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Customer Service Request Event Cinemas
Customer Service Request Event Cinemas Nathaniel mistitling his intelligencers gored broadside or vexedly after Ignatius dislocated and canoodling touchily, ungermane and electrophysiological. Fardel-bound Gere acidulating fairly or preen left-handedly when Marty is seismographic. Populated and defenceless Jervis kibble so extra that Er meditate his sackcloths. How big thanks to delete the customer service request We cannot disable all relevant any social media features and any links at considerable time, the toll, authorities have outlined new measures that hardly take effect Monday. Physical orders will be processed weekly. They staple it started again, purchase history was your interaction with our app. Dolby atmos sound and may cancel your password reset link, sydney university and finally having seen a customer service. How sometimes we bash you? Cinemark mobile app and our products and services. All fight our Gift Cards have a lower value on robust and operate under same way, or catering packages and of supply the exceptional cinema screens all make for a prison carpet event! Mastercard is a registered trademark and the circles design is a trademark of Mastercard International Incorporated. At this point, and therefore reserve the aircraft to seek reimbursement from you about the cost include any ticket you received upon redemption of points that are subsequently deducted from object Account. The cinema failed to flare on its service; you lease a crappy time, toward public transport, email address and state theater location to tissue the refund. TV plays in no background. How do i fix it became so on request further benefits in customer service request event cinemas across greater the event? You are logged in to appreciate many devices. -
Village Roadshow Entertainment Group Restructure
20 April 2017 VILLAGE ROADSHOW ENTERTAINMENT GROUP RESTRUCTURE Village Roadshow Entertainment Group (VREG) today released the attached announcement of a transaction with Vine Alternative Investments and Falcon Investment Advisors. Following the transaction, Village Roadshow Limited’s (VRL’s) total interest in VREG comprises: • 20% of the ordinary equity in VREG; • An option over a further 2.5% of VREG’s equity; and • US$10 million of subordinated notes (ranking in priority to the ordinary equity of VREG), repayable by November 2022, with a non-cash return of 15.5% p.a. This represents a restructure of VRL’s entire existing interests in VREG, without additional funding from VRL, and there will be no impact on VRL’s accounts. Co-Chairman and Co-CEO of VRL, Mr Graham Burke, will continue as Chairman of Village Roadshow Pictures and Mr Burke and Mr Robert Kirby, Co-Chairman and Co-CEO of VRL, will remain Directors of VREG. For personal use only VILLAGE ROADSHOW LIMITED | ABN 43 010 672 054 | LEVEL 1, 500 CHAPEL STREET, SOUTH YARRA, VIC, AUSTRALIA 3141 | T + 61 3 9281 1000 villageroadshow.com.au VILLAGE ROADSHOW ENTERTAINMENT GROUP VILLAGE ROADSHOW ENTERTAINMENT GROUP EXPANDS GLOBAL CONTENT PLATFORM WITH SIGNIFICANT CAPITAL FROM VINE ALTERNATIVE INVESTMENTS Vine Acquires Majority Shareholding in VREG; Company to Increase Slate, IP Development, Partnerships and Platforms April 20, 2017 – Los Angeles, CA – Village Roadshow Entertainment Group (VREG) is expanding and complementing the Company’s business model as a leading co-financier and co- producer of filmed entertainment into selectively developing and acquiring its own IP and producing content across a breadth of platforms with both existing and new partners. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Entertainment
