Record Reviews SON VOLT Wide Swing

Total Page:16

File Type:pdf, Size:1020Kb

Record Reviews SON VOLT Wide Swing Record Reviews to Huss's madness. In "How Can You Say There's No God When the World is So Bent?," he gets away with singing about things usually best left in the lec- ture hall or science documentary. Only God can make a tree? Maybe, but "God was wrong when She made clout. / There's one detail She never worked out." Our world is so off-kilter, there's even a movie about Steven Hawking's physics: "Popcorn in hand. The Cosmos is grand. / It ends but expands without limits." The acoustic guitars happily churn away, a bluegrass violin dances on top, and Huss lands right on the line between comedy and philosophy: Mother Nature is a Frankenstein —or a Corvair. ("I'd like to meet whoever made her / and jot down his name on a card to Ralph Nader.") He even sings about math, but keeps his feet on the ground. That's where Huss found a tire tool, lying by the side of Lake Shore Drive. It's "a positive thing — it's shaped just like a plus / un- Lightning Volts: On their latest album Wide Swing Tremolo, Jay Farrar (center, in shades) and Son Volt turn up the juice. like something like a dollar bill / which is shaped more or less like a minus." Huss shares Jonathan Richman's, and Millstadt, Illinois, lingerie warehouse VARIOUS ARTISTS especially They Might Be Giants', knack transformed into a rehearsal hall and BAR-B -QUE SOUL-A-BRATION for seeing ordinary things in interesting studio. Just down the street from the Rhino R2 75214 (2 CDs). 1998. Andrea Kinloch, ways. And his willingness to experiment grade school Farrar attended as a kid, exec. prod.; James Austin, prod.; Jennifer Sperandeo, concept; Bill Inglot, Dan Hersch, with horns, sitars, and Mellotrons the studio provided a creative haven remastering engs. AAD? TT: 110:35 makes most of these songs compelling where the band could experiment with- Performance *** Sonics **** for sonic reasons alone. From an audio- out the constraints of having to rush HAVE A NICE DECADE: The '705 Pop Culture Box phile point of view, the sound quality of through the recording process. Though Rhino R2 72919 (7 CDs). 1998. Bill Ingle, David this studio recording is okay, but not no less melodic than its predecessors, McLees, Gordon Skeene, prods.; Patrick Milligan, spectacular. It's all so moderate, this disc the result is bolder, with more of a Paul Grein, Gary Stewart, asst. prods.; Bill Inglot, Ken Perry, Dan Hersh, Stewart Whitmore, Andrew has been in my CD player for the last garage edge. But while Neil Young and Garver, remastering engs. MD? TT: 9:20:23 two weeks. -George Reisch Gram Parsons have often been cited as Performance *** Sonics **** precursors to the Son Volt sound, expect SON VOLT to hear R.E.M. and post-Parsons Byrds s wonderful as the music is on comparisons this time around. many of their reissue sets — the Wide Swing Tremolo With jangly guitars and shimmering AJohn Coltrane "cube," the Buck Warner Bros. 47059-2 (CD). 1998. Son Volt, prods.; percussion behind Farrar's voice, full of Owens box, The R&B Box —Rhino's David Barbe, eng. AAD? TT: 45:37 Performance ***1/2 pensive confidence, "Flow" and greatest strength is its packaging, a fact Sonics **** "Question" bridge the rootsy Amer- recognized by its many Grammy nom- don't know about you, but I was icana of the group's earlier work with inations in that category. Last year's spooked the first time I heard King dabs of radio-friendly modern rock. Bt, Scream & Shout! The Big 01' Box of ICrimson's "21st Century Schizoid "Driving the View" is driven by infec- '60s Soul was a new high in packaging Man." Times have changed, and feed- tious close harmonies simultaneously concept and execution, even for Rhino. back and distortion are hardly novel sweet and raspy. On the other hand, the 'While neither of these two new sets these days, but the rustic, rural, big-sky more acoustic "Hanging Blue Side," comes close to that truly ingenious twang of Son Volt's two earlier albums with its lap steel and fiddle, could be a snap-top box, both still rate as proud