DOCSLIB.ORG

The GRAMOPHONE in SCHOOL (HMV 1930)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The GRAMOPHONE in SCHOOL (HMV 1930) YI' : i I 'l sltould lihe to see a Gtamophone cnd a suitaltle selectin ol Recotds in eoeu schoorrondt rst"frj ;trt, tLffifr:r'6:i;. EDUCATNONAT PUTtNCATNONS Issued by Tur GR,*ropsoNr Couplny, Lro., 363-367, Oxford Street, London, W.l. Colloquio.I French for the English Bv E. M. STEPHAN, Senior Lecturer in French, IJnioersitg College, London, and DANIEL JONES, Prolessor o! Phonetics, L)nioersits College, London. A Practical Course for learnlng to speak French with the ald of " His Master's Voice " GramoDhone Records. The Complete Course comprises l5 Double-;ided 12-inch Records in a specially durable Album, Text ]look of 586 paees and Key tlook. The price of the Complete Course is 94 4 O, oi Separately:- Records, 4 6 each. Album, 10/6. Text Book and Key Book (together), 1216. Pupil's Text Book, 2l-. The Golden Treq.sury of Recorded Music Vol. I.-Blcn lxo BsrrHoveN. (Second Edition) Price U-. Vol. II.-WrcNzr'. Price ll-. BV ALEC ROBERTSON, A.R.A.M. These books contain notes on each side of each record mentioned, and copious i.llustrations in music type. They deal with great recorded works of the composers chose!, and are invaluabl€ for a teacher's home or school use. A Chort Booh of English Literature, History ond Music f,o^ l3oo-tgoo. Second Edition. Pricell- net. Tuteloe Tolhs on Melody Bv SIR WaLFORDT.DAVIES. " Playutays " An Educational Series of Records for Young Childre& Planned by Mrs. J. MURRAY MACBAIN. Music arranged by ALEC ROWLEY. Text Book, Price l/-. How to Use the Gramophone in School I.-LISTENING TO AN ORCHESTRA (7th Edition) I.-PICTURE AND STORY MUSIC @th Edition) (Programme Music) III.-WHY AND HOW ? O,d Ed""ttion) IV. SCHUBERT @th Edition) By ALEC ROBERTSON, A.R.A.M., and PETER LATHAM, M.A. V"-THE RHYTHMTC ROAD TO MUSIC LAND By HILDA HABBESHA'W, L.R.A.M. (Gratis.) TIisMasfe*\6icd CATALOGUE of EDUCATIONAL RE,CORDS W THE GRAMOPHONE COMPANY, LTD., Education Department, 363.367, OXFORD STREET, LONDON, W.l. PREFACE '' \{/HAr:re:;ff ri: J ;;1,:"' *TI ::T*J; is an attempt to answer it, The General Catalogue is embarrassingly full of good things and the busy teacher hardly knows where to begin, or upon what music the choice is to fall. This little Cataiogue, then, besides showing the fuli range of special educational records, also contains a number of short lists of records covering every need the teacher is likely to experience. Should the complete recorded works of any com- poser be wanted, reference to the General Catalogue (which should be kept with this one) will at once show what these are. Do not fail to have the monthly and mid-monthly lists of new issues of records sent to you by your dealer, for only thus can you be aware of what is being published' We shall welcome any criticisms of, or suggestions for, the improvement of this Catalogue. THE GRAMOPHONE COMPANY, LrP. (Education Department), 363-367, Oxnoru Sr:nnrr, LoNnoN, W.1. CONTEN S Pece Roy.lr- Rrconos 5 ." Derr-v Expness " RlllreMen.tNcE FESTTvAL Roconos 6 Pr-e:rwevs Rqcon:>s. 7 Nunspnv Reconos .. 