Light and Its Ideosyncrasies

Total Page:16

File Type:pdf, Size:1020Kb

Light and Its Ideosyncrasies LIGHT AND ITS IDEOSYNCRASIES CONTENTS - What is light? - wavelengths - How does it move - Bending light - Modifying movement - Filters - Blue sky thinking - Dawn and sunset - Apps and what to look for - Light trails - Bonfire night - Christmas lights WHAT IS LIGHT? Good question! “Visible light” is a small part of a range of emanations called ELECTROMAGNETIC RADIATION. It’s a wave made of pure energy but can sometimes behave like a particle. This is called particle-wave duality. Therefore, not only can light be thought of in terms of rays (waves) but also in terms of photons (packets of light that can be thought of as particles). WAVELENGTH As wavelength gets smaller (and therefore frequency increases) the penetration of EM radiation into matter increases. That’s one reason why gamma radiation is so dangerous. It’s hard to stop and has very high energy, enough to ionise atoms within the body, changing their properties and making you sick. Visible light just bounces off (reflection) or gets absorbed. For photographers, the wavelength is all about colour. Each colour has a different wavelength. White light (sunlight) is a mixture of all of the colours. POWER OF TEN NOTATION You’ll notice that the frequencies are written in powers of 10. 1024 - 102. The formal way of writing this is actually 1*102 which means 1*100=100. So 3*108 is 300,000,000. We might come back to this number in a minute. Negative powers refer to decimals. Thus, a nanometre (nm) is 10-9 metres, which means 0.000000001 of a metre, moving the “1” 9 decimal places backwards. HOW DOES LIGHT MOVE? Unlike sound, light does not need a medium in order to move, it can travel through a vacuum. It has a few properties related to movement:- RECTILINEAR PROPAGATION Light travels in straight lines. A single light ray also travels in a single plane. However, unless the beam is coherent (lasers etc), then a light source emits many wavelengths on multiple planes. SPEED OF LIGHT (c) The speed of light is constant (in an inertial rest frame!). It is the same for all EM radiation, and is 2.99792458 *108 ms-1 (metres per second), often rounded up to 3*108 ms-1. You cannot travel faster than the speed of light (c).So that is approximately 300,000 kilometres per second, or 200,000 miles per second (very approximately). And so a light-year is a distance of 3*108 * 365 (days) * 24(hours) * 60(minutes) * 60(seconds) = 9.4608*1015 metres. Nearly 6 trillion miles ( 6x1012 miles) BENDING LIGHT AND MODIFYING ITS MOVEMENT Can light be bent? Well the short answer is….NO. Light does not bend! It travels in straight lines. If someone says the light is bent they probably mean it has changed direction. However, it is possible to bend spacetime. Bends in spacetime are called gravity! So, the path of light will travel around the bend in spacetime. Only very big gravitational forces can noticeably bend the path of light, for example black holes. REFRACTION This is the change in the path of light. The angle of change depends on the wavelength, and this is how rainbows are formed, since the colours are all different wavelengths. DIFFRACTION Diffraction is what happens to light when it passes through a gap. The narrower the gap gets, the bigger the effect is. Narrow apertures in lenses lead to diffraction lessening the sharpness of a shot. REFLECTION This is light bouncing off a surface. There is a complication with reflection, however. Non-metallic surfaces polarize light, so any reflection from a surface like that will be in a single plane, or clustered tightly around a single plane. So, if you could remove that plane from the light entering the camera you could remove the reflection! This is how polarizing filters work. Source sunlight reflecting filter stops polarised light Surface Use on leaves, water, sky, anything that reflects, to saturate colours Light can also be diffused, absorbed and emitted POLARISING FILTERS Only circular polarising filters allow modern autofocus systems to work. Turn the outer ring to remove the plane of light that you don’t want. This means that you need to be careful which lens to buy the filter for, as it screws into the filter thread on the front of the lens BLUE SKY THINKING Why is the sky blue? At the blue end of the spectrum the atmosphere scatters EM radiation, protecting us and making the sky blue. Good job too! The shorter the wavelength the more deadly to life the radiation is. DAWN AND SUNSET At sunrise and sunset, the angle of the sun is low. This means there is more atmosphere for the light to travel through, the blue gets scattered more, and the remaining light looks increasingly golden, depending on conditions. The sky goes deep blue just after sunset and just before sunrise. This is called the blue hour (lasts about 10 mins). Blue hour PREDICTING