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The IQ Camera System
The IQ camera system Unlimited creativity at your fingertips “I am amazed by the image quality I’ve gotten ‘out of the box’ with the Phase One IQ180 on the Phase One 645DF camera. I can create images with more detail and unique looks than with any other camera out there. It helps me develop styles unique to me,” Jens Honoré, lifestyle photographer. World leading image quality Realize your vision. The IQ180 digital back is the world’s most powerful commercial photographic capture device. With up to 80 megapixels resolution, 12.5 f-stops extreme dynamic range and Capture One, the world’s leading RAW converter, it delivers superior image quality for the world’s leading photographers. © Jens Honoré Touch the future With the launch of the IQ series digital backs, Phase One has stepped into the future of medium format photography. Every component in this new line of digital backs is new or has been redesigned compared with previous generations digital backs. The result is a digital camera back, which sets the industry standard with the highest resolution image sensor, the highest dynamic range, the first camera featuring a USB3 connection, a big 3.2” high resolution touch screen and much more…. The new IQ series digital backs offer up to 80 megapixels resolution The IQ series digital backs supports your photography in a variety of work captured in full-frame 645 format. With it you can capture images of conditions. You can capture your images with 80 megapixels resolution stunning quality with extreme detail reproduction. The high resolution or you can use the Sensor+ technology and go for a faster workflow, cap- You can familiarize yourself with the IQ digital back gives you maximum versatility with your images, ensuring high quality turing images with up to 20 megapixels resolution at 4 times higher ISO over the next pages and book a personal product and usage, even when you work with cropped images. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
645AFD Instruction Manual Companion for Digital Photography
Mamiya 645 AFD Instruction Manual Companion for Digital Photography Mamiya 645 AFD Instruction Manual Companion for Digital Photography Congratulations on your purchase of the Mamiya 645AFD. To make the transition from film to digital easier, we are including this digital companion that explains all of the new indicators you will see on the LCDs of your Mamiya 645AFD. Please read the owner’s manual before reading this companion. Because the Mamiya 645AFD was made to communicate with digital camera backs, these indicators will inform you of the status of the communications between your Mamiya 645AFD and digital camera back. If you do not have a digital back, these indicators will not appear and you do not have to read any further. There are three basic modes that your Mamiya 645 AFD goes through when taking a digital image. First is the Normal or pre-capture mode. The camera is in this mode before the shutter is released. While in this mode the camera virtually acts as if there were a film magazine attached. Shutter speeds and apertures are displayed on the internal and external LCD displays. The second mode is after the shutter release button has been pressed. This is the Capture mode. At this time the Mamiya 645 AFD will start to act very differently when a digital back is attached. There is a whole new set of indicators that will be displayed on the LCD displays of the camera. The After Capture mode is the third and final mode. Again, in this mode there are new indicators that will appear on the camera’s LCD displays. -
Digital High Resolution Still Video Camera Versus Film- Based Camera in Photogrammetric Industrial Metrology
International Archives of Photogrammetry and Remote Sensing, Vol. 30, Part 1, pp. 114-121. DIGITAL HIGH RESOLUTION STILL VIDEO CAMERA VERSUS FILM- BASED CAMERA IN PHOTOGRAMMETRIC INDUSTRIAL METROLOGY Thomas P. Kersten and Hans-Gerd Maas Institute of Geodesy and Photogrammetry, Swiss Federal Institute of Technology ETH-Hoenggerberg, CH-8093 Zurich, Switzerland Phone: +41 1 633 3287, Fax: +41 1 633 1101, e-mail: [email protected] Phone: +41 1 633 3058, Fax: +41 1 633 1101, e-mail: [email protected] ISPRS Commission I, Working Group 3 KEY WORDS: close-range photogrammetry, high resolution, still video ABSTRACT In this paper a digital high resolution still video camera DCS200 and a conventional film-based small format camera Leica R5 are compared. The image data used for the comparison were