DOCSLIB.ORG

MOORE's GARDEN August 31 to Sept. 6- "The Miracle Man" MOORE's STRAND Augustb^Lu|Mfrkl In"Themisleadingwidow" Aug

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MOORE's GARDEN August 31 to Sept. 6- I Washington joins in the national drive for bettermotion pictures This week begins the greatest motion for Better Motion Pictures picture season in the history of the screen whole week will be devoted to a drive After seven years ofgatheringway,Paramount- SEPTEMBER 1919 THEfor better pictures in thousands of the better Artcraft has mobilized all,the great geniuses of theatres, big and small, all over America. production; dramatists, directors, artists, tech* What a nation does with its spare time is a nicians; and is equipped with facilities of the mighty good test of the heart of that nation. utmost magnitude to capture from the realm And the verdict of America's whole heart of soaring imagination photoplays that make and think) mind on Paramount-Artcraft leaves no shadow you laugh.and cry.and of doubt as to what sort of screen entertainment As in the America prefers. past the proof is written large in increased showings at more theatres, more fre¬ Based on a record of actual performance quent attendance by more people, and the m«Viny NATIONAL Famous Players-Lasky Corporation now promises of that better theatre in every community the some new and surprising screen achieve¬ magnet that draws the people as surely u the Paramount- ments, beginning this week. moon draws the tides. (Jrtcmft W'E E K Theatres showing this Cal¬ endar - Section in their FAMOUS PLAYERS-LASKY CORPORATION m newspaper advertisements and house programs are en- operating in this drive for better motion pictures. t all these theatres, all this week.Paramount -Artcrafl Pictures will be shown OFW\T PAT A PF August 31 to Sept. 6.Wallace Reid in "Valley of the Giants" ? ? KJ 1 Mack Sennett Comedy, "The Dentist" MOORE'S GARDEN August 31 to Sept. 6- "The Miracle Man" MOORE'S STRAND AugustB^Lu|mfRkl in"TheMisleadingWidow" Aug. 31.Ch&s. Ray, in "Hay Foot, Straw Foot." Sept 1.Maurice Tourner "The White Heather. Sept. 1.Bryant Washburn, in "Putting it Over." presents Sept. 2.Burton Holmes Travelogue. Sept 2.Charles Ray, in "Hay Foot, Straw Foot" Sept. 2.Flagg Comedy, "Con in Economy." Sept 3.William Farnum, in "The Warrens of Virginia. Sept. 5.Irene Castle, in Line." New Sept 4.Ethel Clayton, in "Men, Women and Money." Liberty "Firing 5.Lila Sept 6.Paramount Artcraft special, "The White Heather." Sept Lee, in "A Daughter of the Wolf." Sept 6.Marguerite Clark, in "Girls." Aug. 31.Eugene O'Brien, in "Fires of Faith." Stanton Sept 5..Sennett Comedy, "Trying to Get Along." Sept. 1. Chas. Ray, in "Hay Foot, Straw Foot." Sept 3.Bray Pictograph. Sept. 2.Bryant Washburn* in "A Very Good Young Man. Sept. 3.All-Star Cast, in "The White Heather." Aug. 31.Irene Castle, in "The Firing Line." New Sept. 4.Enid Bennett, in "The Haunted Bedroom." Sept 1.Bryant Washburn, in "A Very Good Young Man.199 Sept 5.Marguerite Clark, in "Girls." Sept 2.Eugene O'Brien, in "Fires of Faith." Sept 6.Irene Castle, in "The Firing Line." Sept 3.Catherine Calvert in "The Career of Katherine Sept 2.Sennett Comedy, "Hearts and Flowers." Bush." Raphael Sept 5.Bray Pictograph. 