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LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) + -
Super Elmar-M21 F3.4 Technische Daten EN Neu
LEICA SUPER ELMARM 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire fi eld of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of fi eld that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
Super-Elmar-M 21Mm ASPH
LEICA SUPER ELMAR-M 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire field of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of field that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
LEICA TRI-ELMAR-M 28–35–50 Mm F/4 ASPH. 1
LEICA TRI-ELMAR-M 28–35–50 mm f/4 ASPH. 1 This lens combines three of the focal lengths that are most popular among Leica M photographers. The appropriate bright-line frame appears in the viewfinder when any of the focal lengths is selected. A complex optical design gives this lens extraordinary performance characteristics: Five of the eight lens elements are made of high-refraction optical glass, two of which have aspherical surfaces. Richness of contrast and detail resolution are superb at all three focal lengths. Curvature of field and vignetting are of no practical consequence. The versatility, compact design and ease of operation of this high-performance lens make it a natural for uncomplicated shots with professional quality. Adding a 90 mm telephoto lens to this extra light Leica M traveling outfit makes it complete and ready for every imaging situation. Lens shape 28 mm Aspheres Vario group 1 Vario group 2 and Internal focussing LEICA TRI-ELMAR-M 28–35–50 mm f/4 ASPH. 2 Lens shape 35 mm Lens shape 50 mm LEICA TRI-ELMAR-M 28–35–50 mm f/4 ASPH. 3 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) Focal length 28 mm: 75°, 65°, 46° Focal length 35 mm: 63°, 54°, 38° Focal length 50 mm: 47°, 40°, 27° Optical design Number of elements / groups: 8 / 6 Distance setting Focusing range: 1m to Infinity Scale: combined meter/feet-increments Smallest object field: Focal length 28 mm: 750 x 1130 mm Focal length 35 mm: 620 x 930 mm Focal length 50 mm: 430 x 650 mm Highest reproduction ratio: Focal length 28 mm: 1:31 Focal length 35 mm: 1:26 Focal length 50 mm: 1:18 Diaphragm Setting / Type: with clickstops (including half values), manual diaphragm Smallest aperture: f/22 Bayonet Leica M quick-change bayonet Filter (type) internal thread for screw-in type filters E 49 Lens hood separate, available as accessory, clip-on type, lockable Dimensions and weight Length: 67.8 mm Largest diameter: 55 mm Weight: approx. -
1 LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA SUMMILUX-M
LEICA SUMMILUX-MSUPER ELMAR-M 28mm 21mm f/1.4 f/3.4 ASPH. ASPH. 11 The Leica Summilux-M 28mm f/1.4 ASPH. rounds off the range of high-speed M wide angle focal lengths. It offers exce lent image performance over the entire image field even at full aperture and in the close-up range thanks to a „floating element“. With its exceptional contrast, the lens delivers the same recognized high performance level as the Leica Sum- milux-M 35mm f/1.4 ASPH., and in some respects actually outperforms it. The vignetting that is typical of every optical system is naturally more defined on a wide angle lens, particularly a high speed one like this, than on standard lenses or those with a long focal length. At full aperture in 35mm format it is a maximum, i.e. in the corners of the image, of around 3.4 stops, around 2 stops on Leica M8 models with their slightly smaller format. Stopping down to 5.6 visibly reduces this light falloff – to 1.8 and 0.8 stops respectively. Stopping