Mulk Raj Anand: Moving India Forward Sandy Wheeler Governors State University
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
LSE Review of Books: Book Review: Radio Empire: the BBC's Eastern
LSE Review of Books: Book Review: Radio Empire: The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel by Daniel Ryan Morse Page 1 of 4 Book Review: Radio Empire: The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel by Daniel Ryan Morse In Radio Empire: The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel, Daniel Ryan Morse draws attention to the dynamic intersections between literature and radio, exploring how the BBC’s Eastern Service, directed at educated Indian audiences, influenced the development of global Anglophone literature and literary broadcasting. Pushing against the siloed ways in which literary modernism is often studied, this fresh and ambitious book reveals the profound impact of the BBC’s Eastern Service on the printed and broadcast word, finds Diya Gupta. Radio Empire: The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel. Daniel Ryan Morse. Columbia University Press. 2020. Find this book (affiliate link): In Indian writer Mulk Raj Anand’s novel The Big Heart (1945), student leader Satyapal listens to Azad Hind Radio during the Second World War. These broadcasts by political radical Subhas Chandra Bose were trying to influence Indian ‘hearts and minds’ against British imperialism by using German radio services from 1942 onwards. On the other hand, the poet Purun Singh Bhagat, another character in the same novel, declares that the English are ‘on the side of truth against falsehood’ (1). Yet, curiously, neither Bhagat nor any others in the novel are depicted as listening to the BBC. -
The Mahatma As Proof: the Nationalist Origins of The
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Mahatma Misunderstood: the politics and forms of South Asian literary nationalism Permalink https://escholarship.org/uc/item/77d6z8xw Author Shingavi, Snehal Ashok Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Mahatma Misunderstood: the politics and forms of South Asian literary nationalism by Snehal Ashok Shingavi B.A. (Trinity University) 1997 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Prof. Abdul JanMohamed, chair Prof. Gautam Premnath Prof. Vasudha Dalmia Fall 2009 For my parents and my brother i Table of contents Chapter Page Acknowledgments iii Introduction: Misunderstanding the Mahatma: the politics and forms of South Asian literary nationalism 1 Chapter 1: The Mahatma as Proof: the nationalist origins of the historiography of Indian writing in English 22 Chapter 2: “The Mahatma didn’t say so, but …”: Mulk Raj Anand’s Untouchable and the sympathies of middle-class 53 nationalists Chapter 3: “The Mahatma may be all wrong about politics, but …”: Raja Rao’s Kanthapura and the religious imagination of the Indian, secular, nationalist middle class 106 Chapter 4: The Missing Mahatma: Ahmed Ali’s Twilight in Delhi and the genres and politics of Muslim anticolonialism 210 Conclusion: Nationalism and Internationalism 306 Bibliography 313 ii Acknowledgements First and foremost, this dissertation would have been impossible without the support of my parents, Ashok and Ujwal, and my brother, Preetam, who had the patience to suffer through an unnecessarily long detour in my life. -
Exploration of Social Injustice in Mulk Raj Anand's Untouchable
INFOKARA RESEARCH ISSN NO: 1021-9056 Exploration of Social Injustice in Mulk Raj Anand's Untouchable Researcher Name: Research Guide: C. Velusamy Dr.M. Soundhararajan Ph.D-Research Scholar Assistant Professor Department of English Department of English Annamalai University Annamalai University Abstract The present Research is a modest attempt to analyze and evaluate the theme of exploitation in Untouchable and Coolie. In these novels. Mulk Raj Anand tries his best to free the working class from the inequities and inequalities, in a caste- ridden society. He presents the social, political, and economic problems which India faces today. Mulk Raj Anand against superstition, feudalism and imperialism. he has committed himself to the welfare of the down-trodden. Moreover, he insists that all people must have education, economic equality which enable man to ameliorate from the clutches of poverty, violence, greed, jealousy, suppression and narrow mindedness. The Novel analyses Anand’s portrayal of the suffering of the untouchables and their exploitation by the caste-hindus with special reference to Untouchable, the first novel of Mulk Raj Anand. Bakha, the protagonist of the novel, portrayed as scavenger, suffers insults at the hands of the high cast Hindus in the cast-ridden Hindu society. In spite of insults, Bakha remains optimistic and his optimism is highly portrayed by Anand. The centers on an analysis of Anand’s second novel Coolie. In which Munoo, the protagonist, experiences sufferings and undergoes onslaught at the hands of the haves. Anand tries to project a social reality of the time past, present and future as well. Ruthless treatment and merciless exploitation of the poor at the hands of self- complacent British planters. -
