SFRA Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

SFRA Newsletter University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2000 SFRA ewN sletter 249 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 249 " (2000). Digital Collection - Science Fiction & Fantasy Publications. Paper 68. http://scholarcommons.usf.edu/scifistud_pub/68 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. {oetIJior1.· Haren Hellekson Crallg Jacobsen Honfiction leyielY! EtlJior: Neill Barron fiction leyielY! EtlJior: Crallg Jacobsen The SFRAReview (ISSN 1068-395X) is published six times a year by the Science Fiction Research Association (SFRA) and distributed to SFRA mem­ bers.lndividual issues are not for sale. For information about the SFRA and its benefits, see the descri ption at the back of this issue. For a membership application, contact SFRA Treasurer Michael M. Levy or get one from the SFRA website: <www.sfra.org>. SUBMISSIONS The SFRAReview editors encourage submissions, including essays, review essays that cover several related texts, and interviews. Please send submis­ sions or queries to both coeditors. If you would like to review nonfiction or fiction, please contact the respec­ tive editor. The general editorial ad­ dress for the SFRAReview is: <[email protected]>. Karen Hellekson, Coeditor 742 N. 5th Street Lawrence,KS 66044 <[email protected]> Craig Jacobsen, Coeditor & Fiction Reviews Editor 208 East Baseline Rd. #31 I Tempe,AZ 85283 <[email protected]> Neil Barron, Nonfiction Reviews Editor I 149 lime Place Vista, CA 92083-7428 <[email protected]> Visit Us At: www.sfra.org SFRA BUSINESS ANItI~vltI#3QllEItI'JI' ~F IIIERI'SFIIA .",GOIS Joan Gordon Immediate Past President, SfRA Sarah James, (ormerly o( 40 Boumedene, Potters Bar, I am pleased to announce the following new officers for SFRA: Hert[ordshire, EN6 3EL, in the UK is now at 16 Caimhill Gardens, St President: Michael Levy Andrews, Fife, KY 16 8QX UK. Vice President: Peter Brigg Secretary: Wendy Bousfield Adam Frisch's e-mail address has Treasurer: David Mead been changed to Thanks are extended on behalfofthe Boardfor all candidates who stoodfor <[email protected]>. deaian. LSPRAGUEDECAMP EDITORIAL DIES LAsrlssVE L Sprague de Camp, one o( the Karen Hellekson and Craig Jacobsen greatest voices o( the Golden Age o( Sdence Fiction, died Monday in Plano, This is the last issue of the SFRAReview that we will coedit. The three Texas, three weeks short o( his 93rd years' editorship is up, and we are passing the torch to the new editors, Barbara birthday. de Camp was one o( the (ew Lucas and Shelley Rodrigo Blanchard, who will begin with the January 2001 writers elevated by the Sdence Fiction issue. We wish them the best of luck! Thanks to everyone who has helped with and Fantasy Writers o(America to the the SFRAReview by providing copy to publish and endless support, particularly rank or Grand Master, an honor he the Board members and N ei1 Barron, the nonfiction review editor. We're sure received in 1978. de Camp's body will Barb and Shelley have some wonderful ideas, and it will be great to see the be cremated and his ashes will join SFRAReview head off into some new and productive directions. Strangely, the those o( his Wife and collaborator SFRA Board is turning over at the same time as the SFRAReview editorship Catherine, who died in April, at changes, an unusual occurrence, as Board members serve a two-year stint and Arlington National Cemetery. editors a three-year stint, so SFRA members can look forward to new ideas with the turnover in leadership. We have received concerned e-mails from SFRA members whose SPSCHRONOLOGlO\L SFRAReviews take what can only be described as a really, really long time to BIBUOGRAPHYOFSF arrive. We have tracked the trickling-in of SFRAReviews to mailboxes that lasts CRIllasM:NOW (not counting overseas members) up to three weeks. It seems the U.S. Postal or-.n..INE Service is handling bulk mail more and more slowly these days. We have responded by moving up the time copy goes to the printer's in an attempt to get Rob Latham <robert­ the issues to members in one of the months listed on the cover. However, this [email protected]>, coeditor and means that the copy is prepared six weeks or more before it hits doorsteps, review editor o(Science Fiction Studies, notes that the updated resulting in old news, calls for papers whose deadlines have passed., etc. While we version o( the Chronological hack at this problem (or-better yet-turn it over to Barb and Shelley), remem­ Bibliography o(SF Critidsm (eatured in ber to check the SFRA Website every now and then; Webmeister Peter Sands is Science Fiction Studies 78 ljuly always putting updates up, and the news there is often more timely. 