Richard Carroll Thesis
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The Meaning of Yaroomba II
Revisiting the place name meaning of Yaroomba The Gaiarbau, ‘bunya country’ and ‘thick vine scrub’ connections (by Kerry Jones, Arnold Jones, Sean Fleischfresser, Rodney Jones, Lore?a Algar, Helen Jones & Genevieve Jones) The Sunshine Coast region, fiHy years ago, may have had the greatest use of place names within Queensland derived from Aboriginal language words, according to researcher, E.G. Heap’s 1966 local history arQcle, ‘In the Wake of the Rasmen’. In the early days of colonisaon, local waterways were used to transport logs and Qmber, with the use of Aboriginal labour, therefore the term ‘rasmen’. Windolf (1986, p.2) notes that historically, the term ‘Coolum District’ included all the areas of Coolum Beach, Point Arkwright, Yaroomba, Mount Coolum, Marcoola, Mudjimba, Pacific Paradise and Peregian. In the 1960’s it was near impossible to take transport to and access or communicate with these areas, and made that much more difficult by wet or extreme weather. Around this Qme the Sunshine Coast Airport site (formerly the Maroochy Airport) having Mount Coolum as its backdrop, was sQll a Naonal Park (QPWS 1999, p. 3). Figure 1 - 1925 view of coastline including Mount Coolum, Yaroomba & Mudjimba Island north of the Maroochy Estuary In October 2014 the inaugural Yaroomba Celebrates fesQval, overlooking Yaroomba Beach, saw local Gubbi Gubbi (Kabi Kabi) TradiQonal Owner, Lyndon Davis, performing with the yi’di’ki (didgeridoo), give a very warm welcome. While talking about Yaroomba, Lyndon stated this area too was and is ‘bunya country’. Windolf (1986, p.8) writes about the first Qmber-ge?ers who came to the ‘Coolum District’ in the 1860’s. -
Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan
Yetimarala Yidinji Yi rawarka lba Yima Yawa n Yir bina ach Wik-Keyangan Wik- Yiron Yam Wik Pa Me'nh W t ga pom inda rnn k Om rungu Wik Adinda Wik Elk Win ala r Wi ay Wa en Wik da ji Y har rrgam Epa Wir an at Wa angkumara Wapabura Wik i W al Ng arra W Iya ulg Y ik nam nh ar nu W a Wa haayorre Thaynakwit Wi uk ke arr thiggi T h Tjung k M ab ay luw eppa und un a h Wa g T N ji To g W ak a lan tta dornd rre ka ul Y kk ibe ta Pi orin s S n i W u a Tar Pit anh Mu Nga tra W u g W riya n Mpalitj lgu Moon dja it ik li in ka Pir ondja djan n N Cre N W al ak nd Mo Mpa un ol ga u g W ga iyan andandanji Margany M litja uk e T th th Ya u an M lgu M ayi-K nh ul ur a a ig yk ka nda ulan M N ru n th dj O ha Ma Kunjen Kutha M ul ya b i a gi it rra haypan nt Kuu ayi gu w u W y i M ba ku-T k Tha -Ku M ay l U a wa d an Ku ayo tu ul g m j a oo M angan rre na ur i O p ad y k u a-Dy K M id y i l N ita m Kuk uu a ji k la W u M a nh Kaantju K ku yi M an U yi k i M i a abi K Y -Th u g r n u in al Y abi a u a n a a a n g w gu Kal K k g n d a u in a Ku owair Jirandali aw u u ka d h N M ai a a Jar K u rt n P i W n r r ngg aw n i M i a i M ca i Ja aw gk M rr j M g h da a a u iy d ia n n Ya r yi n a a m u ga Ja K i L -Y u g a b N ra l Girramay G al a a n P N ri a u ga iaba ithab a m l j it e g Ja iri G al w i a t in M i ay Giy L a M li a r M u j G a a la a P o K d ar Go g m M h n ng e a y it d m n ka m np w a i- u t n u i u u u Y ra a r r r l Y L a o iw m I a a G a a p l u i G ull u r a d e a a tch b K d i g b M g w u b a M N n rr y B thim Ayabadhu i l il M M u i a a -
Katarina Vesterberg
K ATARINA VESTERBERG A TEMPORAL VIEW V IEW FROM THE BORDER RANGES 2012 Oil on linen 162 x 310 cm $27,500 T HE FALLS 2013 Oil on linen 145 x 200 cm $16,500 B RIBIE ISLAND PINES 2014 Oil on linen 110 x 194 cm $11,000 C OAST BANKSIA 2014 Oil on linen 103 x 196 cm $11,000 E DGE OF THE BALTIC 2013 Oil on linen 170 x 127 cm $11,000 S TORMY DAY 2012 Oil on linen 98 x 172 cm $8,800 L AMINGTON NATIONAL PARK 2013 Oil on linen 124 x 128 cm $7,700 S OMERSET DAM 2013 Oil on linen 202 x 78 cm $7,700 C ROOK- NECK 2014 Oil on linen 159 x 93 cm $7,000 TI - TREE 2013 Oil on linen 170 x 75 cm $6,600 S UNSHINE COAST 2014 Oil on linen 46 x 194 cm $6,000 T HE ESCARPMENT 2013 Oil on linen 95 x 63 cm $5,500 O VER THE FALLS 2013 Oil on linen 73 x 85 cm $5,500 T HE GLASSHOUSES 2013 Oil on linen 27 x 133 cm $3,300 C ASUARINA 2013 Oil on linen 42 x 42 cm $1,650 W IVENHOE