LEICA TRI-ELMAR-M 28–35–50 Mm F/4 ASPH. 1
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LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
Summilux-M 14 35 Mm Enkorrektur.Qxp
LEICA SUMMILUX-M 35 mm f/1.4 ASPH. 1 The LEICA SUMMILUX-M 35 mm f/1.4 ASPH. is a further revised version of the popular wide-angle lens of the Leica M rangefin- der system. Thanks to the latest developments in the fields of optics and precision engineering, the new 35 lens sets a whole new standard in the fast wide-angle lens portfolio. Regardless of whether it's a matter of selective focus in the close-up range, high- contrast available light applications or landscape shots with immense depth of field, the lens delivers persuasive arguments in any situation. In comparison with its predecessor, the new LEICA SUMMILUX-M 35 mm f/1.4 ASPH. now incorporates a floating element: the lenses behind the aperture blades are constructed as a floating group that changes its position relative to the front lens group during focusing to ensure that the LEICA SUMMILUX-M 1:1.4/35 mm ASPH. achieves equally outstanding imaging per- formance at closer focusing distances. Another new feature is a full-metal, rectangular, screw-mount lens hood that contributes significantly to the even more compact dimensions of the lens. Even wide open, the LEICA SUMMILUX-M 35 mm f/1.4 ASPH. reveals performance characteristics without precedent in the field of compact 35 mm lenses: outstanding imaging performance over the entire focusing range, from infinity to minimum focus, excellent contrast, even in the finest structures, superb rendition of details across the entire image field, good field flattening and, stopped down to f2 and onwards, almost complete freedom from coma effects. -
Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) + -
Super Elmar-M21 F3.4 Technische Daten EN Neu
LEICA SUPER ELMARM 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire fi eld of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of fi eld that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
Super-Elmar-M 21Mm ASPH
LEICA SUPER ELMAR-M 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire field of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of field that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
List & Label Report
10 Kamera-Auktion 1 1 Fernglas „Leitz Trinoid“ 8x32 40,00 € Sparte Hausrat 2 1 Leitz Summicron-R, 1:2/ 35mm 300,00 € Sparte Hausrat 3 1 Leitz Elmarit-R, 1:2, 8/180mm 100,00 € Sparte Hausrat 4 1 Leica R4 40,00 € Sparte Hausrat 5 1 Leitz Telyt 1:6, 8/400 Köcher 80,00 € Sparte Hausrat - Seite 1 / 28 - 6 1 Leitz- Leicaflex SL2 80,00 € Sparte Hausrat 7 1 Leitz- Leicaflex SL2, 50 Jahre-Jubiläum 250,00 € Sparte Hausrat 8 1 Leica III f, Summitar 1:2/50 200,00 € Sparte Hausrat 9 1 Leica III a, Modell G, Motor „Mooly“, Elmar 1:3,5/50 400,00 € Sparte Hausrat 10 1 PA- Curtagon, 1:4/ 35, Schneider-Kreuznach 80,00 € Sparte Hausrat 11 Leica Vorsatz 16507 30,00 € Sparte Hausrat - Seite 2 / 28 - 12 Leica Prismensucher 16460 10,00 € Sparte Hausrat 13 3x Nooky-Hesum, Naheinstellgerät 10,00 € Sparte Hausrat 14 Leitz Vario-Elmar-R 1:3,5/ 35-70 100,00 € Sparte Hausrat 15 Leitz Summicron 1:2/ 50 100,00 € Sparte Hausrat 16 Leitz Elmar 1:2,8 /50 100,00 € Sparte Hausrat 17 Leitz Summarit 1:1,5 / 50 200,00 € Sparte Hausrat - Seite 3 / 28 - 18 Leitz Visoflex II 10,00 € Sparte Hausrat 19 1 Leicaflex SL 40,00 € Sparte Hausrat 20 1 Leica minilux 150,00 € Sparte Hausrat 21 1 Leica M5, black 300,00 € Sparte Hausrat 22 1 Leica M5, black 250,00 € Sparte Hausrat 23 1 Leica R8 200,00 € Sparte Hausrat - Seite 4 / 28 - 24 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 25 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 26 1 Leica I, Modell c, Elmar 1:3,5/50 500,00 € Sparte Hausrat 27 1 Leica I f, 1:6,3 /28 100,00 € Sparte Hausrat 28 Leitz Elmar 1:3,5/ 50 150,00 -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
Il Summilux 50/1.4 Fu Introdotto Sul Mercato Nel 1959 E Andò a Sostituire Il Summarit 50/1.5
