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Collections Development Policy
Collections Development Policy Acquisition and disposal of collections Contents 1 Relationship to other relevant policies/plans of the organisation ......................................... 3 2 History of the collections ...................................................................................................... 4 3 An overview of the current collections.................................................................................. 4 4 Themes and priorities for future collecting ........................................................................... 7 5 Themes and priorities for rationalisation and disposal ........................................................... 8 6 Legal and ethical framework for acquisition and disposal of items ........................................ 9 7 Collecting policies of other museums ................................................................................... 9 8 Archival holdings .................................................................................................................. 9 9 Acquisition .......................................................................................................................... 10 10 Human Remains ................................................................................................................ 11 11 Biological and geological material ...................................................................................... 11 12 Archaeological material .................................................................................................... -
Boost the Conservation Signal! by Suzy Morgan, for EMG FAIC News 10
January 2015 Vol. 40, No. 1 Inside From the Executive Director 2 AIC News 5 Annual Meeting 9 Boost the Conservation Signal! By Suzy Morgan, for EMG FAIC News 10 JAIC News 12 The uses of social media for communicating and outreach have been widely covered in the library, museum, and popular literature. Has New Publications 12 social media just been a fad, or does it have real implications for the future of conservation outreach and the changing public perception People 13 of conservators? A few recent social media “events” have shown that COLUMN conservators and allied professionals have found new and creative SPONSORED In Memoriam 13 ways to successfully utilize these tools. Many of our allies in other BY EM G professions, such as libraries, archives, and museums, have already Conservation Training Programs 15 been using these tools to promote their existing blogs and websites, and communicate Specialty Group Columns 16 with their readers in a more informal and colloquial way. This article will describe how cultural heritage professionals have been using these tools to increase awareness of Network Columns 23 conservation activities and preservation issues, both within and without the field. Grants & Fellowships 24 #5DaysOfPreservation and Going Viral In July 2014, Kevin Driedger, the author of the blog Library Preservation 2, started a social Courses, Conferences, & Seminars 25 media project that he dubbed #5DaysOfPreservation. He described his intent for the project in an email sent to ALA’s Preservation Awareness Discussion Group list: Positions, Internships & Fellowships 29 “The activities that fall under the umbrella of preservation are vast, growing, and often have characteristics specific to individuals and institutions. -
Resurrecting Della Robbia's Resurrection
Article: Resurrecting della Robbia’s Resurrection: Challenges in the Conservation of a Monumental Renaissance Relief Author(s): Sara Levin, Nick Pedemonti, and Lisa Bruno Source: Objects Specialty Group Postprints, Volume Twenty-Four, 2017 Pages: 388–412 Editors: Emily Hamilton and Kari Dodson, with Tony Sigel Program Chair ISSN (print version) 2169-379X ISSN (online version) 2169-1290 © 2019 by American Institute for Conservation of Historic and Artistic Works 727 15th Street NW, Suite 500, Washington, DC 20005 (202) 452-9545 www.culturalheritage.org Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation (AIC). It is a conference proceedings volume consisting of papers presented in the OSG sessions at AIC Annual Meetings. Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Unless otherwise noted, images are provided courtesy of the author, who has obtained permission to publish them here. This article is published in the Objects Specialty Group Postprints, Volume Twenty-Four, 2017. It has been edited for clarity and content. The article was peer-reviewed by content area specialists and was revised based on this anonymous review. Responsibility for the methods and materials described herein, however, rests solely with the author(s), whose article should not be considered an official statement of the OSG or the AIC. OSG2017-Levin.indd 1 12/4/19 6:45 PM RESURRECTING DELLA ROBBIA’S RESURRECTION: CHALLENGES IN THE CONSERVATION OF A MONUMENTAL RENAISSANCE RELIEF SARA LEVIN, NICK PEDEMONTI, AND LISA BRUNO The Resurrection (ca. -
Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
Museums and Galleries of Oxfordshire 2014
Museums and Galleries of Oxfordshire 2014 includes 2014 Museum and Galleries D of Oxfordshire Competition OR SH F IR X E O O M L U I S C MC E N U U M O S C Soldiers of Oxfodshire Museum, Woodstock www.oxfordshiremuseums.org The SOFO Museum Woodstock By a winning team Architects Structural Project Services CDM Co-ordinators Engineers Management Engineers OXFORD ARCHITECTS FULL PAGE AD museums booklet ad oct10.indd 1 29/10/10 16:04:05 Museums and Galleries of Oxfordshire 2012 Welcome to the 2012 edition of Museums or £50, there is an additional £75 Blackwell andMuseums Galleries of Oxfordshire and Galleries. You will find oftoken Oxfordshire for the most questions answered2014 detailsWelcome of to 39 the Museums 2014 edition from of everyMuseums corner and £75correctly. or £50. There is an additional £75 token for ofGalleries Oxfordshire of Oxfordshire, who are your waiting starting to welcomepoint the most questions answered correctly. Tokens you.for a journeyFrom Banbury of discovery. to Henley-upon-Thames, You will find details areAdditionally generously providedthis year by we Blackwell, thank our Broad St, andof 40 from museums Burford across to Thame,Oxfordshire explore waiting what to Oxford,advertisers and can Bloxham only be redeemed Mill, Bloxham in Blackwell. School, ourwelcome rich heritageyou, from hasBanbury to offer. to Henley-upon- I wouldHook likeNorton to thank Brewery, all our Oxfordadvertisers London whose Thames, all of which are taking part in our new generousAirport, support Smiths has of allowedBloxham us and to bring Stagecoach this Thecompetition, competition supported this yearby Oxfordshire’s has the theme famous guidewhose to you, generous and we supportvery much has hope allowed that us to Photo: K T Bruce Oxfordshirebookseller, Blackwell. -
E. Rhodes and Leona B. Carpenter Foundation Conservator for Asian Art Position Summary: the Newark Museum Seeks a Full-Time Cons
E. Rhodes and Leona B. Carpenter Foundation Conservator for Asian Art Position Summary: The Newark Museum seeks a full-time conservator for a two-year minimum posting to oversee the conservation of the Museum’s Asian collections, one of the larger and finest collections of Asian art in the United States. The Conservator for Asian Art oversees the safekeeping, proper installation and conservation of all Asian works in the Newark Museum’s permanent collection (approximately 30,000 works). The conservator also assists with processing potential out-going loan requests with regard to their physical condition, potential treatment and recommendations and/or oversight of appropriate packing/crating. The successful candidate will have at a minimum a Master’s Degree and three years’ experience as a conservator, a record of successful treatments and proven ability as a manager. Working closely with the curatorial, registration and exhibitions department, s/he will have the reputation and skills to build partnerships. The individual will be able to coordinate outside contract conservators where the work required is beyond their own area of expertise. The conservator will report to the Curator for the Arts of Asia and work closely and collaboratively with the registrar, collections manager and exhibitions department as well as with colleagues throughout the Museum and its contractors. Duties and Responsibilities: • Design, oversee and implement the appropriate re-housing of selected groups of objects—particularly the Museum’s collections of Asian -
Lower Gallery Upper Gallery
LOWER GALLERY UPPER GALLERY Case 90.A ‘Games and Puzzles’ Case 14.A ‘Baby Carriers’ Case 3.B ‘Shields’ Case 49.A ‘Clubs’ Turn right at you enter the gallery. The You will find this large wall case close by. As you enter the gallery look left to cases At the entrace to the gallery turn right and case is a desktop. covering the wall. look for a desktop case. Here you will find a small club known Here you will find 1911.29.68, as a life preserver, 1911.29.66. The shown above, twelve small wooden shaft is made from baleen (though it pegs, in a cardboard box, used in was originally thought to have been the game ‘merry peg’ from Baldon- made from whale bone) and the two on-the-Green (possibly Marsh This is 1911.29.86, a wooden baby runner from Long Crendon, just over the border ends are weighted with lead. Such Baldon), Oxfordshire. This game bludgeons were used as self defence is more often called ‘nine men’s in Buckinghamshire. This runner was Look for the kite-shaped shield from used to teach children to walk. It consists against attackers’ wrists or heads. The morris’. It has a long history--it England in the nearest corner to the shaft is flexible. is known to have been played in of a wooden ring into which the baby was gallery entrance. An eagle with a halo is popped attached to a wooden upright. Ancient Egypt. Each player has nine painted on the front. This is 1911.29.12. -
