Maria Schneider - Selbst Genäht Hält Besser Dienstag, 1

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Jazz Collection: Maria Schneider - selbst genäht hält besser Dienstag, 1. Dezember 2020, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 5. Dezember 2020, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Kurz, knallig, trashig? Alles was heute angesagt wäre in der schnellen Welt der sozialen Medien ist nicht ihr Ding. Maria Schneider steht für grosse Bögen, für Ruhe und Zeit, und für umwerfende Arrangements. War zu Beginn der grosse Arrangeur Gil Evans ihr Mentor, so steht sie längst für eine eigene Sprache und geniesst in Musikerkreisen allergrössten Respekt. Wie sie sich diese Stellung erarbeitet hat, wie sie sich einsetzt für die Rechte der Musikerinnen und Musiker, was ihre Kunst mit Vögeln zu tun hat und was ein perfektes Arrangement ausmacht - das diskutiert die Komponistin, Arrangeurin und Saxophonistin Sarah Chaksad in der Jazz Collection mit Jodok Hess. Gast: Sarah Chaksad Redaktion und Moderation: Jodok Hess Interpret*in Titel Komponist*in Album / Label Maria Schneider Orchestra Some Circles Maria Schneider Evanescence / Enja (1994) Maria Schneider Orchestra Hang Gliding Maria Schneider Allégresse / Enja (2000) Maria Schneider Orchestra Three Romances, Part III: Choro Maria Schneider Concert in the Garden / dançao artistShare (2004) Maria Schneider Orchestra Cerulean Skies Maria Schneider Blue Sky / artistShare (2007) Dawn Upshaw, Sopran When I Switched on a Light Maria Schneider Winter Morning Walks / Australian Chamber / Ted Kooser artistShare (2013) Orchestra Maria Schneider, Leitung Maria Schneider Orchestra Walking by Flashlight Maria Schneider The Thompson Fields / artistShare (2015) Maria Schneider Orchestra Data Lords Maria Schneider Data Lords / artistShare (2019) Maria Schneider Orchestra Stone Song Maria Schneider Data Lords Maria Schneider Orchestra A World Lost Maria Schneider Data Lords .

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Maria Schneider
Das Schweizer Jazz & Blues Magazin Sept./Okt. N r . 5 / 2018 S Schweiz CHF 11.00 / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN 'MO'MORERE MARIA SCHNEIDER MEISTERIN IHRER KLASSE VINCENT PEIRANI FRICKTALER JAZZ UND 1968? STEVE COLEMAN BLUES FESTIVAL GENERATIONS JAZZFESTIVAL IRÈNE SCHWEIZER PEPE LIENHARD SHEMEKIA COPELAND 40 JAHRE WIM 15 JAHRE 10 JAHRE WEEKLY JAZZ STEFAN AEBY LEBEWOHLFABRIK ROLI MOSIMANN 50 JAHRE GLOBE UNITY MARTIN SCHÜTZ HERMANN MEIER MEHR ALS 100 CD-BESPRECHUNGEN JNM_05_18_01_Cover_Maria Schneider_lay.indd 1 28.08.18 10:57 COVERSTORY MARIA SCHNEIDER MEISTERIN IHRER KLASSE Die Komponistin, Arrangeurin und Bandleaderin Maria Schneider leitet am kommenden generations International Jazzfestival Frauenfeld eine Masterclass. Mit JAZZ'N'MORE sprach sie darüber, was in ihr vorgeht, wenn sie eine Big Band leitet, wie sie ihre eigene musikalische Vergangenheit betrachtet und wie ihre Zukunft – und diejenige der kreativen Musik insgesamt – aussehen könn- te. Von Christof Thurnherr Die goldene Ära der che Masterclasses eine sehr wichtige, viel- Als Komponist musst du beispielsweise da- Jazz-Big-Bands ist längst vergangen. Umso leicht die wichtigste Form der Ausbildung für mit umgehen können, dass die Musik, die du grösser ist heute die Leistung, eine so grosse einen Musiker. Ich selbst habe früher an vie- im Kopf hast, nicht gleich klingt wie das, Band während mehr als 20 Jahren zu halten. len solchen Kursen teilgenommen und ohne was die Musiker aus deinen Noten herausle- Doch noch vor dieser organisatorischen Leis- diese Erfahrungen wäre ich heute nicht, wo sen. Es ist für mich enorm wichtig herauszu- tung ist es Maria Schneiders Musik, die be- ich bin.
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The Thompson Fields That Flows Back Complicates and Enriches the Group Dynamic and Incantation Also Show up in This Arch, Unflappable Trio
CD REVIEWS plants its semi-funky insistent earworm and “Blue world, its effect on the soul. Tale” is a snappy, jaunty narrative. “Zapoteca”, the In one panoramic photo, Schneider walks on a dashing trio-only closer, suggests the tightly coiled sandy gravel road, looking out over the sprawling arabesques of Oaxacan ruins, its spicy mole sauces and native prairie (the “Thompson Fields” of the title) near its textiles’ dazzling indigo and cochineal hues. her hometown of Windom. Her music captures the Domenico Sanna’s trio with bassist Ameen Saleem extraordinary peace but also the volatility of the place. Seldom and drummer Dana Hawkins prances with fluid Steve Wilson’s alto saxophone feature on “Nimbus”, a Alessandro Lanzoni (CAM Jazz) generosity on Brooklyn Beat! in constant ruminative minor-key epic inspired by Schneider’s close encounter Brooklyn Beat! improvisation, balancing piano with Rhodes, with a funnel cloud, brings out some of the band’s Domenico Sanna (Via Veneto Jazz / Jandomusic) sometimes overdubbed, as on the amply adventurous most intense moments. “Walking by Flashlight”, the This Is The Day “Miracle Fishing”. Now 31, Sanna unleashes sidewise, leadoff track, finds Scott Robinson on the surpassingly Giovanni Guidi Trio (ECM) slanting themes (if occasionally tedious vamping) on beautiful alto clarinet, spilling pure melody, evoking by Fred Bouchard the aforementioned “Miracle Fishing” but slyly the poetry of Ted Kooser (“Cloudy, dark and windy. Italian pianists have been branding jazz with strong surreptitious ring-tones on “Cow Bells”. Nodding to Walking by flashlight / at six in the morning…”). national and regional characteristics and singular tradition, the Gaeta native salutes composer Jaki One can only marvel at the intricacy and rigor of stamps of individualistic artistry for decades.
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Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
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John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving.
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Maria Schneider
JAZZ AT THE nATION'S lIBRARY THE CAROLYN ROYALL JUST FUND iN tHE LIBRARY oF CONGRESS THE REVA & DAVID LOGAN FOUNDATION MARIA SCHNEIDER rESIDENCY APRIL 12 - APRIL 16, 2016 LIBRARY OF CONGRESS WASHINGTON, DC The CAROLYN ROYALL JUST FUND in the Library of Congress, established in 1993 through a bequest of the distinguished attorney and symphony musician Carolyn Royall Just, supports the presentation and broadcasting of classical chamber music concerts. Made possible by The Reva and David Logan Foundation is a Chicago-based family foundation that provides strategic grants to support the arts, investigative journalism, scholarship and social justice. ***** Concerts from the Library of Congress has joined forces with the Logan Foundation to showcase some of the greatest figures and musicians in contemporary jazz. Bandleader and composer Maria Schneider, pianist and composer Abdullah Ibrahim, and scholar Dan Morgenstern will explore the Library's jazz collections and incorporate new discoveries into their perfor- mance and writing activities. Join us for an unprecedented focus on jazz at the nation's library. A live recording of the world premiere performance of Maria Schneider's Library of Congress commission will be available at q2music.org/libraryofcongress, as part of the ongoing collaboration between the Library of Congress and Q2 Music. Maria Schneider Residency Events Tuesday, April 12, 7 pm | Panel Discussion Artists' Rights and the Digital Marketplace Maria Schneider | John L. Simson | Spree Wilson | Jennifer Cutting Montpelier Room
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Maria Schneider Orchestra Sunday, February 19, 2017
CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: January 9, 2017 Press Room CAL PERFORMANCES AT UC BERKELEY PRESENTS THE MARIA SCHNEIDER ORCHESTRA SUNDAY, FEBRUARY 19, 2017 Berkeley, January 9, 2017 — Cal Performances at UC Berkeley presents acclaimed bandleader and composer, Maria Schneider, with her award-winning 18-member orchestra, Sunday, February 19, 2017 in Zellerbach Hall. Schneider has led her accomplished ensemble for more than 20 years, developing a highly distinctive voice in her big band compositions, and earning comparisons to the likes of Duke Ellington and Gil Evans. Schneider last performed at Cal Performances as part of the Ojai at Berkeley Festival in 2011, and returns in 2017 for the first time with her full ensemble of gifted improvisers. The orchestra presents her most recent work, The Thompson Fields, which in 2016 won Schneider her fifth Grammy Award, Best Large Jazz Ensemble Album. Schneider’s dense, lushly orchestrated works, which straddle both classical and jazz musical language, have been credited with expanding the range and possibilities of the big band format. The Thompson Fields is a suite of compositions inspired by the natural world, notably Schneider’s Midwest prairie roots: the work is named after a local Minnesota farm significant to her childhood. A pre- performance talk is planned with Schneider and Alisa Clancy, program director of KCSM 91.1 FM, at 6pm, and is free to concert ticketholders. About Maria Schneider Cal Performances / Maria Schneider Orchestra, page 2 Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording, Evanescence.
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The Art of Incorporating Afro-Latin Rhythms in Modern Jazz: in the Style of Maria Schneider
Belmont University Belmont Digital Repository Composition/Recording Projects School of Music Spring 4-28-2021 The Art of Incorporating Afro-latin Rhythms in Modern Jazz: In the Style of Maria Schneider Kristen Janelle [email protected] Follow this and additional works at: https://repository.belmont.edu/music_comp Part of the Composition Commons Recommended Citation Janelle, Kristen, "The Art of Incorporating Afro-latin Rhythms in Modern Jazz: In the Style of Maria Schneider" (2021). Composition/Recording Projects. 3. https://repository.belmont.edu/music_comp/3 This Thesis is brought to you for free and open access by the School of Music at Belmont Digital Repository. It has been accepted for inclusion in Composition/Recording Projects by an authorized administrator of Belmont Digital Repository. For more information, please contact [email protected]. THE ART OF INCORPORATING AFRO-LATIN RHYTHMS IN MODERN JAZZ: IN THE STYLE OF MARIA SCHNEIDER By KRISTEN SOFIA JANELLE A PRODUCTION PAPER Submitted in partial fulfillment of the requirements for the degree of Master of Music in Commercial Composition in the School of Music of the College of Music and Performing Arts Belmont University NASHVILLE, TENNESSEE March 2021 Submitted by Sofia Janelle in partial fulfillment of the requirements for the degree of Master of Music in Commercial Music. Accepted on behalf of the Graduate Faculty of the School of Music by the Mentoring Committee: ––––––––––––––––––––––– ––––––––––––––––––––––– Jeffrey Kirk, Ed.D. Second Mentor –––––––––––––––––––––––
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Maria Schneider's Concert in the Garden
“Maria Schneider’s Concert in the Garden”—Maria Schneider (2004) Added to the National Registry: 2019 Essay by Fred Kaplan (guest post)* Maria Schneider Maria Schneider’s “Concert in the Garden” (2004) stands as a path-breaking album in so many ways: in American big band music, in jazz record distribution, and in Schneider’s career. She was 43 when she wrote and recorded its music; this was her fifth album leading the Jazz Orchestra, as she has called it. Before forming the band, in the early 1990s, she worked as an assistant, copyist, and arranger for Gil Evans and Bob Brookmeyer, and her early compositions reflected their influence, especially Evans’ lush harmonies. If the span of big band music can be divided into the vertical (like Evans’ stacked chords) and horizontal (say, Count Basie’s propulsive rhythms), Schneider clearly dwelled among the vertical. “CitG” was her first piece of music that straddled both approaches and in a style that was unmatched, in originality and immersivenss, since Ellington and Strayhorn. There is a muscularity to this music, yet also a floating spaciousness and a sizzling romance. Since she was very young, Schneider had loved Ravel’s ballets and Fred Astaire musicals, and, in the years leading up to this album, she fell for Argentine tango and Brazilian choro. With “Concert in the Garden,” she managed to tap into all those influences, at least rhythmically (the harmonies remained distinctively hers), fusing them with jazz traditions, instrumentations, and idioms. She also brought in voices--an accordion, cajons, and a vocalist (Luciana Souza), the last just for texture, not to scat or sing lyrics--that she had never used before.
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2019 NEA Jazz Maters Tribute Concert Playbill
04-15 NEA Jazz Masters.qxp_WPAS 4/4/19 11:36 AM Page 1 CONCERT HALL April 15, 2019 The John F. Kennedy Center for the Performing Arts and National Endowment for the Arts present 2019 NEA Jazz Masters Tribute Concert Honoring: STANLEY CROUCH BOB DOROUGH ABDULLAH IBRAHIM MARIA SCHNEIDER This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Jason Moran is the Kennedy Center Artistic Director for Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-15 NEA Jazz Masters.qxp_WPAS 4/4/19 11:36 AM Page 2 THE 2019 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With Terri Lyne Carrington, Music Director With remarks from Mary Anne Carter, Acting Chairman of the National Endowment for the Arts Deborah F. Rutter, President of the John F. Kennedy Center for the Performing Arts 2019 NEA Jazz Master Abdullah Ibrahim 2019 NEA Jazz Master Maria Schneider Patrick C. Dorian, Distinguished Professor Emeritus of Music, East Stroudsburg University of Pennsylvania Loren Schoenberg, Senior Scholar, National Jazz Museum in Harlem Performances by Jay Anderson Steve Berger Terence Blanchard Terri Lyne Carrington Kurt Elling Sullivan Fortner Bill Goodwin Cleave Guyton Noah Jackson NEA Jazz Master Sheila Jordan Grace Kelly Frank Kimbrough Christian McBride Charles McPherson Jason Moran David Murray Pat O’Leary
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Året Er 1965. En Lille Rødhåret Pige Går Rundt I Præriebyen Windom I Minnesota
MARIA SCHNEIDER SPILLELISTE fra Henning Thøgersen 26.4.2017 ------------------------------------------ Året er 1965. En lille rødhåret pige går rundt i præriebyen Windom i Minnesota. Ingen aner, at hun en dag skal blive den verdensberømte komponist, dirigent og bigband leder Marie Schneider, som med sit 17 mand store band turnerere rundt i hele verden. -Det hele begyndte med pianisten, mrs. Evelyn Butler. Jeg var fire-fem år, da kvinden flyttede fra Chicago til vores lille by. Hendes mand og søn var døde af kræft med få måneders mellemrum. Det var meget tragisk, og mine forældre inviterede hende hjem til middag. Efter maden satte hun sig til vores gamle klaver, og hendes musik ændrede mit liv...Jeg kunne se alt i tonerne, hendes sjæl var i rummet. Mine omgivelser skiftede fra sort/hvid til farver. Jeg blev klar over, jeg havde et særligt talent for lyde. -Mor, det der vil jeg have. Jeg vil være ligesom hende. Mrs. Butler var rødhåret ligesom mig. Hvad der var sket, hvis jeg ikke havde mødt Mrs-Butler? Så var jeg nok blevet ornitolog, siger den nu 56-årige kunstner. -Jeg var ikke bevidst om jazz fra starten, men Evelyn Butler, som blev min lærer gennem 13 år, fik mig til at spille alle de klassiske populære amerikanske ting. Efterhånden blev jeg interesseret i andet end at spille. Vi begyndte at analysere musikken , og jeg startede med at komponere selv. Først var det små, enkle sange, jeg gav mine venner som gave. Maria Schneider studerede musikteori og komposition på University of Minnesotaog tog eksamen i 1983. To år efter erhvervede hun en masterdegree i musik fra Eastman School of Music og studerede et år på University of Miami.
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MARIA SCHNEIDER's MUSICAL LAND ETHIC by Joel
“QUIETLY PRESENT IN THE LAND AND THE WIND”: MARIA SCHNEIDER’S MUSICAL LAND ETHIC by Joel Oliver-Cormier Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia March 2018 © Copyright by Joel Oliver-Cormier, 2018 Table of Contents List of Figures ...................................................................................................................................... iii Abstract ................................................................................................................................................. iv Acknowledgments ................................................................................................................................ v Chapter 1 – Introduction .................................................................................................................... 1 Chapter 2 – “The Thompson Fields” ............................................................................................. 15 Chapter 3 – “Nimbus” ...................................................................................................................... 32 Chapter 4 – “Cerulean Skies” ........................................................................................................... 53 Chapter 5 – Conclusion ..................................................................................................................... 79 Bibliography .......................................................................................................................................
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Downbeat.Com September 2015 U.K. £4.00
SEPTEMBER 2015 U.K. £4.00 DOWNBEAT.COM September 2015 VOLUME 82 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson,
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