Cenni sul classico Summilux 50 di Giuseppe Ciccarella Il Summilux 50/1.4 fu introdotto sul mercato nel 1959 e andò a sostituire il Summarit 50/1.5. Rispetto a quest'ultimo potè giovarsi di nuovi vetri anche se il disegno continuava ad essere quello di Taylor & Hobson utilizzato dallo Schneider Xenon del 1936 prima e dal Summarit poi. Leitz Summarit 1.5/50mm (1949) Leitz Summilux 1.4/50mm (1959) Leitz Summilux 1.4/50mm (1962) Dr. Walter Mandler Leitz Summilux 1.4/50mm (1966) Dr. Walter Mandler I primi Summilux provvedevano ad una uniformità di campo combinata ad una buona risoluzione a tutta apertura. All'infinito, ai diaframmi da 5.6 a 11, la nitidezza ai bordi migliorava insieme al contrasto. Il Summarit e i primi Summilux sono equiparabili, da f/4 in poi, al 50 Elmar 3.5 scala rossa e al 50 Summicron rientrante, ma entrambi i luminosi, per la correzione flat field, sono affetti, alla massima apertura, da flare. Il primo Summilux, alla massima apertura e a tutte le distanze, era superiore al Summarit, ma a f/1.4 e a f/2 si notava la presenza di flare, era d©obbligo quindi sviluppando la pellicola e in sede di stampa incrementare il contrasto. L©obiettivo era disponibile inizialmente cromato silver in seguito si aggiunse la versione laccata nera. Pochi esemplari cromati silver furono prodotti nella versione a vite - il nostro mentore Ghester ci dice 548. Nel 1962 il Dr. Walter Mandler, prende in mano il progetto e ridisegna il Summilux utilizzando i pregiati vetri al Lantanio. -
1 LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA SUMMILUX-M
LEICA SUMMILUX-MSUPER ELMAR-M 28mm 21mm f/1.4 f/3.4 ASPH. ASPH. 11 The Leica Summilux-M 28mm f/1.4 ASPH. rounds off the range of high-speed M wide angle focal lengths. It offers exce lent image performance over the entire image field even at full aperture and in the close-up range thanks to a „floating element“. With its exceptional contrast, the lens delivers the same recognized high performance level as the Leica Sum- milux-M 35mm f/1.4 ASPH., and in some respects actually outperforms it. The vignetting that is typical of every optical system is naturally more defined on a wide angle lens, particularly a high speed one like this, than on standard lenses or those with a long focal length. At full aperture in 35mm format it is a maximum, i.e. in the corners of the image, of around 3.4 stops, around 2 stops on Leica M8 models with their slightly smaller format. Stopping down to 5.6 visibly reduces this light falloff – to 1.8 and 0.8 stops respectively. Stopping down further does not bring about any notable reduction as essentially only the natural vignetting remains. Distortion is extremely low for a wide angle lens at a ma- ximum of 1.1% , which is rarely noticeable in practice. A total of ten lens elements are used to achieve this exceptional performance. To correct color defects, seven of these are made of glass types with anomalous partial dispersion, while one has an aspherical surface. To maintain performance in the close-up range, one element towards the rear of the optical system is a “floating element” that moves independently of the rest of the mechanism. -
Leica D Series Cameras Description Serial Number Digilux 3 + 14-50Mm F2.8-3.5 3184940/4015515 Digilux 2 2991330
Leica D Series Cameras Description Serial Number Digilux 3 + 14-50mm F2.8-3.5 3184940/4015515 Digilux 2 2991330 Leica X Series Description Serial Number X2 - Silver + Case + Finder 4317553 Leica S/S2 Cameras Description Serial Number S Body Only (Typ 006) 4417070 S Body Only (Typ 006) 4686760 S Body Only (Typ 006) 4417295 S-E Body Only (Typ 006) 4810278 Leica S/S2 Lenses Description Serial Number 30mm F2.8 Asph Elmarit S 4151485 120mm F2.5 Apo Macro Summarit S 4156132 120mm F2.5 Apo Macro Summarit S 4111860 120mm F2.5 Apo Macro Summarit S 4111659 Leica R Cameras Description Serial Number R8 Chrome Body Only 2285482 R8 Chrome Body Only 2291710 R8 Black Body Only 2775654 R7 Chrome Body Only 19999116 R6 Chrome Body Only 1776195 R4 Black Body Only 1608706 Leica R Lenses Description Serial Number 75-200mm F4.5 R 3cam 2896362 2x Extender R 3326677 2x Extender R 3143272 Leica Q Series Description Serial Number Q (Typ 116) - Black 4932761 Leica SL Series Description Serial Number SL Typ 601 Body Only 4967157 SL Typ 601 Body Only 4993497 Leica V-Lux Series Description Serial Number Vlux 1 3138988 Vlux - (Typ 114) 4860734 Leica T Series Description Serial Number TL2 Silver Body 5226072 TL Silver Body Only 5161802 / PA013849 T Black Body Only + PXC T to M Adapter 4815918 / 4266109 T Black Body Only 4821452 T Silver Body Only 4818007 T Black Body Only 4817778 T Silver Body Only 4812671 T Silver + 18-56mm Asph + Visoflex 4817415 / 4350298 / PA013854 / 18811 T Silver Body Only (Typ701) 4821089 55-135mm F3.5-5.6 APO-VArio-Elmar-T 4469344 60mm F2.8 Asph(Silver) -