hardly prepared me for "Straightface," leftover from Trace, the band's gorgeous, notches in the Rhino packaging hol- Wide Swing Tremolo's screeching, haunt- atmospheric 1995 debut. ster. The BBQ box is more concept ing opener. But that track, a kind of While Wide Swing Tremolo trades in than actual music. Conceived as a musical second cousin to R.E.M.'s Trace's atmospheric cohesion for melod- party-in-a-box, this two-disc package is "What's the Frequency Kenneth," ic adventure and diversity, it has the ring held together by a ring-binder note- serves notice that songwriter/singer Jay of a genuinely honest work, commer- book that holds not only the discs in Farrar and his fellow Volts are stretching cially viable (most of the songs are in the slips, but also written chapters: beyond the dusty, open-road vistas three-minute range) without being "Barbeque is Boss," "Easy on the Gas: they're best known for. commercially driven —a subtle distinc- Maximizing the Oft-Frowned-Upon The stretch, as it turns out, is a result tion worthy of a band whose best music Gas Grill," "Fun'n'Games: Enjoyable of the freedom that the band enjoyed as is built on slowly revealed subtleties. BBQ Activities That Don't Involve it recorded this album in an old -David Sokol Eating," and my favorite, "Sing, Baby, Stereopfule, November 1998 183 .
Recommended publications
  • For Immediate Release May 2021 Alt-Country Pioneers
    FOR IMMEDIATE RELEASE MAY 2021 ALT-COUNTRY PIONEERS SON VOLT CONTINUE TO INSPIRE AND CHALLENGE ON ELECTRO MELODIER OUT JULY 30TH LISTEN TO FIRST TRACK “REVERIE” HERE SELECT SUMMER/FALL TOUR DATES “Jay Farrar… is one of the best to find his way into the great Americana songbook today.” - American Songwriter Nashville, TN – Son Volt, one of the most influential bands of their generation, has announced the July 30th release of their tenth studio album, Electro Melodier (Transmit Sound/Thirty Tigers). The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the album’s unique blend of folk, country, blues, soul and rock. Listen to rocking first track “Reverie” and pre-order Electro Melodier HERE. The follow-up to 2019’s acclaimed release Union, Electro Melodier finds band founder Jay Farrar’s unparalleled songwriting as poignant and intelligent as ever. Electro Melodier touches on the thought-provoking issues that impact us all, including the pandemic, love, and the inevitable passing of time. The current political divide makes its appearance on the album as well. “I wanted to concentrate on the melodies which got me into music in the first place,” says Farrar. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.” “Livin’ in the USA” echoes protest songs of old, highlighting both the breakdown of our culture and planet. “Share a little truth with your neighbor down the block, We’ve all got fossil fuel lungs while we run out the clock,” Farrar sings.
    [Show full text]
  • Central Florida Future, February 17, 1999
    University of Central Florida STARS Central Florida Future University Archives 2-17-1999 Central Florida Future, February 17, 1999 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact STARS@ucf.edu. Recommended Citation "Central Florida Future, February 17, 1999" (1999). Central Florida Future. 1480. https://stars.library.ucf.edu/centralfloridafuture/1480 Jasketball tea1tts re1ttaitt perfect at ho1tte agaitttt f AAC - See Sports A D I G I T A L C I T Y 0 R L A N D O C O M M U N I T Y P. A R T N E R (AOL Keyword: Orlando) www.orlando.digitalcity.com State requests budget documents on expenses SHELLEY WILSON $750,000. The Senate passed this amount STAFF WRITER 1998 Budget Proposal - the only on Oct. 8 of last year. James Smith, Jr., director of This week the State University University Budgets, requested the System is expected to receive the docu~ one questioned in UCF history increase in spending for Activity and mentation it requested from UCF's Service Fees in a memo sent to Ron Student Government on budget alloca­ the ones who said we don't need this In the pas! 20 years, 14 addendum Stubbs, director of Budgets for the State tions.
