UPERCHARTS! See Billboard's Traffic Center Inside BB049GREENLYMONT 00 MONTY GREENLY MARG I NEWSPAPER 374J ELM

Total Page:16

File Type:pdf, Size:1020Kb

UPERCHARTS! See Billboard's Traffic Center Inside BB049GREENLYMONT 00 MONTY GREENLY MARG I NEWSPAPER 374J ELM UPERCHARTS! See Billboard's Traffic Center Inside BB049GREENLYMONT 00 MONTY GREENLY MARG I NEWSPAPER 374J ELM LONG BEACH CA 93807 A Billboard Publication The Radio Programming, Music /Record International Newsweekly Two Sections, Section One August 9, 1980 $3.00 (U.S.) Costs Peril Canadian & Rising Single Prices U.K. Charts Hurt U.S. Jukeboxes By ALAN PENCHANSKY This story prepared by Adam White in New York and David Farrell in Toronto. CHICAGO -Recent WEA and Capitol sin- NEW YORK -The cost of producing re- AFTRA Strike Leads gles price increases are hitting U.S. jukebox liable record charts has become prohibitive in operators during a period of rapidly mounting two key world markets. cost pressures, causing deepening concern In Canada, the local disk industry associ- To Label Fee Buildup about the overall health of the jukebox indus- ation has discontinued its weekly top 50 sin- By IS HOROWITZ try. gles and album charts due to "increased pro- NEW YORK -Record companies are fast The $1.69 list singles pricing comes at the duction costs" and to the cancellation of a accumulating a retroactive obligation to sing- same time that operators are bracing for an an- television music program which contributed ers performing on disk. as aborted talks with ticipated sizable increase in the copyright li- towards those costs. the American Federation of Television & Ra- cense fee, a combination of factors that some In Britain, the local disk industry association Laser Record: AMA's new "True Colours" LP dio Artists on home video prevent implemen- feel will lead to an acceleration of the ongoing has put its chart contract out for bids, hoping by New Zealand band Split Enz features a la- tation of recording terms already agreed upon. shrinking in the number of U.S. jukeboxes. to reduce costs. ser-etched graphic design in the grooves, that The most recent phonograph industry con- Along with rising business costs, operators Both organizations bankroll their national when struck by proper lighting, reflects tract with AFTRA expired last March 31 and today are faced with a decline in the number (Continued on page 71) colors. See story on page 4. (Continued on page 71) (Continued on page 39) Anti -Counterfeit Device On New Chrysalis LPs -Tapes By JIM McCULLAUGH LOS ANGELES- Chrysalis Rec- ords is adopting an anti- counterfeit- Home Video Makers ing system for all new LPs and cas- settes effective with August releases. Urge Nominal Royalties The system involves something in the By IRV LICHTMAN LP jacket or cassette package itself. NEW YORK -Publishers have The label is believed to be the first been warned they could negotiate to implement a system of this type the home video market "out of exist- for current product and not just a ence" if their royalty demands in the few selected titles. It will not apply, industry's emerging state exceed the at least initially, to catalog product. ability of producers /or manu- The anti -counterfeiting system and facturers to pay. will be used for the label's product in the U.S. and such other markets as The warnings, sounded here Canada, the U.K., Germany, France Wednesday (30) at a video seminar hosted by the Music Publishers Fo- Guess who's back? .. Yes sir the BANDIT with a soundtrack from and Holland. Other markets are ex- THE KINGS have arrived from Canada with one of the hottest AOR debut the rum, focused on various conse- new Universal picture SMOKEY AND THE BANDIT II. The album features pected to be added. albums of the summer. THE KINGS ARE HERE (6E -274) was produced quences that could impede the pene- JERRY REED, DON WILLIAMS, MEL TILLIS and BRENDA LEE. It also in- Understandably, label president by Bob Ezrin and features the new single, "Switch into Glide" (E-47006). tration of music -oriented home cludes TANYA TUCKER's new single "PECOS PROMENADE," ROY ROGERS Sal Licata won't reveal too many de- THE KINGS ARE HERE, and they're here to stay. ... on Elektra Records video: AND THE SONS OF PIONEERS' new single "RIDE CONCRETE COWBOY, tails about the method or about the and Tapes. (Advertisement) RIDE" and the bandit himself BURT REYNOLDS singing "LET'S DO firm that developed it. Wary of making deals in un- SOMETHING CHEAP AND SUPERFICIAL." On MCA. MCA -6101. (Continued on page 71) (Continued on page 48) (Advertisement) BENNY N OODMAN M N Follow the arrow at sO gour local RCA O office for details on the special Bluebird promotion this month. www.americanradiohistory.com MY H O M E Occasionally an act will come along that's an original ... so distinctive, innovative and stylistically fresh that it naturally stands out from all the