Recharge Your Thinking at M+H 2018
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Collections Development Policy
Collections Development Policy Acquisition and disposal of collections Contents 1 Relationship to other relevant policies/plans of the organisation ......................................... 3 2 History of the collections ...................................................................................................... 4 3 An overview of the current collections.................................................................................. 4 4 Themes and priorities for future collecting ........................................................................... 7 5 Themes and priorities for rationalisation and disposal ........................................................... 8 6 Legal and ethical framework for acquisition and disposal of items ........................................ 9 7 Collecting policies of other museums ................................................................................... 9 8 Archival holdings .................................................................................................................. 9 9 Acquisition .......................................................................................................................... 10 10 Human Remains ................................................................................................................ 11 11 Biological and geological material ...................................................................................... 11 12 Archaeological material .................................................................................................... -
The Visualiser: Intelligence Made Visible
THE VISUALISER: INTELLIGENCE MADE VISIBLE Graham Howard, Design Director, System Simulation, Bedford Chambers, The Piazza, Covent Garden, London, http://www.ssl.co.uk Sarah Beecham, Director, Art of Memory, Bratch House, Station Road, Chipping Campden, Gloucestershire http://www.artofmemory.co.uk ICHIM 04 - Digital Culture & Heritage / Patrimoine & Culture Numérique Abstract (EN) Typically when we come across something new and complex we try and get a view of the whole, but when we know a field well we look for those particular aspects that concern us. Often to find our way through new territory we need guidance to help us navigate. At present most database driven web sites rely upon searching as a means of access. Accessibility is too often defined by what we cannot do, there is a real need to deliver new methods to make the breadth and depth of our worlds accessible to all. Searching is fine if you know what you are looking for, if you don’t, frustration can quickly set in. Browsing is often poorly served on such sites. This tends to exclude the non-expert. We believe that there is a need for a method of access, which encourages the non-expert to explore and understand the scope and depth of the material available on a site. We call this type of browsing ‘assisted browsing’. We are developing a tool called the Visualizer which enables assisted browsing. It sits on the top of repositories of information, whether of museum objects, learning objects or other data and produces an interactive conceptual map of the objects and their interrelationships. -
Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
Museums and Galleries of Oxfordshire 2014
Museums and Galleries of Oxfordshire 2014 includes 2014 Museum and Galleries D of Oxfordshire Competition OR SH F IR X E O O M L U I S C MC E N U U M O S C Soldiers of Oxfodshire Museum, Woodstock www.oxfordshiremuseums.org The SOFO Museum Woodstock By a winning team Architects Structural Project Services CDM Co-ordinators Engineers Management Engineers OXFORD ARCHITECTS FULL PAGE AD museums booklet ad oct10.indd 1 29/10/10 16:04:05 Museums and Galleries of Oxfordshire 2012 Welcome to the 2012 edition of Museums or £50, there is an additional £75 Blackwell andMuseums Galleries of Oxfordshire and Galleries. You will find oftoken Oxfordshire for the most questions answered2014 detailsWelcome of to 39 the Museums 2014 edition from of everyMuseums corner and £75correctly. or £50. There is an additional £75 token for ofGalleries Oxfordshire of Oxfordshire, who are your waiting starting to welcomepoint the most questions answered correctly. Tokens you.for a journeyFrom Banbury of discovery. to Henley-upon-Thames, You will find details areAdditionally generously providedthis year by we Blackwell, thank our Broad St, andof 40 from museums Burford across to Thame,Oxfordshire explore waiting what to Oxford,advertisers and can Bloxham only be redeemed Mill, Bloxham in Blackwell. School, ourwelcome rich heritageyou, from hasBanbury to offer. to Henley-upon- I wouldHook likeNorton to thank Brewery, all our Oxfordadvertisers London whose Thames, all of which are taking part in our new generousAirport, support Smiths has of allowedBloxham us and to bring Stagecoach this Thecompetition, competition supported this yearby Oxfordshire’s has the theme famous guidewhose to you, generous and we supportvery much has hope allowed that us to Photo: K T Bruce Oxfordshirebookseller, Blackwell. -