4.Cecil B. De Mille "The Woman Thou Sept presents, Sept 1.Burton Holmes Travelogue. Circle Gavest Me." Sept 5.Marguerite Clark, in "Girls." Aug. 31.Cecil B. De Mille presents "The Woman Thou Sept 6.Wallace Reid, in "The Love Burglar.'' Gavest Me." Sept 6.Drew Comedy, "Bunkered." Sept 1.Charles Ray, in "The Busher." Sept 2.Wallace Reid, in "You're Fired." Aug. 31.Irene Castle, in "The Firing Line." Sept 3.Ethel Clayton, in "Men, Women and Money." Sept 1-2.Marian Davies, in "The Dark Star." Truxton Sept 4.William S. Hart, in "Square Deal Sanderson." Sept 3.Catherine Calvert in "The Career of Katherine Sept 5.Robert Warwick, in "Secret Service." Bush." Sept 6.Dorothy Dalton, in "Other Men's Wives." Empire Aug. 31.Sennett Comedy, "Among Those Present" Sept 2.Marguerite Clark, in "Girls." Sept. 2.Bryant Washburn, in "A Very Good Young Man." Sept 2.Sennett Comedy, "Among Those Present.' Sept. 2.Bray Pictograph. Sept 4.Pauline Frederick, in "Sapho." 1.Burton Holmes. Sept 6.Geraldine Farrar, in "Maria Rosa." Olympic Sept. Home Sept 6.Bray Pictograph. Aug. 31.Elsie Ferguson, in "The Avalanche." Sept 1.Burton Holmes.Travelogue. Sept 3.Marguerite Clark, in "Girls." Sept 2.Bryant Washburn, in "A Very Good Young Man.99 Sept 3.Burton Holmes Travelogue. Sept 2.Bray Pictograph. Carolina Sept 5.Geraldine Farrar, in "Maria Rosa." Revere Sept 4.William Farnum, in "The Warrens of Virginia." 99 Sept 1.Marguerite Clark, in "Girls.' Sept 2.Elsie Ferguson, in "The Avalanche.99 Sept 3.Pauline Frederick, in "Sapho." ft Sept 3.Burton Holmes Travelogue. Sept 4.Dorothy Dalton, in "Other Men's Wives. Princess Sept. 5.Geraldine Farrar, in Maria Rosa.' Regent Sept 6.Robert Warwick, in "Secret Service; Sept 1.Catherine Calvert in "The Career of Katherine Sept 1-2.Lillian Gish, in 'The Greatest Thing in Life." Bush." Sept 3.Eugene O'Brien, in "Fires of Faith." Sept 3.Lila Lee, in "Rose of the River." Blue Sept 5.Wallace Reid, in "The Love Burglar." Sept 4-5.-Robert Harron, in "The Girl Who Stayed at Arcade Sept 6.William Farnum, in "The Redemption of David Home." Hyattsville, Md. Corson." Mouse Sept. 6.Henry Walthal, in "False Faces.'W Sept 6.Drew Comedy, "Harold, the Last of the Saxons." LOEW'S COSMOS Sep1-1 to 6.Catherine caivert in "TheCareerofKatherineBush".
Load more

Recommended publications
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • Review of <I>Early Women Filmmakers 1911–1940</I>
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2020 Review of Early Women Filmmakers 1911–1940 Wheeler Winston Dixon Follow this and additional works at: https://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, Film and Media Studies Commons, Modern Literature Commons, and the Women's Studies Commons This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. digitalcommons.unl.edu Early Women Filmmakers 1911–1940 (BFI: London, 4-Disc Region 2 Blu-Ray Set, 2019) Wheeler Winston Dixon University of Nebraska–Lincoln After more than a half century of neglect, pioneering women film- makers are finally getting some of the attention they deserve. Fore- most among these women is the figure of Alice Guy Blaché—also known simply as Alice Guy, before she married Herbert Blaché in 1907—who was responsible for numerous “firsts” in cinema history: the first film with narrative La Fée aux Choux (The Cabbage Patch Fairy; 1896), as well as early experiments with color dye processes, synchronized sound recording, multi-reel films, and other cinematic advances. Gaumont put out a set of her French films for that com- pany—she was the head of production for Gaumont between 1896 and 1907—in a superb DVD in 2009 entitled Gaumont Treasures Vol- ume 1 (1897–1913), but this compilation necessarily did not deal with her subsequent work in America, where she founded her own produc- tion company, Solax, and set about making a series of energetic films in every possible genre.
