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www.cam.co.uk Email [email protected] Address Cassidy 55-59 Shaftesbury Avenue London Janson W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre Title Role Director Production Opera House Manchester/ & JULIET Anne Hathaway Luke Sheppard Shaftesbury Theatre English National Opera / CHESS Florence Laurence Connor London Coliseum BEAUTIFUL: THE CAROLE KING MUSICAL Carole King Marc Bruni Aldwych Theatre DESSA ROSE Ruth Andrew Keates Trafalgar Studios CANDIDE Paquette Matthew White Menier Chocolate Factory BLOOD WEDDING The Maid Bronagh Lagan Aria Entertainment ROOMS: A ROCK ROMANCE Monica Andrew Keates Arion Productions LEND ME A TENOR Maggie Saunders Ian Talbot Gielgud Theatre AVENUE Q Kate Monster/Lucy The Slut Jason Moore Cameron Mackintosh MISS ATOMIC BOMB Myrna Adam Long Ambassadors Theatre WICKED Elphaba Joe Mantello Apollo Victoria BRIDGET JONES THE MUSICAL Jude Stephen Daldry Working Title TICK TICK BOOM Susan Scott Schwartz Menier Chocolate Factory PLACE SETTING Charlotte Evan Bergman Soho Theatre George Square Theatre, ONLY THE BRAVE Sarah Steve Marmion Edinburgh STARPOWER Sarah Niki Flacks Landor Theatre NEWS REVUE Woman Stuart Piper The Canal Cafe THE ROUTE TO HAPPINESS Trinity Rob McWhir Landor Theatre Film Title Role Director Production THE HIKE Rachel Rupert Bryan Mph Film Television Title Role Director Production CASUALTY Donna - BBC Short Film Title Role Director Production COMA Jane Nicola Quilter Rocket Rooms TAIL'S END Muriel Ronal Beentjes No.3 Productions DAY TRIP TO LONDON Rachel Anami Meluzine AH Productions Skills Accents & Dialects American-California, American-New York, American-Southern States, American-Standard, Australian, COckney, French, Glasgow, Italian, Leeds, London, RP Languages French Music & Dance Alto, Ballad, Cabaret Singing, Jazz Singing, Mezzo-Soprano, Piano, Rock Singing Performance Actor-Singer, Audio Books, Comedy, Voice Over Sports Boxing, Climbing, Cycling, Horse-riding, Running, Swimming, Yoga Vehicle Licences Car Driving Licence Characteristics Height Hair Eyes 5'3" Red/Titian Blue-Green CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.

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Michel Tremblay Auteur
MICHEL TREMBLAY AUTEUR NOTES BIOGRAPHIQUES Figure dominante du théâtre québécois depuis la fin des années 1960, Michel Tremblay s'est aussi imposé comme romancier, traducteur, adaptateur et scénariste. Né dans un quartier populaire de l'est de Montréal, il découvre très tôt sa vocation d'écrivain. Dès ses études secondaires, il écrit des poèmes, des pièces de théâtre, des romans. À l’adolescence, il entreprend la rédaction de contes fantastiques qu'il réunit plus tard en un recueil : Contes pour buveurs attardés. À 18 ans, il s'inscrit à l'Institut des Arts graphiques, où il apprend le métier de linotypiste, qu’il exerce de 1963 à 1966. En 1964, Michel Tremblay soumet une pièce, Le train, au concours des Jeunes auteurs de Radio-Canada : il y remporte le premier prix. La même année, il rencontre André Brassard qui deviendra le metteur en scène de presque toutes ses pièces, jusqu’en 2003. En 1965, André Brassard utilise quelques-uns des Contes pour buveurs attardés dans un spectacle consacré à la littérature fantastique : Messe noire. La même année, Michel Tremblay écrit Les belles-sœurs. Après la lecture publique des Belles-sœurs le 4 mars 1968 au Centre d’essai des auteurs dramatiques, la pièce est créée au Théâtre du Rideau Vert, le 28 août 1968. Elle connaît alors un succès retentissant, au point d’avoir fait l’objet de près de 600 productions au Québec et à l'étranger. Écrites en joual, un registre de langue propre à Montréal, Les belles-sœurs donnent une vision renouvelée du quartier ouvrier où est né Tremblay.