1999) is now online on their Website. It's been a great three years! In order to increase its utility to scholars and students in the (leld, they have inserted links (rom a large THEORY AND BEYOND number o( the entries to relevant EDITED BY JOAN GORDON AND SHEllEY RODRIGO BLANCHARD reviews in our archive and to the E~~"C7S" Documents in the History o( SF series. IUlan Itratton The bibliography can be accessed at <http://www.uiowa.edul-sfs/ Ecocriticism poses the same sort of challenge to anthropocentrism as biblio.htm>. Rob welcomes reports o( feminist theory does to androcentrism or queer theory does to the centrality of any problems and receipt o( suggestions. heterosexuals. Even though attacks on humanism and dualistic thinking have become familiar in literary criticism, it may still be a challenge to contemplate Earth without perceiving humans as central to or at the peak of a hierarchy that places all other species beneath us. The same dualistic thinking that has posi- tioned "civilized" against "primitive," whites against persons of color, and men against women has aligned humans and their culture against nature. To the extent that our animal nature is acknowledged at all, humanist and Christian traditions have assigned us a position of supremacy, with dominion over the rest of life on Earth. An ecocritical approach to literature EBRARYUPAND adopts instead an ecological perspective that places humans in a web of life, in a relationship of mutuality with the rest of Earth's living beings. m.JNNING Ecocritics tend to be action oriented and focused on the real world. They The follOwing was in a recent issue of are inspired by a sense of urgency about humanity's need to respond to the The Write News Weekly and made fragility of our ecosystem and are convinced that literature has the power to the rounds on the Intemet Ebrary, an shape human impact on the ecosystem. An ecocritic says, "The most important anline research resource, has function of literature today is to redirect human consciousness to a full consider­ announced a joint investment by ation of its place in a threatened natural world" (Glen A. Love, in Glotfelty 237), Random House Inc., Pearson, and The or to be ecocritical is to be" explicitly geared toward effecting change in the way McGraw-Hili Companies. Ebrary offers we think about and produce the environment" (Simon Estok, in PMLA 1096), researclHJriented content, including or "ecocritics expect to make a difference in the way others live their lives" books,joumals, maps, periodicals, and {Lawrence Buell, in N~ Literary History 709-10). The fundamental premise of digitally archived material. Intemet all ecological criticism, Cheryll Glotfelty asserts, is "that human culture is users will gain access to this content connected to the physical world, affecting it and affected by it" (xix). William without having to obtain a Rueckert, who coined the term "ecocriticism" in his 1978 article "Literature and membership or pay subsaiption fees. Ecology: An Experiment in Ecocriticism, " issued then a passionate plea to Ebrary is located at <http:// fellow literary critics: "How can we apply the energy, the creativity, the knowledge, www.ebrary.com>. Ebrary also allows the vision we know to be in literature to the human-made problems ecology patrons to acquire information by tells us are destroying the biosphere which is our home? How can we translate enabling the copying of text or printing literature into purgative-redemptive biospheric action ... ? How can we turn of pages for a photocopier-!ike fee. In words into something other than more words?" (in Glotfelty 121). this manner, ebrary provides publishers, authors, and information providers with This real-world focus tends to position ecocriticism against the new revenues. Partidpating publishers poststructura1ist models that have recently dominated literary criticism. Sueellen and information providers may Campbell notes that deep ecology and poststructuralism agree that "there is no determine the degree of access and such thing as a self-enclosed, private piece of property, neither a deer nor a costs assodated with each of their person nor a text nor a piece of land," but ecology insists that we pay attention titles. not to the way things have meaning for us but to the way the nonhuman world exists beyond us and our languages (in Glotfelty 133). Ecocritics split, Campbell observes, between those who work in a poststructura1ist vein, looking at the meanings we create for" nature," "landscape," and "environment," and those In Joe Milida's review of Fantasy Girls who look for ways to remove the writer as far as possible from the recreation of that appeared in SFRAReview 248, the natural world, trying to let it somehow speak for itself instead of focusing Kent Ono's name appeared as Kent on the human thought and emotion it evokes.