    [Show full text]
  • WALLACE REID Outdoor School
    Till: 3IORMNG OREGOMAX, MONDAY, FE1JKUAKY 3, 1919. "Woman's Club was held In Room E of the Central Library Friday afternoon, ' LEADERS TO at which time resolutions of respect MINN PROBABLY OUT - iTICfS were .adopted on the late Mrs. Lucia I - Faxon Additon. prominent club and W. Mi C. - ENT T U. worker. , HONOR EX-PRESID- OF SPEAKERSHIP RACE The quarterly meeting of the Port- land Woman's Union will be held at the EARLY A AT MIDNIGHT Manha Washington this afternoon at "NxVv 2:30. Committee Named to Erect The Mayflower Club will meet at the Gillett of Illinois and Fess of Portland Hotel this evening. A business session is called for 8:15 and a- pro- Ohio Aspirants. Memorial for Roosevelt. gramme will follow. Auxiliary to the 148th Field Artillery MR. McARTHUR IS MEMBER COTTON GROWERS AROUSED NATIVE OF CAW ADA PASSES I AWAY' AT FOKKST UROVE. I I Body Is Xon-Fartls- an and Includes South Now Said to Be Anxious and Men Representing Almost ' U Willing to Hare Trices on Its Every Walk of Life. Great Staple Fixed. y , p : a NEW TORK, Feb. 2. The personnel OREGONIAN NEWS BUREAU. Wash- of the Roosevelt permanent memorial t r f ' ! ington. Feb. 2. The impression is National committee, creation of which I gaining that James R. Mann, of Illinois, was authorized by the Republican Na is out of the Speakership race. The tional committee at Chicago last month, opposition to him has kept up con- was announced tonight by Will H. sistently and has been aided largely Hays.
    [Show full text]
  • Allace Reid of in Increase Per Sack Five Cents and Them Prevents the Possessor from Speak Laughs
    6ATURDAY, JANUARY 28, 192 PAGE TWO THE CAPITAL SALEM, OREGON JpjURNAL, aid to undermine "Our answer must be simple, functory from lnadenu,, still working hard must Insist bureaus. Ws McKenna-t- o of our democratic and foreefuL 'We must Hist t, Hughle the Institutions dis- eooo Outlook and to substitute the first, that our woundad and Wear Seattle. Legion government We lost two or Soviet of mlBgovernment. abled oomrades are cared for. jreurs nrnn..,4 form 'No- At the Theatres Next Week Tfear Is en- continually hear the ery that through their service be botterJ Colore This More and more tolerance For Year wound n Is too for the uiuw iiiniHi Bright couraging the foreign-bor- agita- thing good " mat America i OLD A- - ws find STitONS CAST APPEARS IN FOUR Q. VETERANS Corvallls, Or., Jan. U.Jemes tor to greater and more open vi- ed and disabled' and yet kept wholly American in Its fc.. being done beyond per- - of Rovernment." STJNPAY-lgONDA- J. of Se- olations of our hospitality. nothing NEILAH'S "BITS OP LIFE' TODAY AT TEE SHOWS AT BLIGH Richardson, manager the New York, Jan. 28. "The year " attle ball club, has signed Hughle st the The largest and strongest cast "The Follies of '61," four old at 1951 wll be tha McKenna for the Seattle club. An- of players ever called together for veterans, survivors of the Civil American Lsglon has yet exper- a Neilau Is an war In other reason for the cam F. Marshall picture OREGON singing, talking, dancing visiting ienced," announced William nounced tor Neilan's latest First and Instrumental music and com- pus was to sign Gene Henderson me "Cits "Queen of Sheba" Deegan, state commander oi National feature attraction, edy relating many funny incidents as his secretary.