8 RBconos ron Rurrrnltrc TnarNrNc:- Pr,errwevs OncrrBstne. I Mencnos. 10 MancnrNc Soxcs 11 Rrconos ron Qumr Lrsrennrc 1l INsrnulmNrs or' THE Onclrosrne, l2 Eucr-rsn Forr< Dalrcp Reconos . l4 ScertorxavreN DaNcp Roconos 16 Tou Cr,oucn (Tae Nonrrrurmnrex Prras) 16 TwBrvB Telr<s oN MBroov l7 " Ptcrunr .r,*o St:onrr4 Musrc:- For.r SoNcs 18 INstnuuouter- R-aconns 18 OncngstnA,r, Rrconos 18 TowN exo CouNtnv Musrc 19 TUB Musrc or Fenresv 19 Se.cnsn Musrc 20 SoNcs 2t Ltoopn 90 Sprntru.a.r-s lNo See Crrenrrns LO Cnonar- Wonrs .J Openetrc Polpounnrs 24 Twrlvp SupnDlrBr-rr Gooo Roconr:rNcs . , 25 " PLUM Llepr. " Cr-essrcs Or-o auo Now 26 Gno.lr MolouES FRoM rnn Cr,e,sstcs 27 Stwcr-e MovrlrBnrs rnoM Wnr-r,-KNowN WoRris 29 TuNrrur, Mooenrrr Oncnpsrner- Wonr<s 31 CrrerrmBn Musrc 32 Colrogurar, FRENcrr FoR TrrE Ewcrrsn .. 34 GnBer FnBNcs Aurr.lons 36 Slcne Gurrnv eNo YvoNNB PntNtrvps. Booxs non Tr,ecrr-a.ns 38 Lecruns Spnvrce .. 40 ) PRICES OF RECORDS Nursery Records-AS (Orange) Double- sided 7-inch, 1/6. (Each Series of six records in Album, 10/-). j Colou of l0- Gg t2- d,r'l Label. inch. rnc!. ae5e Jj PLUM r/- B 416 C BLACK... 416 E 616 D SPECIAL 3l- RB 416 RC SPECIAL 516 RE 516 RD RED 6l- DA 816 DB The above are all Double-sided. Any Dealer will be glad to give you particulars of special terms accorded to teachers purchasing " His Master's Voice " Gramophones for use in school. A CATALOGUE OF " HIS MASTER'S VOICE '' RECORDS OF EDUCATIONAL VALUE ROYAL RECORDS HIS MAJESTY KING GEORGE V ILM. The King stahding hefore lhe tkrane deliuering hts s,eech to the Naoal Conference' [H.M. The King's Speech at the Opening of the Five- --^^ | Power Naval Cbnterence on January 2lst' 1930' iJ29u \ Parts I and 2 I lltetordecl in the Rovai Gallerl' of tlre House of Lords') ..HIS MASTER'S VOICE '' ROYAL RECORDS- (continued). H.M. KING GEORGE THE FIFTH AI{D H.M. QUEEN MARY I Empire Day Messa!,es-To the Boys and Girls of the I British ErnPire t(u ^.,6+] nruo oF H.M-. coLDsTREAM GUARDS lGod Save the KinS, and llome, Srveet Home H,R.H. THE PRINCD OF WALDS i Sportsrnanship RD 887i BAND OF H.M. COLDSTREAM GUARDS I God Bless the Prince of Wales I Speech on Armlstice Night, November llt\ 1927 RB 2628 I Recorded at the " Daily Express " Remcmbrance liestival, l_ Royal Albert llall, London H.R.H. THE DUKE OF YORK Camp Purpose 1 My -Its I Carnp Songs(actually recorded at H.R.H. The Duke cd York's | New Romney) RC 1804 . r"Tp' '""- t (o) Dashing azuay uith the smootlring iron ; (b) On llhley I Moor : (c\ lVid.d.itonfte Fair ; (d) Loch Lomonrl ; | (r) Here's a Hcalth; (f) Camp Calt .. DAILY EXPRESS '' REMEMBRANCE FESTIVAL Actually /eco/d.ed. at the Royal Albert Hall, Noacmber llth, 1928. Proceeds derived {rom the sale o{ thcse records rvill be devoted to the fund of the late Earl Haig's British Legion. (a) Fanfare ; (b) National Anthem (Entrance of Theirl Majesties the l(ing and Queen) ; (c) Second Fanfare ; l (d) Pipers I