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To What Extent Does Chimera Ant Teach Us About Humanity? a Thematic Look at Hunter X Hunter’S Chimera Ant Arc
To What Extent Does Chimera Ant Teach Us About Humanity? A Thematic Look at Hunter x Hunter’s Chimera Ant Arc MrDrWombat Extended Essay: Film May 2015 MrDrWombat 2 Abstract Hunter x Hunter (2011) is a Japanese animated television series produced by Madhouse production studio. It is an adaptation of a manga of the same name. Chimera Ant is a story arc within the show that deals with post-humanism and the complex nature of humanity. My research question for the extended essay was, “To what extent does Chimera Ant teach us about humanity?” To investigate my research question, I watched and analyzed the Chimera Ant story arc, paying close attention to the character development and thematic reasoning behind character actions. I used knowledge of film language and context behind the medium of animation in order to create a mirrored character analysis of the protagonist and antagonist of Chimera Ant. Analyzing these two characters, along with the context of the medium of Anime, allowed me to construct a look at human nature through the symmetrical story arcs of these two main characters. After having done this, I concluded that Chimera Ant explores the human condition to a great extent, and uses the focus of these two characters as proof. The protagonist, Gon, shows the potential for evil in the best of us, and how good intentions can lead to bad actions. The antagonist, Meruem, shows the other side of humanity and identity. His arc teaches us the complexity of worth and strength within humans, and shows that good can come from even the most evil. -
APRIL 10, 2021 Virtual Concert
CINCINNATI MEN’S CHORUS Sponsored by APRIL 10, 2021 Virtual Concert CINCINNATI MEN’S CHORUS CELEBRATING 30 SEASONS OF CHANGING LIVES THROUGH SONG PRESENTS Steve Milloy Artistic Director CONCERT SPONSORED BY: The use of audio and/or video recording devices is strictly prohibited by U.S. Copyright Law Cincinnati Men’s Chorus | PO Box 3061 | Cincinnati, OH 45201 | 513-542-2626 CINCINNATIMENSCHORUS.ORG LETTER FROM THE PRESIDENT A little over 30 years ago, a handful of people envisioned a chorus for gay men and their supporters not only to make music but to make a community. That community provided a safe haven from a not so accepting world for members to be themselves as well as to nurture and support one another as they dealt with the HIV/AIDS epidemic. On December 19, 1991, approximately 60 men performed in front of an audience of mostly family and friends the premiere concert Tidings of Pride and Joy. Some of those same gentlemen who performed in that premiere concert are still active today either as volunteers or singers and/or members of the Board of Directors. The CMC continues to nurture and support its members with virtual rehearsals and social events that keep us connected. At the same time, the CMC continues to serve the community by presenting virtual concerts as we once again deal with another virus affecting not just our community but the world at large. The pearl is a symbol of longevity and is the traditional 30th anniversary gift. We celebrate our 30th anniversary with our aptly named Spring concert String of Pearls. -
A Management Guide for Invasive Plants in Southern Forests
A Management Guide for Invasive Plants in Southern Forests James H. Miller, Steven T. Manning, and Stephen F. Enloe United States Department of Agriculture • Forest Service • Southern Research Station General Technical Report SRS–131 Authors: James H. Miller, Emeritus Research Ecologist, Forest Service, U.S. Department of Agriculture, Southern Research Station, Auburn University, AL 36849; Steven T. Manning, President, Invasive Plant Control, Inc., Nashville, TN 37204; and Stephen F. Enloe, Weed Management Specialist, Auburn University, Department of Agronomy, Auburn, AL 36849. Front Cover Upper row: left—basal spray application (photo by Steven T. Manning); center—mulching machine with horizontal shaft and rigid cutting teeth (photo by Dana Mitchell); right—directed foliar spray with a spray colorant to indicate coverage (photo by James H. Miller). Lower row: left—fire lines contain prescribed burns and are the base for backfires (photo by Dale Wade); center—ATV sprayer