Recommended publications
  • A Deepness in the Sky Free
    FREE A DEEPNESS IN THE SKY PDF Vernor Vinge | 560 pages | 14 Jul 2016 | Orion Publishing Co | 9781473211964 | English | London, United Kingdom A Deepness in the Sky - Wikipedia Audible Premium Plus. Cancel anytime. A Deepness in the Sky years have passed on Tines World, where Ravna Bergnsdot and a number of human children ended up after a disaster that nearly obliterated humankind throughout the galaxy. Ravna and the pack animals for which the planet is named have survived a war, and Ravna has saved more than one hundred children who were in cold-sleep aboard the vessel that brought them. While there is peace among the Tines, there are those among them - and among the humans - who seek power. And no matter the cost, these malcontents are determined to overturn the fledgling civilization By: Vernor Vinge. A Fire Upon the Deep is the big, breakout book that fulfills the promise of Vinge's career to date: a gripping tale of galactic war told on a cosmic scale. Thousands of years hence, many races inhabit a universe where a mind's potential is determined by its location in space, from superintelligent entities in the Transcend, to the limited minds of the Unthinking Depths, where only simple creatures and technology can function. Set A Deepness in the Sky few decades from now, Rainbows End is an epic adventure that encapsulates in a single extended family the challenges of the technological advances of A Deepness in the Sky first quarter of the 21st century. A Deepness in the Sky information revolution of the past 30 years blossoms into a web of conspiracies that could destroy Western civilization.
    [Show full text]
  • The Hugo Awards for Best Novel Jon D
    The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.
    [Show full text]
  • Selected Scifi 201102.Xlsx
    Selected Used SciFi Books- Subject to availability - Call/email store to receive purchasing link ([email protected] 540206-2505) StorePri AuthorsLast Title EAN Publisher ce Cross-Currents: Storm Season, The Face of Chaos, Abbey, Robert Lynn Asprin and Lynn B000GPXLOQ Nelson Doubleday,. $8.00 and Wings of Omen Adams, Douglas Life, The Universe and Everything 9780517548745 Harmony Books $8.00 Adams, Douglas Mostly Harmless 9781127539635 BALLANTINE BOOKS $15.00 Adams, Douglas So Long, and Thanks for All the Fish 9780795326516 HARMONY BOOKS $6.00 Adams, Douglas The Restaurant at the End of the Universe 9780517545355 Harmony $8.00 Adams, Richard MAIA 9780394528571 Knopf $8.00 Alan, Foster Dean Midworld B001975ZFI Ballentine $8.00 Aldiss, Brian W. Helliconia Summer (Helliconia Trilogy, Book Two) 9781111805173 Atheneum / $8.00 Aldiss, Brian W. Non-Stop B0057JRIV8 Carroll & Graf $10.00 Aldiss, Brian Wilson Helliconia Winter (Helliconia, 3) 9780689115417 Atheneum $7.00 Allen, Roger E. Isaac Asimov's Inferno 9780441000234 Ace Trade $6.00 Allen, Roger Macbride Isaac Asimov's Utopia 9781857982800 Orion Publishing Co $8.00 Allston, Aaron Enemy lines (Star wars, The new Jedi order) 9780739427774 Science Fiction $15.00 Anderson, Kevin J and Rebecca The Rise of the Shadow Academy 9781568652115 Guild America $15.00 Moesta Anderson, Kevin J,Herbert, Brian Hunters of Dune 9780765312921 Tor Books $10.00 Anderson, Kevin J. A Forest of Stars: The Saga of Seven Suns Book 2 9780446528719 Aspect $8.00 Anderson, Kevin J. Darksaber (Star Wars) 9780553099744 Spectra $10.00 Anderson, Kevin J. Hidden Empire: The Saga of Seven Suns - Book 1 9780446528627 Aspect $8.00 Anderson, Kevin J.