CONDITIONS! Good luck! The British weather is fickle, and any prediction is approximate, but you can increase your chances… WEATHER APPS I use the BBC app and the one that comes with my phone: WHAT TO LOOK FOR For colourful sunsets and sunrises look for moon with cloud and sun with cloud. For backlighting and golden light look for clear skies. For morning dew look for clear colder nights followed by a clear sunrise. Sometimes the gaps between rain clouds can give very dramatic light. Sun and cloud…sunset…moon/stars and cloud dramatic sunsets Clear both before and after sunset orange/red light Clear cool nights…clear sunset dew or frost or mist Sunset orange sky……sunset…….red sky…….blue hour Sunrise blue hour…..red sky…..sunrise……pink/orange sky The Photographers’ Ephemeris (TPE) and Photopills Extremely useful apps. They can tell you the times of sunrise etc and the direction you can expect them in any given location superimposed on an HD map. There are also other options such as night sky, and hyperfocal distance . TPE photopills The Photographers’ Ephemeris has a free to use web based service https://www.photoephemeris.com/ But the mobile app is incredibly useful on location and in the planning stage. Both cost about £10 for the mobile app. TIDE TIMES I use “ayetides” (about £5.99), but there are probably free apps too. ORDINANCE SURVEY £2.99 per month buys access to all of the UK maps, including all of the different scales. All types of OS maps are available and change automatically as you zoom in and out. A single paper map is approx. £17.99 SPECIAL SITUATIONS LIGHT TRAILS - Pick your location with care. There should be background interest - Use a tripod - Aperture priority or manual exposure - 20 – 30 second shutter speed depending on background - F16 - 100 ISO - Control exposure exp comp = -1.66 - You may need an nd filter to get the longer shutter speed - Make sure you get the whole trail! No partials - Manual focus at the hyperfocal distance, or a third into the shot - Blue hour can add a lot - Try Burford hill - IS and long exposure noise reduction off FIREWORKS - Use a tripod - Manual focus at infinity or your AF will hunt, missing the shot - Bulb mode. B on the mode dial, or in manual go past 30 seconds shutter speed to B - 100 ISO - F16 to give dof and get rid of smoke - Open shutter at start of set - Close at the end of the set - Max duration about 15 seconds before things get confused - If there’s a lit background set your exposure time for that (use Av) - You will need a remote shutter release - IS and long exposure noise reduction off Night-time cityscapes and Christmas lights - - Tripod - Manual focus on back of camera - Aperture priority or manual - Exposure compensation -1.66 to -2 - F16 - ISO 100 - Shutter speed whatever as long as under 30 seconds - Watch for the brightest lights being blown out - Image stabilisers off! - Long exposure noise reduction turned on GET STUCK IN! .
Recommended publications
  • How the Sun Paints the Sky the Generation of Its Colour and Luminosity Bob Fosbury European Southern Observatory and University College London
    How the Sun Paints the Sky The generation of its colour and luminosity Bob Fosbury European Southern Observatory and University College London Introduction: the 19th century context — science and painting The appearance of a brilliantly clear night sky must surely have stimulated the curiosity of our earliest ancestors and provided them with the foundation upon which their descendants built the entire edifice of science. This is a conclusion that would be dramatically affirmed if any one of us were to look upwards in clear weather from a location that is not polluted by artificial light: an increasingly rare possibility now, but one that provides a welcome regeneration of the sense of wonder. What happened when our ancient ancestors gazed instead at the sky in daylight or twilight? It is difficult to gauge from written evidence as there was such variation in the language of description among different cultures (see “Sky in a bottle” by Peter Pesic. MIT Press, 2005. ISBN 0-262-16234-2). The blue colour of a cloudless sky was described in a remarkable variety of language, but the question of its cause most often remained in the realm of a superior being. Its nature did concern the Greek philosophers but they appeared to describe surfaces and objects in the language of texture rather than colour: they did not have a word for blue. It was only during the last millennium that thinkers really tried to get to grips with the problem, with Leonardo da Vinci, Isaac Newton and Johann Wolfgang von Goethe all applying themselves. It was not easy however, and no real progress was made until the mid-19th century when there was a focus of the greatest scientific minds of the time on the problem of both the colour and the what was then the novel property of polarisation of the light.