Social Image of Exploitation and Suffering in Mulk Raj Anand’S Untouchable and Coolie
Int.J.Eng.Lang.Lit&Trans.StudiesINTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, Vol.3.Issue.3.2016 LITERATURE (July-Sept.) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 3. Issue.3.,2016 (July-Sept. ) SOCIAL IMAGE OF EXPLOITATION AND SUFFERING IN MULK RAJ ANAND’S UNTOUCHABLE AND COOLIE Dr. NEENA Extension Lecturer, Department of English, Government College, Barwala (Hisar), Haryana ABSTRACT This research paper gives us a realistic image of the exploitation and suffering of the deprived. It is an effort to bring out some constituent of social image of exploitation and suffering in Mulk Raj Anand’s Untouchable and Coolie. The novels, Untouchable and Coolie within their multipart of thematic formation and methodology invite huge possibilities of insights and investigations. Both the novels also deal with socio- economic aspects of life. Bakha, the protagonist in Untouchable represents the exploitation and subjugation which has been the destiny of untouchables like him. The untouchable belongs to the scavenger caste, commonly identified as ‘bhangi’ in various Indian languages. Thus, untouchable deals with dissimilar kinds of exploitations such as social, political, economic and sexual exploitation, as exploitation and suffering are its major theme but social exploitation is at the origin of all other exploitations. Mulk Raj Anand’s Coolie is epical in sweep up and views in purview, images of the effects that the enveloping evil of class-system has a poor hill- boy, Munoo. Munoo is the central character or protagonist of the novel, Coolie. The novelist depicts the turn down and upturns in the life of Munoo through his story of repression. -
Characterization of Mulk Raj Anand's Novels
www.ijird.com April, 2014 Vol 3 Issue 4 ISSN 2278 – 0211 (Online) Characterization of Mulk Raj Anand’s Novels Dr. Shashi Yadav Assistant Professor, Department of Humanities Barkatullah, University Institute of Technology, Bhopal, (M.P.) India Abstract: All characters of Mulk Raj Anand’s novels are remarkable for intimate touches of fidelity to life and intense realism. He has written about the suffering and tragedy of the downtrodden and the poor whom he has actually seen and known in his childhood and youth. Mulk Raj Anand in his novels represents a departure from the tradition of Indian fiction in which the bottom dogs had not been allowed to enter the pages of the novel act as protagonists. He allowed the poor and underdogs to enter the pages of his novels. His characters are from the lower stata of society, like the sweeper, the peasant, the plantation labourer, the city drudge, the sepoy and the coolie, and treat them with sympathy and respects as human beings. His interpretation of India is based on realism as his protagonists are based on the real characters with whom he freely mixed for play and friendship, paying no attention to their caste, class, creed or colour. He poses problems of social inequality at large and also attempts to seek resolutions to the social conflicts. The resolutions that he proposes are the empowerment of the weak and the development of social consciousness and awareness for social gtowth. Characterization means the creation of imaginary persons so that they seem life-like. He is a person in a literary work. -
India's Road to Development