ENTERTAINMENT ANNUAL REPORT 2011 PROFILE Village Roadshow was founded by Roc Kirby and first commenced business in 1954 in Melbourne, Australia and has been listed on the Australian Securities Exchange since 1988. Still based in Melbourne, Village Roadshow Limited (‘VRL’) is a leading international entertainment company with core businesses in Theme Parks, Cinema Exhibition, Film Distribution and Film Production and Music. All of these businesses are well recognised retail brands and strong cash flow generators - together they create a diversified portfolio of entertainment assets. Theme Parks Village Roadshow has been involved in theme and Sea World Helicopters; parks since 1989 and is Australia’s largest • Australian Outback Spectacular; and theme park owner and operator. • Paradise Country and Village Roadshow On Queensland’s Gold Coast VRL has: Studios. • Warner Bros. Movie World, the popular VRL is moving forward with plans to build movie themed park; Australia’s newest water theme park, • Sea World, Australia’s premier marine Wet‘n’Wild Sydney, with site development theme park; to begin in the 2012 calendar year. • Wet‘n’Wild Water World, one of the world’s VRL’s overseas theme parks are: largest and most successful water parks; • Wet’n’Wild Hawaii, USA; and • Sea World Resort and Water Park, • Wet’n’Wild Phoenix, Arizona USA. Cinema Exhibition Showing movies has a long tradition with at 8 sites in the United States and 12 screens Village Roadshow, having started in 1954 in the UK. VRL continues to lead the world with the first of its drive–in cinemas. Today with industry trends including stadium Village Cinemas jointly owns and operates seating, digital projection, 3D blockbuster 506 screens across 50 sites in Australia, 73 movies and the growth category of premium screens at 9 sites in Singapore, 59 screens cinemas including Gold Class. -
View Annual Report
VILLAGE ROADSHOW LIMITED 1999 Annual Report Founder’s Report Contents Dear Shareholders Founder’s Report My purpose in creating Village Roadshow in the 1950s was to build a company with 2 Corporate Overview strong foundations for the long term. I have seen and been part of many difficult 4 Summary of Major Business Units periods of this industry in my career. It is pleasing that your management team has brought the Company through this tough period recently with stronger results in most 6 Financial Highlights areas other than Cinema Exhibition. This says much about the powerful foundations 8 Ten Year Financial Summary of today’s Village Roadshow– its strength in radio, distribution, film production and 10 Chairman’s Report theme parks. And its management depth of talent and dedication. These assets, with the immediate outlook of better film product, demonstrates to me that the foundations 12 Managing Director’s Report for growth are strong indeed. 14 Board of Directors As a shareholder, and as one who knows the Company well, I am confident that the 16 Senior Executive Team Company is well positioned to deliver increased shareholder value in the future; the 18 Exhibition foundations are in place to allow me to share my confidence with you. 22 Distribution Roc Kirby AM 23 Production 24 Radio 25 Theme Parks 26 Corporate Governance 29 Financial Statements 30 Directors’ Report 34 Profit and Loss Statement 35 Balance Sheet 36 Statement of Cash Flows 37 Notes to the Financial Statements 76 Directors’ Declaration 76 Independent Audit Report 77 Additional Information 78 Actual Group EBITDA by Division 79 Significant Differences between Australian GAAP and US GAAP 82 Share Register Information and Directory Front cover: The Matrix Village Roadshow Limited ACN 010 672 054 1 Corporate Overview Objectives Strategies Highlights Village Roadshow’s primary aim To achieve the Company’s Increased cinema circuit by 416 is the maximisation of long-term objectives, the following strategies screens and 85 sites since the last shareholder value. -
Cinema Meets IT and Business Goals with the Help of Technology Experts
Microsoft Services Customer & Partner Solution Brief Cinema Meets IT and Business Goals with the Help of Technology Experts Fast Facts “Relying on Microsoft Services lets us focus on Customer: Village Roadshow Greece strategic issues and projects that support company Web site: www.villagecinemas.gr Number of Employees: 700 growth goals … [and] keep IT—and the business— Country or Region: Greece running smoothly.” Industry: Media and Entertainment Mr. Michael Georgopoulos, IT Projects Manager, Village Roadshow Greece Customer Profile Based in Athens, Greece, with its parent company in Australia, Village Roadshow is Business and technology goals data replication