    [Show full text]
  • Planit! User Guide
    ALL-IN-ONE PLANNING APP FOR LANDSCAPE PHOTOGRAPHERS QUICK USER GUIDES The Sun and the Moon Rise and Set The Rise and Set page shows the 1 time of the sunrise, sunset, moonrise, and moonset on a day as A sunrise always happens before a The azimuth of the Sun or the well as their azimuth. Moon is shown as thick color sunset on the same day. However, on lines on the map . some days, the moonset could take place before the moonrise within the Confused about which line same day. On those days, we might 3 means what? Just look at the show either the next day’s moonset or colors of the icons and lines. the previous day’s moonrise Within the app, everything depending on the current time. In any related to the Sun is in orange. case, the left one is always moonrise Everything related to the Moon and the right one is always moonset. is in blue. Sunrise: a lighter orange Sunset: a darker orange Moonrise: a lighter blue 2 Moonset: a darker blue 4 You may see a little superscript “+1” or “1-” to some of the moonrise or moonset times. The “+1” or “1-” sign means the event happens on the next day or the previous day, respectively. Perpetual Day and Perpetual Night This is a very short day ( If further north, there is no Sometimes there is no sunrise only 2 hours) in Iceland. sunrise or sunset. or sunset for a given day. It is called the perpetual day when the Sun never sets, or perpetual night when the Sun never rises.
    [Show full text]
  • Here's Some Ideas
    On that “Perfect Moment.” “Sometimes there’s that perfect moment when the crowd, the music, the energy of the room come together in a way that brings me to tears” John Legend. Covid-19 Safety Concerns The LCC executive advises against heading out right now. By staying home, you are protecting your life as well as the lives of others. If you are out and about though, remember to keep 2 meters apart, watch what you touch and wash your hands often (yeah, I know- I sound like your mom…). May 2020 Theme- Blue Hour. Definition: The blue hour is the period of twilight in the morning or evening, when the Sun is at a significant depth below the horizon and residual, indirect sunlight takes on a predominantly blue shade that is different from the blue shade visible during most of the day, which is caused by Rayleigh scattering. The requirement to have taken the picture at the Blue Hour has been suspended. Feel free to use post-production techniques in your editing software to add in the “Cool Blues.” Take out some of your old, Blue Hour images and work at enhancing them to best suit this theme. Here’s some ideas: Tim Shields critiques a number of pictures to describe what makes a great Blue Hour shot. Tim does a good job describing what works and what doesn’t. The video is about 15 minutes long but only the first 7 minutes is on the Blue Hour. Tim also touches on how some of the contributed photos could have been enhanced through simple steps in post production.
    [Show full text]
  • Roadmap #84 Hardly Any Light ⏤ Which Means Much Slower Shutter Speeds As Well
    BREAKFAST STOCK CLUB PREMIUM CHALLENGE #84 SEQUOIA CLUB Blue Hour By Marilyn Nieves Also known as the blue hour, twilight is what I call the magical hour of the day. As winter settles in and we experience shorter days, it’s the perfect time to have some fun with night photography. The blue hour comes twice a day. It’s called the blue “hour” but in reality, the average time frame is about 30 minutes, depending on your location. It happens just before sunrise and then again right after sunset. I typically go out to capture it in the evening as the sky’s blue deepens and you see hints of purple and magenta. As city lights turn on, their golden hues seem even more vibrant and eye- catching in contrast with the sky. No matter where you are, there’s just something wonderful and magical in blue hour images. It’s a sliver of the day that transforms everything we see. Twilight Images as Stock Blue hour images are not only eye- catching but they can create a mood of wonder, mystery, and exploration among viewers. Think of destinations from the perspective of the traveler and what would feel inviting and make you want to explore that place. Blue hour light can create some stunning stock images useful for travel related advertising projects. From a slightly more abstract point of view, with the aperture wide open to give you just a hint of the city, this image can be used in so many ways. For example, other than as a travel concept it can also be used as a broader conceptual business theme about looking towards the future and unlimited possibilities.