Interim Report
Reviewing Machine Readable Labelling Systems for Collections Management and Access Final report by Julian Tomlin 14 March 2008 1 Reviewing Machine-readable Systems by Julian Tomlin - Final Report Contents 1. Introduction and Brief 3 2. Technological overview 5 3. Review 9 4. Potential for implementation in the partner museums 16 Decision-making aids 20 Appendices A. Case Studies 1. The Ashmolean Museum of Art, Oxford 23 2. The Children‟s Museum of Indianapolis (TCM) 26 3. Fitzwilliam Museum, Cambridge 28 4. Gemeentemuseum, The Hague 30 5. Great North Museum, Newcastle 33 6. MVWISE 37 7. Manchester City Galleries 41 8. National Museum of Malaysia, Kuala Lumpur 43 9. Norfolk Museums and Archives Service 45 10. The Petrie Museum, London 48 B. Database of Past, Present and Future Installations and Suppliers 52 C. Acknowledgements 59 D. Images 62 2 Reviewing Machine-readable Systems by Julian Tomlin - Final Report 1. Introduction and Brief 1.1 Purpose The London Museums Hub has commissioned this review of the use of machine- readable labelling systems across the heritage sector to evaluate the benefits of this technology both as a collections management tool and as a means of providing user access to collections information. The study focuses on the use of machine-readable technologies eg Radio Frequency Identification (RFID) and bar coding as methods to control object movements, update locations, enhance security and facilitate access to information associated with an object or collection of objects. 1.2 Brief The following is extracted from the Invitation to Tender document. Key objectives Research the methodology and practicality of RFID tagging or bar coding objects from different collection types as evidenced by the experience of current user museums and similar institutions. -
Early British Computer-Generated Art Film BITS in MOTION
BITS IN MOTION: Early British Computer-Generated Art Film BITS IN MOTION A programme for the NFT of films made by British pioneers of computer animation [INTRODUCTION] The earliest computer animators had no off-the-shelf software packages, Programme Notes no online tutorials and nothing to buy in a bookshop on how to make animated films using computers. When they began to experiment with 7 March 2006 computer-generated imagery, they had to gain access to rare and specia- lised mainframes and learn programming from the ground up. As pioneers, they were making the first steps towards the highly successful CGI animations of the 21st century. The practitioners in this survey were among those who forged alliances with scientists and institutions, learned to write code, built or customised their own hardware where necessary and discovered imaginative ways to bend the available technology to suit their creative requirements. Working with equipment designed for completely different purposes was a difficult task requiring long hours, dedication and a particular type of mind-set but it led to highly productive cross- disciplinary working relationships. These films remain important examples of the collaboration possible between artists and technologists in this period. The CACHe Project has rediscovered some of the very first efforts in this medium and this event, supported by the London Centre for Arts and Cultural Enterprises, hopes to make its origins better known. // Recently completed in the School of History of Art, Film & Visual Media at Birkbeck, University of London, the CACHe (Computer Arts, Contexts, Histories, etc) Project was supported by the Arts and Humanities Research Council and traced the inception, growth and development of British computer arts from its origins in the 1960s to the beginning of the 1980s (www.bbk.ac.uk/hosted/cache). -
Lower Gallery Upper Gallery