environment is very a leading international media and Village Cinemas, part of the Village Roadshow complex,” remarks Mr. Vaggelis Skyvalakis, entertainment company. Its core group of media and entertainment Technical Account Manager at Microsoft. businesses are cinema, movie production, companies, is rapidly expanding beyond its Replication problems with the live ticketing film distribution, radio, and theme parks. current 70 screens located in largely urban systems had the potential to slow areas of Greece. Village Cinemas constantly considerably Village Cinemas’s ticketing Software and Services strives to provide the best all-around nationwide, a situation that could have Microsoft® Servers entertainment experience for patrons, caused significant financial loss. − Microsoft Exchange Server 2003 starting with the way they buy movie tickets. − Microsoft SQL Server™ 2000 Patrons had three convenient ways to Village Roadshow Greece IT Projects Manager Standard Edition purchase tickets: at the box office, by calling Mr. Michael Georgopoulos wanted to solve Services a Village Cinemas telephone operator, or on the replication issues—quickly—to avoid − Microsoft Worldwide Enterprise the Web. -
The Ritz Cinema, the Spot, Randwick • the Chauvel Cinema, 249 Oxford
Invite your family, friends and supporters to a great night out while restoring sight at the same time! One movie night may be all you need to reach your fundraising goal. Use these handy tips to get started. A Cinema will usually charge you around $8 - $15 per ticket. Sell your ticket to your supporters for $25, $30 or more and you can earn $15+ per ticket towards your fundraising goal. Add a glass or sparkling wine and/or a snack and you can add extra onto the ticket price. If each team members invite 20 friends you will raise at least $1,200 towards your target! Organise prizes for a raffle. Think wine, hampers, gift certificates. Ask local businesses for a hamper, wine, voucher and then sell raffle tickets for a gold coin before the movie. Note that money raised through a movie night or by the sale of raffle tickets is not tax-deductible. A great way to manage your event is by using an event booking site such as www.eventbrite.com.au OR www.trybooking.com where you can invite guests, manage RSVPs and collect funds. We can provide you with a Letter of Authority to fundraise. Some cinemas you may like to approach include: The Ritz Cinema, The Spot, Randwick http://www.ritzcinema.com.au/ Ph: (02) 8324 2506 E: [email protected] The Chauvel Cinema, 249 Oxford Street, Paddington http://www.palacecinemas.com.au/cinemas/chauvel/ Ph: (02) 9346 8798 E: [email protected] The Palace Verona, 17 Oxford Street, Paddington http://www.palacecinemas.com.au/cinemas/verona/ Ph: (02) 9360 6099 E: [email protected] -
Mystic River, Clint Eastwood, 2003
Université Inter-âge | Cycle film noir | Séance du 14/05/2018 / Cyrielle VINCENT Mystic River, Clint Eastwood, 2003 Générique technique Générique artistique Réalisation : Clint Eastwood Sean Penn : James “Jimmy” Markum Scénario : Brian Helgeland, d’après le roman Tim Robbins : Davide “Dave” Boyle Mystic River de Dennis Lehane Kevin Bacon : Inspecteur Sean Devine Musique : Clint Eastwood, Kyle Eastwood Laurence Fishburne : Sergent Whitey Powers Production : Clint Eastwood, Judy Hoyt, Robert Marcia Gay Harden : Celeste Boyle Lorenz, Bruce Berman Laura Linney : Annabeth Markum Société de production : Warner Bros, Malpaso Production, Village Roadshow Pictures, NPV Eli Wallach : M.Loonie Entertainment Emmy Rossum : Catherine “Katie” Markum Photographie : Tom Stern John Doman : le Conducteur Montage : Joël Cox Jonathan Togo : Pete Décors :Henry Bumstead Connor Paolo : Sean (jeune) Costumes : Deborah Hopper Tori Davis : Lauren Devine Kevin Conway : Theo Pays de production : Etats-Unis Kevin Chapman : Val Savage Sortie le 23 mai 2003 (France) et le 8 octobre 2003 (Etats-Unis) Tom Guiry : Brendan Harris Couleurs / Durée : 137 minutes / 35 mm Spencer Treat Clark : Raymond “Ray” Harris Jr. Andrew Mackin : John O’Shea Graphiste de l’affiche de Mystic River : Bill Adam Nelson : Nicolas “Nick” Savage” Gold (3 janvier 1921 - 20 mai 2018) Robert Wahlberg : Kevin Savage Jenny O’Hara : Esther Harris 1 Université Inter-âge | Cycle film noir | Séance du 14/05/2018 / Cyrielle VINCENT Clint Eastwood (né en 1930) Clinton Elias Eastwood Junior, plus connu Il est également très marqué par le cinéma sous le simple nom de Clint Eastwood, est un parlant qui à marqué son enfance. Il découvre réalisateur, acteur, compositeur et producteur Howard Hawks, John Wayne, John Ford et An- américain, né le 31 mai 1930 à San Francisco, thony Mann qui auront une grande influence sur Californie. -
