History Behind the Legendary Les Paul Guitar
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Press Release December 30, 2014 Media Contact Bill Mcelhone
Press Release December 30, 2014 Media Contact Bill McElhone Kalamazoo Valley Museum Director 269-373-7990, [email protected] January 10 Hands-On Event Celebrates Kalamazoo’s “Heroes in Time” During the Jan. 10 “Heroes in Time” hands-on program at the Kalamazoo Valley Museum, guests are invited to discover local heroes by creating artifact reproductions and going on a scavenger hunt through the Kalamazoo Valley Museum’s history gallery. The free event runs from 1 to 4 p.m. The Museum’s hands-on programs are designed for children ages 5-12 and their families. Hands- on activities highlight different parts of the Museum's permanent and temporary exhibits and collections. Participants make arts and crafts to take home and sometimes see demonstrations or performances. When the Kalamazoo Valley Museum opened its newly-renovated history gallery, “Kalamazoo Direct to You,” it recognized the everyday local heroes who helped Kalamazoo become the place it is today. Take a celebratory walk through history creating crafts inspired by the imaginations of entrepreneurs, inventors, and leaders from the past. Samuel Gibson came from Fitchburg, Massachusetts in 1867 to be the Kalamazoo Paper Company’s bookkeeper. He went on to become plant superintendent and later the company president. Not only did the company produce a wide variety of papers, they formed their own town and company baseball team. Learn how to fold a paper baseball. Ted McCarty became president of the Gibson Guitar Company in 1950 and oversaw the development of the renowned Les Paul solid-body electric guitar. Create your own guitar design on a wooden guitar. -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr. -
Pirates' $10 Million Haul U
JEMPHISir A BILLBOARD SPOTLIGHT r-r^'TTR c `r SECTION COIN MACHINE MARCH 29, 1969 $1.00 PAGES TWO SECTIONS SECTION I 49 TO 54 The A/o r'3 International Music -Record Newsweekly GRT in 1 -Fold Pirates' $10 Million Haul U. S. Car Mart By BRUCE WEBER LOS ANGELES Contract With - Music sales manager of Robbins, Feist, strument representatives for publishers are losing more than Miller. counterfeit product. Breakthrough $10 million a year to illegal The forged music "The worst offenders book and books, often are or- sheet music counter- peddled by traveling gan teachers, professional feiters. salesmen mu- Gamble & Huff or sold under-the-counter at mu- sic studios and musical instru- "Sheet and book music pi- For sic stores, sell in a loose-leaf ment jobbers," said Steiger. "We Cassettes By rates have been active MIKE GROSS for 30 binder for $15-$25 for 1,000 (The Big Three) prosecute every years because copyright laws By HANK FOX are songs, most of which are case our investigators NEW YORK GRT fur- not severe incom- uncover." - enough to halt the plete. The Big The Big ther solidified its foothold in the Three, which pub- Three sells product NEW YORK-The cassette practice," said Herman Steiger, lishes about (Continued recording field by wrapping up 52 hardbound folios on page 15) system will establish a beach- a year, sells its head in a deal with independent pro- books for $1.50- the U. S. automobile $3.95 for 15 IIII I IIII I Ildl I I I IIIIII1mINIIIIIIIII market this to IIIII I I I I I I I I I I 30 I summer when ducers Gamble and Huff that complete III I11111111IIIIIIIIIIOIIIIII111 Mer- songs. -
A History of Mandolin Construction
1 - Mandolin History Chapter 1 - A History of Mandolin Construction here is a considerable amount written about the history of the mandolin, but littleT that looks at the way the instrument e marvellous has been built, rather than how it has been 16 string ullinger played, across the 300 years or so of its mandolin from 1925 existence. photo courtesy of ose interested in the classical mandolin ony ingham, ondon have tended to concentrate on the European bowlback mandolin with scant regard to the past century of American carved instruments. Similarly many American writers don’t pay great attention to anything that happened before Orville Gibson, so this introductory chapter is an attempt to give equal weight to developments on both sides of the Atlantic and to see the story of the mandolin as one of continuing evolution with the odd revolutionary change along the way. e history of the mandolin is not of a straightforward, lineal development, but one which intertwines with the stories of guitars, lutes and other stringed instruments over the past 1000 years. e formal, musicological definition of a (usually called the Neapolitan mandolin); mandolin is that of a chordophone of the instruments with a flat soundboard and short-necked lute family with four double back (sometimes known as a Portuguese courses of metal strings tuned g’-d’-a”-e”. style); and those with a carved soundboard ese are fixed to the end of the body using and back as developed by the Gibson a floating bridge and with a string length of company a century ago. -
Benny Goodman's Band As Opening C Fit Are Russell Smith, Joe Keyes, Miller Band Opened a Week Ago Bassist
orsey Launches Brain Trust! Four Bands, On the Cover Abe Most, the very fine fe« Three Chirps Brown clarinet man. just couldn't mm up ’he cornfield which uf- 608 S, Dearborn, Chicago, IK feted thi» wonderful opportunity Entered as «cwwrf Hom matter October 6.1939. at the poet oHice at Chicano. tllinou, under the Act of March 3, 1379. Copyright 1941 Taken Over for shucking. Lovely gal io Betty Bn Down Beat I’ubliAing Co., Ine. Janney, the Brown band'* chirp New York—With the open anil rumored fiancee of Most. ing of his penthouse offices Artene Pie- on Broadway and the estab VOL. 0. NO. 20 CHICAGO, OCTOBER 15, 1941 15 CENTS' lishment of his own personal management bureau, headed by Leonard Vannerson and Phil Borut, Tommy Dorsey JaeÆ Clint Brewer This Leader's Double Won Five Bucks becomes one of the most im portant figures in the band In Slash Murder business. Dorsey’s office has taken New York—The mutilated body of a mother of two chil- over Harry James’ band as Iren, found in a Harlem apartment house, sent police in nine well as the orks of Dean Hud lates on a search for Clinton P. Brewer last week. Brewer is son, Alex Bartha and Harold ihe Negro composer-arranger who was granted a parole from Aloma, leader of small “Hawaiian” style combo. In Addi the New Jersey State Penitentiary last summer after he com tion. Dorsey now is playing father posed and arranged Stampede in G-Minor, which Count to three music publishing houses, the Embassy, Seneca and Mohawk Ie’s band recorded. -
The Month Long Celebration Is Back at All Stores!
servingserving canadacanada sincesince 1956,1956, withwith 2828 locationslocations including:including: JUNE 11-30-30 ■ 2631 Alta Vista Drive ■ 1490 Dunbar Road ■ 1370 Summit Drive Ottawa, Ontario K1V 7T5 Cambridge, Ontario N1R 6R3 Kamloops, B.C. V2C 1T8 phone: 613-521-5909 phone: 519-622-1970 phone: 250-828-2234 FEELING SPECIAL ■ 902 Simcoe Street North ■ 36 King Street North ■ 1360 Dominion Avenue ON SATURDAYS! Oshawa, Ontario L1G 4W2 Waterloo, Ontario N2J 2W8 Port Coquitlam, B.C. V3B 8G7 ■ Customer Appreciation Day phone: 905-434-1612 phone: 519-885-4215 phone: 604-464-1011 ■ Half Price Rental Day ■ 1133 Markham Road ■ 36 Ontario Street ■ 305-6339 200th Street ■ Scarborough, Ontario M1H 2Y5 Stratford, Ontario N5A 3G8 Langley, B.C. V2Y 1A2 Free Setup Day phone: 416-439-8001 phone: 519-271-9102 phone: 604-530-8704 ■ Yorkville Gift Card Day ■ 9833 Highway 48 ■ 1801 Walker Road ■ 13785 104th Avenue ■ CCanadaanada DDayay Markham, ON L3P 3J3 Windsor, Ontario N8W 3P3 Surrey, B.C. V3T 1W6 phone: 905-209-1177 phone: 519-252-3442 phone: 604-588-9421 DETAILS ON PAGE 14 ■ 925 Bloor Street West ■ 651 Stafford Street ■ 1363 Main Street Toronto, Ontario M6H 1L5 Winnipeg, Manitoba R3M 2X7 North Vancouver, B.C. V7J 1C4 phone: 416-588-7886 phone: 204-284-8992 phone: 604-986-0911 ■ 2777 Steeles Avenue West ■ 1445 McIntyre Street ■ 412 W. Hastings Street North York, Ontario M3J 3K5 Regina, Saskatchewan S4R 8B5 Vancouver, B.C. V6B 1L3 phone: 416-663-8612 phone: 306-569-8501 604-682-5288 ■ 900 Rathburn Road West ■ 721-43rd Street East ■ 3151 Arbutus Street THE MONTH LONG Mississauga, Ontario L5C 4L3 Saskatoon, Saskatchewan S7K 0V7 Vancouver, B.C. -
'.!0 Ccnls Per Copy $2.00 Pt•R Y
'.!0 Ccn ls Per Copy P UBLUllf.0 BY ff, F, 001!.LL CO~IPAS\ ' $2.00 Pt•r Ycar COl' \ 'RICIIT 19:8-ALL RIGHTS IU.St:ll.\l '.11 ENTER l,D AS UCONO Cl.A ll MAITER JUSE 9, 19()9, AT TUE POSI' OFFICE AT 8051 0S, M ...SS ACII USE1T$, LSI>~~ "'l'l M ' M\ lll'll j, 18:q ·Th, CRESCENDO ' \Vu~LIIZE~Offers this ~'I)) . HOWARD Tenor Banjo Outfit s49complet,Ja Requlars75~~ Value-for Only ?'-~~~q9:..... l v- It ~ "'\.~lo' Here's your oppo rtunity to buy thi s won• powe r w ith a br illiant, resonan t tone. derful \Vurlitz er Howard Tenor Banjo Only \Vurlitzcr, the world's largest mu sic ou tfit at a price that make s it the greatest house, can offer yqu such money saving of all banjo values. Guarante ed 100% valu es. If th ere were a better banj o value by Wurlitzer . Think of it-o nly $49.00 th an chis we wou ld have it . If a lowe r buys chis fine tenor banjo outfit complete price were po ssible, we wo uld make it. with accesso ries, inclu ding '.resonator, fin• \Ve will ship chis outfit to you on tri al est grade Keratol covered, velvet lined for thr ee day s, th ereby giving you an op# ca se, in struction book, extra stri ngs, portuniry to sec what a really wonderfu l tun er, wrench and pick . Nothing else value it is. Write today for complete to buy. -
Ted Nugent Ted Love the One You’Re With… How Optimizing the Guitars “I Am Classic Rock Revisited
Mountainview Publishing, LLC INSIDE the Mambo Son’s guitarist Tom Guerra takes a journey to the center of The Player’s Guide to Ultimate Tone TM the mind $10.00 US, September 2010/VOL.11 NO.11 Report of the Byrdland blaster, Ted Nugent Ted Love the One You’re With… How optimizing the guitars “I am Classic Rock Revisited. I revisit it every waking moment of my life because it has the spirit you already and the attitude and the fire and the middle finger. I am Rosa Parks with a Gibson guitar.” own provides cheap – Ted Nugent relief in tough times… Who among us has played 7 more than six thousand RS Guitarwork’s shows, sold 30 million Roy Bowen records, arrived at the peak on replacement of their career bankrupt, pots, tone caps, rebounded with a vengeance refins, repairs and is still throwing down and the variable nature of loud and proud thirty years nickel-silver hence? Uh-huh. Ted. In case you hadn’t noticed, the state Optimizing Junior… of Michigan, and the city of Common sense Detroit in particular, have tips for safely turned out some very inter- replacing esting human beings… Bill pots, caps Haley, Del Shannon, Jim & pickup covers McCarty, Bob Seger, Alice Cooper, Iggy Pop, Marshall 14 Crenshaw, Wilson Pickett, Primal Scream! Little Willie John, Smokey Robinson, Aretha Franklin, Chasing Madonna, Don Was, Jack tone with Wolfetone’s White, and Stevie Wonder, MarshallHead among others. hi-octane humbuckers Then there are the bands… MC5, Mitch Ryder and the plus… Detroit Wheels, Iggy Pop and Wolfe’s the Stooges, Cactus, George ‘meaner’ Clinton and Funkadelic, P90s Grand Funk Railroad, Brownsville Station, ? Mark 17 and the Mysterians, Rare The Eastman T185 MX A truly superior, Earth, the mighty, mighty Motown stable, and The White Stripes. -
