Annual Directory of A&R
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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Radio 3 Listings for 30 May – 5 June 2009 Page
Radio 3 Listings for 30 May – 5 June 2009 Page 1 of 39 SATURDAY 30 MAY 2009 3.35am Vivaldi, Antonio (1678-1741): Nisi Dominus (Psalm 127), RV 608 SAT 01:00 Through the Night (b00klc29) Matthew White (countertenor) 1.00am Arte dei Suonatori Chopin, Fryderyk (1810-1849): Three pieces for piano Eduardo Lopez (conductor) 1.16am Beethoven, Ludwig van (1770-1827): Sonata quasi una fantasia 3.55am in C sharp minor for piano, Op 27, No 2 (Moonlight) Copi, Ambroz (b.1973): Psalm 108: My heart is steadfast Havard Gimse (piano) Chamber Choir AVE Andraz Hauptman (conductor) 1.31am Dvorak, Antonin (1841-1904): Song to the Moon (Rusalka, Op 4.00am 114) Arnic, Blaz (1901-1970): Suite about the well, Op 5 1.37am Slovenian Radio and Television Symphony Orchestra Grieg, Edvard (1843-1907): I Love Thee (Hjertets melodier, Op Lovrenc Arnic (conductor) 5) - arr Max Reger 1.39am 4.32am Coward, Noel (1899-1973): I'll follow my secret heart Paganini, Niccolo (1782-1840): Duetto amoroso (Conversation Piece) Tomaz Lorenz (violin) Yvonne Kenny (soprano) Jerko Novak (guitar) Melbourne Symphony Orchestra Vladimir Kamirski (conductor) 4.42am Bellini, Vincenzo (1801-1835): Vanne o rosa fortunate; Bella 1.44am Nice, che d'amore Strauss, Johann II (1825-1899): Wein, Weib und Gesang, arr Nicolai Gedda (tenor) Alban Berg for string quartet, piano and harmonium Miguel Zanetti (piano) Canadian Chamber Ensemble Raffi Armenian (conductor) 4.48am Berlioz, Hector (1803-1869): Overture: Waverley, Op 1 1.55am The Radio Bratislava Symphony Orchestra Kunzen, Friedrich (1761-1817): -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction. -
Warner Music Group Corp
WARNER MUSIC GROUP CORP. ANNOUNCES PRICING OF INITIAL PUBLIC OFFERING New York, New York (June 3, 2020) — Warner Music Group Corp. (the “Company”) announced today the pricing of its initial public offering (“IPO”) of 77,000,000 shares of its Class A common stock at a public offering price of $25.00 per share. The size of the IPO was increased from the previously announced 70,000,000 shares of Class A common stock. The offering consists entirely of secondary shares to be sold by Access Industries, LLC and certain related selling stockholders. The Company will not receive any proceeds from the offering. The shares of Class A common stock are expected to begin trading on The Nasdaq Stock Market on June 3, 2020 under the ticker symbol “WMG”. The underwriters will have a 30-day option to purchase up to an additional 11,550,000 shares of Class A common stock from the selling stockholders. Morgan Stanley & Co. LLC, Credit Suisse Securities (USA) LLC and Goldman Sachs & Co. LLC are acting as joint bookrunning managers and as representatives of the underwriters for the offering. BofA Securities, Inc., Citigroup Global Markets Inc. and J.P. Morgan Securities LLC are also acting as joint bookrunning managers. Barclays Capital Inc., Evercore Group L.L.C., Guggenheim Securities, LLC, Macquarie Capital (USA) Inc., Nomura Securities International, Inc., RBC Capital Markets, LLC, SunTrust Robinson Humphrey, Inc., CIBC World Markets Corp., HSBC Securities (USA) Inc., SG Americas Securities, LLC; Société Générale, LionTree Advisors LLC, Raine Securities LLC, AmeriVet Securities, Inc. Bancroft Capital, LLC, Blaylock Van, LLC, C.L. -
The 360 Contract in the Digitalizing Music Industry
Western University Scholarship@Western FIMS Publications Information & Media Studies (FIMS) Faculty 2012 The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry Matt Stahl The University of Western Ontario Leslie Meier The University of Western Ontario, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/fimspub Part of the Library and Information Science Commons Citation of this paper: Stahl, Matt and Meier, Leslie, "The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry" (2012). FIMS Publications. 