DAM 2014 Oil and pencil on paper 29 x 128 cm $3,300 C UNNINGHAMS GAP 2013 Oil and pencil on paper 26 x 70 cm $2,200 F RENCHMANS BEACH 2014 Oil and pencil on paper 24 x 84 cm $2,200 A DDER ROCK 2014 Oil and pencil on paper 25 x 53 cm $1,980 TANGALOOMA POINT 2014 Oil and pencil on paper 42 x 29 cm $1,650 K ATARINA VESTERBERG B IOGRAPHY 1962 Born Karlstad, Sweden 1971 Migrated to Australia 1998 Elected as a member of Konstnärernas Riksorganisation (KRO), Stockholm, Sweden S OLO EXHIBITIONS 2014 A Temporal View, Andrew Baker Art Dealer, Brisbane 2013 Katarina Vesterberg, Vida, Adelaide 2012 Bodies without Surface, Andrew Baker Art Dealer, Brisbane Expressions of Light, Caboolture Regional Art Gallery, -
Johnathon Davis Thesis
Durithunga – Growing, nurturing, challenging and supporting urban Indigenous leadership in education John Davis-Warra Bachelor of Arts (Aboriginal & Torres Strait Islander Studies & English) Post Graduate Diploma of Education Supervisors: Associate Professor Beryl Exley Associate Professor Karen Dooley Emeritus Professor Alan Luke Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Education Queensland University of Technology 2017 Keywords Durithunga, education, Indigenous, leadership. Durithunga – Growing, nurturing, challenging and supporting urban Indigenous leadership in education i Language Weaves As highlighted in the following thesis, there are a number of key words and phrases that are typographically different from the rest of the thesis writing. Shifts in font and style are used to accent Indigenous world view and give clear signification to the higher order thought and conceptual processing of words and their deeper meaning within the context of this thesis (Martin, 2008). For ease of transition into this thesis, I have created the “Language Weaves” list of key words and phrases that flow through the following chapters. The list below has been woven in Migloo alphabetical order. The challenge, as I explore in detail in Chapter 5 of this thesis, is for next generations of Indigenous Australian writers to relay textual information in the languages of our people from our unique tumba tjinas. Dissecting my language usage in this way and creating a Language Weaves list has been very challenging, but is part of sharing the unique messages of this Indigenous Education field research to a broader, non- Indigenous and international audience. The following weaves list consists of words taken directly from the thesis. -
The Future of World Heritage in Australia
Keeping the Outstanding Exceptional: The Future of World Heritage in Australia Editors: Penelope Figgis, Andrea Leverington, Richard Mackay, Andrew Maclean, Peter Valentine Editors: Penelope Figgis, Andrea Leverington, Richard Mackay, Andrew Maclean, Peter Valentine Published by: Australian Committee for IUCN Inc. Copyright: © 2013 Copyright in compilation and published edition: Australian Committee for IUCN Inc. Reproduction of this publication for educational or other non-commercial purposes is authorised without prior written permission from the copyright holder provided the source is fully acknowledged. Reproduction of this publication for resale or other commercial purposes is prohibited without prior written permission of the copyright holder. Citation: Figgis, P., Leverington, A., Mackay, R., Maclean, A., Valentine, P. (eds). (2012). Keeping the Outstanding Exceptional: The Future of World Heritage in Australia. Australian Committee for IUCN, Sydney. ISBN: 978-0-9871654-2-8 Design/Layout: Pixeldust Design 21 Lilac Tree Court Beechmont, Queensland Australia 4211 Tel: +61 437 360 812 [email protected] Printed by: Finsbury Green Pty Ltd 1A South Road Thebarton, South Australia Australia 5031 Available from: Australian Committee for IUCN P.O Box 528 Sydney 2001 Tel: +61 416 364 722 [email protected] http://www.aciucn.org.au http://www.wettropics.qld.gov.au Cover photo: Two great iconic Australian World Heritage Areas - The Wet Tropics and Great Barrier Reef meet in the Daintree region of North Queensland © Photo: K. Trapnell Disclaimer: The views and opinions expressed in this publication are those of the chapter authors and do not necessarily reflect those of the editors, the Australian Committee for IUCN, the Wet Tropics Management Authority or the Australian Conservation Foundation or those of financial supporter the Commonwealth Department of Sustainability, Environment, Water, Population and Communities. -