    [Show full text]
  • TABLE of CONTENTS April 1999 Issue 459 Vol
    TABLE OF CONTENTS April 1999 Issue 459 Vol. 42 No.4 32nd Year of Publication 20-Time Hugo Winner CHARLES N. BROWN MAIN STORIES Publisher & Editor-in-Chief 1998 Stoker Award Preliminary Ballot/10 MARK R. KELLY Electronic Editor-in-Chief Del Rey Launches Impact/10 HarperPrism List Slashed/10 British Book Summary 1998/10 KIRSTEN GONG-WONG THE DATA FILE Managing Editor Australian Publishers Fight for Status Quo/11 Landis Wins Fellowship/11 FAREN C. MILLER Calvino Prize Announced/11 Kessel Comes Through/11 CAROLYN F. CUSHMAN Amazon Marches On/11 Announcements/11 Awards News/11 Editors Readings & Signings/11 Legal News/11 Financial News/63 EDWARD BRYANT Electronic Publishing News/63 Publishing News/63 Book News/63 RUSSELL LETSON Rights/63 Publications Received/63 Catalogs Received/64 GARY K. WOLFE INTERVIEWS Contributing Editors Neil Gaiman: Of Monsters & Miracles/4 WILLIAM G. CONTENTO Marina Fitch: Life As Fiction/8 Special Projects PHOTO STORIES BETH GWINN Photographer 1999 Williamson Lectureship/9 Norton Library Opens/9 Locus, The Newspaper of the Science Fiction Field (ISSN INTERNATIONAL 0047-4959), is published monthly, at $4.95 per copy, by Locus Publications, 34 Ridgewood Lane, Oakland CA SF in Greece/36 SF in Germany/38 94611. Please send all mail to: Locus Publications, P.O. Box 13305, Oakland CA 94661. Telephone (510) 339- SF in Sweden/39 SF in The Czech Republic/40 9196; (510) 339-9198. FAX (510) 339*8144. E-mail: [email protected]. Individual subscriptions in the OBITUARIES US: $43.00 for 12 issues, $80.00 for 24 issues via peri­ odical mail.
    [Show full text]
  • Fifty Works of Fiction Libertarians Should Read
    Liberty, Art, & Culture Vol. 30, No. 3 Spring 2012 Fifty works of fiction libertarians should read By Anders Monsen Everybody compiles lists. These usually are of the “top 10” Poul Anderson — The Star Fox (1965) kind. I started compiling a personal list of individualist titles in An oft-forgot book by the prolific and libertarian-minded the early 1990s. When author China Miéville published one Poul Anderson, a recipient of multiple awards from the Lib- entitled “Fifty Fantasy & Science Fiction Works That Social- ertarian Futurist Society. This space adventure deals with war ists Should Read” in 2001, I started the following list along and appeasement. the same lines, but a different focus. Miéville and I have in common some titles and authors, but our reasons for picking Margaret Atwood—The Handmaid’s Tale (1986) these books probably differ greatly. A dystopian tale of women being oppressed by men, while Some rules guiding me while compiling this list included: being aided by other women. This book is similar to Sinclair 1) no multiple books by the same writer; 2) the winners of the Lewis’s It Can’t Happen Here or Robert Heinlein’s story “If This Prometheus Award do not automatically qualify; and, 3) there Goes On—,” about the rise of a religious-type theocracy in is no limit in terms of publication date. Not all of the listed America. works are true sf. The first qualification was the hardest, and I worked around this by mentioning other notable books in the Alfred Bester—The Stars My Destination (1956) brief notes.