with boom (photo by David Moorhead); right—goats browse young growth first (photo by Steven T. Manning). Back Cover Upper row: left—high volume directed sprays (photo by Steven T. Manning); center—bulldozer scrape and pile Chinese privet (photo by Gena Todia); right—hack-n-squirt method can use a hatchet to penetrate the bark and inner bark, slightly into the wood (photo by Steven T. Manning). Middle row: left—foliar wick applicator (photo by James H. Miller); center—cooperative planning (photo by James H. Miller); right—sowing native plant seed (photo by James H. Miller). Lower row: left—loppers for vine cutting (photo by Steven T. Manning); center—clean seeds and plants with pressure spray (photo by James H. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
Squabbling in the Shadows
South Carolina Law Review Volume 48 Issue 3 Article 2 Spring 1997 Squabbling in the Shadows: What the Law Can Learn from the Way Divorcing Couples Use Protective Orders as Bargaining Chips in Domestic Spats and Child Custody Mediation Randy F. Kandel Yale Law School Follow this and additional works at: https://scholarcommons.sc.edu/sclr Part of the Law Commons Recommended Citation Randy Frances Kandel, Squabbling in the Shadows: What the Law Can Learn from the Way Divorcing Couples Use Protective Orders as Bargaining Chips in Domestic Spats and Child Custody Mediation, 48 S. C. L. Rev. 441 (1997). This Article is brought to you by the Law Reviews and Journals at Scholar Commons. It has been accepted for inclusion in South Carolina Law Review by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Kandel: Squabbling in the Shadows: What the Law Can Learn from the Way Di SOUTH CAROLINA LAW REVIEW VOLUME 48 SPRING 1997 NUMBER 3 SQUABBLING IN THE SHADOWS: WHAT THE LAW CAN LEARN FROM THE WAY DIVORCING COUPLES USE PROTECTIVE ORDERS AS BARGAINING CHIPs IN DOMESTIC SPATS AND CHILD CUSTODY MEDIATION Randy FrancesKandel' I. INTRODUCTION ................................ 441 II. PROTECTIVE ORDERS IN INTIMATE ARGUMENTS .......... 445 A. Arguing About Protective Orders ................ 445 B. "This Is My House; This Is My Son:" The Case of David and Shoshanna ............... 450 C. "Safe from Screaming:" The Case of John and Laura .... 456 II. PROTECTIVE ORDER TALK AT MEDIATION ............. 462 A. Safeguards; Nexus Tests; and Time, Place, and MannerRestrictions ........................ 462 B. "This Is My House; This Is My Son:" The Case of David and Shoshanna .............. -
Alvino Ite J New Capitol Disc Artist
j ■ ■ ■ ■ ■ ■ ■ ■ ■ i ■ vo l. 4, NO. 3 ' 52 MARCH, 1946 Alvino Ite j New Capitol Disc Artist Capitol Records, f o llo w in g its policy of signing the best in modern entertainment, has in k e d A lvino Rey’s new band to an exclusive re cording contract. Bandleader re cently came out of service to build a I crew that has been arousing plenty of attention out here with its “double ie li brass” section. Idea behind th e new es section work involves open horns play ing against muted ones to produce un er usual and b eautiful e ffects. to Rey, who has already cut wax for Capitol and will have his first “ Hits From Hollywood” disc on the market this month, played his first major date IT’S WELCOMF NEWS to a great here recently at Casino Cardens. He’ ll Harry James Ork many swing fans that Alvino Rey is continue to work the west coast for a back in business again with a new short time, then travel east with his Has New Chirp band . and an unusual one at band fo r a May opening a t th e Hotel that, boasting a “ double-brass” sec Astor in NYC. Cal singer with the ork is Harry James, whose band w ill tion. Even b e tte r news is th e fa c t Joanne Ryan. Rey expects to add a continue at the Meadowbrook here that Alvino and his guitar and band vocal group shortly. until March 21 when Gene Krupa will be featured exclusively on Capi tol records. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
The Arrangements of Nelson Riddle for Frank Sinatra and Ella Fitzgerald