Traditional Law and Indigenous Resistance at Moreton Bay 1842-1855
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Southern Queensland ePrints [2005] ANZLH E-Journal Traditional law and Indigenous Resistance at Moreton Bay 1842-1855 LIBBY CONNORS* On the morning of 5 January 1855 when the British settlers of Moreton Bay publicly executed the Dalla-Djindubari man, Dundalli, they made sure that every member of the Brisbane town police was on duty alongside a detachment of native police under their British officer, Lieutenant Irving. Dundalli had been kept in chains and in solitary for the seven months of his confinement in Brisbane Gaol. Clearly the British, including the judge who condemned him, Sir Roger Therry, were in awe of him. The authorities insisted that these precautions were necessary because they feared escape or rescue by his people, a large number of whom had gathered in the scrub opposite the gaol to witness the hanging. Of the ten public executions in Brisbane between 1839 and 1859, including six of Indigenous men, none had excited this much interest from both the European and Indigenous communities.1 British satisfaction over Dundalli’s death is all the more puzzling when the evidence concerning his involvement in the murders for which he was condemned is examined. Dundalli was accused of the murders of Mary Shannon and her employer the pastoralist Andrew Gregor in October 1846, the sawyer William Waller in September 1847 and wounding with intent the lay missionary John Hausmann in 1845. In the first two cases the only witnesses were Mary Shannon’s five year old daughter and a “half- caste” boy living with Gregor whose age was uncertain but described as about ten or eleven years old. -
Some Queensland Memoir Writer^
Some Queensland Memoir Writer^. Presidential Address, by F. W. S. CUMBRAE-STEWART, B.A., B.O.L. At Annual Meeting of the Historical Society of Queensland, Friday, 30th August, 1918. Five years have passed since the inaugural meeting of this Society was held under the chairmanship of His Excellency, Sir William Macgregor, then Governor of Queensland and patron of the Society. During the time which has elapsed much history has been made, and the events which have shaken the world have not been favourable to quiet historical research, and I think that the Society must be congratulated on having maintained its existence in spite of so much that has hindered its work. Other difficulties overshadowed us. Before the first year had passed several of our members had died, and Sir William Macgregor had completed his useful and unstinted official service to the Empire. His retirement from the Governorship of Queensland removed him from us to his native;land. None of us who were privileged to be present will forget that morning when, on 15th July, 1914, he said farewell to us. Then came the war, which the wise had foretold, but the foolish ones had thought- was impossible. At one time the question of suspending the Society's operations was considered, but it was decided to carry on. When Sir Wm. Macgregor's successor arrived, he gave very ready and material help by taking the Society under his patronage. There are Others who have passed from our midst whose places we can never fill. Each year has added its toll. -
Inner Brisbane Heritage Walk/Drive Booklet
Engineering Heritage Inner Brisbane A Walk / Drive Tour Engineers Australia Queensland Division National Library of Australia Cataloguing- in-Publication entry Title: Engineering heritage inner Brisbane: a walk / drive tour / Engineering Heritage Queensland. Edition: Revised second edition. ISBN: 9780646561684 (paperback) Notes: Includes bibliographical references. Subjects: Brisbane (Qld.)--Guidebooks. Brisbane (Qld.)--Buildings, structures, etc.--Guidebooks. Brisbane (Qld.)