Neel, Alice Canary, Girl, Fire Escape

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Date: October 4, 2011 EI Presenter: Mary Alice Dwyer Artwork Title: Canary, Girl and Fire Escape – Portrait Year Created: 1938 Artist: Alice Neel (1900-84) These are the 5 most essential aspects of this work of art: 1. Artist defiantly painted figurative work during the height of Abstract Expressionism 2. Drawing is first and foremost to the artist 3. Use of line and color to stress a psychological state or emotion 4. Suggests an identification with the small and powerless 5. Engages the emotions of the viewer Questions I would ask when viewing this object with visitors: 1. How did the artist use lines, color and texture? 2. How does this painting make you feel? Why? 3. What do you think the artist was trying to say here? 4. Is the window open? What else? 5. How many birds do you see? About the Artist: Alice Neel came of age at the height of the Women’s Suffrage Movement. In the 1970s she was hailed as an icon for the Feminist movement. She called herself “a collector of souls”. She met her first husband, Carlos Enriguez, at art camp while attending the Philadelphia School of Design for Women. After her graduation in 1925, they moved to Havana living with Carlos’ wealthy parents. Neel was embraced by the young avante-garde set of artists, musicians, and writers, and it was here that she developed her life-long political consciousness and her commitment to equality. After the birth of their first daughter, the family moved to NYC. Just before her first birthday the child died of diphtheria.In 1928, Isabetta was born. In the Spring of 1930, Carlos returned to Cuba, taking the child him. Neel suffered a nervous breakdown and attempted suicide. After a lengthy recovery, she settled in Spanish Harlem and was hired by the WPA to paint urban scenes. Neel painted members of the Puerto Rican community and established herself in the circle of downtown intellectuals. By the end of the 1960s, interest in Neel’s work intensified. She was given a retrospective exhibition at the Whitney Museum of American Art in 1974; in the 1979 President Carter presented the National Women’s Caucus for Art Award to her for outstanding achievement. Alice Neel’s reputation was at its height at the time of her death in 1984. Tours People, Portraits and Places, Learning to Look, Artful Animals, Symbols and Icons Sources: Hoban, Phoebe, Portraits: Alice Neel’s Legacy of Realism. NY Times Art and Design: New York, 2010 Alice Neel: Artist and Art (http://the-artists.org/artist/neel-alice) .

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Alice-Neel-Biography.Pdf
ALICE NEEL Biography 1900 Born in Merion Square, Pennsylvania 1984 Died in New York, NY Education 1925 Philadelphia School of Design for Women (now Moore College of Art and Design), Philadelphia, PA Solo Exhibitions 2022 Alice Neel: Un regard engagé, Centre Georges Pompidou, Paris (catalogue) 2021 Alice Neel: People Come First, Metropolitan Museum of Art, New York, NY 2019 Alice Neel: Freedom, David Zwirner, New York, NY (catalogue) Neel / Picasso, Sara Kay Gallery, New York, NY 2018 Alice Neel in New Jersey and Vermont, Xavier Hufkens, Brussels 2017 Alice Neel: The Great Society, Aurel Scheibler, Berlin (catalogue) Alice Neel, Uptown, David Zwirner, New York; traveled to Victoria Miro, London (catalogue) 2016 Alice Neel: Painter of Modern Life, Ateneum Art Museum, Helsinki; traveled to Gemeentemuseum, The Hague; Fondation Vincent Van Gogh, Arles; Deichtorhallen, Hamburg (catalogue) Alice Neel: The Subject and Me, Talbot Rice Gallery, University of Edinburgh, Edinburgh, UK (catalogue) 2015 Alice Neel: Drawings and Watercolors 1927-1978, David Zwirner, New York, NY (catalogue) Alice Neel, Thomas Ammann Fine Art AG, Zurich [exhibition publication] Alice Neel, Xavier Hufkens, Brussels (catalogue) 2014 Alice Neel/Erastus Salisbury Field: Painting the People, Bennington Museum, Vermont Alice Neel: My Animals and Other Family, Victoria Miro, London (catalogue) 2013 Alice Neel: Intimate Relations, Drawings and Watercolours 1926-1982, Nordiska Akvarellmuseet, Skärhamn, Sweden (catalogue) People and Places: Paintings by Alice Neel, Gallery Hyundai, Seoul (catalogue) 2012 Alice Neel: Late Portraits & Still Lifes, David Zwirner, New York (catalogue) 2011 Alice Neel: Family, The Douglas Hyde Gallery, Dublin (catalogue) Alice Neel: Men Only, Victoria Miro, London (catalogue) 2010 Alice Neel: Painted Truths, The Museum of Fine Arts, Houston, Texas [itinerary: Whitechapel Gallery, London; Moderna Museet Malmö, Sweden] (catalogue) Alice Neel: Paintings, L.A.