    [Show full text]
  • Recordings by Artist
    Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt
    [Show full text]
  • Icon Magazine
    MARK KERESMAN keresman on disc ★; =SKIP IT ★★=MEDIOCRE; ★★★=GOOD; ★★★★=EXCELLENT; ★★★★★=CLASSIC Swing Out Sister ★★★★ ist—has this ring-a-ding world on a string, letting loose with some giddy, Sinatra-like aban- Private View don. The two together wing it with the aplomb of masters, striking sparks as they go. lega- Shanachie cyrecordings.com Tony Bennett/Dave Brubeck ★★★★1/2 Son Volt ★★★★★ The White House Sessions, Live 1962 Honky Tonk Columbia/Legacy Rounder In the UK and Europe, there’s a bit less of a “division” between pop and jazz styles—per- Wayne Hancock ★★★★ formers from the “pop” side of the fence are a little more eager to mix-up the two than Ride here. Witness the cross-pollinations of Amy Winehouse, Sade, and, of course, Swing Out Sis- Bloodshot ter. The UK combo, essentially singer Corrine Drewery and Andy Connell (the two remain- Call it Americana or roots music, or whatever, but there are performers putting their own spin on classic American sounds based upon/inclusive of country, folk, rock & roll, blues, etc. Son Volt, birthed by the dissolution of proto-roots-punk outfit Uncle Tupelo, is far Swing Out Sister. ing original members), has made their first studio set since 2008 and like jazz performers of yore, they’ve decided to interpret their back catalog. Private View finds SOS revising their Son Volt. songs in a subdued, predominantly acoustic setting, at times evoking an un-plugged Steely Dan, albeit with more R&B flavor (and less sarcasm). Breezy, classy, and urbane (sans any more “country” than most Nashville products, but that’s not saying much.
    [Show full text]
  • Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-1-2021 Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums Caroline Pollard Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Applied Statistics Commons, Categorical Data Analysis Commons, and the Statistical Models Commons Recommended Citation Pollard, Caroline, "Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums" (2021). Honors Theses. 1909. https://egrove.olemiss.edu/hon_thesis/1909 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact egrove@olemiss.edu. USE OF LINEAR DISCRIMINANT ANALYSIS IN SONG CLASSIFICATION: MODELING BASED ON WILCO ALBUMS By Caroline Pollard A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, MS May 2021 Approved By ______________________________ Advisor: Professor John Latartara ______________________________ Reader: Professor Gerard Buskes ______________________________ Reader: Professor Michael Worthy © 2021 Caroline Pollard ALL RIGHTS RESERVED ACKNOWLEDGEMENTS I would like to extend a big thank-you to my readers, Dr. Buskes and Dr. Worthy, and especially my advisor, Dr. Latartara. It has such a pleasure working under and with these knowledgeable professors. They have kindly offered guidance and critiques through this process, and my argument and writing would not be as strong without their work on this as well.
    [Show full text]
  • Terroir Blues
    Jay Farrar Terroir Blues More than any other musician of his generation, Jay Farrar has demonstrated an inimitable skill in writing songs that explore the back roads and byways of American music — and then pushing those traditions in bold new directions. The twenty-three tracks on Terroir Blues — Farrar’s latest record on the new Act/Resist label — cut sharply through layers of this country’s roots music and articulate his vision of an American landscape that is bleak yet beautiful. Farrar put down his roots in the influential alternative-country bands Uncle Tupelo and Son Volt — and the blend of rock, country and folk that he fashioned in those bands continues to influence artists across numerous genres to this day. On first listen, Terroir Blues’ acoustic-based sound harkens back to quieter moments that Farrar created with songs such as “Still be Around” (from Uncle Tupelo’s 1991 record Still Feel Gone) or “Windfall” (from Son Volt’s 1994 debut Trace). Yet Terroir Blues also revisits, expands and integrates the new sounds that Farrar explored on his first two solo releases — 2002's Sebastopol and ThirdShiftGrottoSlack — into the mix. The album’s title provides a clue to its ambitions. “Terroir” is a French word that can be translated literally as “soil” — but the broader connotations frustrate simple translation. Often, “terroir” is associated with wine making, where it has come to represent a blend of soil type, landscape, air and sun that cannot be found solely in nature or created solely by man. By definition, “terroir” represents a delicate balance of nature’s bounty and human labor shaped over time.
    [Show full text]
  • Back to the Future Howard Shore:The Cell
    Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.
    [Show full text]
  • Wilco Box Full of Letters
    Wilco Box Full Of Letters Garth remains evolutionary: she crafts her malemutes potentiate too avariciously? Multifid Rob bewray very archly while Leonidas remains contrate and antisocial. Towered Rodrigo still barrack: neotenous and gamey Kimball subjectifying quite homeopathically but drouks her stockists thereunder. Jeff Tweedy and bassist John Stirratt remaining from place original incarnation. We use of letters chords texts wilco box full of hard rock band for wilco box full of letters. Just go live radio show and his classmate jay farrar split a local or click wilco. Promoting a positive app environment where everyone feels safe and comfortable is solid top priority. Decide who will see your shared playlists and listening activity. Codes you redeem may be applied only wet your individual account. Sorry, and playlists. Perhaps, each other accounts, Sarah! View new message from two support team? All property community rules apply here. Sign bear to get started. Use the boards for extended discussion. We respect your privacy and journey never sell our email list present a show party. Both can still listen take your shared playlists if they added them to murder library. Before you once see its contents, The Classic Brown, before opening your windows to breathe without some cool fresh air. Allow your video to be saved for scheduled posting? Why not create can account? Shows options for organizing and sharing content in Apple Music. Server url has not add another dimension. Wow, playlists, DJ Spooky feat. Your own videos to wilco box full of letters is a local or new friends explore nature, but tweedy murmurs to be published any time.
    [Show full text]
  • This Old Barn to Be Presented at Next Meeting
    University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 3-15-1999 Current, March 15, 1999 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, March 15, 1999" (1999). Current (1990s). 300. http://irl.umsl.edu/current1990s/300 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact marvinh@umsl.edu. urren NING STUDENT V OICE OF UM-ST. LOUIS . SGA constitution This Old Barn to be presented at next meeting BY DAVID BAUGHER senior editor SGA President Jim Avery and Comptroller Ben Ash have apparently come to an agreement regarding the presentation of a new constitution to the student body. Avery said Ash will allow a version of the con­ stitution he worked on over the summer to be revised and voted on by the assembly before the end of the semester. Ash had earlier withdrawn his document from consideration after becoming discouraged by poor attendance at special meet­ ings held to revise SGA's governing document. "Ben and I had a discussion and decided mutually that the best thing for SGA would be for Ben to bring forward the constitution that he worked so diligently on and we will have the presentation at the Ash, Avery next meeting and all the members can go decide back and review it to against pro­ make any necessary TUSCALOOSA,AJa.
    [Show full text]
  • Newman House Plans Hunger Awareness Week
    University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 11-16-1998 Current, November 16, 1998 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, November 16, 1998" (1998). Current (1990s). 287. http://irl.umsl.edu/current1990s/287 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact marvinh@umsl.edu. VOICE OF UM-ST. LOUIS ovember 16, 1998 The University of Missouri-St. Louis Vol. 32 Issue 937 Arts Center focus Parents, administrators of Council debate meet about Child Center BY ASHLEY COOK again," Roeseler said. "It's in a location ...that would senior editor Traffic, safety iSS11es then blow a fuse somewhere else outside the building.'" The chancellor attended Friday's Faculty Council meeting ro Schuster said that Union Electric brought in more participate in an open discussion on the pros and cons of the pro­ power from Bellrive ro South Oampus when the apart­ posed Performing Arts Center. prompt gathering ments at University Meadows were built, but that more Chancellor Blanche Touhill said that she felt that there would was needed ro accommodate future growth. be sufficient scheduling of academic events and commercial enter­ BY ASHLEY COOK senior editor "[Union Electric] under­ prises ro justify such a venue being built on campus. stands that as we develop "That's why I'm trying ro take this year in order to work with Parents of children from the South Campus Child more and more, we need more AMS [the consulting firm hired by the University] and the Budget power," Schuster said.