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LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer
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Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
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Catherine Bailey Photo: Brandon Bishop
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Catherine Bailey Photo: Brandon Bishop Appearing on BBC iplayer as Miss Gale in "Malory Towers". Recently ﬁlmed "Grace" (ITV) and "Whitstable Pearl" (Acorn/Buccaneer). Greater London, England, United Other: Equity Location: Kingdom Eye Colour: Brown Height: 5'8" (172cm) Hair Colour: Light/Mid Brown Playing Age: 31 - 40 years Hair Length: Mid Length Television 2020, Television, Francine, Grace, ITV, John Alexander 2020, Television, Fi Marston, Whitstable, Acorn TV / Buccaneer, David Caﬀrey 2019, Television, Miss Gale, Malory Towers, King Bert Productions, Rebecca Ryecroft 2018, Television, Lady Elizabeth Cavendish, The Crown (season 2), Left Bank Pictures, Stephen Daldry and Benjamin Caron 2017, Television, Louisa Hooper, Hetty Feather, BBC, Sallie Aprahamian 2017, Television, Jess, Strike: The Silkworm Part 1, BBC & HBO, Kieron Hawkes 2016, Television, Nina, Mr Selfridge 4, ITV, Joss Agnew 2015, Television, Olivia Hamilton, And Then There Were None, Mammoth Screen for BBC 1, Craig Viveiros 2013, Television, Sammy Jo Rinsler, Doctors, BBC, Emma Sullivan 2013, Television, Stephanie Weston, Midsomer Murders: Wild Harvest, Bentley Productions, Renny Rye 2012, Television, Esther Robinson (Series Reg), House of Anubis, Nickelodeon/Lime, Tim Hopewell/Tom Poole 2011, Television, Miss Wyckham, The Sarah Jane Adventures, DW Productions Ltd, Joss Agnew 2010, Television, DS Karen Roberts (2 Eps), Holby City, BBC, Chris King 2009, Television,
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Michel Tremblay Writer
MICHEL TREMBLAY WRITER BIOGRAPHICAL NOTES Michel Tremblay emerged as a dominant figure of Quebec’s theatre world in the late 1960s. Since then, his considerable impact on French Canada’s thriving culture has broadened to include successful novels, translations, adaptations and screenplays. Born into an East Montreal working class neighbourhood, it soon became clear that Michel was also born to write. As a schoolboy, he was already composing poems, plays, and novels. The adolescent Michel wrote a series of fantasy stories that he later brought together in a collection entitled Contes pour buveurs attardés (Stories for Late Night Drinkers). At the age of 18, he enrolled at the Institut des Arts graphiques from which he qualified as a linotypist, a career that he pursued from 1963 to 1966. In 1964, Michel submitted a play, Le train, to a competition for young writers, Jeunes auteurs de Radio-Canada. He walked away with the First Prize. In that same year, he met André Brassard who would direct all Michel’s plays for the next 39 years. In 1965, André Brassard used some of the Contes pour buveurs attardés in a show, Messe noire, which drew on the fantasy genre for inspiration. It was also in 1965 that Michel wrote Les belles-sœurs. After a public reading of Les belles-sœurs, on March 4, 1968, at a venue for young playwrights, the Centre d’essai des auteurs dramatiques, Michel’s play was produced at the Théâtre du Rideau Vert on August 28, 1968. It was an instant and stunning success: so much so that there has been more than 600 productions both in Quebec since, and abroad.
