Modernism, Liberation and a New Way of Seeing

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Modernism, Liberation and a New Way of Seeing

Art Appreciation Lecture Series 2014 Realism to Surrealism: European art and culture 1848-1936 Space, Time, and Movement in Modern Sculpture Michael Hill 20/21 August 2014 Lecture summary: An examination of reconceptualization of sculpture in the early twentieth century, away from the human figure and towards the abstract ideas of space, time, and movement. The lecture will focus on the work of Umberto Boccioni, Naum Gabo, and Antoine Pevsner. Slide list: Phil Price, Morpheus, 2009, private collection Marcel Duchamp, Nude Descending a Stair, 1912 Giacomo Balla, Dynamism of a Dog on Leash, 1912 Umberto Boccioni (1882-1916), Charge of the Lancers, Private Collection, 1915 Boccioni, Dynamism of the Cyclist, 1912, private collection *Boccioni, Development of a bottle in Space, bronze, 1912, MOMA New York *Boccioni, Unique forms of Continuity in Space, 1913, Bronze, MOMA New York Boccioni, Head, plaster, 1912 Alexander Archipenko (1887-1964), Woman with Fan, timber, metal, and glass 1914, Tel Aviv Museum of Art Vladimir Tatlin (1885-1953), Corner Relief, 1915 Naum Gabo (1890-1977), Head of a Woman, celluloid and metal, 1917 Naum Gabo, Head, Steel, 1917, Tate Gallery London *Gabo, Column, plastic, 1923, Guggenheim Museum, New York Gabo, Construction through a Plane, plastic, 1937, National Gallery of Scotland Proudly sponsored by Gabo, Translucent Variation on Spheric Theme, plastic, 1937 original and 1951 reconstruction, Guggenheim, New York Antoine Pevsner (1886-1962), Developable Column, Brass and bronze, 1942, MOMA New York Pevsner, World, copper and steel, 1947, Pompidou Paris *Pevsner, Model for an Airport, bronze, 1935, Stedelijk Museum, Amsterdam Reference: Rosalind Krauss, Passages in Modern Sculpture, MIT Press, 1981 Umberto Boccioni, “Futurist Manifesto on Sculpture” (1912) – in H. Chipp, Theories and Documents on Modern Art Naum Gabo and Antoine Pevsner, “The Realist Manifesto” (1920) – in C. Harrison and P. Wood, Art in Theory, 1900-2000 Naum Gabo, “Sculpture: Carving and Construction in Space” (1937) in Chipp, Theories and Documents on Modern Art Boccioni, Development of a bottle in Space, bronze, 1912, MOMA New York Boccioni, Unique forms of Continuity in Space, 1913, Bronze, MOMA New York Gabo, Column, plastic, 1923, Gugenheim Museum, New York Pevsner, Model for an Airport, bronze, 1935, Stedelijk Museum, Amsterdam .

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