Central Oxford
Food & Drink Where to Stay Central Oxford dailyinfo.co.uk/venues/hotels D Going Out FARNDON R to Summertown, ring road (A34) to Summertown, ring road (M40) to Victoria Arms, Old Marston K Bath Place Hotel 4-5 Bath Place, Holywell St, OX1 3SU I6 D E F G H I & Marston Ferry Rd J L Historic, comfortable cottage-style rooms in the heart of Oxford. Simpkins Lee dailyinfo.co.uk/venues/restaurants Guest parking. 01865 791812 D Theatre RD AM R round W [email protected] www.bathplace.co.uk PTO for Summertown Map Y H s G alk Cinemas dailyinfo.co.uk/events/cinema OR ’ Cafe Loco The Old Palace, 85/87 St Aldate’s, OX1 1RA H9 UR N e RB e E B Arts venues Open all day, great setting. Find us opposite the Christ Church 24-26 George St, OX1 2AE T F b The Bocardo Hotel G6 R AN Rose & Crown Y n Curzon Cinema G8 e Meadow gates. Mon-Fri: 7.30am-6pm, Sat: 9am-6pm, Sun: 9.30am-6pm C A F Boutique hotel offering excellent accommodation in the heart of W z £ I Lady Margaret Hall New boutique cinema expected to open in Westgate Centre, autumn 2017. D E a Art Galleries 01865 200959 [email protected] B the city centre. 01865 591234 A European L L U M D Lazenbee’s www.goingloco.com RDKINGSTON R Studies dailyinfo.co.uk/events/exhibitions Odeon Cinemas (mainstream and blockbuster films) [email protected] www.thebocardo.co.uk N T O R BANBURY RD Pond L Centre B R Odeon, George St 0871 2244 007 G6 E (St Antony’s) D O D WOODSTOCK RD Oxford E Caffè Ethos off G10 Ethos Hotel and Caffè Ethos off G10 R H Cognitive & R Christ Church Picture Gallery Small charge I8 R T K Odeon, Magdalen St 0871 2244 007 G6 R R C see Ethos Hotel listing, under Where To Stay C O DE Violins Evolutionary O RI 59 and 60 Western Rd, Grandpont, OX1 4LF Latin N A D 300 paintings & 2000 drawings by Old Masters. -
Objects Specialty Group Postprints Volume Fourteen 2007
Objects Specialty Group Postprints Volume Fourteen 2007 Objects Specialty Group Postprints Volume Fourteen 2007 Compiled by Virginia Greene, Patricia Griffin and Christine DelRe Proceedings of the Objects Specialty Group Session April 19 and 20, 2007 35th Annual Meeting Richmond, Virginia The American Institute for Conservation of Historic & Artistic Works This publication entitled Objects Specialty Group Postprints, Volume Fourteen, 2007 is produced by the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Cover photograph by Franko Khoury. © 2008 by The American Institute for Conservation of Historic & Artistic Works. The papers presented in this publication have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Additional copies of this publication are available for purchase by contacting AIC. American Institute for Conservation of Historic & Artistic Works 1156 15th Street, NW • Suite 320 • Washington DC, 20005 (202) 452-9545 • fax (202) 452-9328 • [email protected] http://aic.stanford.edu AIC Objects Specialty Group Postprints, Vol. 14, 2007 TABLE OF CONTENTS Foreword …………………………………………………………………………………………1 Object Lessons: The Politics of Preservation and Museum Building in the Early 20th Century …………………………………………………………………………………………..3 Sanchita Balachandran From Delicious to Not Quite Right: Subtleties in Discerning the Authenticity of African Art ……………………………………………………………………………………4 Stephen Mellor Thermoluminescence Dating for European Sculpture: A Consumer’s Guide …………….32 Jane Bassett Only Time Will Tell: Examination and Analysis of an Early German Watch …………….47 Meg Loew Craft Refining the Database for White Marbles: Isotope Analysis of 18th Century Marble Busts by Jean-Antoine Houdon ………………………………………………………65 Katherine A. -
A Closer Look: Conservation of Paintings Ebook
