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Radcliffe Edmonds CV 2021
Radcliffe Edmonds CV - updated June 24, 2021 RADCLIFFE G. EDMONDS III Paul Shorey Professor of Greek Department of Greek, Latin, & Classical Studies, Bryn Mawr College [email protected] https://www.brynmawr.edu/people/radcliffe-edmonds Education: University of Chicago: Classical Languages and Literatures M.A. 12/94, Ph.D. 6/99. Yale University: Bachelor of Arts, magna cum laude with distinction, 6/92. Dissertation: (Advisors: Christopher Faraone, Bruce Lincoln, Martha Nussbaum ) A Path Neither Simple Nor Single: The Use of Myth in Plato, Aristophanes, and the 'Orphic' Gold Tablets Academic Honors: Center for Hellenic Studies Fellowship, 2007-2008 Loeb Classical Library Foundation Fellowship, 2004-2005 Dissertation Fellowship, Chicago Humanities Institute, 1998-9 (now the Franke Institute for the Humanities) Junior Fellowship, Institute for the Advanced Study of Religion, 1997-8 (now the Martin Marty Center) National Endowment for the Humanities Grant, Isthmia Excavation Project, 1995 University of Chicago Century Fellowship, 1993-1997 Phi Beta Kappa, Yale University, 1991 Professional Associations: Society for Classical Studies (formerly the American Philological Association) International Plato Society Society for Biblical Literature Society for Ancient Mediterranean Religions Research and Teaching Interests: Greek mythology, religions of the ancient Greek and Roman world, ‘Orphism’ and Orphica, especially the ‘Orphic’ gold tablets, magic in the Greco-Roman world, eros in Greek culture, Greek social and intellectual history, death -
Dreams, Visions, and Their Interpretation in Lucan's <I>Pharsalia</I>
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-2017 Dreams, Visions, and their Interpretation in Lucan’s Pharsalia David Harris Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Classical Literature and Philology Commons Recommended Citation Harris, David, "Dreams, Visions, and their Interpretation in Lucan’s Pharsalia" (2017). Arts & Sciences Electronic Theses and Dissertations. 1069. https://openscholarship.wustl.edu/art_sci_etds/1069 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Dreams, Visions, and their Interpretation in Lucan’s Pharsalia by David Michael Harris A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2017 St. Louis, Missouri © 2017, David Harris Table of Contents Acknowledgments..................................................................................................................... iii Introduction ............................................................................................................................... -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. L'f-ivprsily Microfilm1, International A Be A ‘ *owf?! information C om pany irK'; tv .'m /Y<*b Ho.H) Ann Arbor Ml 48106- '3-10 ■ 'SA i-.i .’hi .I’OO 800 S?’ 0600 Order Number 9031066 Epic imitation in the “Metamorphoses” of Apuleius Frangoulidis, Stavros A., Ph.D. -
The Georgics in the Context of Orphic Poetry and Religion
Georgica and Orphica: The Georgics in the Context of Orphic Poetry and Religion My aim in this chapter is to open new perspectives on the Georgics by contextualizing the poem alongside surviving fragments of Orphic poetry: my central claim is that the figure of Orpheus in the fourth Georgic evokes the kind of literature that was attributed to Orpheus’ authorship in antiquity, of which many fragments survive. The perspectives are newly available because our knowledge of Orphic poetry has been substantially increased in recent decades by the discovery and publication of new evidence,1 and because the Orphic fragments are now readily accessible in the recently completed, monumental collection of Alberto Bernabé.2 Moreover, there has been a recent surge of scholarly interest in the subject of Bacchus in Augustan poetry and culture, and critics have begun to feel his presence in the Georgics more pervasively than before.3 Orpheus is closely associated with Bacchus/Dionysus from at least the mid-fifth century BC onwards, and ‘Orphic’ and Bacchic mystery cults are not easily distinguishable.4 The investigation of possible evocations of Orphic texts in the poem may therefore be seen as a development of this recent