--History. Other Creators/Contributors: Engineers Australia. Queensland Division. Dewey Number: 919.43104 Revised and reprinted 2015 Chelmer Office Services 5/10 Central Avenue Graceville Q 4075 Disclaimer: The information in this publication has been created with all due care, however no warranty is given that this publication is free from error or omission or that the information is the most up-to-date available. In addition, the publication contains references and links to other publications and web sites over which Engineers Australia has no responsibility or control. You should rely on your own enquiries as to the correctness of the contents of the publication or of any of the references and links. Accordingly Engineers Australia and its servants and agents expressly disclaim liability for any act done or omission made on the information contained in the publication and any consequences of any such act or omission. Acknowledgements Engineers Australia, Queensland Division acknowledged the input to the first edition of this publication in 2001 by historical archaeologist Kay Brown for research and text development, historian Heather Harper of the Brisbane City Council Heritage Unit for patience and assistance particularly with the map, the Brisbane City Council for its generous local history grant and for access to and use of its BIMAP facility, the Queensland Maritime Museum Association, the Queensland Museum and the John Oxley Library for permission to reproduce the photographs, and to the late Robin Black and Robyn Black for loan of the pen and ink drawing of the coal wharf. -
Call of the Koel February16 November 2013 2015 Newsletter of the Toowong and District Historical Society Inc
Call of the Koel February16 November 2013 2015 Newsletter of the Toowong and District Historical Society Inc. News stories of yesteryear of one of these ponds has become the basis of the Mt Coot-tha Garden’s duck pond. Next to the Garden’s Here are two news stories gleaned from the pages fence line besides the Western Freeway was a low- of past newspapers: lying area which may have possibly been a second Anzac Park, Toowong. such pond or dam. Since the construction of Legacy Some months ago the Toowong Town Council Way Tunnel this area has been added to the Gardens. purchased from the Toowong Cemetery Trustees a The remnants of a third pond can be discerned along piece of land adjoining the Mt. Coot-tha Reserve, the creek in Anzac Park. It too is surrounded by converted it into a park, and named it Anzac Park. bamboo. As children, locals recall skinny-dipping here Portion of the park, which has an area of 130 acres, (boys, of course)—and sometimes the Cemetery faces the tramline in Dean-street. Mr. W.T.C. Harding, Sexton caught them! In the 1920s, locals residing at Mt a resident of Toowong, took a keen interest in the park, Coot-tha called the creek Crystal Creek because its and through his efforts a considerable area has been waters were so clear. It would be nice if the Brisbane cleared of timber, and, approximately 800 trees and City Council could re-instate this pond with access via palms planted. It is proposed to further beautify the a bridge over the creek to the area besides the creek park by constructing three dams and several avenues, and create a picnic area here. -
The History of the Coronation Drive Office Park
The History of the Coronation Drive Office Park Angus Veitch April 2014 Version 1.0 (6 April 2014) This report may be cited as: Angus Veitch (2014). History of the Coronation Drive Office Park. Brisbane, QLD. More information about the history of Milton and its surrounds can be found at the author’s website, www.oncewasacreek.org. Acknowledgements This report was prepared for AMP Capital through a project managed by UniQuest Ltd (UniQuest Project No: C01592). Thank you to Ken Neufeld, Leon Carroll and others at AMP Capital for commissioning and supporting this investigation. Thanks also to Marci Webster-Mannison (Centre for Sustainable Design, University of Queensland) and to UniQuest for overseeing the work and managing the contractual matters. Thank you also to Annabel Lloyd and Robert Noffke at the Brisbane City Archives for their assistance in identifying photographs, plans and other records pertaining to the site. Disclaimer This report and the data on which it is based are prepared solely for the use of the person or corporation to whom it is addressed. It may not be used or relied upon by any other person