    [Show full text]
  • Science Fiction Booklist
    MOUNT VERNON CITY LIBRARY BOOKLISTS Science Fiction Adams, Douglas The Hitchhiker’s Guide trilogy The Hitchhiker’s Guide to the Galaxy Sci-Fi often takes us to a possible future or even an Asimov, Isaac alternate history and frequently has a technological I, Robot theme. Unlike Fantasy Fiction, Sci-Fi is driven by science rather than magic. Find these books or series in Fiction Bacigalupi, Paolo The Windup Girl under the author's last name or browse for the Sci-Fi sticker on the book spine. Bear, Greg Darwin’s Children Moving Mars Bradbury, Ray The Martian Chronicles Jemisin, N.K. Robinson, Kim Stanley Bradley, Marion Zimmer Broken Earth series Shaman Rediscovery The Fifth Season Aurora New York 2140 Bujold, Lois McMaster The Vorkosigan Saga Kenyon, S herrilyn Cryoburn Cloak & Silence Russell, Mary Doria The Sparrow Card, Orson Scott Le Guin, Ursula K. Ender Saga The Left Hand of Darkness Scalzi, John Ender’s Game A Fisherman of the Inland Sea : Old Man’s War Universe Fleet School Science Fiction Stories Old Man’s War Children of the Fleet Leckie, Ann Stephenson, Neal Imperial Radch series Anathem Clarke, A rthur C. 2001: A Space Odyssey The Raven Tower Seveneves Liu, Cixin Wells, H.G. Corey, James Three Body series Expanse Series The War of the Worlds The Three-Body Problem The Invisible Man Leviathan Wakes Martin, George R.R. VanderMeer, Jeff Dick, Philip K. Hunter’s Run The Man in the High Castle Southern Reach trilogy Dangerous Women Annihilation A Scanner Darkly McCaffrey, Anne Vinge, Vernor Gibson, William Freedom Series Zones of Thought series Neuromancer Freedom’s Landing A Deepness in the Sky Heinlein , Robert McCammon, Robert Walton, Jo Stranger in a Strange Land The Border Among Others Starship Troopers Variable Star Miller, Walter Willis, Connie A Canticle for Leibowitz Crosstalk Herbert, Frank Beyond Armageddon All Clear Dune Niven, Larry Yu, Charles Huxley, Aldous The Draco Tavern How to Live Safely in a Science Brave New World Saturn's Race Fictional Universe Parrish, Robin Offworld.
    [Show full text]
  • Thought Experiment
    Thought Experiment James Gunn SPACE OPERA AND THE QUEST FOR TRANSCENDENCE Half a dozen years ago I chose to return to a kind of science fiction I had turned my back on almost sixty years earlier—space opera. Jack Williamson, my collaborator in one of my two first 1955 novels, wrote that space travel was to science fiction what the Trojan War was to the Greeks—a defining myth. That myth became a reality, of sorts, after the Moon landing and unmanned re - search vessels to Venus, Mars, Jupiter, Saturn, and beyond. But that was only the first small step. Still to come in the fulfillment of humanity’s explorations into the un - known and the untouched were the exploration of the planets and then, in the more distant future, extrasolar expeditions. That imagined future was fueled by recent as - tronomical discoveries of planets around other suns, some of them with conditions re - sembling those on Earth. Focus on space started early. A substantial number of magazine covers, beginning with Amazing Stories, featured spaceships, aliens, or other worlds. In the twenties and thirties the spaceships were fanciful; by the fifties they had become more tech - nologically plausible as the realization of the myth became more credible with the use of rocket-propelled missiles in World War II. When book publishers began to is - sue science fiction, Doubleday identified its hardcover science fiction line with a rocketship on the spine. I would look for it in the new-books section at the public li - brary. John Campbell once defined science fiction as “the dreams .