India’s Road to Development Roel van der Veen June 2006 NETHERLANDS INSTITUTE OF INTERNATIONAL RELATIONS CLINGENDAEL CIP-Data Koninklijke bibliotheek, The Hague Van der Veen, R.J. India’s Road to Development / Roel van der Veen– The Hague, Netherlands Institute of International Relations Clingendael. Clingendael Diplomacy Papers No. 6 ISBN 90–5031–107-5 Desk top publishing by Desiree Davidse Netherlands Institute of International Relations Clingendael Clingendael Diplomatic Studies Programme Clingendael 7 2597 VH The Hague Phonenumber +31(0)70 - 3245384 Telefax +31(0)70 - 3746666 P.O. Box 93080 2509 AB The Hague E-mail: [email protected] Website: http://www.clingendael.nl The Netherlands Institute of International Relations Clingendael is an independent institute for research, training and public information on international affairs. It publishes the results of its own research projects and the monthly ‘Internationale Spectator’ and offers a broad range of courses and conferences covering a wide variety of international issues. It also maintains a library and documentation centre. © Netherlands Institute of International Relations Clingendael. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the copyright-holders. Clingendael Institute, P.O. Box 93080, 2509 AB The Hague, The Netherlands. Contents I. The Questions 2 II. The Start 6 III. The Past 16 IV. The Transition 28 V. The Comparison 36 VI. The Future 48 VII. The Lessons 54 1 I. The Questions India is an ancient civilization, rich in the arts and possessing intriguing wisdom. -
The Eventfulness of Translation: Translation Studies 2 (1): 71–88
———. 2009. “How Do We Count a Language? Translation and Discontinuity.” The Eventfulness of Translation: Translation Studies 2 (1): 71–88. Solomon, J. 2013. “Another European Crisis?! Myth, Translation, and the Apparatus Temporality, Difference, and Competing of Area.” Transversal. http://eipcp.net/transversal/0613/solomon/en. Tsing, A. 2005. Friction: An Ethnography of Global Connection. Princeton: Princeton Universals University Press. ———. 2009. “Supply Chains and the Human Condition.” Rethinking Marxism 21 (2): 148–176. Lydia H. Liu ........................ von Clausewitz, Carl. 2007. On War. Oxford: Oxford University Press. Columbia University, USA [email protected] Weaver, W. 1955. “Translation.” Machine Translation of Languages: Fourteen Essays, edited by W. N. Locke and A. D. Booth, 15–23. Cambridge: MIT Press. Weber, A. 1929. Theory of the Location of Industries. Chicago: University of Chicago Press. Whitman, L. E. and H. Panetto. 2006. “The Missing Link: Culture and Language Bar- Abstract: The article seeks to develop a new angel for translation studies by re- riers to Interoperability.” IFAC Annual Reviews in Control 30 (2): 233–241. thinking its relationship to the political. It begins with the question “Can the eventfulness of translation itself be thought?” Since neither the familiar model of communication (translatable and untranslatable) nor the biblical model of the Tower of Babel (the promise or withdrawal of meaning) can help us work out a suitable answer to that question, the author proposes an alternative method -
Mulk Raj Anand Untouchable
Ques. What is the Theme of Untouchable ? Ques. Describe the exploitation and caste oppression in the Novel of Mulk Raj Anand?. Subject: English Class: B.A. Final Year Name of Paper: Second Paper( Indian English Literature) Topic: Untouchable Novel by Mulk Raj Anand Sub-topic:A Brief Notes on Theme of Untouchable Novel/ exploitation and caste Oppression Key-Words: Dalit, Oppression, Scavenger, Gender , Discrimination, Uppercaste, Domination Prepared By Name: Manish Chand Assistant Professor-English Department of English Email: [email protected] Mob:8738008905 /9264926732 Lalta Singh Govt. Girls P.G. College Adalhat,Mirzapur Introduction About Author • Mulk Raj Anand is the most celebrated social realist in Indian English fiction. He is as prolific writer as R.K. Narayan and Raja Rao. • Mulk Raj Anand was born on 12thDecember 1905 in Peshawar in a Kshatriya coppersmith family and died on 28th September 2004. • He was awarded the Ph.D degree in 1930 for his thesis titled The Thought of Locke, Berkeley, Hume and Russel. • He was a recipient of the civil honour of the Padma Bhusan in 1967. • He won the Sahitya Academy Award for his novel ‘Morning Face’ • He was deeply influenced by M.K. Gandhi. • Anand has written almost 15 novels and some stories books. • His popular novels are Untouchable(1935), Coolie(1936), Two Leaves and a Bud(1937), The Village(1939), Across the Black Water(1941), The Sword and the Sickle(1942), The Big Heart(1945), Seven Summers(1951), The Private Life of an Indian Prince(1953), Gauri(1960), The Road(1963),The Death of a Hero(1964), Morning Face(1968), Confession of a Lover(1976). -
India Progressive Writers Association; *7:Arxicm
DOCUMENT RESUME ED 124 936 CS 202 742 ccpp-.1a, CsIrlo. Ed. Marxist Influences and South Asaan li-oerazure.South ;:sia Series OcasioLal raper No. 23,Vol. I. Michijar East Lansing. As:,an Studies Center. PUB rAIE -74 NCIE 414. 7ESF ME-$C.8' HC-$11.37 Pius ?cstage. 22SCrIP:0:", *Asian Stud,es; 3engali; *Conference reports; ,,Fiction; Hindi; *Literary Analysis;Literary Genres; = L_tera-y Tnfluences;*Literature; Poetry; Feal,_sm; *Socialism; Urlu All India Progressive Writers Association; *7:arxicm 'ALZT:AL: Ti.'__ locument prasen-ls papers sealing *viithvarious aspects of !',arxi=it 2--= racyinfluence, and more specifically socialisr al sr, ir inlia, Pakistan, "nd Bangladesh.'Included are articles that deal with _Aich subjects a:.the All-India Progressive Associa-lion, creative writers in Urdu,Bengali poets today Inclian poetry iT and socialist realism, socialist real.Lsm anu the Inlion nov-,-1 in English, the novelistMulk raj Anand, the poet Jhaverchan'l Meyhani, aspects of the socialistrealist verse of Sandaram and mash:: }tar Yoshi, *socialistrealism and Hindi novels, socialist realism i: modern pos=y, Mohan Bakesh andsocialist realism, lashpol from tealist to hcmanisc. (72) y..1,**,,A4-1.--*****=*,,,,k**-.4-**--4.*x..******************.=%.****** acg.u.re:1 by 7..-IC include many informalunpublished :Dt ,Ivillable from othr source r.LrIC make::3-4(.--._y effort 'c obtain 1,( ,t c-;;,y ava:lable.fev,?r-rfeless, items of marginal * are oft =.ncolntered and this affects the quality * * -n- a%I rt-irodu::tior:; i:";IC makes availahl 1: not quali-y o: th< original document.reproductiour, ba, made from the original. -
CRITICAL ANALYSIS of PROTAGONISTS of MULK RAJ ANAND’S NOVELS Dr
International Journal of Technical Research and Applications e-ISSN: 2320-8163, www.ijtra.com Special Issue 10 (Nov-Dec 2014), PP. 75-77 CRITICAL ANALYSIS OF PROTAGONISTS OF MULK RAJ ANAND’S NOVELS Dr. Shashi Yadav Assistant Professor, Department of Humanities Barkatullah, University Institute of Technology Bhopal, (M.P.) India, Pincode 462026 [email protected] Abstract: Mulk Raj Anand in his novels draws character known during my childhood and youth. And I was only from the real society around him, people whom he happens to repaying the debt of gratitude I owed them for much of the know in actual life. During his life’s journey, some character even inspiration they had given me to mature into manhood, when I haunt the novelist and compel him to write about them. Speaking began to interpret. .. They were flesh of my flesh and blood of as a novelist, he said that he came across people who had rather my blood, and obsessed me in the way in which certain human forced him to put them down in his novels. Through out his literary career, Anand wrote about real people whom he knew beings obsess an artist's soul. And I was doing no more than quite closely. what a writer does when seeks to interpret the truth from the Key words: Untouchable, realism, protagonist, social realities of his life.[2] conflict, humanism, downtrodden. One of the social concerns that recurs frequently in his novels is the inequality between the wealthy and the poor. He I. INTRODUCTION expresses his deep sorrow and sympathy for the unfortunate All characters of Mulk Raj Anand's novels are remarkable poor and their inability to cope with the circumstances. -
Mulk Raj Anand, Edited by Annapurna Garimella, Marg Publications, Mumbai, 2005
This manuscript is the penultimate form of the essay as it appeared in the publication cited below. The text is one stage short of the final version agreed upon by the author and editor of the particular publication. If the essay was published in more than one publication, versions of the form it finally assumed are available in the books/anthologies/catalogs listed below. Publication(s): • ‘Partisan Modernity’, in Mulk Raj Anand, edited by Annapurna Garimella, Marg Publications, Mumbai, 2005. Colour Code for Corrections Yellow= my corrections/ words and phrases changed for greater clarity. Please concede! Red=note to the editors Blue=footnote numbers/request for additional footnotes where possible Green= request for deletion Partisan Modernity Geeta Kapur Positions It is all too easy to fall into a nostalgic mode while writing on Dr Mulk Raj Anand – referred to henceforth in this essay as Mulk, characteristic to his unconventional persona and quite in tune with how he was known by people old and young. It would be nostalgia not simply about the golden decade of the 1960s and about my youth – and one’s own youth is as seductive a trope as you can find in the balance of issues! – but for quite other, momentous, reasons. For the kind of public intellectual he was in the Nehruvian era and its first follow-up with Indira Gandhi; for the progressive positions he took on matters of culture and politics until his death at the age of 99. It might also be nostalgia for a particular form of modernity and its corollary, a literary and artistic modernism.