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Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
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Theatre Training Company: ACTING, London College of Music: MUSICAL THEATRE, Bretton Hall: THEATRE ARTS, WAC Arts London: MUSICAL THEATRE
TALENT REPRESENTATION Miriam Chinnick [email protected] ADDRESS Davis Gordon Management 11 Eastern Avenue Pinner HA5 1NU United Kingdom TELEPHONE +44 (0) 7989 306 252 WEBSITE www.davisgordon.com HEIGHT: 5’7” EYES: Blue HAIR: Auburn TRAINING: Actors Studio, Pinewood Studios: SCREEN ACTING, Court Theatre Training Company: ACTING, London College of Music: MUSICAL THEATRE, Bretton Hall: THEATRE ARTS, WAC Arts London: MUSICAL THEATRE. PLAYING AGE: 45-55 Jazz and Musical Theatre, Rock and Pop (Range E3-G5) Dance Skills include jazz, contemporary. Piano, keyboard, guitar. Car Driver, Tennis, Swimming, Running, Cycling. Mezzo Soprano. E3 to G5 London/RP (Native) Yorkshire, Lancashire, UK Regions. American various. European various. THEATRE TITLE ROLE DIRECTOR THEATRE/PRODUCER The Elephant Of My Heart Narrator Katerina Jugati Jessica Clements Company The Hunchback Of Notre Sister Gudule / Bertie Watkins Iris Theatre Dame Emmanuelle Once Upon A Christmas Time Professor Tidings, Head of Natalie Allison Unique Experiences / Brentwood Story Saving Leisure Park The Murder Express Vera Valentine Craig Wilkinson Funicular Productions The Line Up Tina Dubois Rob McIndoe Lion & Unicorn Theatre/The Bonnington Playwrights The Boy The Bee’s & The Miss Betty/DJ Bumble Heidi Vaughan Kazzum/Shoreditch Town Hall Blizzard Othello Emilia Simone Vause Moors Bar Theatre Salad Days Timothy's Mother/University Bryan Hodgson Theatre Royal, Bath - Regan De Don/ Lady in Park Wynter Productions Salad Days Timothy's Mother/University Bryan Hodgson Union Theatre – Sasha
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R 4-Week Acting Intensive Training in London!
Giles Foreman Centre for Acting ! 4-WEEK ACTING INTENSIVE TRAINING IN LONDON!! !Offered in April and August each year! A LEADING PROFESSIONAL ACTING STUDIO 1-25 April & 5-30 August 2019! LONDON | NEW YORK | PARIS Price held at £1,600, for 2019!! ACTOR TRAINING | FILM & TV PRODUCTION | CORPORATE COMMUNICATION ! Spend a month in the vibrant heart of London, Soho, and experience an amazing, intense and rewarding 4-week training at GFCA London - with Giles !Foreman and members of our team of expert industry coaches!! The course provides over 100 hours of study: subjects include! - Core intensive Actor-training! - Voice Technique, & Movement for Actors! - Rehearsal exercises! - Shakespeare and Classical Scene Study! - Contemporary Scene Study! - Uta Hagen! - Strasberg ! - On-Camera! - Character Analysis Stages I & II! - Movement Psychology ! !Tuition: Monday to Friday, 10.30 - 6 pm.! Plus, for visitors to London, there are options for an organised sightseeing trip to major locations including the Globe Theatre, Greenwich, Tate Modern Art Gallery and the Royal National Theatre, plus theatre offers and many other !attractions!! Dates - 4 consecutive weeks - 1-25 April / 5-30 August, in 2019!! Tuition fee* - when this is supplied separately, please enquire for full details, as there are various options for payment. Price held at £1,600, for 2019!! !We ask for 25% deposit to secure your place, which is non-refundable.! ! The concluding fee is required 3 weeks prior to the commencement of the course.! * Please note that Travel, accommodation, sightseeing
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A WINNING HAZARD Three Comediettas by J
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES ! As part of the FINBOROUGH150 celebrations…. The first UK production in over 150 years A WINNING HAZARD Three comediettas by J. P. Wooler. Directed by Phillip James Rouse. Set and Costume Design by Martelle Hunt. Lighting by Euan Davis. Sound by Julian Starr. Presented by The Hazard Project in association with Neil McPherson for the Finborough Theatre. Cast: Robert Benfield. Jasmine Blackborrow. Evelyn Lockley. Max Marcq. Edward Mitchell. Josephine Starte. “Be assured if ever I should marry, I should do so simply to be revenged on your whole sex…” As part of the Finborough Theatre building’s 150th birthday celebrations, the first London productions since the 1860s of three comediettas – A Winning Hazard, Allow Me To Apologise and Orange Blossoms – by J. P. Wooler play at the Finborough Theatre for nine Sunday and Monday evenings and Tuesday matinees from Sunday, 9 September 2018 (Press Night: Monday, 10 September 2018 at 7.30pm). Rediscovering and celebrating the work of Victorian playwright J. P. Wooler (who died in 1868, the year the Finborough Theatre building was constructed – the exact 150th anniversary of his death will occur during this run of performances), A Winning Hazard is an evening of three of his comediettas which combine insightful observations on the hypocrisy and vanity of the English ruling class, coupled with characters and situations that are both deeply Victorian, but also vividly progressive in their views on gender, money, and class. A Winning Hazard (1865) centres on Dudley Croker and Jack Crawley who are unsuccessfully vying for the hands of two young ladies, Aurora and Coralie Blythe.