    [Show full text]
  • RUDOLPH VALENTINO January 1971
    -,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-.
    [Show full text]
  • Film Advertising Cards and Programs Collection Inventory
    Film Advertising Cards and Programs Collection Inventory 1 box; 6 envelopes; 252 items; .125 metres Env. #1: Advertising Cards – 62 items 1. Roscoe Arbuckle (Fatty) / Temple Theatre, week of April 28, 1919 2. John Barrymore / Dundas Playhouse, week of July 21, 1919 3. Enid Bennet / Dundas Playhouse, week of May 12, 1919 4. Gladys Brockwell / Adanac Theatre, week of March 3, 1919 5. Billy Burke / Amusu Theatre, week of April 7, 1919 6. June Caprice / Adanac Theatre, April 14, 1919 7. Harry Carey / Duchess Theatre, week of May 12, 1919 8. Mrs. Vernon Castle (Irene) / Adanac Theatre, week of May 26, 1919 9. Barbara Castleton / Duchess Theatre, week of April 7, 1919 10. Lina Cavalieri / Playhouse Theatre, week of April 21, 1919 11. Charlie Chaplin / Dundas Playhouse, week of April 28, 1919 12. Ethel Clayton / Brighton & Parkview Theatres, wk of April 28, 1919 13. Dorothy Dalton / Dundas Playhouse, week of April 7, 1919 Dorothy Dalton / Queen’s Royal Theatre, week of March 4, 1918 14. Priscilla Dean / Brighton & Parkview Theatres, wk of April 28, 1919 15. June Elvidge / Duchess Theatre, week of March 24, 1919 16. Madge Evans / Dundas Playhouse, week of September 15, 1919 17. Douglas Fairbanks / Brighton Theatre, week of March 10, 1919 18. Dustin Farnum / Temple Theatre, week of April 21, 1919 19. William Farnum / Brighton & Parkview Theatres, week of April 7, 1919 Film Advertising Cards and Programs Collection Inventory Page 2 of 18 20. Geraldine Farrar / Brighton & Parkview Theatres, wk of May 26, 1919 Geraldine Farrar / Queen’s Royal Theatre, week of March 18, 1919 21.
    [Show full text]
  • Mothers of Men/Every Woman's Problem
    MOTHERS OF MEN/EVERY WOMAN’S PROBLEM Early Woman’s Suffrage Film With Local Bay Area Roots “Must marriage mean the saCrifiCe of woman’s ambition – her most Cherished ideals?” The Fate of Early Cinema It is estimated that only ten to fifteen percent of the motion pictures created during the silent-era still survive in complete form today. The other 85-90% of all motion pictures created prior to 1930 are considered “lost” – titles for which not a single surviving print is known to exist. Early suffrage film discovered Mothers of Men, made in 1917, is one the few surviving women’s suffrage films with the further distinction that it was made in the San Francisco Bay Area. Starring Dorothy Davenport, Mothers of Men is a melodrama at its finest, penned by Hal Reid (father of silent film actor Wallace Reid), who knew his way around the art of crafting a melodrama. A suffrage film made just three years before the 19th Amendment was ratified, allowing women the right to vote, Mothers of Men attempted to enter into the suffrage campaign by showing the nation how strong women can be if allowed to hold a political office. The 100-year anniversary of the 19th amendment is just around the corner and this is a perfect time to reveal this film once again. The only known film elements are held outside the United States and have been deteriorating to the point that it is imperative to begin the restoration. “The intense impression Mothers of Men would make upon millions of people in behalf of women’s suffrage, the heights of motherhood and of womanhood.” – Hal Reid Rediscovering our loCal history in early Cinema In 1916, members of the Santa Cruz community were desperately trying to participate in the film industry, and they succeeded when they attracted Willis L.