rest. Truly a rare find. That act is ALABAMA. With striking songwriting talents, rich flowing harmonies, and a potpourri of musical influences, ALABAMA has created its own unforgettable impressions: MY HOME'S IN ALABAMA, TENNESSEE RIVER, I WANNA COME OVER, WHY LADY WHY, the hit singles in their debut album on RCA Records. ALABAMA - -- artists who have etched their one -of -a -kind signature on a Musical Masterpiece . non RECORDS www.americanradiohistory.com General News 3 New Film Soundtrack LPs Paced By MCA By JOHN SIPPEL LOS ANGELES -More sound- tract covering film music which ex- dent of film production, with Bob semiannual gatherings of such in- the score. Parsons could not be ob- track albums reinforced by inte- pired Thursday (31). Siner, MCA Records president. dustry decision makers to hear and tained. grated exhibitor /record industry The weekend kickoff introductory a Ten films slated for release before view group of forthcoming Uni- Keith Emerson of Emerson, Lake support can be anticipated from fete for the music of "Xanadu," versal movies which April 1981 will have strong music have spawned & Palmer, will see a final cut in Oc- MCA's new feature film music de- staged several months ago orientation that should produce al- for more soundtracks. tober from which he will develop the partment. than 100 representatives of key in- score by December. The picture re- bum fare for MCA Records and as- Cahill wears a myriad of hats. And a cursory canvass of other lo- dustry accounts flown in for three leases in February 1981. Cahill sorted labels. predicts Brendan Ca- He's a booker, engaging composers, cal film companies indicates they days at Universal Studios here was a hopes to have a single six weeks be- hill, head of MCA corporate's fea- orchestrators and performers to are eyeballing the promotional joint venture of the film and record fore the film's bow and the album ture film music department. work on a track. He also engages stu- union of theatre owners and record divisions. two weeks after. Both will release dio time. on retailers, rackjobbers and one-stops. Cahill. an 11-year veteran on the It was such a success in igniting in- MCA Records. Prime soundtrack sources were hard creative side for music publishers, terest in the film prior to its national Originally. Martin Poll. producer Blueprinted at about the same to reach last week, as they conferred joined MCA in November 1979. His release that Cahill envisions other of "Night Hawk." the Sylvester Stal- time is the Johnny Pate underscore with officials of the AFM and Local job objective links the office of such promotions behind singular lone starrer about international ter- for Roberta Rack's self-composed 47 here over demands for a new con- Thom Mount, executive vice presi- movies, but more often annual or rorists. wanted Alan Parsons to do (Continued on page 39) AM Spacing, Billboard Is Stereo Mode Music Voice FCC Topics Of LA. 200th By JEAN CALLAHAN LOS ANGELES -Los Angeles has WASHINGTON -As many as Mayor Tom Bradley selected 300 new stations could be added to Billboard as the official music in- the AM dial by a switch to nine kHz dustry publication to herald the channel spacing, according to the city's Bicentennial celebration, tied - Federal Communications Commis- in with the city's third annual Los sion. Angeles Street Scene Festival, Oct. Issuing a further notice of inquiry 1l, 12. in this matter Thursday (31), the Billboard will publish a special FCC is asking industry groups, edition chronicling Los Angeles' broadcasters and the public to com- contributions to the world of music ment on how the 12 new channels and entertainment. Special editions editor Earl Paige heads the editorial that would be created by a switch to Billboard photo by Melody McGuire team working on the issue which will nine kHz spacing should be used. PROMO RIDE -New Epic act Spurzz and producer Buzz Cason, second from the right, are checked by CBS Nashville be published Oct. 6 and dated Oct. The Commission also expressed vice president -general manager Rick Blackburn prior to galloping down Music Row to herald a new single, "Cowboy interest in a general power max- Stomp." 11. imum of one kilowatt for the new The special will be sold during the stations and corresponding inter- Street Scene Festival for which Steve Gold and Jerry Goldstein of the Far ference protection to insure a service L.A. Studios Hurt By AFM Film -TV Strike area of about a 20 mile radius. Out Group of companies have been In January at an international ra- By PAUL GREIN named entertainment committee co- dio conference held in Buenos Aires, LOS ANGELES -Local record- of its work, last week laid off its en- which are signatories to local unions chairmen. It will also be included in the FCC recommended that Region ing and film studios were hard hit tire I I-member film scoring divi- such as Group IV.