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Alice Neel/Erastus Salisbury Field
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THE MARY H. DANA WOMEN ARTISTS SERIES: from Idea to Institution
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Acting Relations, Mapping Positions Part I: the Individual HOW to GATHER Acting Relations, Mapping Positions
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191 Figure 1. Elaine De Kooning, Black Mountain #16, 1948. Private Collection
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Alice Neel : Family 3 Alice Neel : Family
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Press Release (PDF)
s h f a p PRESS RELEASE: Front gallery: Madeline Donahue: Attachments paintings, drawings, & sculpture Rear gallery: Anne Harvey: Arabesques drawings September 4 – October 6, 2019 Opening reception: Wednesday, September 4th, 6- 8pm In our front gallery, SHFAP presents Madeline Donahue: Attachments, a collection of paintings, drawings, and sculpture from the Brooklyn based artist. In our rear gallery, we are showing Anne Harvey: Arabesques, drawings by the American expatriate and painter (1916-1967) who spent the majority of her life in Paris. Madeline Donahue did not see her perspective of motherhood in art so she created it. Her paintings explore the overwhelming absurdity, intimacy, and joy of caring for another person. She focuses on the surreal quality and physicality of the mother and child relationships. Her work features a maternal figure attempting to perform basic aspects of her day as her child clings to her hair and limbs, nonchalantly playing on her body. In an interview with Charlotte Jansen of Elephant Magazine, Donahue states, “At a certain point, instead of shaking off parenting in the studio, I just decided to go in and [say], “OK, this happened today, I’m going to draw it.” That turned into this really fun experience of drawing and painting my perception of motherhood.” Jansen states that “Donahue might not deliberately address the stigma of birth and motherhood in art, but it exists nonetheless. The names she mentions when I ask her which artists she admires who have made art about the subject are familiar: Louise Bourgeois, Alice Neel, Chantal Joffe, Paula Modersohn-Becker, Katherine Bradford, and ‘Marlene Dumas’s baby paintings.’” Madeline Donahue studied at Tufts University and The School of the Museum of Fine Arts in Boston, MA.
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Alice Neel: an Instrumental Case Study
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Alice Neel (American, 1900-84) – Artist Resources
Alice Neel (American, 1900-84) – Artist Resources Alice Neel Estate: biography, artwork, exhibitions, press and publications Neel at the Victoria-Munro Gallery in London Neel at David Zwirner Gallery in New York Listen to excerpts from interviews with Neel in 1971 and 1975 on Getty Podcasts Radical Women series “The road that I pursued, and the road that I think keeps you an artist, was that no matter what happened to me, you still keep on painting,” explains Neel in a 1979 televised interview conducted through the Inside New York’s Art World series. “You should just keep on painting no matter how difficult it is, because this is all part of experience.” Neel, 1980 Photograph: Frank Leonardo/New York Post/Getty Images Explaining her aversion to the wave of abstraction in New York in the 1950s, Neel tells critic and fellow artist Don Gray in a televised interview, “I wanted to do as I pleased. I think art is history. I like to paint what was around me…I’d rather do some other kind of work than make my art conform to make some kind of money.” “I try to capture the person, 100% the person, and then also the spirit of the age, the zeitgeist,” reveals Neel in a 1983 video interview at the Maryland Institute College of Art. In 2017, art critic Hilton Als curated a show at David Zwirner showcasing the portraits Neel painted while living in Spanish Harlem and the Upper Westside in New York, in which, according to Als, Neel was at her height of powers for representing the “drama of being.” The Centre Pompidou in Paris is scheduled to exhibit a comprehensive retrospective of Neel’s paintings in the Neel, 1944 summer of 2020, Un Regard Engagé.
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