A MODEL OF COLLABORATIVE CREATIVITY: THE ARRANGEMENTS OF NELSON RIDDLE FOR FRANK SINATRA AND ELLA FITZGERALD Gabriel I. Evens Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2016 APPROVED: Rich DeRosa, Major Professor Kris Chesky, Committee Member John Murphy, Committee Member Benjamin Brand, Director of Graduate Studies Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Evens, Gabriel I. A Model of Collaborative Creativity: The Arrangements of Nelson Riddle for Frank Sinatra and Ella Fitzgerald. Doctor of Musical Arts (Performance), May 2016, 55 pp., 19 examples, 4 lyrics, references, 31 titles. This dissertation explores the themes of collaboration and creativity in the relationship between arranger Nelson Riddle and vocalists Frank Sinatra and Ella Fitzgerald. It examines the balance between structure and freedom as well as the specific musical results that emerge from collaboration between an arranger and vocalists who are considered among the greatest in their fields. An examination of their interactions, musical scores, and performances, reveals that the constraints that are present in a collaborative effort can lead the artists to find a shared process to make a creative, unified product. Copyright 2016 by Gabriel I. Evens ii TABLE OF CONTENTS INTRODUCTION ............................................................................................................... 1 I’VE GOT YOU UNDER MY SKIN ............................................................................... -
Kendrick Lamar's Criticism of Racism and The
‘We Gon’ Be Alright’: Kendrick Lamar’s Criticism of Racism and the Potential for Social Change Through Love by Courtney Julia Heffernan B.A. Hons., University of Western Ontario, 2014 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) March 2016 © Courtney Julia Heffernan, 2016 Abstract This thesis explores Kendrick Lamar’s criticism of institutionalized racism in America and its damaging effects on African-American subjectivity on his albums Section.80, Good Kid M.A.A.D City and To Pimp a Butterfly. The albums address the social implications of racism in the present day, throughout Lamar’s life and throughout the lives of his ancestors. In my analysis of Lamar’s albums, I address the history of American chattel slavery and its aftermath as a social system that privileges white over black. On the basis of my interpretation of the penultimate track on To Pimp a Butterfly, “i,” I propose a love ethic as a means through which the American social order can be changed. I take the term love ethic from Cornel West and bell hooks. A love ethic is a means through which individual bodies hurt by racism can be recognized and revalorized. Through the course of his three studio albums Lamar offers a narrative remediation of America’s discriminatory social order. In so doing, Lamar enacts the social change he wishes to see in America. ii Preface This thesis is original, unpublished, independent work by the author, Courtney Heffernan. -
Novedades Octubre Y Salón Del Manga 2019
d NOVEDADES OCTUBRE Y SALÓN DEL MANGA 2019 www.planetacomic.com STAR WARS JASON AARON OMNIBUS 1 ARON, GUILLEN, CASSADAY, MOLINA, LARROCA, INMONEN, DEODATO JR., MAYHEW, UNZUETA Libro cartoné, 688 págs. Color | 183 x 276 | 60 € | 978-84-9174-023-0 |10243279 | 2 entregas | Edición original: SW #1-25, SW Annual 1, SW Vader Down, SW vader 13 a 15 Fecha de salida: 08 / OCTUBRE La Estrella de la Muerte ha sido destruida, ¡pero el Imperio aún no ha sido derrocado! ¡Únete a Luke Skywalker, la princesa Leia, Han Solo, Chewbacca, C-3PO y R2-D2 mientras continúan la lucha por la libertad contra Darth Vader! ¡Luke lucha contra Boba Fett! ¡Una mujer del pasa- do de Han aparece en escena! El Lord Oscuro es derribado, ¡pero no puedes mantener a Vader sometido por mucho tiempo! *Cuando Star Wars regresó a Marvel, ¡Jason Aaron era el candidato ideal para dirigir a los rebeldes a nuevas aventuras! ¡Ahora la primera parte de la saga de Aaron está recopilada en este primer volumen! STAR WARS www.planetacomic.com STAR WARS 51 KIERON GILLEN, SALVADOR LARROCA Libro grapa, 32 págs. Color | 168 x 257 | 2,50 € | 978-84-9173-564-9 |10227878 | 75 entregas| Edición original: Star Wars Marvel #51 Fecha de salida: 08 / OCTUBRE Trios, la reina de Shu-Torun, cuya ayuda ha sido fundamental para que la Alianza Rebelde consiga una poderosa flota, ha traicionado a sus aliados, para lo que ha saboteado sistemas importantísimos de los cruceros mon calamari. La flota rebelde, por la que tanto ha tenido que esforzarse la Rebelión, se encuen- tra indefensa hasta el punto de que ni siquiera puede desplegar sus cazas para enfrentarse al poderío de Darth Vader y de la Armada Imperial.