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Matthias Maute ADAGIO ENSEMBLE CAPRICE - MATTHIAS MAUTE A CONSIDERATION OF A SERIOUS MATTER ENSEMBLE CAPRICE compris que si juxtaposé à une tradition orale. La programmation de l’Ensemble Caprice va aussi loin et même plus que nombre de groupes de musique ancienne en insistant pour que ces divers uni- vers musicaux soient traités sur un pied d’égalité, mettant au défi les auditeurs d’entendre des pages familières sous un angle différent. L’ensemble s’est imposé comme une force immensément réfl échie et progressive de la scène musicale. Un groupe Sous la direction artistique de Matthias Maute (chef qui encourage les auditeurs à réentendre le monde d’orchestre et de choeur, virtuose de la fl ûte à bec, de en envisageant des liens entre les répertoires et la fl ûte traversière et compositeur) et Sophie Larivière les groupes pourrait bien être déterminant dans la (interprète de fl ûte à bec et fl ûte baroque), l’En- démystifi cation des Roms. » semble Caprice est reconnu pour ses interprétations Depuis 20 ans, l’Ensemble Caprice a joué en novatrices de la musique baroque et une approche Europe dans des festivals importants dont ceux de de la programmation hautement créative, établis- Bruges, Utrecht, Regensburg, Halle et Stockstadt. sant des relations inusitées entre les musiques des Au Canada et aux États-Unis, l’Ensemble Caprice diverses sphères de la société occidentale. a donné des concerts à la Frick Collection ainsi Un exemple des extraordinaires liens façonnés par qu’au Miller Theater à New York, au Boston Early M. Maute entre des sources surprenantes est décrit Music Festival, à la Library of Congress, ainsi dans un long article paru dans le New York Times en qu’au Festival Montréal Baroque, au Festival de novembre 2009 intitulé « Ensemble Caprice Explores musique de chambre d’Ottawa, à l’Elora Festival Gypsy Side of Bach » (L’Ensemble Caprice explore et au Festival international du Domaine Forget le côté gitan de Bach). Il évoque l’exploration des au Québec. correspondances entre musiques gitane et baroque Les albums de l’Ensemble Caprice sous étiquette de M. Maute en ces termes : « L’Ensemble Caprice Analekta ont fait l’objet d’un nombre considérable nous pousse à penser aux questions d’instant de d’éloges. L’enregistrement Gloria! Vivaldi et ses façon globale. Nous avons tendance à traiter les anges s’est mérité au Canada le JUNO « Meilleur œuvres musicales comme des produits de génie album classique de l’année, musique vocale ou cho- intemporels, alliant ce qui rend Bach ou Mozart rale » en 2009, Vivaldi et les gitans baroques a été unique à la devise sonore de l’époque, rendant en nomination pour le prix allemand Echo Klassik la hommage aux « grands compositeurs » à la fois pour même année dans deux catégories : « Ensemble de ce qui a été écrit et ce qui est disparu. Mais tout l’année » et « Classiques sans frontières ». En juin concept de “musique savante“ écrite ne peut être 2010, Gramophone décrivait Telemann et les gitans baroques comme « un album tout à fait irrésistible ». 2 Under the direction of Matthias Maute, the conduc- challenging listeners to hear familiar music from tor, recorder and fl ute virtuoso and composer, and a different angle… The ensemble has established Sophie Larivière, recorder and baroque fl ute player, itself as an immensely thoughtful and progressive Ensemble Caprice is renowned for its innovative force on the musical scene. A group that encourages interpretations of Baroque music and a highly listeners to rehear the world while contemplating creative programming approach which fi nds unusual relationships among repertories and groups might connections between music from all sectors of also take the lead in demystifying the Roma”. Western society. For 20 years Ensemble Caprice has concertized in An example of the extraordinary connections Europe at important festivals such as in Bruges, Mr. Maute forges between surprising sources is Utrecht, Regensburg, Halle and Stockstadt. In described in a lengthy November 2009 New York Canada and the USA, Caprice has performed at Times article entitled “Ensemble Caprice Explores the Frick Collection and the Miller Theatre in New Gypsy Side of Bach”. It described Maute’s exploration York, the Boston Early Music Festival, the Library of of links between Gypsy and Baroque music, Congress and the Montreal Baroque Festival, the saying, “The Ensemble Caprice prods us to think Ottawa chamber Music Festival, the Elora Festival broadly about issues of moment. We tend to treat and the International Festival at Domaine Forget musical works as timeless products of genius, in Québec. often confl ating what is special about, say, Bach Caprice’s recordings on the Analekta label have or Mozart with the sonic currency of the age, received extensive praise: its album Gloria! Vivaldi’s giving the “great composers” credit for both what is Angels won the 2009 JUNO Award for Classical written and what has vanished. But any concept of Album of the Year: Vocal or choral Performance a written “high style” is incomprehensible without (Canada), Vivaldi and the Baroque Gypsies was the richness of an oral tradition alongside. The nominated for the German 2009 Echo Klassik programming of the Ensemble Caprice goes as far as award in two categories: Ensemble of the Year that of any early-music group in insisting that these and Classics Without Borders, and in June 2010, different musical worlds be given equal weight, Gramophone called Telemann and the Gypsies “An utterly irresistable release”. 