272. https://ir.lib.uwo.ca/fimspub/272 The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry Matt Stahl & Leslie M. Meier University of Western Ontario ABSTRACT The devaluation of the recorded music commodity under digitalization has destabilized the recording industry. One primary record industry response is the new “360 deal” form of the recording contract. By securing rights to individual acts’ live performance, music publishing and licensing, and merchandizing activities, this new deal expands record companies’ access to more profitable fields of music industry activity (if in piecemeal fashion). We examine the context, evolution, and varieties of the 360 deal, and argue that it re-secures record industry profitability and further stratifies the population of recording artists by shifting risk onto performers. KEYWORDS Cultural Industries; Popular Music; Recording Industry; Creative -
Viva La Youth Guest Biogs
Viva la Youth - Guest Biogs Jeff Thompson: co-founder, Un-Convention @unconvention Established in 2008, Un-Convention is a UK based global music network and development agency. The events and projects bring together artists and industry professionals to share knowledge and expertise. Through this Jeff has helped to develop a number of new and innovative approaches to building sustainable careers and alternative models for the music industries. His work includes a long-term music project working with young people in Manchester, the development of a number of music co-operatives in Africa, and a revolutionary new UK based touring model called Off Axis. He has also run a number of independent record labels in Manchester. Shell Zenner: new music’s hardest working champion @shellzenner If you want to find Shell Zenner, look for a dedicated fan in a vintage dress who is always chasing down the shivery thrill of new music and then telling people about it. That’s her life! A friendly face for touring bands. She can be found on Amazing Radio, on XS Manchester, flying the flag for BBC Introducing on BBC Radios Manchester and Leeds, and elsewhere on both local and national radio talking about a myriad of music related subjects such as vinyl sales, national album day, recordstore day and her fave new artists and records. She’s presented on BBC 6 Music sitting in for Tom Robinson and has featured on Radio X, Talk Radio and even reported live from her tent at Leeds Festival! You can find her on YouTube (Trashed TV, Show Stream UK and on her own channel), Djing for festivals such as Off The Record and Bluedot Festival, compering stages for MIF and Music:Leeds, interviewing artists like The Magic Gang and Dave Rowntree at Soundcity , judging talent and applications for PRS and appearing on and hosting panels at Industry events such as BBC Introducing Live. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC. -
Grammy® Awards 2018
60th Annual Grammy Awards - 2018 Record Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. http://www.tfront.com/p-449560-awaken-my-love.aspx Luis Fonsi $20.98 Despacito & Mis Grandes Exitos. Universal Records UNIV 5378012 UPC: 600753780121 Contents: Despacito -- Despacito (Remix) [Feat. Justin Bieber] -- Wave Your Flag [Feat. Luis Fonsi] -- Corazón en la Maleta -- Llegaste TÚ [Feat. Juan Luis Guerra] -- Tentación -- Explícame -- http://www.tfront.com/p-449563-despacito-mis-grandes-exitos.aspx Jay-Z. $13.98 4:44. Roc Nation Records ROCN B002718402 UPC: 854242007583 Contents: Kill Jay-Z -- The Story of O.J -- Smile -- Caught Their Eyes -- (4:44) -- Family Feud -- Bam -- Moonlight -- Marcy Me -- Legacy. http://www.tfront.com/p-449562-444.aspx Kendrick Lamar $13.98 Damn [Explicit Content]. Aftermath / Interscope Records AFTM B002671602 UPC: 602557611755 OCLC Number: 991298519 http://www.tfront.com/p-435550-damn-explicit-content.aspx Bruno Mars $18.98 24k Magic. Atlantic Records ATL 558305 UPC: 075678662737 http://www.tfront.com/p-449564-24k-magic.aspx Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 60th Annual Grammy Awards - 2018 Album Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. -
Counting the Music Industry: the Gender Gap
October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free lance music industry consult ant, is a director of the board of PiPA http://www.pipacam paign.com/ and an exciting music tech startup called Delic https://www.delic.net work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist.