Don juan tenorio obra pdf

Continue Selecciona una palabra y presiona la tecla d para obtener su definici'n. Foundation Library Virtual Miguel de Cervantes Mapa del Sitio Politics de Cookies Marco Legal This article needs additional quotes to check. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Don Juan Tenorio - newspaper news book scientist JSTOR (July 2011) (Learn how and when to delete this message template) Don Juan Tenorio AuthorJos SorillaCantrySpainAgePurishGenreRomantic PlayPublisher (copyright term) Publication Date1844Media typePrint Juan Tenorio: Drama religious-fiction en dos party (Don Juan Tenorio: Religious fantasy drama in two parts) is a play written in 1844. It is more romantic of the two main Spanish-american literary interpretations of the legend of Don Juan. Another 1630 El burlador de Sevilla y convidado de piedra (Trickster Seville and guest of stone), which is attributed to Thirso de Molina. Don Juan Tenorio owes much of this earlier version, recognized by zorrilla himself in 1880 in his Recuerdos del tiempo viejo (Memories of the Old Days), although the author curiously confuses de Molina with another writer of the same era, Agustin Moreto. Plot First Part of Raimundo Madrazo, Maria Guerrero as Donya Ina, who has just found a love letter from Don Juan, hidden on the pages of the book. In the first part of the drama, the main character is still a demonic rake described by de Molina (he was repeatedly called a demon and even Satan himself). The story begins with Don Juan meeting Don Luis in a crowded wine shop in Seville so they can find out which of them won the bet they did a year ago: everyone expected to be able to beat more women and kill more men than others. Naturally, Don Juan wins on both counts. People in the crowd ask him if he is not afraid that someday there will be consequences for his actions, but Don Juan replies that he thinks only about the present. It then emerged that the two cabalieros had been engaged since they last met, Don Luis Donja Ana de Pantoja and Don Juan Donja Ina de Ulloa. Don Luis, his pride hurt, admits that Don Juan slept with every woman on the social ladder from princess to beggar, but lacks one conquest: a beginner is about to take her holy vows. Don Juan agrees to a new bet and doubles it, saying that he will seduce a newcomer and a servish woman, boasting that he only needs six days to complete the task with Don Luis' fiancee as one of the alleged conquests. At this point, Don Gonzalo, the future father-in-law of Don Juan, who sat in the corner during this whole exchange, states that Don Juan will never come near his daughter and The wedding is off. Don Juan laughs and tells the man that he will either give Donya Ina to him, or he will accept it. Now he has the second part of the bet, concrete with Donya Ina set to take her vows. In the following scenes, Don Juan manages, through charisma, luck and bribery, to fulfill both betting conditions in less than one night. However, he does not seduce saint Donja Ida; he simply picks her up from the monastery where she was imprisoned, and leads her to her mansion outside the city. There is a very gentle love scene in which everyone professes to love others, and it seems that, this time, Don Juan feels something more than the thirst of Donya Ines. Unfortunately, Don Luis arrives to demand a duel with Dona Juan for having seduced Donya Ana, pretending to be her fiance. Before they come true, Don Gonzalo appears with the city guards and accuses Don Juan of kidnapping and seducing his daughter. Don Juan kneels and implores Don Gonzalo to let him marry Donya Ing, saying that he worships her and will do everything for her. Don Luis and Don Gonzalo mock him for his alleged cowardice and continue to claim his life. Don Juan states that because they rejected him in his attempts to become a good man, he will continue to be the devil, and he shoots Don Gonzalo, punches Don Luis in a duel, and flees the country, abandoning the now without his father Donja Ing. The second part of the statue of Don Juan at Refinadores Square in Seville. The second part begins after 5 years have passed. Don Juan returns to Seville. Arriving at the place where his father's mansion used to be, which was turned into a pantheon, he discovers that the building was demolished and in its place built a cemetery. Above the tombs are living statues of Don Gonzalo, Don Luis and Donia Ina. The sculptor, who had just finished his work when Don Juan arrived, tells him that Don Diego Tenorio, don Juan's father, has renounced his son and used his inheritance to build this memorial to his victims. Don Juan also learns that Donya Ina died of grief shortly after she was abandoned. The main character is clearly, at least a little remorseful for what he has done, expressing regret to the statues and praying for forgiveness Donya Iness. When he prays, the statue of Donya Ina comes to life and tells him that he has only one day to live in which he must decide what his destiny will be. Ina speaks from Purgatory, made a deal with God to offer her own mad soul on behalf of Don Juan. Therefore, God agreed that their two souls would be connected to each other forever, so Don Juan must choose either salvation or curse for both himself and Donya Ina. Then two old friends of Don Juan, Centellas and Avellaneda, sing, and Don Juan convinces himself that he really did not see the ghost at all. In order to prove his bravado, he invites her statue of Don Gonzalo to dinner, which Don Juan continues to blaspheme against the heavens and the dead for the following scenes until the statue of Don Gonzalo does not really appear at dinner. Don Juan manages to stay largely carefree, though both of his other guests aside as Don Gonzalo tells him once again that his time is running out. When Avellaneda and Centellas wake up, Don Juan accuses them of coming up with this show to make a look at it. Offended, they accuse him of pumping them with drinks to mock them, and they end up in a swordfight. The third act of the second part is difficult to describe unequivocally, in that various critics interpreted it differently (see below). Don Juan returned to the cemetery, led by the ghost of Don Gonzalo. The tomb of Don Gonzalo opens and reveals an hourglass representing the life of Don Juan. It's almost over, and Don Gonzalo says Centellas has already killed Don Juan in a fight. He then takes Don Juan's hand to lead him to hell. Don Juan protests that he is not dead and reaches for mercy in heaven. Donya Ida appears and bathes him, and they go to heaven together. Interpretation by Actors Fortunio Bonanova and Inocentia Alcubierre in the film Don Juan Tenorio, Ricardo de Bagnos. This Don Juan shifts from the moralistic theme of the play by Thirso de Molina. This light-hearted nature is much more contradictory than the original Molina, and highlights how the values of myth can be reimagined. The play of zorrilla (and the final repentance of Don Juan) is often understood as an affirmation of author's conservatism and Catholic faith. Don Juan Tenorio is the longest-running performance in Spain: it has become a tradition of Spanish theatre to perform el Tenorio on All Saints Day, so the play has been performed at least once a year for more than a century. It is also one of the most lucrative plays in Spanish history. Unfortunately, the author did not benefit from the success of his play: shortly after he finished writing it, zorilla sold the rights to the play, as he did not expect it to be much more successful than any of his other works. Apart from the price paid for the rights, zorilla never made any money from any of the productions. Later, he wrote a biting critique of the work in an apparent attempt to get it terminated long enough for him to revise it and market the second version of himself. However, this ploy has not been successful. This is Ruiz's version of Don Juan because he believes the story can never end sadly, and should always have a happy ending. List of characters Illustration to the work of A.K. Pushkin Stone guest Don Juan Tenorio (main character) Don Luis Mejia (rival of Don Juan) Donja Inis de Ulloa (the bride of Don Juan) performed by the Inoculation of Alcubierre in the 1922 production. Donja Ana de Pantoja (Don Luis' bride) Don Gonzalo De Ulloa (Father donja Ina) Brigida Donya Ina) Captain Centellas Centellas Don Juan) Don Rafael de Avellaneda (friend of Don Luis, and then, Don Juan) Don Diego Tenorio (Father of Don Juan) Marcos Ciutti (servant of Don Juan) Christophano Buttarelli (owner of the shop where the first scenes take place) Pascual (servant of the Pantoha family ) Lucia (donya Ana's maid) Abbey Monastery, where Donia Ines Sculptor lives, who makes statues from part 2 of the City of The English 2012. Arbus, David. Don Juan Tenorio: Religious-fantastic drama in two parts. Newark, DE: Juan de la Cuesta Hispanic monographs. 2003. Trimble, Robert G. Translation by Don Juan Tenorio Jose zorrilla. Lewiston, NY: Edwin Mellen Press. 2002. Mayberry, Nancy C., A.S. Kline. Don Juan Tenorio: New English translation of poems with parallel Spanish text. Don Juan Tenorio from the Gutenberg Project in Spanish with English translation. 1990. Bolt, Ranjit. The real Don Juan. Bath, England: Absolute press. 1963. Oliver, William. Don Juan Tenorio. Don Juan Theatre: Collection of Plays and Species, 1630-1963. Lincoln, NE: University of Nebraska Press. 469-538. 1944. Owen, Walter. Don Juan Tenorio: Adapted from Spanish and featured in an English verse by Walter Owen. Buenos Aires: Lamb. Inquiries - Diaz, J. L. (2007). El siglo 19th en el Prado (in Spanish). Prado National Museum. 332-334. External links of the Spanish Wikisource has the original text associated with this article: Don Juan Tenorio Spanish Wikiquote has a quote related to: Don Juan Tenorio media related to Don Juan Tenorio in the Commons extracted from the don juan tenorio obra completa. don juan tenorio obra de teatro. don juan tenorio obra de teatro en mexico. don juan tenorio obra de teatro guion. don juan tenorio obra pdf. don juan tenorio obra resumen. don juan tenorio obra de teatro resumen. don juan tenorio obra de teatro pdf

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