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Superhero Sponsorship Opportunities The
SUPERHERO SPONSORSHIP OPPORTUNITIES SUPERMAN: Title Sponsorship (only 1 available) SOLD • Name and logo placed at the top center on back of race t-shirt • Prominent logo placement on race brochure and website • Company name prominent on all event publicity • Prominent signage at start/finish line • Special verbal recognition at race • 8 complimentary entries for race (includes 8 t-shirts) • Complimentary pre-race breakfast THE INCREDIBLE HULK: $2,500 • Name and logo placed near the top on back of race t-shirt • Special placement of logo on race brochure and website • Company name on all event publicity • Banner at registration area on day of race • Signage at start/finish line • Special verbal recognition at race • 6 complimentary entries for race (includes 6 t-shirts) • Complimentary pre-race breakfast IRONMAN: $1,000 • Name and logo placed at middle top on back of race t-shirt • Special recognition on race brochure and website • Company name on some event publicity • Signage prominently displayed on day of race • Special v Complimentary pre-race breakfast • Verbal recognition on day of race • 4 complimentary entries for race (includes 4 t-shirts) • Complimentary pre-race breakfast CAPTAIN AMERICA: $500 • Name and logo placed at middle bottom on back of race t-shirt • Listing on race brochure and website • Signage displayed on day of race • Verbal recognition on day of race • 3 complimentary entries for race (includes 3 t-shirts) • Complimentary pre-race breakfast HERCULES: $250 • Signage displayed on day of race • Verbal recognition -
Mythology Quiz Chapter 4: the Rise of Zeus and Creation of Mortals
Name: ____________________________________ Mythology Quiz Chapter 4: The Rise of Zeus and Creation of Mortals _____ 1. Which of the following is NOT true of the sacrifice at Mekone? (a) Prometheus laid out the sacrificial meat in two piles, one of meat covered by gristle, the other of gristle covered by meat (b) At this time, gods and humans still banqueted together (c) Zeus was deceived by the trick when he chose his pile of sacrificial offerings (d) Hesiod is our main source for this tale _____ 2. Which of the Five Ages that Hesiod tells about is characterized by endless savage, self-destructive fighting? (a) the silver age (b) the bronze age (c) the age of heroes (d) the iron age _____ 3. The character who asserts that he gave humans numbers, writing, carpentry, and astronomy: (a) Cronus (b) Prometheus (c) Typhoeus (d) Zeus _____ 4. Prometheus Bound is (a) a play (b) an epic (c) a section of Hesiod’s Theogony (d)a dialog attributed to Homer _____ 5. Which of the following is NOT true of Pandora: (a) she was fashioned by Hephaestus (b) she was created to reward men for their piety (c) her name means “all gifts” (d) she became the wife of Prometheus’ brother _____ 6. The author who writes: “I discovered for [men] numbers… and letters and their combinations … I first harnessed animals …no one before me discovered seamen’s vessels …” : (a) Aeschylus (b) Hesiod (c) Homer (d) Ovid _____ 7.Which of the following is NOT a threat to Zeus’s reign? (a) Lycaon (b) Otys and Euryalus (c) the Titans (d) Typhoeus _____ 8. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Dead Man Logan Vol. 1: Sins of the Father Pdf, Epub, Ebook
DEAD MAN LOGAN VOL. 1: SINS OF THE FATHER PDF, EPUB, EBOOK Ed Bisson | 140 pages | 01 Aug 2019 | Panini Publishing Ltd | 9781846539794 | English | Tunbridge Wells, United Kingdom Dead Man Logan Vol. 1: Sins Of The Father PDF Book Average rating 3. Fantastic Four by Dan Slott Vol. Logan teams up with Hawkeye to humorous effect, not to mention that weird gang of D-league X-Men. About Ed Brisson. Nov 26, Mark T. Brisson and company are a bit rushed by the page count, but it hits the right emotional notes. Comeback 5. Definitely curious as to what Brisson has in store for Logan back in his home world. But yeah awesome book! Perfect for one sitting. Une erreur est survenue. And he ain't going to get better this time. Rows: Columns:. Cancel Create Link. Old Man Logan is dying. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. She recruits Sin, Crossbones and Mysterio to try and put the plan in action. The villain means to set in motion the mutant massacre at the crux of Old Man Logan's apocalyptic future timeline. Sick from the Adamantium coating his skeleton, Logan's search for a cure has led to nothing but dead ends. It's pretty good. This process takes no more than a few hours and we'll send you an email once approved. Qssxx Dang that's good. Books by Ed Brisson. It wasn't bad but it seemed to hover between silly and serious, swinging from one to the other at odd times. -
Sexual Violence and the Us Military: the Melodramatic Mythos of War
SEXUAL VIOLENCE AND THE U.S. MILITARY: THE MELODRAMATIC MYTHOS OF WAR AND RHETORIC OF HEALING HEROISM Valerie N. Wieskamp Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture, Indiana University April 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________ Chair: Robert Terrill, Ph.D. _________________________ Purnima Bose, Ph.D. _________________________ Robert Ivie, Ph.D. _________________________ Phaedra Pezzullo, Ph.D. April 1, 2014 ii © Copyright 2015 Valerie N. Wieskamp iii Acknowledgements This dissertation would not have been possible without the help of colleagues, friends, and family, a few of which deserve special recognition here. I am forever grateful to my dissertation advisor, Dr. Robert Terrill. His wisdom and advice on my research and writing throughout both this project and my tenure as a graduate student has greatly enhanced my academic career. I would also like to express my gratitude to my dissertation committee, Dr. Robert Ivie, Dr. Phaedra Pezzullo, Dr. Purnima Bose, and the late Dr. Alex Doty for the sage advice they shared throughout this project. I am indebted to my dissertation-writing group, Dr. Jennifer Heusel, Dr. Jaromir Stoll, Dave Lewis, and Maria Kennedy. The input and camaraderie I received from them while writing my dissertation bettered both the quality of my work and my enjoyment of the research process. I am also fortunate to have had the love and support of my parents, John and Debbie Wieskamp, as well as my sisters, Natalie and Ashley while completing my doctorate degree. -