Recommended publications
  • Alt Nation: Summer Shows
    Alt Nation: Summer Shows The best of alt rock in Rhode Island all summer I thought this winter was hard, but this stretch of early April-like weather has been just furthering the frustration of waiting for summer to come again. I’ll let someone else worry about climate change because talking to the people that harp on either side of that debate is just painful. Instead I’m going to crank up my summer playlist, which always starts with The Lovin’ Spoonful’s “Summer in the City,” and go through a list of all the shows coming to the area that I’m excited for! So grab your Del’s, iced coffee, sunscreen, crank up the tunes, and get ready to get dirty and gritty! Stanatron mixes video and music for what should be a night of hypnotic ambient music. The music will be performed by a couple of seasoned veterans, Kraig Jordan and Bob Kendall. The performance includes a 49-minute film as well as Jordan and Kendall performing. The music is a departure from the more conventional songwriting of some their other projects. Think pre-Dark Side of The Moon Pink Floyd but more ambient and less structure. There is a 75-minute LP available now at 75orlessrecords.com.Stanatron will perform June 14 at the Jamestown Art Center. The English Beat return to play West Warwick. Geez, never thought I’d write those words. The English Beat had one foot in the ‘80s new wave and the other foot in two tone ska. They had top 10 hits with a cover of “Tears Of a Clown,” “Mirror in The Bathroom,” and“Too Nice to Talk to.” It’s always a risk with older bands that don’t have much as far as original members, but having seen them several times in recent years in both conventional (Lupo’s) and unconventional venues (The Foundry building), I’ll vouch that The English Beat are still money for a good time.
    [Show full text]
  • BHLHS Gazette March and April 2014
    THE GAZETTE APRIL 2014 CHRIS SUTTON: St. Paul’s Trust, Hertford St, Balsall Heath, B12 8NJ. Tel: 0121 464 1890 Email: [email protected] Web: balsallheathhistory.co.uk & www.digitalbalsallheath.org.uk Facebook: Balsall Heath Local History Society The Balsall Heath Local History Society was founded in 1979 with the aim of promoting interest in our local history. We feel pride in our area and value its strengths – past and present. To meet our aims we work with local schools and community groups organising exhibitions and events. We have also produced several publications. We are a registered charity and rely on grants and donations to achieve our aims. For more information on our work, or to volunteer and help please contact us. MEMORY LANE WAS A RIOT! BEWARE THE IDES OF “A wonderfully MARCH entertaining and enjoyable There was no issue of this newsletter in March due to production” my unexpectedly booking into Solihull and Heartlands hospitals! Thanks to all who sent their best wishes. WEEKEND WARRIORS: Chris,Derek and Raj go on the warpath The Birmingham History Theatre company production “Memory Lane” delighted audiences over three performances in March at St Paul’s Trust. It was inspired by Thankfully normal service is the successful Ladypool Road trail which we put on last year. This was a walking now resumed! The picture is trail along the road stopping for historic interludes showcasing the rich heritage of me as the Inspector of the road through hundreds of years. Val Hart worked on an adaption of that trail Nuisances from the Balsall for the stage with the central framework being herself as a speaker giving a talk on Heath Board of Health, Ladypool Road.
    [Show full text]
  • Early Dutch Settlements in South Dakota
    EARLY DUTCH SETTLEMENTS IN SOUTH DAKOTA The first families came to this area from the Netherlands because economic conditions were such that there was no future for farmers and artisans. Wages were very low, both for the laboring class and the farmer. Many farmers had retrogressed to such an extent that they were forced to abandon their farms, and many workmen were unable to find employment. I recall that many carpenters complained about conditions, and they did not believe that it would be much better in the United States. Moreover, there were very few who had the means to pay for such a journey. Only those who had received some money from an inheritance began to think about emigrating. Rickele Zylstra, son of Je1le Zylstra, made plans to go to America with his family. I believe that he left during the latter part of 1881, and his brother Rein went with him, as well as a few families from Wolvega. The latter had acquaintances in BonHomme County, and all first went to that area. In 1882 these two sons of uncle Je1le went to Charles Mix County, and took up a claim. Riekele built a sod house for his family, but Rein returned to the Netherlands to be married. But alas, the girl of his choice refused to go to America, so Rein returned alone. In 1883 Douse, the third son of uncle Jelle, came here, and with him a family from the province of Groningan, namely 1. Dyksterhuis, with his wife, son, and two daughters. An older son had arrived a year earlier.
    [Show full text]
  • English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
    English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great.