down further does not bring about any notable reduction as essentially only the natural vignetting remains. Distortion is extremely low for a wide angle lens at a ma- ximum of 1.1% , which is rarely noticeable in practice. A total of ten lens elements are used to achieve this exceptional performance. To correct color defects, seven of these are made of glass types with anomalous partial dispersion, while one has an aspherical surface. To maintain performance in the close-up range, one element towards the rear of the optical system is a “floating element” that moves independently of the rest of the mechanism. -
Leica D Series Cameras Description Serial Number Digilux 3 + 14-50Mm F2.8-3.5 3184940/4015515 Digilux 2 2991330
Leica D Series Cameras Description Serial Number Digilux 3 + 14-50mm F2.8-3.5 3184940/4015515 Digilux 2 2991330 Leica X Series Description Serial Number X2 - Silver + Case + Finder 4317553 Leica S/S2 Cameras Description Serial Number S Body Only (Typ 006) 4417070 S Body Only (Typ 006) 4686760 S Body Only (Typ 006) 4417295 S-E Body Only (Typ 006) 4810278 Leica S/S2 Lenses Description Serial Number 30mm F2.8 Asph Elmarit S 4151485 120mm F2.5 Apo Macro Summarit S 4156132 120mm F2.5 Apo Macro Summarit S 4111860 120mm F2.5 Apo Macro Summarit S 4111659 Leica R Cameras Description Serial Number R8 Chrome Body Only 2285482 R8 Chrome Body Only 2291710 R8 Black Body Only 2775654 R7 Chrome Body Only 19999116 R6 Chrome Body Only 1776195 R4 Black Body Only 1608706 Leica R Lenses Description Serial Number 75-200mm F4.5 R 3cam 2896362 2x Extender R 3326677 2x Extender R 3143272 Leica Q Series Description Serial Number Q (Typ 116) - Black 4932761 Leica SL Series Description Serial Number SL Typ 601 Body Only 4967157 SL Typ 601 Body Only 4993497 Leica V-Lux Series Description Serial Number Vlux 1 3138988 Vlux - (Typ 114) 4860734 Leica T Series Description Serial Number TL2 Silver Body 5226072 TL Silver Body Only 5161802 / PA013849 T Black Body Only + PXC T to M Adapter 4815918 / 4266109 T Black Body Only 4821452 T Silver Body Only 4818007 T Black Body Only 4817778 T Silver Body Only 4812671 T Silver + 18-56mm Asph + Visoflex 4817415 / 4350298 / PA013854 / 18811 T Silver Body Only (Typ701) 4821089 55-135mm F3.5-5.6 APO-VArio-Elmar-T 4469344 60mm F2.8 Asph(Silver) -
Here Are Detailed Descriptions of the Items for Sale and Links to Pictures
Here are detailed descriptions of the items for sale and links to pictures: 1. NORITA 66 + Rittron 80/2 (same lens as standard Noritar 80/2, just silver) As a great fan of Norita 66 camera with great sadness I'm selling one of my reserve bodies, but since I have spare Rittron 80/2 I thought I will make it a great set :-) Rittron 80/2 is exactly the same lens as standard and legendary Noritar 80/2, Norita and Rittron were making the same camera and lens together with two different names :-) The only difference is that it's silver and mechanism to close aperture is in the front of the lens, not the back :-) Other than that it's exactly the same, so it will make exactly the same wonderful pictures as Noritar 80/2 :-) Camera is in GOOD condition and CLA was done in professional service, so it works as it should :-) Norita 66 is a great camera, very robust and with amazing viewfinder, very easy to focus :-) The LENS is in GREAT condition cosmetically and mechanically, optics are great, everything works 100% as it should :-) Pictures of the set and some images taken with it: https://photos.app.goo.gl/fNHceCbjcJhYxHiZ7 PRICE: $ 1650 2. MINT Zeiss Biotar 50/1.4 in Leica M mount (can be used on any mirrorless