La Nouvelle Famille Leica Summarit-M
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LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
Summilux-M 14 35 Mm Enkorrektur.Qxp
LEICA SUMMILUX-M 35 mm f/1.4 ASPH. 1 The LEICA SUMMILUX-M 35 mm f/1.4 ASPH. is a further revised version of the popular wide-angle lens of the Leica M rangefin- der system. Thanks to the latest developments in the fields of optics and precision engineering, the new 35 lens sets a whole new standard in the fast wide-angle lens portfolio. Regardless of whether it's a matter of selective focus in the close-up range, high- contrast available light applications or landscape shots with immense depth of field, the lens delivers persuasive arguments in any situation. In comparison with its predecessor, the new LEICA SUMMILUX-M 35 mm f/1.4 ASPH. now incorporates a floating element: the lenses behind the aperture blades are constructed as a floating group that changes its position relative to the front lens group during focusing to ensure that the LEICA SUMMILUX-M 1:1.4/35 mm ASPH. achieves equally outstanding imaging per- formance at closer focusing distances. Another new feature is a full-metal, rectangular, screw-mount lens hood that contributes significantly to the even more compact dimensions of the lens. Even wide open, the LEICA SUMMILUX-M 35 mm f/1.4 ASPH. reveals performance characteristics without precedent in the field of compact 35 mm lenses: outstanding imaging performance over the entire focusing range, from infinity to minimum focus, excellent contrast, even in the finest structures, superb rendition of details across the entire image field, good field flattening and, stopped down to f2 and onwards, almost complete freedom from coma effects. -
Leica M System
screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 3 Leica M System The fascination of the moment – analog and digital LEICA M8 new // /// LEICA M7 LEICA MP Leica à la carte screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 4 1 “24 x 36” Leica M photography portfolio 9 Leica M System 21 LEICA M8 new 29 Simon Wheatley uses the LEICA M8 35 LEICA M7 41 LEICA MP 45 Leica à la carte 50 LEICA M7 entry set 51 Leica M lenses 56 Accessories 62 Technical Data LEICA M8 64 Technical Data LEICA M7/MP 67 “24 x 36” Leica M photography portfolio screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 1 “24 x 36” Leica M photography portfolio Leica M pictures are unmistakable. They represent a very individual style of photography – they have the power to strike a chord, fascinate and surprise. In 1925 the Leitz company defined the 24 x 36 mm mini- ature format with the camera developed by Oskar Barnack. Since then, reportage photographers have used their discreet and fast Leica M cameras to shape our view of the world. “24 x 36” is the title of an ex- hibition of current work by M photographers. This brochure includes some of the images, representing outstanding examples of how Leica cameras can be used to develop a conscious vision and design, to highlight intensive involvement in a theme and to convey personal messages from the heart of everyday life. The photo galleries on the Internet show you how photography is de- veloping right now with the new digital LEICA M8. -
Press Information