City Jumpstarts Workforce Housing Ordinance
FORT PIERCE THE BEACHES LAKEWOOD PARK @HometownNewsStLucie @hometownnewsslc @HometownNewsSLC Vol. 17, No. 42 www.HometownNewsTC.com Friday, March 15, 2019 PLANNING A TRIP? STAR STUDENT PETS OF THE WEEK CATCH OF THE WEEK ‘Touring with the Townies’ We have two pets who are This mangrove snapper was features reader-submitted photos This week's student of the searching for their forever caught in Treasure Coast waters from travels. Let’s see how many week is a beast on the mat home by this young visitor from places we can go! Send in your Massachusetts picture or questions to [email protected] TOWNIE 10 STUDENT 2 PETS OF THE WEEK 7 CATCH 9 What a Farmer's Market find! Teacher receives prestigious invitation Creative Arts Academy instructor tours the Indiana facilities of historic American instrument fabricator By Donald Rodrigue For Hometown News ST. LUCIE COUNTY – The education- al division of the historic Conn-Selmer concert and marching band instrument manufacturer invited music teacher Andrew Gekoskie of the Creative Arts Sevin Bullwinkle/staff photographer Academy of St. Lucie to form part of a select group of VIPs to tour the company’s Open every Saturday morning, the Fort Pierce Jazz Society Craft Market and national facilities and share ideas with its the Downtown Farmer’s Market of Fort Pierce offered live entertainment, employees. crafts, food, fresh local produce and plants on Saturday, March 9, on the Mr. Gekoskie said he was thrilled to waterfront in historic downtown Fort Pierce. Here, six-year-old Gavin Brennan take part recently in the all-expenses-paid trip to the Elkhart, Ind. -
LINER NOTES Recorded Anthology of American Music, Inc
ALL THE RAGE: New World Records 80544 Nashville Mandolin Ensemble At the turn of the twentieth century, a sound lilted through the air of American music like nothing that had ever been heard before. It inspired one writer to call it “the true soul of music.” It inspired thousands of Americans to pick up instruments and form groups to create this sound for themselves. It was the sound of the mandolin orchestra, a sound that the Nashville Mandolin Orchestra recreates on All the Rage, a sound as fresh and new today as it was in its heyday. The late nineteenth century was an exciting time for American music lovers. The invention of the phonograph had brought music into the home, and the increased exposure and competition brought out the best in musicians. John Philip Sousa’s band perfected the sound of the brass band, and the Peerless Quartet took four-part vocal performance to a level of perfection. But these were stylistic accomplishments with familiar, existing sounds—brass instruments and human vocal cords. The sound of the mandolin orchestra carried an extra edge of excitement because most Americans had never even heard a mandolin, much less the sound of mandolin-family instruments played in an orchestral setting. The mandolin alone had a distinct, unique sound. When a mandolinist plucked a single-note run, nothing could match its crispness of attack and delicacy of tone. And when a group of mandolin-family instruments launched into an ensemble tremolo, the listener was bathed in wave after wave of the most beautiful sound imaginable.