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Ireland Rediscovered in Kennington Baby Blues in Islington Noel And
Your free guide to the best in independent London theatre FIRST www.firstactmagazine.com Issue 015 March A 2008 CT Noel And Marlene In Hampstead The House Of Agnes At The House Of Oval Baby Blues In Islington Ireland Rediscovered In Kennington 2 incredibly complex lyrics is quite a feat, and speaking as one who has done a number of Coward plays, I think it takes a particular kind of discipline to perform them. Unlocking “A lot of the scenes are made up of one-liners which go bang, bang, bang, bang, bang, and you’ve got to be so on the ball to play them, with one ear on whether the audience are laughing in the The Mystery right places and one ear on the other actors. There’s a particular type of discipline required to do that. “Marlene, being German, had her own particular type of discipline too, and strength of character, That Is because she had to put up with a hell of a lot of ghastliness when she was touring during the war with the American forces.” Among the lesser-known facts about Kate O’Mara is that she once had a number one hit. In Finland. It’s not a fact she seems particularly keen to dwell on, but how has she coped with the musical element of the role? “I consider myself an requiredactress who can sing when requires – when – rather than a singing actress,” she says, “and like a lot of actresses who can sing, I’ve got a soprano and a basso profundo and not much in between.
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My Cousin Rachel by Daphne Du Maurier Adapted by Joseph O’Connor Gate Theatre
56 THEATER MY COUSIN RACHEL BY DAPHNE DU MAURIER ADAPTED BY JOSEPH O’CONNOR GATE THEATRE Dock Street Theatre May 22 (preview), 23, 24, 26, 30, and June 1, 5, and 6 at 8:00pm May 24, 26, 30, and June 1, 5, 6, and 8 at 3:30pm May 28, 29, and June 2 and 3 at 7:30pm SPONSORED BY FIRST CITIZENS Director Toby Frow Set and Costume Designer Francis O’Connor Lighting Designer Mark Jonathan Sound Designer Denis Clohessy CAST Nicholas Kendall Stephen Brennan Thomas Connors John Cronin Philip Ashley Fra Fee Louise Kendall Rachel Gleeson John Seecombe Bosco Hogan Guido Rainaldi Bryan Murray Rachel Coryn Ashley Hannah Yelland PRODUCTION STAFF Stage Manager Miriam Duffy Wardrobe Eimear Farrell Production Manager Jim McConnell Company Manager Rachel Murray PERFORMED WITH ONE INTERMISSION. Additional support provided by an award from the National Endowment for the Arts. These performances are made possible in part through funds from the Spoleto Festival USA Endowment, generously supported by BlueCross BlueShield of South Carolina, Wells Fargo, and Bank of America. The world premiere of My Cousin Rachel was performed at the Gate Theatre, Dublin. MY COUSIN RACHEL 57 ABOUT THE COMPANY MARK JONATHAN (lighting designer) has lit drama and musicals at many regional theaters in the United Kingdom, as well as the National Theatre in London (where he was The Gate Theatre has been, artistically and architecturally, a Head of Lighting from 1993 to 2003), the Royal Shakespeare landmark building for over 250 years. Established as a theater Company, Royal Court, in the West End, and on Broadway.
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