    [Show full text]
  • Vernor Vinge's a Deepness in The
    Alex Groce ([email protected]), Oregon State University Vernor Vinge’s A Deepness in the Sky is a science­fiction novel. It won the Hugo Award for the best science fiction or fantasy novel of 2000, as well as the Prometheus Award and John W. Campbell Memorial Award for that year. It was nominated for the Nebula Award (similar in prestige to the Hugo, but voted on by science fiction writers only, rather than readers), the Arthur C. Clarke Award, and the Locus Award. It’s an exciting tale of adventure, deception, temptation, space travel and warfare, first contact with an alien race, and the birth, decline, and fall of civilizations. It may not be the only science­fiction novel that has software engineering as a major topic, but it is certainly the most prominent. Computer science, and particularly artificial intelligence, of course, is critical to many science fiction novels, ranging from the earliest robot stories to the “cyberpunk” visions of the 1980s. For the most part, however, software in science fiction is an uncreated magical MacGuffin, and there are few instances of anything even resembling actual software development in the genre. One notable exception is Rudy Rucker’s The Hacker and the Ants, which surprisingly involves a hacker who actually writes code in realistic programming languages, complete with discussion of compilers. A second possible exception is much older, and the topic of a column yet to be written. The details in Rucker’s book presumably come from Rucker’s background as a math and computer science professor. Like Rucker, Vinge has a background that helps with software realism: he’s a (now retired) math and computer science professor as well.
    [Show full text]
  • SHUTTLE April 2000 Our 20Th Year of Publication
    The SHUTTLE April 2000 Our 20th Year of Publication The Next NASFA Meeting will be 15 April 2000 at the Regular Time and Location Oyez, Oyez Bradbury Play in The next NASFA meeting will be 15 April 2000 at the Production regular time (6P) and the regular location (room 130 of the Madison City Municipal Building). Jack Lundy sends word that a new play based on the work The April program will be David Pettus speaking on Doc of Ray Bradbury is being produced at the Ritz Theater in Savage. David is a new NASFA member but has been a fan for Sheffield AL. ÒThe World of Ray Bradbury,Ó a showcase of many years. He promises visual aids (books and art) at the seven separate Bradbury works he adapted for the stage, is set meeting plus a pointer to a Doc Savage web site. to run 19Ð21 May. The April after-the-meeting meeting will be at Russell Bradbury was quoted in the Florence Times/Daily McNuttÕs house Ñ 902 Drake Avenue SE. ThatÕs east on as saying ÒI love the immediacy of the theater. Drake from the Parkway, past Whitesburg. The house is ItÕs incredibly rewarding to have flesh-and-blood actors roughly across from Randolph School and has a circular drive. act out characters youÕve had in your head for years.Ó Call Russell at 650-3195 or show up at the club meeting to get He also said he hopes to be on hand for the May 21 perform- more exact directions. ance. First ConCom Meeting in May Co-chair Mike Cothran has announced that the first held in May at a time and place to be decided.