Press information New Leica M-Sets as an introduction to rangefinder photography Interested photographers can choose their own, ideal M-System from a multitude of camera and lens combinations that have been brought together in a range of attractive sets. Wetzlar, 8 February 2017. Like no other camera, the Leica M stands for a special kind of photography – discreet, close to the action and concentrated on essentials. In addition to the existing sets with Leica M (Typ 262) and M7 cameras, Leica now presents a new range of attractive sets featuring the Leica M (Typ 240), M-P (Typ 240) and the M Monochrom (Typ 246) models that offer customers numerous options for discovering and experiencing the fascination of Leica M-Photography. New to the product portfolio is a special offer that enables customers to create their own, personal M-System from a multitude of different camera models and lenses combined in attractive sets. Customers can choose from the following camera models: the Leica M (Typ 240), featuring a high-resolution, full-frame CMOS sensor, Live View and full-HD video, the Leica M-P (Typ 240) with a sapphire glass monitor cover, frame selector and 2GB buffer memory and the Leica M Monochrom (Typ 246) with a black-and-white sensor. Each of these cameras can be combined with almost every Leica M-Lens from the current portfolio – a total of 19 M-Lenses – to create an attractive set. An overview of the constellations available can be viewed here www.leica-camera.com. The already existing range of sets includes entry-level options with the Leica M (Typ 262), an M-Model that does without Live View and video capability to concentrate on the functions essential to photography. -
Summarit-M 50Mm
LEICA SUMMARIT-M 50 mm f/2.5 1 Powerful, lightweight and designed to be easy to operate, the LEICA SUMMARIT-M 50 mm f/2.5's applications are as varied as life itself. It corresponds closely to the field of vision and viewing patterns of the human eye and offers an impressively neutral and natural perspective. On analog cameras, it is a brilliant standard lens while on the digital LEICA M8, its 67 mm equivalent focal length makes it ideal for portraits or picking out precise details. The 50 mm Summarit-M is tailor-made for everyday photography. Its lens speed is perfectly adapted for all common applications. It is an updated double-Gauss six-element construction based on our tried and tested design. All of this means that this particular Summarit-M makes the Leica M easier to experi ence than ever before, without cutting any corners in terms of optical performan- ce. Lens shape LEICA SUMMARIT-M 50 mm f/2.5 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) For 35 mm (24 x 36 mm) : 47°, 40°, 27°, for LEICA M8 (18 x 27 mm) : 36°, 30°, 20°, corresponds to a focal length of approx. 67 mm with 35 mm-format Optical design Number of lenses/groups: 6/4 Focus length: 50.1 mm Position of entrance pupil: 28.0 mm (related to the first lens surface in light direction) Distance setting Focusing range: 0.8 m to endless Scales: Combined meter/feet graduation Smallest object field / Largest reproduction ratio: For 35 mm, approx. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
List & Label Report
10 Kamera-Auktion 1 1 Fernglas „Leitz Trinoid“ 8x32 40,00 € Sparte Hausrat 2 1 Leitz Summicron-R, 1:2/ 35mm 300,00 € Sparte Hausrat 3 1 Leitz Elmarit-R, 1:2, 8/180mm 100,00 € Sparte Hausrat 4 1 Leica R4 40,00 € Sparte Hausrat 5 1 Leitz Telyt 1:6, 8/400 Köcher 80,00 € Sparte Hausrat - Seite 1 / 28 - 6 1 Leitz- Leicaflex SL2 80,00 € Sparte Hausrat 7 1 Leitz- Leicaflex SL2, 50 Jahre-Jubiläum 250,00 € Sparte Hausrat 8 1 Leica III f, Summitar 1:2/50 200,00 € Sparte Hausrat 9 1 Leica III a, Modell G, Motor „Mooly“, Elmar 1:3,5/50 400,00 € Sparte Hausrat 10 1 PA- Curtagon, 1:4/ 35, Schneider-Kreuznach 80,00 € Sparte Hausrat 11 Leica Vorsatz 16507 30,00 € Sparte Hausrat - Seite 2 / 28 - 12 Leica Prismensucher 16460 10,00 € Sparte Hausrat 13 3x Nooky-Hesum, Naheinstellgerät 10,00 € Sparte Hausrat 14 Leitz Vario-Elmar-R 1:3,5/ 35-70 100,00 € Sparte Hausrat 15 Leitz Summicron 1:2/ 50 100,00 € Sparte Hausrat 16 Leitz Elmar 1:2,8 /50 100,00 € Sparte Hausrat 17 Leitz Summarit 1:1,5 / 50 200,00 € Sparte Hausrat - Seite 3 / 28 - 18 Leitz Visoflex II 10,00 € Sparte Hausrat 19 1 Leicaflex SL 40,00 € Sparte Hausrat 20 1 Leica minilux 150,00 € Sparte Hausrat 21 1 Leica M5, black 300,00 € Sparte Hausrat 22 1 Leica M5, black 250,00 € Sparte Hausrat 23 1 Leica R8 200,00 € Sparte Hausrat - Seite 4 / 28 - 24 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 25 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 26 1 Leica I, Modell c, Elmar 1:3,5/50 500,00 € Sparte Hausrat 27 1 Leica I f, 1:6,3 /28 100,00 € Sparte Hausrat 28 Leitz Elmar 1:3,5/ 50 150,00 -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
My Edited Leica M Type 240 Manual Here
LEICA M Instructions 129 3 DESIGNATION OF PARTS Top view 9. Microphone Figures in the front and rear cover pages 10. Fixed ring with a. Index for range setting Front view b. Depth of field scale and 1. Lens release button c. Red index button for changing lenses 2. Eyes for carrying strap 11. Aperture setting ring 3. Focusing button 12. White index point for aperture setting 4. Range finder viewing window 13. Lens hood 5. Brightness sensor1 14. Focusing ring with 6. Viewfinder viewing window a. Recessed grip 7. Self-timer LED 15. Main switch with detent positions for 8. Bottom cover locking point – OFF (camera turned off) – S (single pictures) – C (continuous pictures) – (self-timer) 16. Shutter release with a. Thread for cable release 17. Video shutter release 18. Time setting dial with detent positions for – A for automatic shutter speed control 1 – Shutter speeds /4000 - 8s (inc. intermediate values) – B (long-time exposure) 1 – Flash sync speed ( /180s) 19. Flash unit shoe 1 Leica M lenses with viewfinder attachment cover the brightness sensor. Information about functions with these and other lenses can be found in the "Displays / In the viewfinder", p. 238, and "Leica M lenses, p. 147 sections. 136 Rear view 31. INFO button 20. SET button – For displaying picture settings/data – For calling up the picture parameters menu – For displaying picture data during picture review – For calling up sub-menus the menu system – For applying settings – For applying settings/functions selected in sub-menus 32. Speaker 21. MENU button for calling up and exiting the main menu and 33. -
Il Summilux 50/1.4 Fu Introdotto Sul Mercato Nel 1959 E Andò a Sostituire Il Summarit 50/1.5
Cenni sul classico Summilux 50 di Giuseppe Ciccarella Il Summilux 50/1.4 fu introdotto sul mercato nel 1959 e andò a sostituire il Summarit 50/1.5. Rispetto a quest'ultimo potè giovarsi di nuovi vetri anche se il disegno continuava ad essere quello di Taylor & Hobson utilizzato dallo Schneider Xenon del 1936 prima e dal Summarit poi. Leitz Summarit 1.5/50mm (1949) Leitz Summilux 1.4/50mm (1959) Leitz Summilux 1.4/50mm (1962) Dr. Walter Mandler Leitz Summilux 1.4/50mm (1966) Dr. Walter Mandler I primi Summilux provvedevano ad una uniformità di campo combinata ad una buona risoluzione a tutta apertura. All'infinito, ai diaframmi da 5.6 a 11, la nitidezza ai bordi migliorava insieme al contrasto. Il Summarit e i primi Summilux sono equiparabili, da f/4 in poi, al 50 Elmar 3.5 scala rossa e al 50 Summicron rientrante, ma entrambi i luminosi, per la correzione flat field, sono affetti, alla massima apertura, da flare. Il primo Summilux, alla massima apertura e a tutte le distanze, era superiore al Summarit, ma a f/1.4 e a f/2 si notava la presenza di flare, era d©obbligo quindi sviluppando la pellicola e in sede di stampa incrementare il contrasto. L©obiettivo era disponibile inizialmente cromato silver in seguito si aggiunse la versione laccata nera. Pochi esemplari cromati silver furono prodotti nella versione a vite - il nostro mentore Ghester ci dice 548. Nel 1962 il Dr. Walter Mandler, prende in mano il progetto e ridisegna il Summilux utilizzando i pregiati vetri al Lantanio.