    [Show full text]
  • Jeanie Macpherson
    Jeanie Macpherson Also Known As: Jeanie MacPherson, Jeannie MacPherson Lived: May 18, 1888 - August 26, 1946 Worked as: director, film actress, screenwriter Worked In: United States by Jane Gaines Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915 through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D. W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there— a one-reel Western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident, the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). There are several versions of how Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham, who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38–40).
    [Show full text]
  • WHERE ARE MY CHILDREN? 1916: 65M
    1 The Feminine Eye: lecture 1: WHERE ARE MY CHILDREN? 1916: 65m: April 4: Introduction to the Course: week #1 Syllabus Handouts The First Women Directors: Silent Films: Alice Guy-Blaché / Lois Weber Screening: WHERE ARE MY CHILDREN? (Lois Weber, 1916) Welcome to OLLI: business: 1. information re: campus services & opportunities: OLLI Basics 101: on table 2. those needing cart rides: can call 664-2612: but cart makes sweep 3. if you haven’t picked up parking pass: please do so right after class: otherwise: you’ll be ticketed pass: available from Melanie 4. new students: pick up student ID cards: Customer Services: Salazar: 11:30am – 1pm ID cards: library returning students: get new stickers at back of room 5. bring a buddy: tell your friends re: OLLI: get them to enroll: you get: $20 SeaWolf gift card talk to Julie re: gift certificate 6. reminders: when you come to class: check your name off on class roster pick up class handouts & Gray Matters lost & found at back of room wear layered clothing we should be good campers: pick up after ourselves: leave room as clean as we found it 2 welcome to The Feminine Eye: Women Film Directors: meeting: every Monday at this time: 1pm: class will run till 3:45pm runs longer because of screening entire film each week introduce myself M.A.: Cinema Studies: SFSU NVC: 5 + years teaching at OLLI since start of program: courses on: Hitchcock silent films Hollywood musicals blacks in films film noir pre-Code films LFOF: film group: Rialto: on hiatus: until we hear from Ky: hope to be operating again soon I love movies! break: 5m before screening of film doors: side panel open: better to use when we’re watching films: too much light on screen when door opened 3 handouts: 1.
    [Show full text]
  • Memory Book (Pdf)
    1 CLASS OF 1960 MEMORY BOOK Compiled on the occasion of its 50TH REUNION APRIL 23, 2010 2 HAMPDEN-SYDNEY COLLEGE CLASS OF 1960 50TH REUNION WEEKEND APRIL 23-24, 2010 FRIDAY, APRIL 23 11:30 am Picnic at Hampden House 6 pm Patrick Henry Society Cocktails and Dinner in Settle Hall 50TH REUNION COMMITTEE name 3 THOMAS NELSON ALLEN 337 Clovelly Road, Richmond, VA 23221 Home phone: (804) 353-2210 [email protected] Spouse: Elizabeth Lamar Allen, married 3 years Children: Lori, Tisha & Nelson 9 Grandchildren: 7 Boys & 2 Girls 2 Stepsons: Richard & Harrison Graham THEN Undergraduate Degree: B.A., Hampden-Sydney Advanced Degree: LL.B. from UVA; attended London School of Economics Working: The Clovelly Corporation Chairman 2001-Present; East Coast Oil Corporation, Chairman 1978- 2001; East Coast Oil Corporation, President 1975-1978; East Coast Oil Corporation, Executive Vice President 1969- 1975; Booz, Allen & Hamilton Management Consultant in NOW New York 1968-1969; Sullivan, Stauffer, Colwell & Bayles Advertising Account Executive in New York 1964-1968 Travel, excursions, experiences, etc.: In 2004 I lost my wife, Rebecca. We had been very happily married for almost 42 years. I have now married a lovely woman, Elizabeth. We will be celebrating our fourth anniversary this June and still feel like newlyweds. Between us we have five children. My three are a bit older and scattered all over the globe, includ- ing a son who lives in Singapore. Elizabeth’s two sons are still in college, one at Virginia Tech and the other at Uni- versity of Alabama. Our children are healthy, well adjusted, and we’re able to see them with some frequency.