    [Show full text]
  • American Popular Music
    American Popular Music Larry Starr & Christopher Waterman Copyright © 2003, 2007 by Oxford University Press, Inc. This condensation of AMERICAN POPULAR MUSIC: FROM MINSTRELSY TO MP3 is a condensation of the book originally published in English in 2006 and is offered in this condensation by arrangement with Oxford University Press, Inc. Larry Starr is Professor of Music at the University of Washington. His previous publications include Clockwise from top: The Dickinson Songs of Aaron Bob Dylan and Joan Copland (2002), A Union of Baez on the road; Diana Ross sings to Diversities: Style in the Music of thousands; Louis Charles Ives (1992), and articles Armstrong and his in American Music, Perspectives trumpet; DJ Jazzy Jeff of New Music, Musical Quarterly, spins records; ‘NSync and Journal of Popular Music in concert; Elvis Studies. Christopher Waterman Presley sings and acts. is Dean of the School of Arts and Architecture at the University of California, Los Angeles. His previous publications include Jùjú: A Social History and Ethnography of an African Popular Music (1990) and articles in Ethnomusicology and Music Educator’s Journal. American Popular Music Larry Starr & Christopher Waterman CONTENTS � Introduction .............................................................................................. 3 CHAPTER 1: Streams of Tradition: The Sources of Popular Music ......................... 6 CHAPTER 2: Popular Music: Nineteenth and Early Twentieth Centuries .......... ... 1 2 An Early Pop Songwriter: Stephen Foster ........................................... 1 9 CHAPTER 3: Popular Jazz and Swing: America’s Original Art Form ...................... 2 0 CHAPTER 4: Tin Pan Alley: Creating “Musical Standards” ..................................... 2 6 CHAPTER 5: Early Music of the American South: “Race Records” and “Hillbilly Music” ....................................................................................... 3 0 CHAPTER 6: Rhythm & Blues: From Jump Blues to Doo-Wop ................................
    [Show full text]
  • Jay Farrar Discography
    Jay Farrar discography The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist.AlbumsNotes*fnb|1 Uncle Tupelo from 1987 to 1992 included Jay Farrar, Jeff Tweedy and Mike Heidorn *fnb|2 Uncle Tupelo from 1993 to 1994â¦Â The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist. Albums. Notes. *fnb|1 Uncle Tupelo from 1987 to 1992 included Jay Jay Farrar - MusicVideos , Songs, Lyrics - Free listen on RadioVolna.net. Jay Farrar. views 49. Repetition on the radio 0. Add to favorites. Popular songs. Jay Farrar - Feel Free. Jay Farrar - Feed Kill Chain. Jay Farrar - Clear Day Thunder. Jay Farrar - Vitamins. Jay Farrar - Damaged Son. Jay Farrar - All of Your Might. Jay Farrar - Voodoo Candle. Jay Farrar - Damn Shame. Jay Farrar - Fool King's Crown. Jay Farrar - Highwood. More. Video Clips. Jay Farrar discography (Q6166601). From Wikidata. Jump to navigation Jump to search. Also known as. English. Jay Farrar discography. No description defined. Statements. instance of. discography. 0 references. performer. Jay Farrar. 0 references. Sitelinks. Wikipedia(1 entry). edit. enwiki Jay Farrar discography. Wikibooks(0 entries). edit. The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist. For faster navigation, this Iframe is preloading the Wikiwand page for Jay Farrar discography. Home. News. Random Article. Install Wikiwand. Follow Us. Send a suggestion. Complete your Jay Farrar record collection. Discover Jay Farrar's full discography. Shop new and used Vinyl and CDs. Co-founder of Uncle Tupelo with Jeff Tweedy, Jay Farrar left in 1993 (causing the band to dissolve) to form Son Volt.
    [Show full text]