camera via simple adapter, or with Techart AF adapter on Sony E or Nikon Z camera) Another great Biotar 50/1.4 that I was keeping for some special occasion, as this is the nicest one I've ever seen, but I guess there is no point in it, someone should just start using it :-) So here it is, MINT condition, beautiful outside, beautiful optics, mechanics as well - everything works as it should :-) It's converted to Leica M mount, so via additional inexpensive adapter (or Techart with Autofocus for Sony E and Nikon Z) can be mounted and used on all mirrorles cameras (except Leica M as there is no cut out for rangefinder actuator) :-) As for the Biotar 50/1.4 in general – it's simply most interesting 50mm lens in existence :-) Pictures of the lens and some images taken with it: https://photos.app.goo.gl/qVZVYz3gRNvDNJ9Z7 PRICE: $ 1700 3. -
Leica Lens Saga
Erwin Puts LEICA LENS SAGA evolution - optical design - evaluation - future Berek’s Legacy: the 50 mm lens for Leica rangefinder cameras imx edition 9/2016 Colophon Leica Lens Saga by Erwin Puts Limited edition: September 2016 ISBN: 978-94-91089-12-1 NUR: 473 Published by: imX/Photosite Moerasmeer 51, 3994JJ Houten, Netherlands © 2016 by Erwin Puts and imX Made on Apple MacBook Pro 15inch Book content produced with Scrivener Book design with InDesign CC Font: Adobe Garamond Printed and bound by PNB, Lithuania All rights reserved. No part of this book may be reproduced, translated, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from the publisher. This publication has not been sponsored in any way by Leica Camera AG or any of the other manufactur- ers whose products are mentioned in the book. Information and data in this book is correct to the best of the author’s and publisher’s knowledge. Be- cause use of this information is beyond the author’s and publisher’s control, all liability is disclaimed. 2 Contents 1. Introduction 7 2. The opto-mechanical properties of Leica CRF lenses 15 2.1. Introduction 16 2.2. Opto-mechanical limits 17 2.3. The search for perfection 24 2.4. Spot diagrams of early Leica standard lenses 29 3. Process of Image formation 43 3.1. The nature of physical laws 44 3.2. Role of light in the photographic process 46 3.3. Principles of geometrical optics: points and lines 49 3.4. -
May 1, 2018 Price List What's Changing.Xlsx
Leica Order Leica Product Name & Description Today's Price May 1st Price Number 10301 Leica MP 0.72 silver $4,550 $4,795 10302 Leica MP 0.72 black $4,550 $4,795 10370 Leica M-A (Typ 127), black $4,550 $4,695 10371 Leica M-A (Typ 127), silver $4,550 $4,695 10503 Leica M7 0.72 black $4,550 $4,795 10504 Leica M7 0.72 silver $4,550 $4,795 Leica M7 Beginners Set 10546 $5,795 $5,995 with 50mm Summicron-M f2 10770 Leica M (Typ 240), black $6,595 $6,995 10771 Leica M (Typ 240), silver $6,595 $6,995 10772 Leica M-P (Typ 240), silver $6,995 $7,495 10773 Leica M-P (Typ 240), black $6,995 $7,495 10947 Leica M (Typ 262) $5,595 $5,995 10930 Leica M Monochrom (Typ 246) $7,550 $7,995 20000 Leica M 10, black $6,895 $7,295 20001 Leica M 10, silver $6,895 $7,295 11626 16-18-21 Tri-Elmar-M f4 ASPH $5,395 $5,595 11642 16-18-21 Tri-Elmar-M f4 ASPH w/Univ. WA Finder M $5,995 $6,295 11649 18mm Super-Elmar-M f3,8 ASPH $2,995 $3,195 11647 21mm Summilux-M f1,4 ASPH $7,495 $7,795 11145 21mm Super-Elmar-M f3,4 ASPH $2,895 $2,995 Leica Order Leica Product Name & Description Today's Price May 1st Price Number 11601 24mm Summilux-M f1,4 ASPH $7,295 $7,495 11648 24mm Elmar-M f3,8 ASPH $2,495 $2,695 11668 28mm Summilux-M f1,4 ASPH $6,295 $6,595 11672 28mm Summicron-M f2 ASPH $4,195 $4,395 11663 35mm Summilux-M f1,4 ASPH black $4,995 $5,295 11675 35mm Summilux-M f1,4 ASPH silver $5,295 $5,495 11673 35mm Summicron-M f2 ASPH black $3,195 $3,295 11674 35mm Summicron-M f2 ASPH silver $3,395 $3,495 11679 35mm Summarit-M f2,4 ASPH silver $2,095 $2,195 11602 50mm Noctilux-M f0,95 -
