.13 Literature in the Age of Terror p.14 Modern Religious & Ethical Debates in Contemp Lit p.20 Neo-imperialisms p.22 Outback, Outlaws and Outcasts p.24 Political Shakespeare p.27 Queering Fictions p.29 Scottish Women’s Fiction * p.31 Sex and God in Victorian Poetry p.33 Sex, Sedition and Seduction in Restoration Literature p.35 The Long Summer p.38 Thinking Translation – A Beginners Guide p.40 Writing for Theatre* p.44 Writing the Body Politic p.46 SEMESTER TWO Censorship p.51 Contemporary British Drama p.54 Creative Writing Part I: Poetry* p.57 Creative Writing Part II: Prose * p.60 Digital Humanities for Literary Study p.62 Fairy Tales * p.66 George Orwell and the Politics of Literature p.68 Modern and Contemporary Scottish Poetry* p.70 Modernism: Text, Image, Object p.73 Postmodernism: Who Needs it? p.76 Shakespeare Adapted p.78 Shakespearean Sexualities p.80 Writing and Tyranny at the Court of Henry VIII p.81 Writing Contemporary Feminities * p.84 Victorian and Edwardian City p.87 * Courses with an asterisk have a Scottish emphasis. Note: Courses may be taught by staff in addition to the named course organiser. 2 17 June 2015 English Literature Fourth Year Semester One Option Course An English Heritage: Nativism, Language and History in the Work of Four Post-war Poets Course Organiser: Professor James Loxley This course will explore the work of four post-war English poets in relation to their shared concerns both with Englishness and with arguments concerning the nature of distinctively ‘English’ poetic traditions. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality fllnctratirmc and phnfngraprK, print HWHthmngh qiHctanHarri marcinc and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g* maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right meqiialsecticaswimsman overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographicauy in this copy. Higher quality 6" x 9" black and white photographic prims are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Be« & Howell information Company 300 Norm Zeeo Road. Ann Artior. Ml 48106-1346 USA 313/76W700 800/521-0600 LANGUAGE, IDEOLOGY, AND POWER: ENGLISH TEXTBOOKS OF TWO KOREAS BY MARTIN JONGHAK BAIK B.A., Seoul National University, 1984 A.M., University of Illinois at Urbana-Champaign, 1991 THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Linguistics in the Graduate College of the University of Illinois at Urbana-Champaign, 1994 Urbana, Illinois DMI Number: 9522078 UMI Microform Edition 9522078 Copyright 1995, by DMI Company. -
Theory Time: on the History of Poststructuralism
Theory Time: On the History of Poststructuralism Ian Hunter The 40th Annual Symposium of the Australian Academy of the Humanities, 19-20 November 2009. The Humanities in Australia: Taking Stock Introduction I would like to begin by thanking the Academy’s Council for the honour of presenting this lecture, and the Secretariat for their organisation of the symposium.1 It is a particular pleasure though to thank my colleague and friend of many years Mark Finnane, for his good work and good offices in the convening of such a timely and significant intellectual event. My topic — the intellectual history of post-1960s humanities theory, poststructuralism in particular — is one that comes with great promise and significant risk. The promise is to achieve some insight into a series of intellectual practices and contexts that had significant impact on the culture of the Western humanities academy during the second half of the twentieth century and up to the present. The risk is that there is little agreement about how to develop a historiography for poststructuralist theory, or even about whether one can be developed. This is to say nothing of the fact that in pursuing this task one must run the gauntlet between those whose love of poststructuralist theory makes its historicisation sacrilegious and those whose dislike of it makes it unworthy of historicisation. An invitation to speak on the history of humanities theory thus has something in common with an invitation to a post-concert party with the Rolling Stones: there is the enticement to discover something new and possibly forbidden; the challenge to stay the distance in a demanding milieu; and the risk that one will leave the event in worse shape than on arrival. -
FRODSHAM, John David