llfaroh to the Trenches (Conrmunity Singing) ; A J\Icmory lC 1601 Cf 1914-1918 : (a) 7'ahe nte bach to dear old |Jlightv ; l (c) (b) There's a Lutg, long trail; Tipperary ; (d) Land I oj Hope end G|ofy J An Addiess by Admiral of the Fleet Earl Jellicoe, G.C.B.,] O.M., G.C.V.O., President of the British Legion { - 1an) Funeral March (Cho.lrin), lllassed lSands ; Prayer ofJucd (" by lhe Bishop of London -) (a\ " Lead, Kindly Light " (Community Singing) ; (b) Anthem, I " I heard a voice from lleaven " I ^ rour (a) " O God, our help i.n ages past" ; (b) Ad,d.ress b1t the lw Defuty Chaplain-General to the Foraes ) Abide with me (Community Singing) " " 1604 (a) Last Post; (b) Reaatlle ; (c) National Anthent )c EDUcATToNAT- clrllocUE .. PLAYWAYS '' Planned by Mrs. J. MurraY MacBain This set of si.x double-sided records has been speciaily designed by a well-known tea.ching ,expert for use by teachers of youlg-children-1.1ttt1. or Kindergart"r, oi;onlior stages of the school. It includes pop.ular Marcli Music /Naiional'tuois the chil<iren knorv alrd like), music specially selected {or Eai-training, for beating time and other rhythmic activities such as "quick-changeY; stepping, iiding -o,re*e-nt-s, ball exepcises, etc' Voice Exbrcises anda SongModel-a Schubert Lullaby-are also gjvea as p-atter4s for tone and. in the"latter, interpretation. The record of Nursery Rhyrr.res is a recent addition and concludes this popular series' A Bookiet by Mrs. MacBain giving full de,scription- of. how to use the records, and dirictions for the dances and other rhythmic exercises with music examples, is issued I'ith the records Price ls' On Six 10-in. Doublc-sided PLUM LABEL records' B 2805 B 2AO7 SMALL ORCHESTRA SMALL ORCHESTRA Music for Simple Dances. Part 1. Arr. Alec Rowley. .4 Little March Past. Part I' (a) Circle Dance (b) Little Peasant Arr. Alec RorvleY' Dance. {c) Curtsey Dance. BoY." Music for Sirnple Dances. Part 2. Introd. : " The Minstrel (Beethoven). " Ivline eves (a) Step-stately " Men of t{arlech." (b) l'hc Wild Horsenian (Schumano). .have seen." B 2308 A littl.e Matgh Past, Part 2- MASTER NORMAN WARE [n'trod.: "Johg freel/' "When (Boy Soprano), f ohnny comes nlqao\i4g rhqlle." ';sith pianoforte accont paniment by '' Ilr,itish Grenadiers." llpNnrr F. Herr- foice Excrcises. Part 1. .!.t rt Paft 2. B 2806 F 2809 Ear-Trailli+9.. Part l. SMALL ORC*{F,STI[.7 [-ul]aby (Schuber.t). (a) Voice and piano. (6) p4d piano. RhYthrnic Exerelses. Violin Music for Ear.-Trai.nip9, Part ?. Part l. Arr. Alec RorvleY. Lullaby ,(Schrrtrert). (a) iQelio and piano. (b) String !)ance Steps.- Introd. : " Yanhee Quartef. Doodle." " On the Bridge oJ Hare." B 3150 Avignon." " Hunting the VMAN LAMBELET (SoPrano) Rhythrnic Dxercises. Part l-Old Rhyrnes with New Sltusie for Tunes (R. R. Terry) part 2. (a) I{ush-a-bye, Baby; (b) Georgie Steppr,Rg, ,laeadrcg lime and ball Porgy ; (c) The Little I3oY and the mo,+ernents. lntrod.. .: " Once I Little Girl ; (d) Dapple Grey ; toved ,a maiden fair." " Lass of (a) A Child's Grace before l\{eat.
Load more

Recommended publications
  • Symposium Programme
    Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4.
    [Show full text]
  • The Blue Review Literature Drama Art Music
    Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr.
    [Show full text]
  • Preliminary Pages [PDF]
    THE SUBSTANCE OF STYLE HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Rebecca Mara Plack May 2008 © 2008 Rebecca Mara Plack THE SUBSTANCE OF STYLE HOW SINGING CREATES SOUND IN LIEDER RECORDINGS, 1902-1939 Rebecca Mara Plack, Ph. D. Cornell University 2008 In this dissertation, I examine the relationship between vocal technique and performance style through 165 audio clips of early Lieder recordings. I proceed from the starting point that many stylistic gestures are in fact grounded in a singer’s habitual vocalism. Vibrato, tempo and rubato are directly affected by a singer’s voice type and his physical condition, and portamento has long been a technical term as well as a stylistic one. If we consider these technical underpinnings of style, we are inevitably moved to ask: how do a singer’s vocal habits affect what we perceive to be his style? Does a singer’s habitual vocalism result in his being more likely to make certain style gestures, or even unable to make others? To address these questions, I begin by defining a vocabulary that draws on three sources: the language of vocal pedagogy, data derived from voice science, and evidence drawn from recordings themselves. In the process, I also consider how some Lieder singers distorted the word “technique,” using it to signify emotional detachment. Next, I examine the ways in which a recording represents the performer, addressing how singers are affected by both changing aesthetics and the aging process; both of these lead to a discussion of how consistently some performers make certain stylistic gestures throughout their recordings.
    [Show full text]
  • Looking Back at CHARM
    Annual newsletter Issue 5 (April 2009) We set up CHARM because we thought that musicology was skewed towards the study of Looking back scores, that there was enormous untapped potential in the last century's heritage of recordings, and that bringing recordings to the forefront of the at CHARM discipline could help to transform it—not least in terms of overcoming the mismatch between a discipline focussed on written documents and a public for whom music means performed sound. Although reception theory and history had a major influence on post-war musicology, the focus remained on the written document. And although the 'performative turn' that swept through cultural studies in the last decades of the twentieth century also had an effect on musicology, it perversely served only to reinforce the conception of music as a form of writing. The historically informed performance movement brought documentary and other period evidence to bear upon performance practice, in effect subordinating playing to writing. Analytical approaches to performance did much the same by mapping score-based analysis onto performances. While ethnomusicology and popular music studies were more successful in adopting a performative approach, we felt that in the area of Western 'art' music there was the potential for a major transformative intervention. That was where we hoped CHARM might make a critical contribution. Although we saw CHARM as in essence a vehicle The CHARM website is undergoing a major for the development of a performative approach to redevelopment. Our new site will be hosted by King’s musicology, we saw significant advantages in College London, and will bring together the on-line focussing it specifically on recordings.