LOWER GALLERY UPPER GALLERY Case 90.A ‘Games and Puzzles’ Case 14.A ‘Baby Carriers’ Case 3.B ‘Shields’ Case 49.A ‘Clubs’ Turn right at you enter the gallery. The You will find this large wall case close by. As you enter the gallery look left to cases At the entrace to the gallery turn right and case is a desktop. covering the wall. look for a desktop case. Here you will find a small club known Here you will find 1911.29.68, as a life preserver, 1911.29.66. The shown above, twelve small wooden shaft is made from baleen (though it pegs, in a cardboard box, used in was originally thought to have been the game ‘merry peg’ from Baldon- made from whale bone) and the two on-the-Green (possibly Marsh This is 1911.29.86, a wooden baby runner from Long Crendon, just over the border ends are weighted with lead. Such Baldon), Oxfordshire. This game bludgeons were used as self defence is more often called ‘nine men’s in Buckinghamshire. This runner was Look for the kite-shaped shield from used to teach children to walk. It consists against attackers’ wrists or heads. The morris’. It has a long history--it England in the nearest corner to the shaft is flexible. is known to have been played in of a wooden ring into which the baby was gallery entrance. An eagle with a halo is popped attached to a wooden upright. Ancient Egypt. Each player has nine painted on the front. This is 1911.29.12. -
Central Oxford
Food & Drink Where to Stay Central Oxford dailyinfo.co.uk/venues/hotels D Going Out FARNDON R to Summertown, ring road (A34) to Summertown, ring road (M40) to Victoria Arms, Old Marston K Bath Place Hotel 4-5 Bath Place, Holywell St, OX1 3SU I6 D E F G H I & Marston Ferry Rd J L Historic, comfortable cottage-style rooms in the heart of Oxford. Simpkins Lee dailyinfo.co.uk/venues/restaurants Guest parking. 01865 791812 D Theatre RD AM R round W [email protected] www.bathplace.co.uk PTO for Summertown Map Y H s G alk Cinemas dailyinfo.co.uk/events/cinema OR ’ Cafe Loco The Old Palace, 85/87 St Aldate’s, OX1 1RA H9 UR N e RB e E B Arts venues Open all day, great setting. Find us opposite the Christ Church 24-26 George St, OX1 2AE T F b The Bocardo Hotel G6 R AN Rose & Crown Y n Curzon Cinema G8 e Meadow gates. Mon-Fri: 7.30am-6pm, Sat: 9am-6pm, Sun: 9.30am-6pm C A F Boutique hotel offering excellent accommodation in the heart of W z £ I Lady Margaret Hall New boutique cinema expected to open in Westgate Centre, autumn 2017. D E a Art Galleries 01865 200959 [email protected] B the city centre. 01865 591234 A European L L U M D Lazenbee’s www.goingloco.com RDKINGSTON R Studies dailyinfo.co.uk/events/exhibitions Odeon Cinemas (mainstream and blockbuster films) [email protected] www.thebocardo.co.uk N T O R BANBURY RD Pond L Centre B R Odeon, George St 0871 2244 007 G6 E (St Antony’s) D O D WOODSTOCK RD Oxford E Caffè Ethos off G10 Ethos Hotel and Caffè Ethos off G10 R H Cognitive & R Christ Church Picture Gallery Small charge I8 R T K Odeon, Magdalen St 0871 2244 007 G6 R R C see Ethos Hotel listing, under Where To Stay C O DE Violins Evolutionary O RI 59 and 60 Western Rd, Grandpont, OX1 4LF Latin N A D 300 paintings & 2000 drawings by Old Masters. -
ANNU AL REPO RT 2015 to 2016
University ofOxford University ANNUAL REPORT 2015 to 2016 Contents MISSION STATEMENT To inspire and share knowledge and understanding with global audiences about humanity’s many ways of knowing, being, creating and coping in our interconnected worlds by providing a world-leading museum for the cross-disciplinary study of humanity through material culture. 1 Director’s introduction 4 9 Running the Museum 27 Administration 27 2 The year’s highlights 6 Front of House 27 The VERVE project enters its last phase 6 Commercial activities 27 The Cook-Voyages Case 6 Donation boxes 27 Kintsugi: Celebrating Imperfection 6 Balfour Library 28 Vice-Chancellor’s Award for Public Engagement with Research 7 Buildings and maintenance 28 Cataloguing the handling collection 7 10 Appendices 29 3 Permanent galleries and temporary A Pitt Rivers Museum Board of Visitors as of exhibitions 8 1 August 2015 29 Permanent galleries 8 B Museum staff by section 29 Temporary displays 9 C Finance 30 Long Gallery 10 D Visitor numbers, enquiries, research visits and loans 31 Archive Case 10 Object collections 31 Photograph, manuscript, film and sound collections 31 4 Higher education teaching and research 12 Loans 31 Research Associates 14 E Interns, volunteers and work experience 32 Object collections 32 5 Collections and their care 16 Photograph, manuscript, film and sound collections 32 Photograph, manuscript, film and sound collections 16 Conservation department 32 Conservation work 18 Education department 32 Oxford University Internship Programme 18 F New acquisitions 33 Cover photograph: Japanese carver Hideta Kitazawa making Asante weights 18 Donations 33 Storage projects 18 Purchases 33 a Noh mask (2015.28.4), commissioned by the Museum for Catalogue databases 19 Transfers 33 its new Woodwork display as part of the VERVE project. -
Oxford Reminiscence Project (MOOR)