A CLOSER LOOK: CONSERVATION OF PAINTINGS PDF, EPUB, EBOOK David Bomford,Jill Dunkerton,Martin Wyld | 96 pages | 25 Aug 2009 | National Gallery Company Ltd | 9781857094411 | English | London, United Kingdom A Closer Look: Conservation of Paintings PDF Book Surface cleaning on encaustic paintings can typically be done with distilled water and swabs is sufficient. Christina rated it it was amazing Aug 27, Analysis of modern paints. Help Learn to edit Community portal Recent changes Upload file. These pollutants can be physical, chemical, or biological. The National Gallery. Christine rated it really liked it Sep 01, The number of layers may vary, and each can be left in its natural transparent state, or colored with pigments to create Lacquer painting. Graciela S. Washington D. Scroll paintings often are multiple layers of paper and silk attached to wooden bars called a stave and dowel. Collector's Guide. Due to its thin washes and light colors, watercolor paintings are very light sensitive. There are no discussion topics on this book yet. Damage can be mitigated with proper relative humidity levels and storing of textiles in acid-free tissue or clean cotton sheets. Cradling was previously used to correct warping by thinning the original structural support and then adhering the cradle to the reverse side of the support. Korrena added it Mar 27, Also, due to their exposed support they are vulnerable to damage from dirt, dust, and pollutants. The intensity of fluorescent paints can decline quite rapidly, making it difficult for conservators to care for. Avoiding exposure to unfiltered daylight and fluorescent lamps can help to prevent this type of damamge. -
Oxford Reminiscence Project (MOOR)
Renaissance South East: Case study Title of the project: The Museum of Oxford Reminiscence Project (MOOR) Institutes conducting the project: Oxford City Council, Oxford Museums Partnership (hosted by the Museum of Oxford in partnership with Oxford University Museums and the Oxfordshire County Council Museum Service). Funding: Renaissance South East Project dates: October 2009 – March 2011 (extended to February 2012) Project aims: For the museum and the partnership: Increase Oxford Museums Partnership’s community engagement capacity and deliver against Oxford City Council’s key priorities Make the Museum Service and collections, including museum objects and photographs, more accessible to members of the community in Oxford who would not usually consider using them either due to frailty or a belief that it has nothing of interest to them Expand the service delivered by Hands on Oxfordshire’s Heritage (HOOH) into Oxford City. For the older people: Encourage older people in the City of Oxford, predominantly in day- care and sheltered housing settings, to communicate with each other by sharing memories and stories in a fun way Help build a sense of community identity through social interaction and shared histories Help improve the use of memory and enhance the wellbeing of older people in Oxford Increase the participation in museum related activities amongst BME communities in Oxford Increase the sense of ownership of the heritage service to the wider Oxford community Target audience: Older people, especially non-traditional museum visitors 1 Project summary: In 2009, the Oxford Museums Partnership was set up to facilitate the planning and delivery of a reminiscence service, called the Museum of Oxford Reminiscence Project (MOOR), to groups of older people in the City of Oxford who were predominantly in day-care and sheltered housing settings. -
Introductions
1/12/2021 While we are waiting for everyone to join, please reply to the WELCOME! following question in chat: Museum Skills Lab Conducting an Inventory What experience do you have with inventories? > artsandmuseums.utah.gov Museum Skills Lab Conducting an Inventory > artsandmuseums.utah.gov Introductions > artsandmuseums.utah.gov 1 1/12/2021 Inventories are important! Inventory defined Workflow & logistics Overview Activity Inventory in action After the inventory Q&A > artsandmuseums.utah.gov Inventories are important! > artsandmuseums.utah.gov Why do an inventory? > artsandmuseums.utah.gov 2 1/12/2021 Inventory defined > artsandmuseums.utah.gov An inventory is... - Knowing what you have and where you have it - Knowing why you have it and what condition it is in - In the collections management system (CMS) or in someone’s brain 勞 - Required by a good Collections Management Policy (CMP) > artsandmuseums.utah.gov Types of inventories COMPLETE INVENTORY (a.k.a. 100 percent, wall-to-wall, or full inventory) - Whole collection - Results can be authoritatively reconciled against museum records - Often funded by grants and is a major undertaking > artsandmuseums.utah.gov 3 1/12/2021 Types of inventories PARTIAL INVENTORY - By group or category - Randomized - Stealth or piggy-backed - Everyday spot - Visual - Salvage > artsandmuseums.utah.gov With all partial inventories, you will not be able to definitively reconcile against museum records. > artsandmuseums.utah.gov Scope: how detailed should it be? GOOD - Accession number - Current location - Name of staff confirming the location - Date the object is confirmed in location This information will help discover missing or misplaced objects. This information will NOT provide any additional benefits for documentation or preservation.