    [Show full text]
  • JAVS 32.3.Pdf
    Viola V33 N1.indd 302 5/8/17 10:10 PM Journal of the American Viola Society A publication of the American Viola Society Spring 2017: Volume 33, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 7 Announcements p. 8 The Lionel ertis-JohnT White Collection p. 11 In Memoriam: Bernie Zaslav Feature Articles p. 13 The Genesis of BenjaminYusupov’s Viola Tango Rock Concerto: Dalton Competition Winner Andrea Carolina del Pilar Sánchez Ruiz presents her research on one of the first viola concertos to be premiered in the twenty-first century. p. 27 Grigori Frid and the Viola: In Conversation with the Composer: Elena Artamonova introduces a composer whose work is little known amongst violists, providing fascinating background and connections to twentieth-century Soviet Russian music. Departments p. 37 Outreach: Carol Rodland writes about her very practical and creative “If Music Be the Food…” program, for which volunteers and musicians donate their time to help raise monetary and non-perishable food donations for Foodlink, the Feeding America Hub of Western New York. p. 39 Health and Wellness: Our new Health and Wellness Editor, Jessica Ray King, introduces her new column with some of her more recent research. On the Cover: Joyce Lin Viola 24 x 36 inches Watercolor, graphite Joyce Lin is an artist and designer studying Furniture Design at the Rhode Island School of Design and Geology at Brown University as part of the Brown/RISD Dual Degree program. Her drawing is a full-scale technical rendering of her friend’s beloved viola, first drawn on a computer-aided design (CAD) program and then traced onto paper, as an exercise in measurement and detail.
    [Show full text]
  • In the World of Music and Musicians
    In the World of Music and Musicians The Late Camille Saiiit-Saens And His Visit to United States Programs of the Week of German and Sunday Tuesday Missions French Coniposcrg; Strauss Acolian Hall, 3 p. m. Concert by the Aeolian Hall, 3 p. m. Song recital and Failure in lneidents of icw York Symphony Societ;, : Margueritc d'Alvarez, contralto: Propagandism; Saint- ¦'.. Dleu.A. Nleolau ymphony No. 3.Rrahmi .Glock Saens's Sojourn Here; His Genius and Career A Comefly Ovorture".Oardlnei chanta .Ramaau oncerto ln C mlnor., .i>. ;ms ,. .Easthope Martin Percy ()r»ingor. .Franic Hrl«»ro Ilghf. Ruaalan Folk songs.I.iadow i' ' .. .Q. Btratffefe M I'-1 H. E. Krehbicl legree upon him, and the trifles Carnegie Hall. 3 p. m. Song rccitai I.nd . Rraumon-. By | already >y Emma Calve: t. uuy .Tachalkowaky have been to mentioncd. The other numbors of the UsnCes ^n Kti le n -...,- .Dargomysaky y!e reccntly permitted Sapho.Gounod .1 .."' Nl'ltli Maiden .narK-.n.yzaW program were his "Le Rouet d'Om- 'hreo old French Song*.Anonymoua .Tschatkowaky look upon the greatest of Gcrmany's Echoos des montagnes idc .k Chaoaaon phalc," Gcorg Schumann's "Liebes- La Rol Kenaud. ia.B. I'timiamri living composers and one of thc fore- frilhling" and Beethoven's "Eroica." (Chanson de Geates de Troubadours) !.¦¦ Solr .C. Dabuaay I.a Llsotte. l ..H»tnn most reprcsentatives, if not the fore- At the repetition of the program on jamen/o d'Arlane.Montev. d Tus OJ08 '.. .Alvarfz riades haleines ¦.' ¦.- the next Mr. Damrosch (XV Century).. Carisalml '.. .' Toroa..Alvara -.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