X-Force by Craig Kyle & Chris Yost: the Complete Collection Volume 2
X-FORCE BY CRAIG KYLE & CHRIS YOST: THE COMPLETE COLLECTION VOLUME 2 PDF, EPUB, EBOOK Craig Kyle,Christopher Yost,Clayton Crain,Mike Choi | 384 pages | 09 Sep 2014 | Marvel Comics | 9780785190004 | English | New York, United States X-Force by Craig Kyle & Chris Yost: the Complete Collection Volume 2 PDF Book Rahne and Hrimhari could easily have had their own book for their sublot. However if there is one person you do not want to conner it is X Jon Stevens rated it really liked it May 15, He teleports to each one, getting sliced, shot, and attacked at each one before Elixir touches him mumbling an apology. Collectibles Paperback Books. Chris Curtis rated it really liked it Sep 03, Of course we also get some just plain awesome fight scenes between Bastion and Wolverine, and Archangel kills dozens of Purifiers in a fit of rage. This created some major advantages and disadvantages to normal event structures. Esequesoy rated it really liked it Mar 26, If any characters lends themselves to horror movie style characters it is these guys. By continuing to use this website, you agree to their use. Kayleigh rated it liked it Nov 13, To ensure we are able to help you as best we can, please include your reference number:. The starts from issues 17 where they snap back to their time. Add to list. How was your experience with this page? Vanisher freaks out and reminds me of that classic whiny sidekick villain from a kids movie, but here done in a legitimately funny and enjoyable way. -
Olympians Teachers' Guide
Olympians Teachers’ Guide Introduction Many of our modern political, economic, and philo- sophical systems are rooted in Ancient Greek culture. The Ancient Greeks had one of the earliest known democracies, a rich literary tradition, and unique art and architecture, which we see copied all over the world and still used symbolically. Greek philosophy, medicine, science, and technology were all ahead of their time, and a familiarity with them is essential for understanding the world today—if for no other reason ABOUT THE OLYMPIANS BOOKS than because so much of our own culture, and even language, is based on Ancient Greek words and ideas. The myths and gods of Ancient Greece shine a bright HC ISBN 978-1-59643-625-1 . PB ISBN: 978-1-59643-431-8 $9.99 PB/$16.99 HC . 7.5 x 10 . Full Color Graphic Novel light onto the culture of one of the world’s oldest ZEUS: KING OF THE GODS known civilizations. Because of the influence Ancient The strong, larger-than-life heroes of Zeus: King of Greek culture has on our world today, studying the the Gods can summon lightning, control the sea, turn myths can help explain current beliefs about science, invisible, and transform themselves into any animal democracy, and religion. Myths are, by definition, ficti- they choose. This first book of the series introduces tious. But the origin stories of the Ancient Greeks were Zeus, the ruler of the Olympian pantheon, and tells real to them—as real as our understanding of how the his story from his boyhood to his adventure-filled Earth began. -
ELA Grade 9 Unit of Study
Getting to the Core English Language Arts Grade 9 Unit of Study Introduction to Mythology STUDENT RESOURCES Final Revision: June 4, 2014 TABLE OF CONTENTS Contents Pages Lesson 1: What are the criteria of a myth? What patterns exist in myths? Resource 1.1 Anticipatory Guide: Thinking about My World 1 Resource 1.2 Myths and Mythology 2 Resource 1.3 Three Criteria of a Myth 3 Resource 1.4 Transcript for TED Talks Video + Essential Questions 4-5 Resource 1.5 Patterns in Mythology Matrix 6 Resource 1.6 Evidence of Patterns Matrix 7 Resource 1.7 “How the Crocodile Got Its Skin” text 8 Resource 1.8 “Arachne the Spinner” text 9-11 Resource 1.9 Pre-assessment: Writing an Argument 12 Resource 2.1 Warm-up: Responding to Video Clip 13 Resource 2.2 A Summary of How the World Was Made 14-15 Resource 2.3A-E “The Beginning of Things” Parts 1- 5 16-20 Resource 2.4 Collaborative Annotation Chart – “Beginning” Part I 21 Resource 2.5 Collaborative Annotation Chart – “Beginning” Part_ 22 Resource 2.6 Myth Comparison Matrix: “The Beginning of Things” 23 Resource 2.7 Writing an Argument #2 24-25 Resource 2.8 Model Paragraph (Writing Outline) 26 Resource 3.1 Cyclops Painting & Quick-Draw 27-28 Resource 3.2 PowerPoint Notes: Introduction to Epic/Myth/Cyclops 29-32 Resource 3.3 Collaborative Annotation Chart – “The Cyclops” 33 Resource 3.4 Section Analysis Chart 34-41 Resource 3.5A Cyclops Comic Strip Planning Sheet 42-43 Resource 3.6 Cyclops Comic Strip Gallery Walk: Focused Questions 44-45 Resource 3.7 Evidence of Cultural Beliefs, Values & Patterns Matrix 46 Resource 3.8 Argumentative Writing Task #3 47-48 Resource 4.1 “Patterns” Project Instructions 49 Resource 4.2 “Patterns” Project Rubric 50 Resource 4.3 “Patterns” Project Example 51 ELA Grade 9 Intro to Mythology, Lesson 1 Resource 1.1 Anticipatory Guide: Thinking about My World Opinion Explanation Agree Disagree Patterns help us 1.