LEICA M-SETS One Moment – Various Options
LEICA M-SETS One moment – Various options. Configure your dream system freely from a choice of five M-Camera models and one of 19 different lenses. When selecting your camera body, you can choose … VERSATILITY The Leica M (Typ 240) benefits from more than 50 years of experience with the rangefinder system. At thesame Leica M (Typ 240) time, it combines these benefits with state-of-the-art digital technologies. Its video and Live View functions plus the extra large 1800 mAh battery make it and the Leica M-P the most versatile members of the Leica M-Camera family. UNIQUE Black-and-white is the essence of the art of photography. For the 24-MP, full-frame CMOS sensor of the Leica Leica M Monochrom M Monochrom, this means that it can capture images without the usual colour filters in front of the pixels.Lumi - (Typ 246) nance values are measured directly at the sensor. The result: 100 % sharper black-and-white pictures with previously unimaginable depth and clarity. M-CAMERAS M (Typ 240) M Monochrom (Typ 246) ORDER NO. 10 770 (black enamel) 10 930 (black chrome) 10 771 (silver chrome) AVAILABLE SINCE 2012 2015 SENSOR 24 MP CMOS Sensor 24 MP CMOS Sensor PROCESSOR Leica Maestro Leica Maestro MONITOR RESOLUTION 3"-TFT monitor (921,600 pixels) 3"-TFT monitor (921,600 pixels) MATERIAL with scratch-resistant cover in Corning® Gorilla® glass with sapphire glass cover LIVE VIEW Yes Yes VIDEO Yes Yes VIEWFINDER/EVF AS OPTIONAL Yes/EVF2 Yes/EVF2 EQUIPMENT FRAME SELECTOR – Yes BUFFER MEMORY 1 GB 2 GB FILE FORMAT JPG, DNG JPG, DNG Page 1 of 4 I As at April 2018 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Phone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA M-SETS M-LENSES Tri-Elmar - M Super - Elmar - M Summilux - M Super-Elmar - M 16-18-21 mm f/4 ASPH. -
Leica Visoflex Ii Manual
Leica visoflex ii manual If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ and send your e-mail address so I can thank. (not a photocopy) INSTRUCTIONS FOR THE LEICA LEITZ WETZLAR VISOFLEX II - MANUAL LEAFLET. It is a leaflet folded in 8 pages that measure 15 x. Original Leica Visoflex II Instructions - Leitz Wetzlar - July - 4 pages in Cameras & Photo, Camera Manuals & Guides | eBay. A description for this result is not available because of this site's OTYDO - Viso II (housing only, for screw-thread); OUCLO - Viso II with 4 x 90 Visoflex II Instructions courtesy of Mike Butkus. Type - Reflex housing, similar in appearance to Visoflex II, but offering three possibilities of Visoflex III Manual courtesy of Wilson Laidlaw. I have a Visoflex II-S which is almost as hard to figure out as a beer can I found my copy of The Leica Book by Theo Kisselbach,English. Leica Visoflex II Instructions, foldout. Leica Visoflex II Instructions, foldout. Item# leicavisoflexIIinstructions. $ Availability: Usually ships in business days. ライカ ビゾフレックスIII型. Leica Visoflex System - adjusting in a digital world In Versions 1, II, IIa and III, it was available from the middle 30's to the 80's for both . If you are not familiar with the Canon Ta manual focus FD mount camera made. [Archive] Using Visoflex with M3 Leica M Film Cameras. Since I want the Visoflex II, locking up the mirror manually shouldn't be a problem. Buy a copy of Morgan and Lester, "The Leica Manual".