    [Show full text]
  • Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S
    Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re­ collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap­ ing our everyday culture: film, art, literature, advertisements ­ they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di­ rectors are now venturing into art or advertisement, but that also peo­ ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clip­directors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999).
    [Show full text]
  • The Forgotten Fronts the First World War Battlefield Guide: World War Battlefield First the the Forgotten Fronts Forgotten The
    Ed 1 Nov 2016 1 Nov Ed The First World War Battlefield Guide: Volume 2 The Forgotten Fronts The First Battlefield War World Guide: The Forgotten Fronts Creative Media Design ADR005472 Edition 1 November 2016 THE FORGOTTEN FRONTS | i The First World War Battlefield Guide: Volume 2 The British Army Campaign Guide to the Forgotten Fronts of the First World War 1st Edition November 2016 Acknowledgement The publisher wishes to acknowledge the assistance of the following organisations in providing text, images, multimedia links and sketch maps for this volume: Defence Geographic Centre, Imperial War Museum, Army Historical Branch, Air Historical Branch, Army Records Society,National Portrait Gallery, Tank Museum, National Army Museum, Royal Green Jackets Museum,Shepard Trust, Royal Australian Navy, Australian Defence, Royal Artillery Historical Trust, National Archive, Canadian War Museum, National Archives of Canada, The Times, RAF Museum, Wikimedia Commons, USAF, US Library of Congress. The Cover Images Front Cover: (1) Wounded soldier of the 10th Battalion, Black Watch being carried out of a communication trench on the ‘Birdcage’ Line near Salonika, February 1916 © IWM; (2) The advance through Palestine and the Battle of Megiddo: A sergeant directs orders whilst standing on one of the wooden saddles of the Camel Transport Corps © IWM (3) Soldiers of the Royal Army Service Corps outside a Field Ambulance Station. © IWM Inside Front Cover: Helles Memorial, Gallipoli © Barbara Taylor Back Cover: ‘Blood Swept Lands and Seas of Red’ at the Tower of London © Julia Gavin ii | THE FORGOTTEN FRONTS THE FORGOTTEN FRONTS | iii ISBN: 978-1-874346-46-3 First published in November 2016 by Creative Media Designs, Army Headquarters, Andover.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Sound Matters: Postcolonial Critique for a Viral Age
    Philosophische Fakultät Lars Eckstein Sound matters: postcolonial critique for a viral age Suggested citation referring to the original publication: Atlantic studies 13 (2016) 4, pp. 445–456 DOI http://dx.doi.org/10.1080/14788810.2016.1216222 ISSN (online) 1740-4649 ISBN (print) 1478-8810 Postprint archived at the Institutional Repository of the Potsdam University in: Postprints der Universität Potsdam Philosophische Reihe ; 119 ISSN 1866-8380 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393 ATLANTIC STUDIES, 2016 VOL. 13, NO. 4, 445–456 http://dx.doi.org/10.1080/14788810.2016.1216222 Sound matters: postcolonial critique for a viral age Lars Eckstein Department of English and American Studies, University of Potsdam, Potsdam, Germany ABSTRACT KEYWORDS This essay proposes a reorientation in postcolonial studies that takes Sound; M.I.A.; Galang; music; account of the transcultural realities of the viral twenty-first century. postcolonial critique; This reorientation entails close attention to actual performances, transculturality; pirate their specific medial embeddedness, and their entanglement in modernity; Great Britain; South Asian diaspora concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang”–as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
    [Show full text]
  • Variations #6
    Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline.