    [Show full text]
  • Understanding Golden Hour, Blue Hour and Twilights
    Understanding Golden Hour, Blue Hour and Twilights www.photopills.com Mark Gee proves everyone can take contagious images 1 Feel free to share this ebook © PhotoPills April 2017 Never Stop Learning The Definitive Guide to Shooting Hypnotic Star Trails How To Shoot Truly Contagious Milky Way Pictures A Guide to the Best Meteor Showers in 2017: When, Where and How to Shoot Them 7 Tips to Make the Next Supermoon Shine in Your Photos MORE TUTORIALS AT PHOTOPILLS.COM/ACADEMY Understanding How To Plan the Azimuth and Milky Way Using Elevation The Augmented Reality How to find How To Plan The moonrises and Next Full Moon moonsets PhotoPills Awards Get your photos featured and win $6,600 in cash prizes Learn more+ Join PhotoPillers from around the world for a 7 fun-filled days of learning and adventure in the island of light! Learn More We all know that light is the crucial element in photography. Understanding how it behaves and the factors that influence it is mandatory. For sunlight, we can distinguish the following light phases depending on the elevation of the sun: golden hour, blue hour, twilights, daytime and nighttime. Starting time and duration of these light phases depend on the location you are. This is why it is so important to thoughtfully plan for a right timing when your travel abroad. Predicting them is compulsory in travel photography. Also, by knowing when each phase occurs and its light conditions, you will be able to assess what type of photography will be most suitable for each moment. Understanding Golden Hour, Blue Hour and Twilights 6 “In almost all photography it’s the quality of light that makes or breaks the shot.
    [Show full text]
  • Night Photography December 2011
    Night Photography December 2011 Max Lyons http://www.tawbaware.com Agenda ● Photography at different times of night ● Moon ● Stars ● Software and technology ● Tips, Tricks and Equipment Blue Hour ● Blue Hour: “The period of twilight each morning and evening where there is neither full daylight nor complete darkness. The time is considered special because of the quality of the light at this time of day." 35 minutes after sunset, sun about 7 degrees below horizon Twilight ● Twilight: “the period between sunset and sunrise during which there is natural light provided by the upper atmosphere, which receives direct sunlight and scatters part of it towards the earth's surface" Credit: Why Not a Duck / Wikimedia Commons Light After The Sun Sets ● Civil Twilight: Sun is 0 to 6 degrees below horizon ● Nautical Twilight: Sun is 6 to 12 degrees below horizon ● Astronomical Twilight: Sun is 12-18 degrees below horizon ● Night: Sun is more than 18 degrees below horizon Blue Hour ● Some of the best “sunset” shots happen after most of the photographers have packed up their gear and gone home! Top: 1 minute before sunset, sun on horizon Bottom: 30 minutes after sunset, sun about 6 degrees below horizon Blue Hour ● If conditions are right, clouds “light up” just after sunset 10 minutes after sunset, sun about 2 degrees below horizon Blue Hour ● Clouds take on pink glow just after sunset 10 minutes after sunset, sun about 2 degrees below horizon Blue Hour ● Twilight provides even, soft illumination...and the opportunity for longer exposures 15 minutes after sunset, sun about 3.5 degrees below horizon ISO 100, F11, 2 seconds Blue Hour ● Great time to shoot objects illuminated by artificial light: buildings, statues, monuments, etc.