Renaissance South East: Case study Title of the project: The Museum of Oxford Reminiscence Project (MOOR) Institutes conducting the project: Oxford City Council, Oxford Museums Partnership (hosted by the Museum of Oxford in partnership with Oxford University Museums and the Oxfordshire County Council Museum Service). Funding: Renaissance South East Project dates: October 2009 – March 2011 (extended to February 2012) Project aims: For the museum and the partnership: Increase Oxford Museums Partnership’s community engagement capacity and deliver against Oxford City Council’s key priorities Make the Museum Service and collections, including museum objects and photographs, more accessible to members of the community in Oxford who would not usually consider using them either due to frailty or a belief that it has nothing of interest to them Expand the service delivered by Hands on Oxfordshire’s Heritage (HOOH) into Oxford City. For the older people: Encourage older people in the City of Oxford, predominantly in day- care and sheltered housing settings, to communicate with each other by sharing memories and stories in a fun way Help build a sense of community identity through social interaction and shared histories Help improve the use of memory and enhance the wellbeing of older people in Oxford Increase the participation in museum related activities amongst BME communities in Oxford Increase the sense of ownership of the heritage service to the wider Oxford community Target audience: Older people, especially non-traditional museum visitors 1 Project summary: In 2009, the Oxford Museums Partnership was set up to facilitate the planning and delivery of a reminiscence service, called the Museum of Oxford Reminiscence Project (MOOR), to groups of older people in the City of Oxford who were predominantly in day-care and sheltered housing settings. -
Europeana Inside: Integration Status Report
Europeana Inside: Integration Status Report Grant Agreement 297292 EUROPEANA INSIDE Integration Status Report Deliverable number D5.2 Dissemination level Public Delivery date August 2014 Status V1.0 Author(s) K-INT This project is funded under the ICT Policy Support Programme part of the Competitiveness and Innovation Framework Programme. V0.5 08/08/14 page 1 of 90 Europeana Inside: Integration Status Report Revision History Revision Date Author Organisation Description V0.5 2014-08-08 Neil Smith K-INT Synthesis of partner contributions. Initial draft of other sections. V0.6 2014-08-11 Laura Miles CT First Review V0.7 2014-08-20 Marco Streefkerk DEN Final Review Statement of originality: This deliverable contains original unpublished work except where clearly indicated otherwise. Acknowledgement of previously published material and of the work of others has been made through appropriate citation, quotation or both. V0.5 08/08/14 page 2 of 90 Europeana Inside: Integration Status Report Contents 1. INTRODUCTION .................................................................................................. 4 1.1. Purpose ....................................................................................................................................... 4 1.2. Scope ........................................................................................................................................... 4 1.3. ECK Components and Architecture ......................................................................................... 4 2. -
Join Us for a Cracking Night of Festive
YourOxford Winter 2011 Building a world-class city for everyone Circulation 62,000 ...and inside P2/3: Win concert tickets P13: New gift shop P7: A guide to the planning process JoinJoin usus forfor aa crackingcracking nightnight ofof festivefestive funfun Photo courtesy: Greg Smolonski, Photovibe COME and celebrate the arrival of local artists Cool ‘n’ Bodleian Library, Oxford Playhouse, the the Christmas season on Friday Groovy at the Ark T Museum of the History of Science, the Pitt Centre. Stage Rivers Museum and The Story Museum. 2 December with an exciting evening P10/11: Our performance of processions, lights, dance, art, live performances of Phil Kline’s Unsilent Night returns to Oxford music and performance in Oxford. dance and music for the second year. Oxford Contemporary and the light Music invite you to download his free PLUS Festivities start with a magical lantern switch-on will take place in St Giles, with sound sculpture of shimmering bells, P4: Visit our website procession, supported by MINI Plant presenters from BBC Radio Oxford keeping chimes and grand chorales and bring along Oxford, leaving the Old Fire Station in the crowds entertained as the evening unfolds. your portable stereo to join the promenade. P19: Your Councillors Gloucester Green at 6pm. St Giles will also host stalls selling hot food See our Light Night pull-out for full The 30-minute procession will weave and drinks, Christmas gifts and a special details of how to get involved. Recycle it... through the streets of Oxford, with Queen children’s area with rides and present-making Christmas Light Night in Oxford is Your Oxford is printed on Street, Cornmarket Street, and St Giles workshops.