THE AUSTRALIAN ACADEMY OF THE HUMANITIES ANNUAL REPORT 2015–16 33 JOHN DAVID FRODSHAM 1930–2016 fellow · elected 1969 Before taking up a position at Murdoch University, where Frodsham was Professor of World Literature, I had looked up his publications in the University of Sydney’s Fisher Library. He had had a brief stint at Sydney in the Department of Oriental Studies before taking up a position as Lecturer in Far Eastern History at the University of Malaya. He returned to Australia in 1965 to a similar position at the University of Adelaide followed by his election to a Readership in Chinese at the Australian National University (ANU) in 1967. At Sydney I had been unimpressed by the narrow discipline- oriented interests of the English literature staff, their overbearing monolingualism and, needless to say, their Oxford pretentiousness. Against the latter, Frodsham, in my reading of him, stood out like an unusual beacon. He had already made it into Who’s Who and been elected a Fellow of the Australian Academy of the Humanities in 1969; his books had been published by Clarendon Press (the prestige imprimatur of Oxford University Press). I also read that he spoke some thirteen languages fluently. He interviewed me at a Circular Quay hotel, paid for the coffee and lunch on his American Express photo: courtesy of v. mishra Card, and offered me a three-year tutorship. There was nothing untoward nor indeed corrupt about this, as this ohn Frodsham, who was born on 5 January 1930 in was a professor’s right, a kind of gift, in the old system. -
Questions of Address: for Meaghan Morris Vol
Cultural Studies ARTICLE Review Questions of Address: For Meaghan Morris Vol. 24, No. 1 John Frow March 2018 University of Sydney Corresponding author: John Frow, Department of English, University of Sydney NSW 2006 Australia. [email protected] DOI: http://dx.doi.org/10.5130/csr.v24i1.5958 Article History: Received 02/11/2017; Revised 13/03/2018; Accepted 14/03/2018; Published 20/04/2018 In beginning to prepare this tribute to Meaghan Morris’s work I went to the bulging folder that contains the letters and postcards and draft papers she sent me over a period of about twenty years, from the early 1980s to the early 2000s (more recently we’ve communicated © 2018 by the author(s). This is an Open Access article almost entirely by email). One of the things that strikes me, looking through these pages with distributed under the terms their typewritten text full of crossings-out and handwritten marginalia, is the enormous care of the Creative Commons Meaghan gives to her intellectual relationships, in my case with someone she didn’t know all Attribution 4.0 International that well, who lived on the other side of the country, and with whom there were significant (CC BY 4.0) License (https:// creativecommons.org/licenses/ points of intellectual difference. One of the letters I’m going to quote from is ten closely typed by/4.0/), allowing third parties pages long, and to write it she would first have to have read, closely and carefully, a dense and to copy and redistribute the abstruse paper of mine, set in what looks like 8-point font and to me today almost unreadable. -
20Th Anniversary Colloquium the Academy's Cultural
20TH ANNIVERSARY COLLOQUIUM THE ACADEMY’S CULTURAL & COMMUNICATIONS SECTION Overview 9:30am—4:30pm Wednesday 14th November 2018 Social Sciences Building, A02, Lecture Theatre 200, Science Road, University of Sydney This Colloquium celebrates the twentieth anniversary of the establishment of the Cultural and Communication Studies Section of the Australian Academy of the Humanities. That establishment was preceded by a campaign led by the late Professor Ken Ruthven, a key moment of which was a symposium on the topic ‘Beyond the Disciplines: The new humanities’ held in 1991. We revisit some of the key topics discussed in that symposium –the discipline of cultural studies, multiculturalism, cultural policy studies, feminist/gender studies, post-colonial/subaltern studies, and legal studies – and discuss how our disciplines have moved on since then. Our focus will be on the theoretical, political, and institutional challenges they have confronted, the changing contexts in which they have evolved, and the directions in which we think they are headed. Our presenters will include some of the founding members of the section, some newer members, and some young colleagues who do not as yet belong to the Academy. Convenors: Professor Tony Bennett FAcSS FAHA, Professor John Frow FAHA, Professor Elspeth Probyn FASSA FAHA and Associate Professor Chris Healy FAHA. We acknowledge and thank the University of Melbourne's School of Culture and Communication, the University of Sydney's Department of Media and Communications, and Western Sydney University' -
Post-Structuralism and Radical Politics Specialist Group of The