    [Show full text]
  • How to Plan and Take Killer Sunset Photos on Your Next Vacation
    How to Plan and Take Killer Sunset Photos on Your Next Vacation A Post By: Suzi Pratt Who doesn’t love a good sunset photo? There’s something about that colorful, ethereal time of day that strikes a cord with just about every person. But as appealing and ordinary as sunsets are, the ability to capture that magical time of day as a photo can be surprisingly difficult. Photo by Martin Genev Yes, gear and camera settings are important. However, the ability to be in the right place at the right time of day is arguably the most important factor to photographing a sunset. Below, I’ll highlight several tips for planning Find the best sunset location If you’re visiting a new town and searching for an ideal sunset spot, your best bet is to do some online searches. Do a Google image search for “[location] sunset” and see what pops up. Better yet, visit stock image sites and enter similar search queries. In most cases, you’ll see sunset photos taken from one or two popular locations. It might take some digging to find out exactly where those spots are, but once you have the answer, you’ll know where to shoot. What time is the sunset? A simple Google search will tell you exactly when sunset happens in the location of your choice. Keep in mind, however, that the hour or so before sunset is the ideal time of day for most photographers, so you’ll want to show up at your chosen sunset location closer to Golden Hour.
    [Show full text]
  • Sample Chapter
    REVIEW COPY NOT FOR PUBLIC USE First light on Morro Rock from Montaña de Oro Chapter 12 central coast 212 Photographing California VOL. 2 – SOUTH central coast 213 Morro Rock & Morro Strand State Beach Morro Bay State Park The volcanic plug, Morro Rock, towers 581 feet above the adjacent ocean and Although Morro Rock itself is techni- beach. There are over two miles of sandy beach north of Morro Rock. The beach cally within Morro Bay State Park, another close to the rock offers a very gradual slope towards the water. From the southern section of the same park next to Morro end of the beach, low tide can provide you with wet sand to capture Morro Rock Bay, south of town, provides better views and its reflection. A minus low tide is even better. of the rock. There are no trails on Morro Photo advice: The Bay itself provides a Rock and climbing is prohib- better mirror surface before afternoon ited, as it is a sacred site to local winds come up and in winter months with Salinan and Chumash tribes. less fog. The mud flats south of the town You can drive up to its base, of Morro Bay provide excellent habitat for though, and park at Coleman birds such as egrets and herons. Park. In the spring, you may find sea otters with pups here in Getting there: From downtown Morro the relatively calm waters of the Bay, take Main Street south to the vicin- entrance to the Bay. ity of the Morro Bay Golf Course and the Morro Bay State Park campground.
    [Show full text]
  • The Role of Daylight for Humans: Gaps in Current Knowledge
    Opinion The Role of Daylight for Humans: Gaps in Current Knowledge Mirjam Münch 1,*, Anna Wirz-Justice 2,3 , Steven A. Brown 4, Thomas Kantermann 5,6 , Klaus Martiny 7 , Oliver Stefani 2,3 ,Céline Vetter 8 , Kenneth P. Wright Jr. 8,9, Katharina Wulff 10,11 and Debra J. Skene 12 1 Sleep/Wake Research Centre, Massey University Wellington, Wellington 6021, New Zealand 2 Centre for Chronobiology, Psychiatric Hospital of the University of Basel, 4002 Basel, Switzerland; [email protected] (A.W.-J.); [email protected] (O.S.) 3 Transfaculty Research Platform Molecular and Cognitive Neurosciences (MCN), University of Basel, 4002 Basel, Switzerland 4 Chronobiology and Sleep Research Group, Institute of Pharmacology and Toxicology, University of Zürich, 8057 Zürich, Switzerland; [email protected] 5 Faculty for Health and Social Affairs, University of Applied Sciences for Economics and Management (FOM), 45141 Essen, Germany; [email protected] 6 SynOpus, 44789 Bochum, Germany 7 Psychiatric Center Copenhagen, University of Copenhagen, Rigshospitalet, 2100 Copenhagen, Denmark; [email protected] 8 Department of Integrative Physiology, University of Colorado Boulder, Boulder, CO 80309, USA; [email protected] (C.V.); [email protected] (K.P.W.J.) 9 Division of Endocrinology, Metabolism and Diabetes, University of Colorado, Aurora, CO 80045, USA 10 Departments of Radiation Sciences and Molecular Biology, Umeå University, 901 87 Umeå, Sweden; katharina.wulff@umu.se 11 Wallenberg Centre for Molecular Medicine
    [Show full text]