acquired during several pilot projects in a shipyard. The goal was the determination of 3-D co-ordinates of object points, which were signalised with retro- reflective targets, for dimensional checking and control in the ship building industry, as well as to test the suitability of the cameras for these applications. The image point measurements in the photos taken by the film-based camera were performed on an analytical plotter, while the digital image data were processed semi-automatically with digital photogrammetric methods. In addition, some of the analogue images were scanned and then also processed with digital photogrammetric methods. The results of simultaneous camera calibrations and 3-D point positioning are given, showing its accuracy potential, which turned out to be in the range of 1: 50,000 and 1: 75,000 for the DCS200 and up to 1: 27,000 for the Leica. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
LEICA SUMMICRON-M 35 Mm F/2 ASPH
LEICA SUMMICRON-M 35 mm f/2 ASPH. Technical Data. Illustrations 1:1 Lens Leica Summicron-M 35 mm f/2 ASPH. Order number Black: 11 673, silver: 11 674 Angle view For 35 mm (24 x 36 mm): approx. 63°/54°/38°; (diagonal, horizontal, vertical) for M8 (18 x 27 mm): approx. 50°/42°/29° Optical design Number of elements/groups: 7/5 Entrance pupil for bayonet: 18,4 mm Focusing range: 0,7 m to infinity Distance setting Scala: combined meter-/feet-increments Smallest object field: for 35 mm: 420 x 630 mm, for M8: 315 x 472 mm Highest reproduction ratio: 1:17,4 Diaphragm Setting/type: preset, with click-stops, half values available Smallest aperture: f/16 Number of aperture blades: 11 Bayonet Leica M quick-change bayonet Filter thread E39 Lens hood Available, screwable (supplied) Dimensions and weight Lenght: approx. 35,7/54,4 mm (without/with lens hood) Largest diameter without lens hood: approx. 53 mm Weight: approx. 252 g/287 g (without/with lens hood and covers) Page 1 of 7 I As at January 2016 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Telephone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA SUMMICRON-M 35 mm f/2 ASPH. ENGINEERING DRAWING LENS SHAPE Aspherical lens Illustrations 1:1 Excellent sharpness, high contrast and a very good resolving power over the entire focusing range are evident at full aperture. -
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF. -
Press Information
Press information Leica presents the TL-System: The new camera system impresses with perfected features, unique design, precise, high-performance lenses and a range of functional accessories and technical equipment. Wetzlar, 8 November 2016. Building on the Leica T camera system, which has been continually advanced in terms speed, ease of handling and flexibility since its launch in 2014, the Leica TL embraces all the perfected features and leads the innovative camera concept into a new generation with even more innovations and new aspects of its design. One of these innovations is the doubling of the size of its internal buffer memory to 32 GB. Other new features are improved autofocus, especially in AF-C mode, and optimised compatibility with lenses from other Leica camera systems. For instance, the Leica TL now supports SL-Lenses with OIS and allows the use of Leica R-System lenses in combination with the R-Adapter L. A new Leica TL app with revised functions offers additional options for sharing pictures by email or on social networks and is now available for the first time for Android as well as iOS devices. The Leica TL will in available in three colour options from the date of launch: the silver and black versions are identical in design and construction, while the titanium-coloured option is distinguished by a bevelled edge (chamfer) to the top and bottom plates. Functional camera accessories, such as the new high-quality protectors in Nappa leather, which can stay on the camera when changing the battery, and colour-coordinated carrying straps in stone-grey, black, red and cemento, round off the TL system portfolio. -
LEICA Summarit-S 1:2,5/70 Mm ASPH. /CS
LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Daten. Abbildung 1:2 T ECHNISCHE DATEN Bestell-Nummer 11055 (CS: 11051) Bildwinkel ca. 42° / 35° / 24°, entspricht ca. 56 mm bei Kleinbild (diagonal, horizontal, vertikal) Optischer Aufbau Zahl der Linsen / Gruppen 8 / 6 Lage der Eintrittspupille unendlich: 26,66 mm (in Lichteinfallsrichtung vor Bajonett), nah: 43,62 mm (in Lichteinfallsrichtung vor Bajonett) Arbeitsbereich 0,5 m bis unendlich Entfernungseinstellung Skala Kombinierte Meter/feet-Einteilung Kleinstes Objektfeld 142 mm × 212 mm Größter Maßstab 1 : 4,7 Blende Einstellung / Funktionsweise Elektronisch gesteuerte Blende, Einstellung über Dreh-/Drückrad der Kamera, auch halbe Werte einstellbar Kleinster Wert 22 Bajonett Leica S-Bajonett Filterfassung / Gegenlichtblende Außenbajonett für Gegenlichtblende (im Lieferumfang), UV-Filter fest eingebaut, Innengewinde für E72-Filter, Filterfassung rotiert nicht Abmessungen und Gewicht Länge bis Bajonettauflage ca. 93 / 151mm (ohne / mit Gegenlichtblende) Größter Durchmesser ca. 90 / 117mm (ohne / mit Gegenlichtblende) Gewicht ca. 740 / 890g (ohne / mit Zentralverschluss) Seite 1 von 6 / Stand September 2010 / Technische Änderungen vorbehalten Leica Camera AG / Oskar-Barnack-Straße 11 / 35606 SOLMS / DEUTSCHLAND / Telefon +49(0)6442-208-0 / Telefax +49(0)6442-208-333 / www.leica-camera.com LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Zeichnung Linsenschnitt Asphärische Fläche Floating Element Abbildung 1:2 Dem Summarit-S 1:2,5/70 mm ASPH. kommt im Leica S-System die Rolle des Standard-Objektivs zu, dessen Bildwinkel dem eines 56 mm-Objektivs im Kleinbild entspricht. Damit sich dieses Objektiv für universelle Anwendungen empfiehlt, betrieben die Entwickler einen sehr hohen Aufwand, um höchste Abbildungsleistungen bereits bei offener Blende und bei allen Entfernungseinstellungen zu garantieren. -
LEICA ELMARIT-M 28 Mm F/2.8 ASPH
LEICA ELMARIT-M 28 mm f/2.8 ASPH. Technical Data. Illustrations 1:1 Lens Leica Elmarit-M 28 mm f/2.8 ASPH. Order number 11 677 Angle view For 35 mm (24 x 36 mm): 75°/65°/46°; (diagonal, horizontal, vertical) for M8 (18 x 27 mm): 60°/51°/36°, corresponds to a focal length of approx. 37 mm with 35 mm-format Optical design Number of elements/groups: 8/6 Entrance pupil for bayonet: 11,8 mm Focusing range: 0,7 m to infinity Distance setting Scala: combined meter-/feet-increments Smallest object field: for 35 mm: 533 x 800 mm, for M8: 400 x 600 mm Highest reproduction ratio: 1:22,2 Diaphragm Setting/type: preset, with click-stops, half values available Smallest aperture: f/22 Number of aperture blades: 10 Bayonet Leica M quick-change bayonet Filter thread E39 Lens hood Available, screwable (supplied) Dimensions and weight Length: approx. 30,7/49,4 mm (without/with lens hood) Largest diameter without lens hood: approx. 52 mm Weight: approx. 175 g/211 g (without/with lens hood and covers) Page 1 of 7 I As at January 2016 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Telephone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA ELMARIT-M 28 mm f/2.8 ASPH. ENGINEERING DRAWING LENS SHAPE Aspherical lens This new high-speed lens is the most compact of Leica M lenses. -
Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) + -
FAQ LEICA SF 58 April 2009 En
FAQ LEICA SF 58 Status April 2009 System compatibility – Is it possible to use the LEICA SF 58 flash unit with all Leica system cameras? Compatible in TTL flash mode with: • M-System: LEICA M6 TTL, LEICA M7, LEICA M8, LEICA M8.2 • R-System: LEICA R8, LEICA R9 (analog) • S-System: LEICA S2 Compatible in automatic or manual flash mode with all Leica System Cameras with hot shoe and x- contact Why using a secondary reflector? The LEICA SF 58 is ideal for indirect lighting due to its high flash guide number (max. 58 at ISO100/21°). The secondary reflector retains a bright illumination, creates highlights, lightens up shadows, and delivers vivid colors. White balance adjustment The LEICA SF 58 has a color temperature of 5600K. Best photographic results are achieved by a camera white balance setting of “automatic” or “flash”. What kinds of batteries are recommended? Rechargeable batteries: • NiCd (1,2V), NiMH (1,2V) Batteries: • Lithium (1,5V), Alkaline-Manganese (1,5V) Why the battery symbol is not displayed constanty? The battery symbol is meant as a capacity warning and therefore only appears when the battery capacity will end soon. Page 1 of 2 / As at April 2009 Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms / Phone +49 (0) 6442-208-0 / Telefax +49 (0) 6442-208-333 / www.leica-camera.com Focal length transfer with LEICA M8/M8.2 The focal length transfer takes place only with coded lenses provided the lens detection function is activated. Table: M8/M8.2 – Focal Length Display SF 58 Lens focal length Flash display (in mm) 16-18-21 24 18 24 21 28 24 28 28 35 35 35 50 50 75 90 90 105 135 105 Is it possible to use TTL flash mode with DMR (R8/R9)? When using LEICA R8 / R9 with a DMR, only manual or automatic flash mode is possible.