Cfkug M2 for Photographic Perfection the LEICA M 2 Captures Every Photographic Situation Swiftly and Surely
111-37d/Engl. l cfkug M2 for photographic perfection The LEICA M 2 captures every photographic situation swiftly and surely. Its unsurpassed range viewfinder enables even the beginner to focus easily, rapidly, and with unerring accuracy, regardless of the existing lighting conditions. The brilliantly illuminated focal frames for the 35-, 50- and 90 mm lenses are automatically parallax-compensated at all focusing distances. Inserting anyone of these three prime picture-makers into the LEICA M 2's quick-change bayonet lens-mount automat ically brings the correct frame into the viewfinder, and a preselector lever is provided so that the user can determine the effect of these three focal lengths without actually changing lenses. Accurate exposure setting is ensured by the accessory LEICAMETER MC which couples to the camera's non spinning shutter-speed selector dial. Sturdily constructed and easy to use, the LEICA M 2 combines traditional LEITZ precision, rugged ness and reliability with almost unbelievable versatility. The VISOFLEX II, a key part of the LEICA SYSTEM offers the additional possibility of reflex groundglass focusing and viewing with focal lengths from 65- through 400 mm, and a number of LEICA lenses may actually be used with both rangefinder and reflex focusing. For further details please request our brochure No. 111-40 I describing the VISOFLEX II and Na. 111-341 about the full range of Leica lenses. LEICA M2 with 50 mm SUMMICRON f/2 ~ and LEICAMETER o Release-button f) Single-stroke advance lever e Film counter e Shutter-speed dial, coupled with " the mounted LEICAMETER MC by the 9 milled ring 8 Pull-up rewind knob clkug o Rangefinder window G Illuminating window for the finder frames 0 Viewfinder window Cf) Built-in self-timer G) Bayonet catch for lens changing G) Lens focusing lever e Aperture M2 setting ring e Distance and depth-of-field scales tD finder frame preselector lever. -
May 1, 2018 Price List What's Changing.Xlsx
Leica Order Leica Product Name & Description Today's Price May 1st Price Number 10301 Leica MP 0.72 silver $4,550 $4,795 10302 Leica MP 0.72 black $4,550 $4,795 10370 Leica M-A (Typ 127), black $4,550 $4,695 10371 Leica M-A (Typ 127), silver $4,550 $4,695 10503 Leica M7 0.72 black $4,550 $4,795 10504 Leica M7 0.72 silver $4,550 $4,795 Leica M7 Beginners Set 10546 $5,795 $5,995 with 50mm Summicron-M f2 10770 Leica M (Typ 240), black $6,595 $6,995 10771 Leica M (Typ 240), silver $6,595 $6,995 10772 Leica M-P (Typ 240), silver $6,995 $7,495 10773 Leica M-P (Typ 240), black $6,995 $7,495 10947 Leica M (Typ 262) $5,595 $5,995 10930 Leica M Monochrom (Typ 246) $7,550 $7,995 20000 Leica M 10, black $6,895 $7,295 20001 Leica M 10, silver $6,895 $7,295 11626 16-18-21 Tri-Elmar-M f4 ASPH $5,395 $5,595 11642 16-18-21 Tri-Elmar-M f4 ASPH w/Univ. WA Finder M $5,995 $6,295 11649 18mm Super-Elmar-M f3,8 ASPH $2,995 $3,195 11647 21mm Summilux-M f1,4 ASPH $7,495 $7,795 11145 21mm Super-Elmar-M f3,4 ASPH $2,895 $2,995 Leica Order Leica Product Name & Description Today's Price May 1st Price Number 11601 24mm Summilux-M f1,4 ASPH $7,295 $7,495 11648 24mm Elmar-M f3,8 ASPH $2,495 $2,695 11668 28mm Summilux-M f1,4 ASPH $6,295 $6,595 11672 28mm Summicron-M f2 ASPH $4,195 $4,395 11663 35mm Summilux-M f1,4 ASPH black $4,995 $5,295 11675 35mm Summilux-M f1,4 ASPH silver $5,295 $5,495 11673 35mm Summicron-M f2 ASPH black $3,195 $3,295 11674 35mm Summicron-M f2 ASPH silver $3,395 $3,495 11679 35mm Summarit-M f2,4 ASPH silver $2,095 $2,195 11602 50mm Noctilux-M f0,95