Rock Against Racism Large Print Exhibition Guide with Notes by Syd Shelton
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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Joint Committee on Human Rights
House of Lords House of Commons Joint Committee on Human Rights Demonstrating Respect for Rights? Follow–up Twenty-second Report of Session 2008–09 Report, together with formal minutes and oral and written evidence Ordered by the House of Lords to be printed 14 July 2009 Ordered by the House of Commons to be printed 14 July 2009 HL Paper 141 HC 522 Published on 28 July 2009 by authority of the House of Commons London: The Stationery Office Limited £0.00 Joint Committee on Human Rights The Joint Committee on Human Rights is appointed by the House of Lords and the House of Commons to consider matters relating to human rights in the United Kingdom (but excluding consideration of individual cases); proposals for remedial orders, draft remedial orders and remedial orders. The Joint Committee has a maximum of six Members appointed by each House, of whom the quorum for any formal proceedings is two from each House. Current membership HOUSE OF LORDS HOUSE OF COMMONS Lord Bowness John Austin MP (Labour, Erith & Thamesmead) Lord Dubs Mr Andrew Dismore MP (Labour, Hendon) (Chairman) Lord Lester of Herne Hill Dr Evan Harris MP (Liberal Democrat, Oxford West & Lord Morris of Handsworth OJ Abingdon) The Earl of Onslow Mr Virendra Sharma MP (Labour, Ealing, Southall) Baroness Prashar Mr Richard Shepherd MP (Conservative, Aldridge-Brownhills) Mr Edward Timpson MP (Conservative, Crewe & Nantwich) Powers The Committee has the power to require the submission of written evidence and documents, to examine witnesses, to meet at any time (except when Parliament is prorogued or dissolved), to adjourn from place to place, to appoint specialist advisers, and to make Reports to both Houses. -
Music Migrations Worksheet B1 B1+
Music Migrations worksheet B1 B1+ PART I THE TIMES THEY ARE A-CHANGIN’ Immigration in London: immigration from the Commonwealth London was the main immigration hub in the UK. After the end of World War II, most of the immigrant flow from the Empire was concentrated there. The West Indians were Zoom the first to arrive. They are referred to as The Windrush was a ship that some 800 people from the “Generation Windrush”, British West Indies (Jamaica, after the ship that Barbados and Trinidad, mainly) arrived from Kingston, sailed in to come and work in Jamaica, reaching the the UK. They were the first to port of Tilbury, in the benefit from the free circulation UK, on June 21 1948. that came with the status of In 1965, of the 450,000 Citizen of the United Kingdom Misty in Roots reggae band, Rock Against Racism concert - Militant Entertainment West Indians recorded and Colonies, accorded in 1948. tour, 1979 - © Syd Shelton as living in the country, The passenger register shows 150,000 settled in London, mainly in the neighbourhoods of that many of them planned to Islington, North Kensington, Paddington and Brixton. They settle there, and indeed their were followed by migrations from India and Pakistan, which status enabled them to benefit intensified from 1960. In 1965, there were 180,000 Indians from permanent residence and 120,000 Pakistanis in the UK. For the most part, they authorisation. The consequences settled in Greater London, and proportionally exceeded the of this colonial period could still be felt until 2018, when the number of West Indians in districts like Southall or Stepney. -
Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT -
Trine Dyrholm Est
FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY TRINE DYRHOLM EST UN FILM DE SUSANNA NICCHIARELLI KINOVISTA ET NEW STORY PRÉSENTENT UNE PRODUCTION VIVO FILM AVEC RAI CINEMA ET TARANTULA EN COPRODUCTION AVEC VOO ET BE TV ÉCRIT & RÉALISÉ PAR SUSANNA NICCHIARELLI AVEC TRINE DYRHOLM, JOHN GORDON SINCLAIR, ANAMARIA MARINCA, SANDOR FUNTEK FESTIVAL DE VENISE FESTIVAL DE CINÉMA ORIZZONTI EUROPÉEN DES ARCS PRIX DU MEILLEUR FILM PRIX DU JURY 2017 · ITALIE / BELGIQUE · 93 MINUTES · COULEUR · VOST ANGLAIS SORTIE LE 18 AVRIL 2018 DISTRIBUTION RELATIONS PRESSE KINOVISTA NEW STORY BOSSA-NOVA | Michel Burstein 34, rue Saint Dominique 7-9, rue des Petites Écuries 32, bd St Germain 75007 Paris 75010 Paris 75005 Paris 01 44 59 60 15 01 82 83 58 90 01 43 26 26 26 [email protected] [email protected] [email protected] www.kinovista.com www.new-story.eu www.bossa-nova.info SYNOPSIS Entre Paris, Prague, Nuremberg, Manchester, la campagne polonaise et le littoral romain, Nico, 1988 est un road movie dédié aux dernières années de Christa Päffgen, plus connue sous le nom de « Nico ». À PROPOS DE NICO PAR SUSANNA NICCHIARELLI La musique de Nico était âpre, mais c’était de loin l’une des productions avons relevé le défi qu’elle puisse toucher le public. Avec Trine comme musicales les plus intéressantes et exigeantes de son époque : elle a créé avec les autres comédiens, notamment John Gordon Sinclair, j’ai utilisé un style unique alliant recherches personnelles, expérimentations et ironie, le regard des partenaires de Nico, du manager aux membres du groupe, refusant obstinément de se soucier du succès commercial. -
Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
Vue Musicale NME
Sziget 2009: Une sélection très subjective… Par JFB le lun 10/08/2009 - 12:32 10 août Tankcsapda (lire l'article ci-dessus) 11 août Soirée RAR (Rock Against Racism) alias biZARE (Zene a Rasszizmus Ellen) En 1976, après certaines déclarations provocatrices de David Bowie et Eric Clapton, le mouvement RAR est créé et organise un premier concert pour lutter contre la montée du racisme en Grande Bretagne. Bien que ceux-ci se soient excusés par la suite, le mouvement a continué à défendre des valeurs de tolérance et de compréhension mutuelle par l’organisation de concerts et festivals, auxquels public et artistes (The Clash, The Buzzcocks, etc.) ont afflué. Relancé en 2002 par une série de concerts “Love Music Hate Racism”, le mouvement RAR a rencontré le soutien des artistes Damon Albarn, Kaiser Chiefs, Asian Dub Foundation. Que cette première journée rayonne sur tout le festival ! 12 août Nouvelle Vague 16:30 - Grande Scène Le projet de Nouvelle Vague est de réarranger de façon personnelle les plus grands titres post punk du début des années 1980 qui sont très rarement repris car jamais vraiment considérés comme de vraies chansons. Puis par la suite les titres sont réarrangés en suivant une autre idée: les sonorités des caraïbes entre 1940 et 1970, soit le ska/rocksteady, le reggae, le calypso, la salsa cubaine, le vaudou haitien, etc. D'où des arrangements et orchestrations très colorées, beaucoup de percussions, des guitares acoustiques et des voix féminines, mais aussi un chanteur, de l'accordéon, du steel drum etc. Nouvelle Vague reprend les titres de grands groupes emblématiques comme Bauhaus ou Siouxsie, aussi bien que des pépites oubliées. -
Free Speech for Lawyers W
Hastings Constitutional Law Quarterly Volume 28 Article 3 Number 2 Winter 2001 1-1-2001 Free Speech for Lawyers W. Bradley Wendel Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation W. Bradley Wendel, Free Speech for Lawyers, 28 Hastings Const. L.Q. 305 (2001). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol28/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Free Speech for Lawyers BYW. BRADLEY WENDEL* L Introduction One of the most important unanswered questions in legal ethics is how the constitutional guarantee of freedom of expression ought to apply to the speech of attorneys acting in their official capacity. The Supreme Court has addressed numerous First Amendment issues in- volving lawyers,' of course, but in all of them has declined to consider directly the central conceptual issue of whether lawyers possess di- minished free expression rights, as compared with ordinary, non- lawyer citizens. Despite its assiduous attempt to avoid this question, the Court's hand may soon be forced. Free speech issues are prolif- erating in the state and lower federal courts, and the results betoken doctrinal incoherence. The leader of a white supremacist "church" in * Assistant Professor, Washington and Lee University School of Law. LL.M. 1998 Columbia Law School, J.D. 1994 Duke Law School, B.A. -