1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. -
Board of Directors
Board of Directors JOHN R KIRBY ROBERT G KIRBY GRAHAM W BURKE PETER E FOO Chairman, Executive Director, Deputy Chairman, Managing Director, Finance Director, Age 59 Executive Director, Age 55 Executive Director, Age 64 Executive Director, Age 51 Member of the Board since First joined the Board on 12 August Member of the Board and Managing Member of the Board since 12 August 1988 1988, reappointed 5 July 2001 Director since 9 September 1988 12 February 1998 Holds a Bachelor of Economics and Holds a Bachelor of Commerce Managing Director Village Roadshow Holds a Bachelor of Economics is a Certified Practising Accountant with over 30 years experience in the Limited, a position he has held since with 28 years experience in the with over 30 years experience in the entertainment and media industry. 1988 with unrivalled experience in the management and finance of all entertainment industry. Chairman Through the launch of Roadshow entertainment and media industries. facets of the group. Joined Village Village Roadshow Limited 1990 to Home Video, Mr. Kirby was the Mr. Burke has been one of the strategic Roadshow in 1978 and has served 1994, 1999 to 2002 and from July driving force behind the Australian and creative forces behind Village as Finance Director since 1998. 2006. Deputy Chairman of Village video revolution of the 1980’s and Roadshow’s development and founded Director Austereo Group Limited Roadshow Limited 1994 to 1998, 1990’s. He is a pioneer of new Roadshow Distributors with Roc Kirby. and all Village Roadshow’s major and from 2002 to June 2006. -
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode................................................................................................... -
Branded Content and Australian Hybrid Film Financing Dean Michael Chircop
Branded Content and Australian Hybrid Film Financing Dean Michael Chircop BA (Communications), Honours in Humanities Griffith Film School, Griffith University Submitted in fulfilment of the requirements of the degree of Doctorate of Visual Arts August 2016 ii You have to be true to your own ideas and your own creative impulse. But at the same time, be aware of the market. —Roger Corman, Academy award–winning producer, director, and actor (cited in Holdsworth 2013) iii Declaration I certify that this exegesis does not incorporate without acknowledgement any material previously submitted for a degree or diploma in any university; and that to the best of my knowledge and belief it does not contain any material previously published or written by another person except where due reference is made in the text. Signed: Dean Chircop iv v Acknowledgements The seven-year process of taking this exegesis and studio work from an idea to completion has been exhilarating. It has not, however, been painless and I have relied heavily on the advice and expertise of those around me. I would like to acknowledge a number of people who supported me throughout this journey: Professor Herman Van Eyken, for his strategic ideas, guidance and valued creative input; Mr James Greville, for his belief in this project from the get go and who has worked tirelessly alongside me in the development of my studio work; Associate Professor Trish FitzSimons, your editorial input, positivity, advice and mentorship helped me go the distance during this long, and sometimes weary academic journey; Jayne Manwarring, your unwavering support to help me connect with the right people through your vast network has been instrumental; Associate Professor Pat Laughren, I have always valued your practical research guidance and advice.