perspective on the poem. I should make clear from the start that when I refer to ‘Orphic fragments’ I mean specifically the fragments of theogonical poetry attributed to Orpheus (not dissimilar from Hesiod’s Theogony but with certain distinctive characteristics) and the so-called ‘Orphic’ gold tablets.5 I will argue that an aspect of the evocation of these Orphic poems, is that both they and the Georgics conform to a more widely attested tendency within the didactic genre, whereby the text explains the current mortal condition as resulting from an original sin, and as a result, if one understands the text and its aetiological narrative correctly, one can expiate that sin and surpass one’s mortal limitations. -
Dante's Literary Influence in Dubliners: James Joyce's Modernist Allegory of Paralysis Michelle Lynn Lecuyer Iowa State University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Repository @ Iowa State University Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2009 Dante's Literary Influence in Dubliners: James Joyce's Modernist Allegory of Paralysis Michelle Lynn Lecuyer Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Lecuyer, Michelle Lynn, "Dante's Literary Influence in Dubliners: James Joyce's Modernist Allegory of Paralysis" (2009). Graduate Theses and Dissertations. 10625. https://lib.dr.iastate.edu/etd/10625 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Dante’s literary influence in Dubliners : James Joyce’s Modernist allegory of paralysis by Michelle L. Lecuyer A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: KJ Gilchrist, Co-major Professor Susan Yager, Co-major Professor Stephen Pett Iowa State University Ames, Iowa 2009 Copyright © Michelle L. Lecuyer, 2009. All rights reserved. ii TABLE OF CONTENTS I. INTRODUCTION 1 II. CRITICISM OF DUBLINERS 4 III. THE INFLUENCE OF DANTE: UNDERSTANDING 14 JOYCE’S ALLEGORICAL INTENTIONS IV. JOYCE’S DANTEAN ALLEGORY OF PARALYSIS: 34 AN OVERVIEW V. -
RADCLIFFE G. EDMONDS III [email protected]
Radcliffe Edmonds CV - updated November 17, 2019 RADCLIFFE G. EDMONDS III [email protected] https://www.brynmawr.edu/people/radcliffe-edmonds Education: University of Chicago: Classical Languages and Literatures M.A. 12/94, Ph.D. 6/99. Yale University: Bachelor of Arts, magna cum laude with distinction, 6/92. Dissertation: (Advisors: Christopher Faraone, Bruce Lincoln, Martha Nussbaum ) A Path Neither Simple Nor Single: The Use of Myth in Plato, Aristophanes, and the 'Orphic' Gold Tablets Academic Honors: Center for Hellenic Studies Fellowship, 2007-2008 Loeb Classical Library Foundation Fellowship, 2004-2005 Dissertation Fellowship, Chicago Humanities Institute, 1998-9 (now the Franke Institute for the Humanities) Junior Fellowship, Institute for the Advanced Study of Religion, 1997-8 (now the Martin Marty Center) National Endowment for the Humanities Grant, Isthmia Excavation Project, 1995 University of Chicago Century Fellowship, 1993-1997 Phi Beta Kappa, Yale University, 1991 Professional Associations: Society for Classical Studies (formerly the American Philological Association) International Plato Society Society for Biblical Literature Society for Ancient Mediterranean Religions Research and Teaching Interests: Greek mythology, religions of the ancient Greek and Roman world, ‘Orphism’ and Orphica, especially the ‘Orphic’ gold tablets, magic in the Greco-Roman world, eros in Greek culture, Greek social and intellectual history, Plato and Platonic philosophy. Publications: Books 1. Myths of the Underworld Journey: Plato, Aristophanes, and the ‘Orphic’ Gold Tablets, Cambridge University Press, 2004. Reviews: Bernabé Aestimatio 2006 3: 1-13; des Bouvrie Journal of Religion 2006 86.1: 153-154; Bruss BMCR 2005.04.66; Burkert Gnomon 2007 79.4: 294-297; Clark Hermathena 2005 179: 215-219; Collobert Ancient Philosophy 2007 27.1: 219-223; Halliwell Notre Dame Philosophy Reviews 2005.05.01; Pirenne- Delforge L’Antiquité Classique 2006 75: 429-430; Rice Journal of Hellenic Studies 2006 126: 160-161. -
MORALS and DOGMA by ALBERT PIKE LUCIFER, The