Punk Philosophy
Hanscomb, S. (2010) Do it yourself: existentialism as punk philosophy. Cafe Philosophy http://eprints.gla.ac.uk/54598/ Deposited on: 30 September 2011 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Do it Yourself: Existentialism as Punk Philosophy By Stuart Hanscomb Existentialism is a difficult philosophy to explain; efforts typically ending up trivializing or obfuscating so much about it that’s important, original and relevant. There are a number of peculiarities that can account for this, but an important one is that Existentialism is a frame of mind as much as it is a collection of ideas. As Kierkegaard’s ‘aesthetic’ works, and the novels and plays of Sartre, de Beauvoir, Camus and Unamuno demonstrate, the communication of this form of philosophy benefits from being indirect. To appreciate its significance you have to be there, in amongst the detailed stories, rolling critiques and inspirational prose; you have to catch a dose of it through its resonance with your often unarticulated fears and aspirations. Along these lines I am offering a new way in; a hook in the form of an analogy with a movement in pop and rock music. Existentialism, I want to claim, is the Punk rock of philosophy. Punk rock I’m characterizing as nihilistic, extreme, passionate, liberating, inclusive, amateur and violent. It had precursors and it still exists, but Malcolm McLaren, the Sex Pistols and all that they catalysed in the mid-70s, are its original and most important moment of impact. Punk was a wake-up snarl to an atrophied establishment, a ‘loud raucous ‘No!’1. -
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous -
Top 40 Singles Top 40 Albums
13 June 1988 CHART #620 Top 40 Singles Top 40 Albums Don't Turn Around Sweet Lovers Tiffany Wonderful Life 1 Aswad 21 Holidaymakers 1 Tiffany 21 Black Last week 1 / 5 weeks FESTIVAL Last week - / 1 weeks VIRGIN Last week 1 / 18 weeks Platinum / WEA Last week 35 / 10 weeks FESTIVAL Alphabet Street New Sensation 1987 Seventh Son Of A Seventh Son 2 Prince 22 Inxs 2 Whitesnake 22 Iron Maiden Last week 3 / 3 weeks WEA Last week 21 / 2 weeks WEA Last week 2 / 13 weeks Gold / EMI Last week 10 / 6 weeks EMI Breakaway Where Do Broken Hearts Go The Lonesome Jubilee Actually 3 Big Pig 23 Whitney Houston 3 John Mellencamp 23 Pet Shop Boys Last week 2 / 10 weeks FESTIVAL Last week 33 / 2 weeks BMG Last week 3 / 24 weeks Platinum / POLYGRAM Last week 15 / 18 weeks Gold / EMI Push It I Saw Him Standing There Bonk Miracle 4 Salt N Pepa 24 Tiffany 4 Big Pig 24 Willy De Ville Last week - / 1 weeks POLYGRAM Last week 6 / 5 weeks WEA Last week 19 / 2 weeks FESTIVAL Last week 41 / 3 weeks POLYGRAM Gimme Hope Jo Anna One Tree Hill The Lion And The Cobra Freight Train Heart 5 Eddy Grant 25 U2 5 Sinead O'Connor 25 Jimmy Barnes Last week 11 / 4 weeks FESTIVAL Last week 18 / 12 weeks Gold / FESTIVAL Last week - / 1 weeks FESTIVAL Last week 14 / 22 weeks Platinum / FESTIVAL Sweet Little Mystery Tell It To My Heart Whenever You Need Somebody The Only Game In Town 6 Wet Wet Wet 26 Taylor Dayne 6 Rick Astley 26 The Warratahs Last week 4 / 5 weeks POLYGRAM Last week 22 / 13 weeks BMG Last week 6 / 19 weeks Platinum / BMG Last week 25 / 14 weeks VIRGIN Pink Cadillac I Need A Man Phantom Of The Opera Turn Back The Clock 7 Natalie Cole 27 Eurythmics 7 Original London Cast 27 Johnny Hates Jazz Last week 7 / 9 weeks EMI Last week 30 / 4 weeks BMG Last week 9 / 45 weeks Platinum / POLYDOR/POLYGRA.. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock.................................................................................................................................