    INFANTRY HALL • PROVIDENCE Thirty-second Season, J9J2—X9J3 Dr. KARL MUCK, Conductor Programme of % THIRD CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 31 AT 8.15 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER — " After the Symphony Concert 9J a prolonging of musical pleasure by home-firelight awaits the owner of a "Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. Sole Representative MRS. LUCY H. MILLER 28 GEORGE STREET - - PROVIDENCE, R.I. Boston Symphony Orchestra PERSONNEL Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Mahn, F. Concert-master. Kuntz, D. Tak, E. Theodorowicz, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Koessler, M. Bak, A. Mullaly, J. Goldstein, H. Habenicht, W. Akeroyd, J. Spoor, S. Berger, H. Fiumara, P. Fiedler, B. Marble, E. Hayne, E. Tischer-Zeitz, H Kurth, R. Grunberg, M. Goldstein, S. Pinfield, C. E. Gerardi, A. Violas. Ferir, E. Werner, H. Pauer, 0. H. Kluge, M. Van Wynbergen, C Gietzen, A.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • ARSC Journal
    SCHUMANN AND BRAHMS: LIEDER ON RECORD, 1901-1952. HMV RLS 1547003, 8 discs. SCHUMANN: Der Nussbaum (Fritz Schrlidter, tenor); Ich grolle nicht (Felia Litvinne, soprano); Ich hab' im Traum geweinet (Nicolai Figner, tenor, in Russian); Er, der Herrlichste von allen (Marie Knilpfer-Egli, sopra­ no); Intermezzo (Lilli Lehmann, soprano); Wanderlied (Willi Birrenkoven, tenor); Die beiden Grenadiere (Vittorio Arimondi, basso, in Italian); Volksliedchen, Der Schatzgraber, Der Soldat (Therese Behr-Schnabel, mezzo-soprano); Die Lotosblume, Du bist wie eine Blume (Giuseppe Borgatti, tenor, in Italian); Die Lotosblume, (Leo Slezak, tenor); Friili­ lingsnacht, Die Rose, die Lilie (Lydia Lipkowska, soprano, in Russian); Ich grolle nicht (Erik Schmedes, tenor); Frauenliebe und -leben (Julia Kulp, contralto); Die beiden Grenadiere (Feodor Chaliapin, basso, in Russian); Widmung (Frieda Hempel, soprano); Wanderlied, Du bist wie eine Blume (Friedrich Schorr, baritone); An den Sonnenschein, Volksliedchen, (Ursula van Diemen, soprano); Unterm Fenster (Lucrezia Bori, soprano; John McCormack, tenor, in English); So wahr die Sonne scheinet (Jo Vincent, soprano, Louis van Tulder, tenor); Die beiden Grenadiere, Lied eines Schmiedes (Sir George Henschel, baritone); In der Fremde (Alice Raveau, contralto, in French); Aus den 8stlichen Rosen (Richard Tauber, tenor); Ich will meine Seele tauchen, Im Rhein, im heiligen Strome (Thom Denijs, baritone); Zum Schluss, Fruhlingsnacht, Wer machte dich so krank?, Alte Laute (Elena Gerhardt, mezzo-soprano); Der Nussbaum, In
    [Show full text]
  • Portland • Oregon
    AMICAMICAA 20032003 PORPORTLTLANDAND •• OREGOOREGONN The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2003 VOLUME 40, NUMBER 1 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. ROBIN PRATT, PUBLISHER, 630 EAST MONROE ST., SANDUSKY, OH 44870-3708 -- Phone 419-626-1903, e-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 40, Number 1 January / February 2003 AMICA BULLETIN Display and Classified Ads FEATURES Articles for Publication Letters to the Publisher A Grand Event — 10 Chapter News AMICA - Italy— 11 Upcoming Publication DEADLINES Pseudonym’s — 12 The ads and articles must be received Oliver Denton — 13 by the Publisher on the 1st of the Odd number months: Coenraad V. Bos — 14 January July March September Chickering Pianoforte Manufactory — 22 May November Carry On — 30 Bulletins will be mailed on the 1st week of the even months. Letter from Mrs. Bartier — 31 Robin Pratt, Publisher Convention — 33 630 East Monroe Street Sandusky, Ohio 44870-3708 Phone: 419-626-1903 e-mail: [email protected] DEPARTMENTS AMICA International — 2 MEMBERSHIP SERVICES President’s Message — 3 New Memberships . $42.00 From the Publisher’s Desk — 3 Renewals . $42.00 Calendar of Events — 4 Additional $5.00 due if renewed past the Jan. 31 deadline Letters —5 Address changes and corrections Tech Tips —32 Directory information updates Chapter News — 38 Additional copies of Classified Ads — 50 Member Directory .