Post-Structuralism & Radical Politics post-structuralism & radical politics Specialist Group of the PSA Group Convenor Alan Finlayson Department of Political Theory and Government University of Wales Swansea Singleton Park Swansea SA2 8PP Email: [email protected] Newsletter Editor James Martin newsletter Department of Social Policy & Politics Goldsmiths College University of London no. 2, june 2000 New Cross London SE14 6NW Email: [email protected] Visit our web site: http://homepages.gold.ac.uk/psrpsg/ where this Newsletter is available as a PDF document editorial identity, politics and so on. This can be put down Alan Finlayson to watching too many Open University programmes as a teenager and to the common I don’t need to tell anyone reading this about the tendency of straight, white, middle-class boys to disciplinary technologies that are rapidly extending appropriate the struggles of Latin Americans or themselves into our workplaces. QAA and the urban community theatre groups. But, whatever ‘benchmarking’ of subject specifications are a my subjective motivations the objective necessity headache for all of us. The ease with which they of opening up the social to wider ranging can be employed as textbook examples of contestation persists. We can do this in our ‘governmentality’ hardly compensates for the everyday lives as customers of the UK state but we increased workload they demand. should also be doing it in our work lives and in our teaching. But where there is normalisation there is also the opportunity for subversion. The QAA Coming from a sociology/cultural studies sort of benchmarking statement for politics and background I was somewhat surprised to discover international relations is satisfyingly vague. -
A Post-Holocaust Reading of Jewish Heroism in Bernard Malamud's The
Title: A Post-Holocaust Reading of Jewish Heroism in Bernard Malamud’s The Fixer, “Man in the Drawer,” and “An Apology” Author: Sajjad Mahboobi Affiliation: Islamic Azad University, Karaj Branch Year:2015 Abstract: This thesis has two major purposes: to examine the concept of Jewish heroism in Bernard Malamud’s selected works, and to demonstrate that despite denying it, the author is foremost concerned with Jewish, rather than universal, issues. It is argued that the main characters of Malamud’s fiction, especially in the discussed narratives, portray heroism through resistance, morality, and the responsibility they accept toward their people, while they suffer inevitably and arouse emotion in the reader on miseries and pains of Jews. In light of a truth- oriented historicist approach, the researcher argues that Malamud’s characters are time-bound and benefit from the postwar Holocaust-saturated America and the considerable sympathy that Jews drew especially in those years. While these characters associate the non-Jewish reader mainly with two things, Jew the innocent and the alleged Holocaust, they help American Jews, in particular, rise again from the so-called Auschwitz ashes and free from Jew-the-victim mentality, intensified by the Holocaust propaganda, through displaying heroism of resistance. They also help revive qualities of Jewishness that were fading in the increasingly assimilated postwar perio Keywords: : Post-Holocaust Jewish American fiction, Jewish suffering, Jewish heroism, Jew-the-victim mentality References: Aarons, Victoria. “Malamud, Bernard.” The Encyclopedia of Twentieth-Century Fiction. Gen. ed. Brian W. Shaffer. 3 vols. Malden, MA: Wiley-Blackwell, 2011. 681-684. PDF. Abrams, M. -
Are a Way of Understanding and Handling Empirical Materials and Thoughts
Volume 20, No. 2, Art. 2 May 2019 The "Studies in Ethnomethodology" Are a Way of Understanding and Handling Empirical Materials and Thoughts Eric Laurier in Conversation With Hannes Krämer, Dominik Gerst & René Salomon Key words: Abstract: In the following conversation Eric LAURIER talks about the role of ethnomethodology's ethnomethodology; foundational account—the "Studies in Ethnomethodology" (GARFINKEL, 1967)—within the UK and methodology; the influence of the book on his own research as well as on human geography, mobility studies, mobility; actor- actor-network-theory, and a general social science methodology. He therefore underlines the network-theory; peculiar focus of GARFINKEL on the everyday, his non-ironic position towards member's practices, materiality; and the plurivocality of the book. Giving an elaborated account on the methodological challenges everyday life with an ethnomethodological approach including video recordings he differentiates between the video as a research tool and video usage as a member's practice. LAURIER demonstrates the inspiring and initiating content of the studies as well as its limits. By doing so he can show the prolific quality for current research fields like the study of mobility and movement, the question of space and place, and the role of the "Studies in Ethnomethodology" as a political text. Table of Contents 1. Conversations on Ethnomethodology Often Start With "How Did You Get Into This?" 2. This Stylistics of Writing has a Positive Quality 3. GARFINKEL's Peculiar Take on the Everyday 4. Reading the Book 5. Theory and Methodology Are Interwoven 6. It Is a Book You Always Return to 7.