    [Show full text]
  • Journal of the Speech and Theatre Association of Missouri Volume XLIV, Fall 2014 Published by the Speech and Theatre Association of Missouri – ISSN 1073-8460
    Speech and Theatre Association of Missouri Officers President Michael Hachmeister Parkway South High School Vice-President Carla Miller Wydown Middle School Vice-President Elect Lara Corvera Pattonville High School Immediate Past-President Jeff Peltz University of Central Missouri Executive Secretary Scott Jensen Webster University Director of Publications Gina Jensen Webster University Board of Governors Melissa Joy Benton, STLCC – Florissant & Webster Univ. 2014 Todd Schnake, Raymore-Peculiar High School 2014 David Watkins, Neosho High School 2014 Jamie Yung, Lexington High School 2014 Brian Engelmeyer, Wydown Middle School 2015 Matt Good, Lee's Summit West High School 2015 Paul Hackenberger, Winnetonka High School 2015 Maureen Kelts, Delta Woods Middle School 2015 Molly Beck, Ladue Horton Watkins High School 2016 Brad Rackers, Lee's Summit West High School 2016 Justin Seiwell, Clayton High School 2016 Teri Turner, Smith-Cotton High School 2016 Historian Shannon Johnson University of Central Missouri Student Liason John O’Neil Missouri State University Director of Electronic Communications Brian Engelmeyer Wydown Middle School Ex. Officio Member Dr. Melia Franklin DESE Fine Arts www.speechandtheatremo.org i Journal of the Speech and Theatre Association of Missouri Volume XLIV, Fall 2014 Published by the Speech and Theatre Association of Missouri – ISSN 1073-8460 Scholarly Articles Motivations for Friendship: Russia, Croatia and United States 1 Deborrah Uecker, Jacqueline Schmidt, Aimee Lau Moving the Stage 17 William Schlichter Great
    [Show full text]
  • 04 Cumberland 43-59
    Links & Letters 6, 1999 43-59 North American desire for the Spanish Other: Three film versions of Blasco Ibáñez's Blood and Sand Sharon Cumberland Seattle University, USA September 1998 Abstract: There are three film versions of Vicente Blasco Ibáñez's taurine novel Sangre y arena (1908). All are entitled Blood and Sand and feature male and female actors who epitomise the erotic possibilities of the North American fascination with Spanish stereotypes: Rudolph Valentino in 1922, Tyrone Power and Rita Hayworth in 1941, and Sharon Stone in 1989. By comparing the three film versions of Blood and Sand to Sangre y arena, it becomes clear that the North American appropriation of Spanish stereotypes displaces Blasco Ibáñez's theme of class conflict onto a safely diffused locus of erotic desire. Included are discussions of stereotypes in North American literary and film culture, Hollywood and North American audiences, and the españolada tradition compared to other North American genres. Key words: Blasco Ibáñez; Blood and Sand; Sangre y arena; Bullfighting; Culture Criti- cism; Españolada; Spanish Stereotypes. Although styles in popular culture come and go, North American audiences have never lost their desire for artistic representations of the exotic Spanish Other. «Desire» in this sense, is composed of both an erotic longing pro- jected into a safe, fantasy world, and a need for an exotic stereotype against which to read one's own identity. The romantic hero with flashing eyes and a taste for danger, whether manifested as a Conquistador, gypsy, or «Latin Lover», always seems to return to the popular imagination. For instance, as these lines are being written (summer, 1998) one of the top films showing in North America is The Mask of Zorro, starring Antonio Banderas, a Spanish actor who has developed a cross-over career in Hollywood by capitalising on the latent desire of North American audiences for a new embodiment of this familiar stereotype.
    [Show full text]