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, J9J2-J9J3 Dr. KARL MUCK, Conductor flrogramm? of % FOURTH CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, JANUARY 16 AT 8.00 COPYRIGHT, 1912, BY C A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Shown EXCLUSIVELY at Steinert Hall and our stores throughout New England STEINWAY Grand and Upright pianos in all regular models, and PIANOS in special designs of distinctive architectural styles. PIANOLA Steinway,Weber and other makes of Pianos, in 88-note PLAYER-PIANOS styles with all the exclusive Pianola features, including the Metrostyle and The- modist, at prices as low as $550. THE NEW ENGLAND- A series of quality pianos MADE PIANOS of distinctive musical char- acteristics—superb values THE HUME at their respective prices, THE JEWETT from $275 up. THE WOODBURY M. STEINERT & SONS CO. Steinert Hall, 162 Boylston Street New England's Largest Piano House Owing to the illness of Dr. Muck, Mr. Otto Urack will conduct. V SANDERS THEATRE .... CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor FOURTH CONCERT THURSDAY EVENING, JANUARY 16 AT 8.00 PROGRAMME Borodin Symphony No. 2, in B minor I. Allegro moderate II. Molto vivo. III. Andante. IV. Allegro. Arias with Orchestra a. Marcello Recitative "II mio bel foco" and Aria "Quella fiamma" b. Gluck Aria of Paride from "Paride ed Elena," Act I., No. 3 Brahms Academic Festival Overture, Op. 80 Strauss Songs with Orchestra a. Morgen, Op. 27, No. 4. b. Wiegenlied, Op. 41, No. 1 c. Cacilie, Op. 27, No. 2.
    [Show full text]
  • Musical Forecast Index Master List
    Use Command F (⌘F) or CTRL + F to search this document Main Subject Subject1 Subject2 Subject3 Author Title Notes Location Month Year "Musical Forecast" -- By way of Editorial 1:1 Sept Sept 1921 purpose and policy overture 1921 Chamber music Violinists Horne, Criteria in Includes 1:2 Sept Sept 1921 (Pittsburgh): Margaret chamber music portrait 1921 Horne, Margaret Musical life: Pittsburgh Boyd, Music in 1:3 Sept Sept 1921 Charles N. Pittsburgh -- 1921 1921 Music appreciation Steiner, W. Music and the 1:4 Sept Sept 1921 K. common life 1921 Plectral orchestras Orchestras Mandolinists Truitt, H. Fretted 1:4 Sept Sept 1921 (Pittsburgh): Russell instrument 1921 Scalzo, orchestras Gregorio Vocal pedagogy Singing Miller, Fundamentals in Includes 1:5 Sept Sept 1921 McClurg the study of portrait of 1921 voice author Haydn Choral Union of Choral societies Haydn Choral Brief history 1:6 Sept Sept 1921 the North Boroughs Union, The 1921 Conductors: Sousa, Bands Sousa Upcoming 1:6 Sept Sept 1921 John Philip Pittsburgh 1921 concert Pittsburgh Friends of Pittsburgh Five Sunday 1:6 Sept Sept 1921 Music Friends of Music afternoon 1921 meetings scheduled Singers: Ruffo, Titta Titta Ruffo Upcoming 1:6 Sept Sept 1921 recital at 1921 Syria Mosque Art Society of Clubs and Concert Art Society of Roster for 1:6 Sept Sept 1921 Pittsburgh, The societies series: Pittsburgh, The the season 1921 Pittsburgh Popular Concerts Popular Concerts Announceme 1:7 Sept Sept 1921 nt of second 1921 season Philadelphia Symphony Orchestras Philadelphia Sixth season 1:7 Sept Sept
    [Show full text]