    [Show full text]
  • Simon and Garfunkel the Concert in Central Park
    You are invited to a FREE FILM SCREENING You are invited to a FREE FILM SCREENING You are invited to a FREE FILM SCREENING Simon and The concert Simon and The concert Simon and The concert Garfunkel in Central Park Garfunkel in Central Park Garfunkel in Central Park 7pm, Thursday 13th Oct 2011 7pm, Thursday 13th Oct 2011 7pm, Thursday 13th Oct 2011 Humph Hall Humph Hall Humph Hall 85 Allambie Road, Allambie Heights 85 Allambie Road, Allambie Heights 85 Allambie Road, Allambie Heights Enjoy the Central Park reunion with half a million fans as Simon Enjoy the Central Park reunion with half a million fans as Simon Enjoy the Central Park reunion with half a million fans as Simon and Garfunkel perform together for the first time in 11 years. and Garfunkel perform together for the first time in 11 years. and Garfunkel perform together for the first time in 11 years. Filmed on September 19, 1981, the beautiful performance Filmed on September 19, 1981, the beautiful performance Filmed on September 19, 1981, the beautiful performance bespeaks the emotional intensity of the occasion. [87m] bespeaks the emotional intensity of the occasion. [87m] bespeaks the emotional intensity of the occasion. [87m] Songs include: Mrs Robinson, Me and Julio Down By the Schoolyard, Songs include: Mrs Robinson, Me and Julio Down By the Schoolyard, Songs include: Mrs Robinson, Me and Julio Down By the Schoolyard, Scarborough Fair, Wake Up Little Suzie, Still Crazy After All These Scarborough Fair, Wake Up Little Suzie, Still Crazy After All These Scarborough Fair,
    [Show full text]
  • THE REVIEW: the Beat Were Formed in Birmingham in 1978. Soon After, They Had to Change Their Name to the ENGLISH Beat to Avoid Confusion with Another Band
    THE REVIEW: The Beat were formed in Birmingham in 1978. Soon after, they had to change their name to The ENGLISH Beat to avoid confusion with another band. They are known as one of the leaders of the Ska revivalist movement along with fellow Brits The Specials, Madness, The Selecter and The Body Snatchers. The British ska groups were of course multiracial and were formed by kids who lived in the same areas. Much like the poor kids of Jamaica, they didnt have much money so they formed bands to perform when they couldnt get into clubs.The English Beat was co-lead by Guitar/Vocalist Dave Wakeling a punk rock toaster, along with Ranking Roger another brilliant reggae/ska toaster. The other members were made up of Andy Cox (Guitar), Dave Steel (Bass), Everett Morton (Drums) and the one and only Saxa (Saxophone). Saxa was originally in a well known band called Prince Buster and Desmond Dekker, and this helped bring The Beat even more attention at the time. Saxa was also much older than the other chaps (around 50 years old at the time), but he contributed an extra special soulful touch that made the band sound even better than before. The Beat went on to open for The Selecter and they then were signed to the 2 Tone label (specialists in ska) and they followed this with the release of their first single "Tears of A Clown", a skanked up version of the Motown Smokey Robinson classic hit. In 1980, The Beat decided to start their own indie label and they called it Go-Feet (an Arista sub-label).
    [Show full text]
  • Guitar Virtuosity for the Everyday Man for Use with Guitar Freak Workstation
    Guitar Virtuosity for the Everyday Man For use with Guitar Freak Workstation Sean Clancy 2nd Edition ©2009 Sean Clancy Enterprises Guitar Virtuosity for the Everyday Man Contents: Welcome to Guitar Freak Workstation with SightReader Master Extreme! 3 Lesson 1 -for beginners -the very basics 4 Lesson 2 -the guitar 6 Lesson 3 -Naturalization -the concept 10 Foundation course 12 Lesson 1 -Timing 13 Lesson 2 -strumming 19 Lesson 3 -strumming continued 21 Lesson 4 - Alternate Picking made easy 24 Lesson 5 - The major scale -playing it in timing subdivisions 27 Lesson 6 -Basic Chords 29 Lesson 7 -Learning a basic song 32 Lesson 8 -How chords and scales work (also a little on GFW Quick chords) 34 Chord Families -Introducing the Major, Minor and Dominant Families 38 Rhythm – chords level 1 (learning rock level chords, top 40 level, pop, country, blues) 40 Lesson 1 -Barre chords 41 Lesson 2 -Learning the notes on the E and A Strings (using GFW SightReader) 45 Lesson 3 -Learning songs by Ear 48 Lesson 4 -Finger Picking 53 Lesson 5 -Writing songs -song forms 56 Lesson 6 -Blues Structures and Rhythms 59 Lesson 7 -Working out chords for songs we may have heard but are in demand at an Impromptu jam 63 Lesson 8 -A list of popular songs to learn and steal forms from 67 Lead – level 1, (getting to learn lead playing, playing over songs, sounding great 69 Lesson 1 -Finger agility! 70 Lesson 2 -Laying chord shapes for your soloing 73 Lesson 3 -The Pentatonic Scale -part A - 77 Lesson 4 -Part B - 80 Lesson 5 -Breaking out of the box shapes - 83 Lesson 6 - Modes? I don’t need any stinking modes? 87 Lesson 7 -Rules for Soloing 90 1 Guitar Virtuosity for the Everyday Man Advanced Rhythm- 93 Lesson 1 -Stylistic Rhythms 94 Lesson 2 -Jazz Chords 99 Lesson 3 -The Metronome “Practice Chords, Scales and Licks 101 Lesson 4 -Know where the 3, 5, 7 and root are.
    [Show full text]