3 MATTHIAS MAUTE CHEF D’ORCHESTRE ET DE CHŒUR / CONDUCTOR, CHOIR DIRECTOR Matthias Maute s’est taillé une solide réputation Matthias Maute has achieved an international nationale et internationale à titre de chef d’or- reputation as conductor, recorder and fl ute player chestre, chef de chœur et compositeur. Il est aussi and as a composer. Mr. Maute is esteemed for his l’un des meilleurs interprètes de sa génération, à la artistic direction of Ensemble Caprice, for whom fois à la fl ûte à bec et à la fl ûte traversière. he produces ingenious and fascinating programs. M. Maute consacre depuis quelques années une With this ensemble he regularly appears at major grande partie de ses énergies à la direction de chœur festivals worldwide. et d’orchestre. À ce titre, il a réalisé des projets In the realm of choir and orchestra direction, Mr. Maute d’envergure et a dirigé notamment la Messe en si has focussed more and more on large scale projects. mineur de J.S. Bach, Musique pour les feux d’artifi ce His versions of Bach’s B Minor Mass, Arvo Pärt’s and royaux de Haendel, le Miserere de J.D. Zelenka, J.S.Bach’s Magnifi cat and J. D. Zelenka’s Miserere ainsi que des programmes de musique classique, were broadcast nationwide by CBC Radio 2 and romantique et contemporaine. Il est invité par les Radio Canada/Espace Musique. He has recorded orchestres américains (Portland Baroque Orchestra, G. F. Handel’s Music for the Royal Fireworks on CD. Apollo’s Fire de Cleveland) et a dirigé à plusieurs In September 2012 Ensemble Caprice directed by reprises l’orchestre montréalais I Musici. Matthias Maute released a double CD on Analekta Depuis son premier prix dans la catégorie soliste featuring Bach’s Brandenburg Concertos juxtaposed du prestigieux Concours de musique ancienne de with Preludes from Shostakovich’s Op. 87. Bruges en 1990, sa carrière d’instrumentiste connaît His solo career has soared since winning First Prize un vif succès. Il a fait ses débuts au Centre Lincoln in the soloist category at the renowned Early Music à New York en décembre 2008 et a été le fl ûtiste Competition in Bruges, Belgium in 1990. He made soliste invité par le Boston Early Music Festival en his debut at Lincoln Center in New York in December 2003 et 2005. M. Maute se distingue également par 2008. In 2003 and 2005, he was the featured son travail à la direction artistique de l’Ensemble recorder soloist at the Boston Early Music Festival. Caprice, pour lequel il conçoit avec ingéniosité Matthias Maute’s compositions hold an important des programmes inusités et captivants. Avec son place in the world of contemporary recorder music ensemble, il participe régulièrement à des festivals and are published by Breitkopf & Härtel, Amadeus, autour du monde. Moeck and Carus. He teaches at the Université Les compositions de Matthias Maute occupent une de Montréal and McGill University in Montreal. place importante dans le monde de la musique contemporaine pour fl ûte à bec et sont publiées chez Breitkopf & Härtel, Amadeus, Moeck and Carus. Il enseigne aussi à l’Université de Montréal et à l’Uni- versité McGill à Montréal. 4 5 6 SHANNON MERCER SOPRANO Sa voix a été décrite comme chatoyante, lumineuse Her voice has been described as luminous, dazzling et scintillante et on a souligné la fi nesse, l’esprit et and shining and her acting witty, delightful and le piquant de son jeu. Sa passion pour le chant se feisty. Shannon Mercer is an artist of uncommon traduit aussi bien au récital, à l’opéra, en concert musical artistry, whose passion for her art form qu’en enregistrement, dans un répertoire allant de la embraces repertoire ranging from early to contem- musique ancienne au répertoire contemporain. porary music. Sa voix lyrique et sa présence scénique remar- Opera roles include Pamina, Rosina, Despina, quable ont insuffl é une nouvelle vigueur aux rôles Sesto, and Elvira with companies across Canada, de Pamina, Rosina, Despina, Sesto et Elvira des and her highly acclaimed French debut with l’Opéra maisons d’opéras à travers le Canada. Elle a été national de Montpellier in the title role of Marin saluée en France dans le rôle-titre de Sémélé de Marais’ Sémélé, also released on CD.
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