  • Your Guide to Better Beach Photography by Sarah Vaughn
    Your Guide to Better Beach Photography by Sarah Vaughn Shooting at the beach: your kids & clients Tips for full sun, back light & much more The beach and photography is a match made in heaven, with deep blue sky, cotton ball clouds, azure sea, and children laughing and playing in the golden sand. But it’s also one of the most challenging places to shoot. Have you ever tried to take pictures of your children or clients at the beach only to be confronted with full sun, blown hot spots, glare from the water, harsh shadows and lots of messy, sandy people? Beach photography is tricky, for sure. But with a few tips, techniques and practice, there are few locations that can yield as beautiful backdrops and happy, joy-filled subjects. My own love-hate relationship with sun-filled beach photos comes from living on an island in the Indian Ocean for many years. With no sand dunes or structures to filter the light, I learned to navigate beach photography through trial and error. And though a flash and reflector can be your best friend - I’ve chosen today to focus on tips that anyone can use, even if you’ve left your flash at home or couldn’t fit that reflector in your beach bag. Yours, Sarah Vaughn When to shoot First off, not all sun is created equal. When you are at the beach with nothing to block the light, choosing the right time of day is even more important. If you are shooting a family session at the beach, you will likely have control over when and where you schedule it and can select the best conditions for the job.
    [Show full text]
  • 2022 Arctic Safari September Seal River Heritage Lodge & Tundra Camp
    2022 ARCTIC SAFARI September Seal River Heritage Lodge & Tundra Camp PACKAGE OVERVIEW Hiking with polar bears on a backdrop of stunning fall colors makes this trip like none other. Northern lights, two nights at our Tundra Camp in the Canadian Barren Lands, and other on-the-ground Arctic wildlife encounters enhance the adventure. Plus, the remoteness and logistical considerations of this safari make it an experience that only a handful of guests have the chance to partake in each year. HIGHLIGHTS • Daily, guided hikes across the tundra to view polar bears and other Arctic wildlife, up-close-and-personal, in their natural habitat. • Indulging your taste buds with our tundra-inspired cuisine, complemented by select Canadian wines. • Sky gazing! Our geographical location beneath the Aurora Oval offers the opportunity to enjoy the greatest light show on earth from within the lodge or out in our secure compound. • Educational evening presentations by our lodge managers or naturalist guides about our Arctic ecosystems, landscape and lifestyle. • Camping in the vast Barren Lands in a private expedition tent. • Joining acclaimed photographer Jad Davenport on assignment for National Geographic Creative. Gather tips and inspiration from Jad as he helps you document your experience and develop your own unique storytelling style. Informal evening sessions will give you pointers on topics such “blue-hour” photography and capturing the Northern Lights. ITINERARY DAY 1 - ANTICIPATION BUILDS DURING YOUR OVERNIGHT STAY IN WINNIPEG Arrive in Winnipeg where you will enjoy a relaxing stay at our choice hotel, The Grand by Lakeview at the Winnipeg Airport. Meet the rest of your group at an orientation dinner hosted by a Churchill Wild representative.
    [Show full text]
  • A Photographic Ontology: Being Haunted Within the Blue Hour and Expanding Field
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2014 12:00 AM A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field Colin E. Miner The University of Western Ontario Supervisor Sky Glabush The University of Western Ontario Graduate Program in Visual Arts A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Colin E. Miner 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Art Practice Commons, Interdisciplinary Arts and Media Commons, and the Photography Commons Recommended Citation Miner, Colin E., "A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field" (2014). Electronic Thesis and Dissertation Repository. 2204. https://ir.lib.uwo.ca/etd/2204 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. A Photographic Ontology Being Haunted Within The Blue Hour And Expanding Field Monograph by Colin Enric Miner (BFA, MFA) Graduate Program in Visual Arts A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art and Visual Culture The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Colin Enric Miner 2014 Abstract What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic.
    [Show full text]