MORALS and DOGMA by ALBERT PIKE Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry , prepared for the Supreme Council of the Thirty Third Degree for the Southern Jurisdiction of the United States: Charleston, 1871. LUCIFER, the Light-bearer! Strange and mysterious name to give to the Spirit of Darknesss! Lucifer, the Son of the Morning! Is it he who bears the Light, and with its splendors intolerable blinds feeble, sensual or selfish Souls ? Doubt it not! MORALS and DOGMA by ALBERT PIKE SHORT BIOGRAPHY TITLES OF DEGREES 1º - Apprentice 2º - Fellow-craft 3º - Master 4º - Secret Master 5º - Perfect Master 6º - Intimate Secretary 7º - Provost and Judge 8º - Intendant of the Building 9º - Elu of the Nine 10º - Elu of the Fifteen 11º - Elu of the Twelve 12º - Master Architect 13º - Royal Arch of Solomon 14º - Perfect Elu 15º - Knight of the East 16º - Prince of Jerusalem 17º - Knight of the East and West 18º - Knight Rose Croix 19º - Pontiff 20º - Master of the Symbolic Lodge 21º - Noachite or Prussian Knight 22º - Knight of the Royal Axe or Prince of Libanus 23º - Chief of the Tabernacle 24º - Prince of the Tabernacle 25º - Knight of the Brazen Serpent 26º - Prince of Mercy 27º - Knight Commander of the Temple 28º - Knight of the Sun or Prince Adept ( Part 1 ) 28º - Knight of the Sun or Prince Adept ( Part 2 ) 28º - Knight of the Sun or Prince Adept ( Part 3 ) 28º - Knight of the Sun or Prince Adept ( Part 4 ) 30º - Knight Kadosh 31º - Inspector Inquistor 32º - Master of the Royal Secret MORALS and DOGMA by ALBERT PIKE Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry , prepared for the Supreme Council of the Thirty Third Degree for the Southern Jurisdiction of the United States: Charleston, 1871. -
Dionysos in Classical Athens
Dionysos in Classical Athens Cornelia Isler-Kerényi - 978-90-04-27012-1 Downloaded from Brill.com04/05/2019 09:07:34AM via free access Religions in the Graeco-Roman World Series Editors David Frankfurter (Boston University) Johannes Hahn (Universität Münster) Frits G. Naerebout (University of Leiden) VOLUME 181 The titles published in this series are listed at brill.com/rgrw Cornelia Isler-Kerényi - 978-90-04-27012-1 Downloaded from Brill.com04/05/2019 09:07:34AM via free access Dionysos in Classical Athens An Understanding through Images By Cornelia Isler-Kerényi Translated by Anna Beerens LEIDEN | BOSTON Cornelia Isler-Kerényi - 978-90-04-27012-1 Downloaded from Brill.com04/05/2019 09:07:34AM via free access This is an open access title distributed under the terms of the CC-BY-NC License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 0927-7633 isbn 978-90-04-27011-4 (hardback) isbn 978-90-04-27012-1 (e-book) Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Nijhoff, Global Oriental and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Clarke's Commentary Matthew — Luke
WESLEYAN HERITAGE Library Commentaries CLARKE'S COMMENTARY MATTHEW — LUKE By Adam Clarke, LL.D., F.S.A., &c. “Follow peace with all men, and holiness, without which no man shall see the Lord” Heb 12:14 Spreading Scriptural Holiness to the World Wesleyan Heritage Publications © 1998 Adam Clarke's Commentary on the Old and New Testaments A derivative of Adam Clarke's Commentary for the Online Bible produced by Sulu D. Kelley 1690 Old Harmony Dr. Concord, NC 28027-8031 (704) 782-4377 © 1994, 1995, 1997 © 1997 Registered U.S. Copyright Office A COMMENTARY AND CRITICAL NOTES ON THE HOLY BIBLE OLD AND NEW TESTAMENTS DESIGNED AS A HELP TO A BETTER UNDERSTANDING OF THE SACRED WRITINGS BY ADAM CLARKE, LL.D., F.S.A., &c. A NEW EDITION, WITH THE AUTHOR’S FINAL CORRECTIONS For whatsoever things were written aforetime were written for our learning, that we through patience and comfort of the Scriptures might have hope.—Rom. xv. 4. PREFACE TO THE GOSPEL OF ST. MATTHEW THE general title of this latter collection of sacred books, which, as well as the former, all Christians acknowledge to have been given by immediate inspiration from God, is in the Greek h kainh diaqhkh, which we translate THE NEW TESTAMENT: but which should rather be translated THE NEW COVENANT; or, if it were lawful to use a periphrasis, the New Covenant, including a Testamentary Declaration and Bequest: for this is precisely the meaning of this system of justice, holiness, goodness, and truth. St. Paul, #2Co 3:14, calls the sacred books before the time of Christ, h palaia diaqhkh, THE OLD COVENANT; which is a very proper and descriptive title of the grand subject of those books.