    [Show full text]
  • Hugo Awards the Hugo Awards, First Presented in 1953 and Presented Annually Since 1955, Recognize and Celebrate Excellence in the Genre of Science Fiction and Fantasy
    Hugo Awards The Hugo Awards, first presented in 1953 and presented annually since 1955, recognize and celebrate excellence in the genre of science fiction and fantasy. These are the winners of the Best Novel category. Find out more about the awards and other categories at thehugoawards.org. CALS.ORG Binge Read: The Hugo Awards 1953 The Demolished Man Bester, Alfred r read it! 1988 The Uplift War (also published as part of Earthclan) Brin, David r read it! 1955 They'd Rather Be Right (also published as The Forever Machine) Clifton, Mark and Riley, Frank r read it! 1989 Cyteen Cherryh, C. J. r read it! 1956 Double Star** Heinlein, Robert A. r read it! 1990 Hyperion Simmons, Dan r read it! 1958 The Big Time** Leiber, Fritz r read it! 1991 The Vor Game (included in Vorkosigan’s Game) Bujold, Lois McMaster r read it! 1959 A Case of Conscience** Blish, James r read it! 1992 Barrayar (included in Cordelia’s Honor) Bujold, Lois McMaster r read it! 1960 Starship Troopers Heinlein, Robert A. r read it! 1993 (tie) A Fire Upon the Deep Vinge, Vernor r read it! 1961 A Canticle for Leibowitz Miller Jr., Walter M. r read it! 1993 (tie) Doomsday Book† Willis, Connie r read it! 1962 Stranger in a Strange Land Heinlein, Robert A. r read it! 1994 Green Mars Robinson, Kim Stanley r read it! 1963 The Man in the High Castle Dick, Philip K. r read it! 1995 Mirror Dance Bujold, Lois McMaster r read it! 1964 Here Gather the Stars (also published as Way Station) Simak, Clifford D.
    [Show full text]
  • Science Fiction As the Mythology of the Future
    Science Fiction as the Mythology of the Future “The universe is made of stories, not of atoms.” Muriel Rukeyser Introduction Science fiction is clearly the most visible and influential contemporary form of futurist thinking in the modern world. Why is science fiction so popular? As I will argue, one main reason for the popularity of science fiction is that it resonates with all the fundamental dimensions of the human mind and human experience. It speaks to the total person about the future. At the outset, let me provide a working definition of science fiction. Although not all science fiction deals with the future, its primary focus has been on the possibilities of the future. In this regard, science fiction can be defined as a literary and narrative approach to the future, involving plots, story lines and action sequences, specific settings, dramatic resolutions, and varied and unique characters, human and otherwise. It is imaginative, concrete, and often highly detailed scenario-building about the future set in the form of stories. In this chapter I describe the historical development of science fiction as an approach to the future tracing its origins to science and evolutionary theory, secular philosophy, technological forecasting, mythology, and the philosophy of Romanticism.1 Within this historical review, I consider the rich array of futurist themes and issues examined in science fiction. I also describe the diverse functions and innumerable strengths of science fiction as a mode of future consciousness. My central arguments are: • Science fiction engages all the fundamental capacities of the human mind; it generates holistic future consciousness.
    [Show full text]
  • Science Fiction 45 Min Video Outline
    Science Fiction: The Mythology of the Future Tom Lombardo, Ph.D. Center for Future Consciousness www.centerforfutureconsciousness.com Part I What is Science Fiction? Why is it so Popular? On the Magazine Cover is Braxa, a Martian Holding a Rose - as a Symbol of Bittersweet Connection between Herself & Human Character who has Impregnated Her, Saving the Martian Race from Extinction - “A Rose for Ecclesiastes” (1963) by Roger Zelazny - Science Fiction Hall of Fame - Contradicts Techno-Stereotype of Science Fiction - Humanistic Tale Takes Place on Mars - Story of Religion & Fate & Fatalism About the Future - Of Love & Seduction - Of Mysticism vs. Rationalism - Central Character is Poet & Linguist Not a Scientist or Technologist - Zelazny Incorporated Themes of Mythology into much of his Science Fiction Science fiction is clearly the most visible & influential contemporary form of futurist thinking in the modern world. Science fiction is so popular because science fiction speaks to the whole person— intellect, imagination, & emotion—and stimulates holistic future consciousness. Definition of Science Fiction: Although not all science fiction deals with the future, its primary focus has been on the possibilities of the future. In this regard, science fiction can be defined as a literary and narrative approach to the future, involving plots, story lines and action sequences, specific settings, dramatic resolutions, and varied and unique characters, human and otherwise. It is imaginative, concrete, and often highly detailed scenario-building about the
    [Show full text]