or entity. No warranty is given to any other person as to the accuracy of any of the information, data or opinions expressed herein. The author expressly disclaims all liability and responsibility whatsoever to the maximum extent possible by law in relation to any unauthorised use of this report. The work and opinions expressed in this report are those of the Author. History of the Coronation Drive Office Park Summary This report examines the history of the site of the Coronation Drive Office Park (the CDOP site), which is located in Milton, Brisbane, bounded by Coronation Drive, Cribb Street, the south-western railway line and Boomerang Street. -
Colonists and Aborigines in the Early Australian Settlements
Colonists and Aborigines in the Early Australian Settlements WILLIAM DAMPIER, so far as I know the first Englishman to describe the Australian Aborigines, did not take a very favourable view of them. The Inhabitants of this country,' he wrote, 'are the miserablest People in the world. The Hodmadods of Monomatapa, though a nasty People, yet for wealth are Gentlemen to these, who have no Houses and skin Garments, Sheep, Poultry and Fruits of the Earth, Ostrich Eggs, etc. as the Hodmadods have.' Yet he gives a good physical description of them and notes that they 'live in Companies, 20 or 30 men, women and children together'. 'Their only Food,' he adds, 'is a small sort of Fish' — but we must remember that he was speaking of the north-western coast of Australia. There he saw 'neither Herb, Root, Pulse nor any sort of Grain for them to eat... nor any sort of Bird or Beast that they can catch, having no Instruments wherewithal to do so'.1 Further east the Aborigines climbed trees and snared opossums and hunted the kangaroo. Cook had not much intercourse with the Aborigines, but he makes one comment of some interest. 'Their features were far from disagreeable, the voices were soft and tunable and they could easily repeat many words after us, but neither us nor Tupia could understand one word they said.'2 Banks, who saw more of them, devotes some pages of his 'account of that part of New Holland now called New South Wales' to a description of their way of life, artifacts and hunting. -
Community Directory Volume I 2003 - 2016
Standards Community Directory Volume I 2003 - 2016 The Standards Review Program has been developed by Museums & Galleries of NSW and Museums & Galleries Queensland and funded by Arts NSW and Arts Queensland. 2 Welcome to the Standards Community 2017 What is the Standards Review How do I use the Standards Program? Community Directory? This program, implemented by Museums & Galleries of NSW The Standards Community Directory features a profile of each (M&G NSW) in 2003, and since 2005 in partnership with museum and gallery that has gone through the Standards Review Museums & Galleries Queensland (M&G QLD), supports Program. The profile includes a description of each organisation, museums and galleries through a process of self-review and contact details and how they benefitted from participating in the external feedback. Standards Review Program. It provides an exciting opportunity for museums and galleries Each organisation listed in this directory: to assess their practices and policies against the National • Is promoting its unique profile to the “Standards Community” Standards for Australian Museums and Galleries. The program and wider audiences aims to establish a long term network for sustainable community • Is available to assist and answer any questions you may museums and galleries as well as acknowledging the hard work have as you undertake each stage of the Standards Review undertaken by volunteers and paid staff to maintain Australian Program heritage. • Is contactable via the details and hours as per their profile page What are the key components? • Will share with all other “Standards Community” members (including new members) their achievements and outcomes • Working with regional service providers to develop ongoing from participating in the Standards Review Program support for museums and galleries • Has provided words of support and encouragement to new • Self-assessment by participants guided by the National participants in the Standards Review Program.