November 1947 the Alembic
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Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Programa Cineuropa2015.Pdf
PREZO ENTRADAS ENTRADA LIBRE ATA COMPLETAR AFORO 4 euros | Retrospectiva Artur Brauner | Sección Oficial * | Especial Dominik Graf | Panorama Internacional | Lembranza de Manoel de Oliveira | Maiores con reparos | Lembranza de Vicente Aranda | Docs-Cineuropa** | Lembranza de Chichi Campos e Toñito Blanco | Fantastique Compostela | Panorama Audiovisual Galego | Arturo Ripstein: Tributo e Retrospectiva * | Disidencias * excepto filmes gratuítos para os que cómpre retirar invitación: | Proxeccións Especiais - “Le Nouveau” (proxección inaugural, venres 6, Teatro Principal) - “Mediterranea”. (proxección simultánea Premios LUX, | OFF CINEUROPA mércores 11, Teatro Principal) | Roxos e Marcianos: A caza de bruxas en Hollywood * - “As Mil e Uma Noites: Volume 1” (proxección da entrega do | Arthur Miller Centenario Premio Cineuropa a Miguel Gomes, venres 13, Teatro Principal) - “Profundo Carmesí” (proxección da entrega do Premio | Ciclo Amos Kollek Cineuropa a Arturo Ripstein, xoves 19, Teatro Principal) | Filmadas en 1965 ** excepto “Trumbo” (sábado 7 no Teatro Principal) | Cineuropa recomenda-Cine de Culto e “None without sin” (xoves 19 na Sede Afundación) que son con entrada libre ata completar aforo. | Docs Music * excepto filmes para os que que compre retirar invitación: Bono 10 películas + catálogo: 30 euros Maratón “Roxos e Marcianos” (venres 20, Teatro Principal) Catálogo: 2 euros Maratón Cineuropa (venres 27, Teatro Principal): 6 euros venda anticipada entradas.abanca.com / 902 434 443 Teatro Principal (15.30-22.00 h) venda inmediata Teatro Principal (ata 5 minutos antes do inicio de cada sesión para as proxeccións do Salón Teatro e do Teatro Principal) ESTE PROGRAMA ESTÁ SOMETIDO A POSIBLES CAMBIOS, PRÉGASE CONSULTAR A CARTELEIRA DIARIA Aquel ou aquela que vive en Compostela seguro que atopa na súa Veremos filmes premiados en Cannes, Berlín, Venecia ou memoria momentos inesquecibles vendo cinema. -
Spectator 1949-11-04 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 11-4-1949 Spectator 1949-11-04 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1949-11-04" (1949). The Spectator. 393. http://scholarworks.seattleu.edu/spectator/393 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. DON'T PARK DON'T PARK INFRONT OF IN FRONT OF SEATTLE UNIV ERS IT Y THE CLINICS ! Spectator THE CLINICS! Volume XVII "■«<8B»»= SEATTLE, WASHINGTON, FRIDAY, NOVEMBER 4, 1949 No.3 KISS' COMEDY OPENS SATURDAY Women's Guild Variety Show Lincoln Sedan Offered as Prize in 'Jenny' to Present Drive for Student Union Building Opens Nov. 21 planned Brings Novelist SU students this week facilities. It is to con- Many New Faces By MARY EILEEN WAGNER The annual Seattle Univer- started a campaign to raise vert the cafeteria into a ball- Bruce Marshall, distinguished Scottish novelist, was sity variety show, sponsored funds for the construction of room for student dances. By 808 LUCID scheduled to make his first appearance in the Northwest by the Music Department,.is a Student Union building. Tentative plans call for Saturday night, Nov. 5, the curtain will ring up on this last night, speakingon "How To Write a Best Seller," at the scheduled for November 21 All friends of the Univer- erecting the much-needed Stu- year's initial performance of the Seattle University Drama Women's Century Club. -
The Defendant (Autumn, 2020)
The DEFENDANT Newsletter of the Australian Chesterton Society Vol. 27 No. 2 Autumn 2020 Issue No. 105 ‘I have found that humanity is not Chesterton incidentally engaged, but eternally and in Isolation systematically engaged, in throwing gold into the gutter and diamonds into by Karl Schmude the sea. ; therefore I In an article on the BBC website, Worklife have imagined that the (18 April 2020), the British journalist main business of man, Hephzibah Anderson explored how the however humble, is life of a hermit might shed light on the defence. I have conceived isolation experienced by so many during the A young Chesterton alone in a garden that a defendant is chiefly coronavirus. required when worldlings He then compares the yearning to be She cited a Chesterton essay, “The Case left alone to the experience of sleep. He despise the world - that for Hermits”, in which he reflected on the highlights how inescapable is our human a counsel for the defence purpose and significance of solitude. It need for sleep, and that if we cannot have would not have been out appeared in his last book of essays, The it, we go mad. “It is also a fact,” he adds, of place in the terrible day Well and the Shallows (1935). ‘that if men do not have solitude, they go when the sun was mad.” darkened over Calvary Born and brought up in London, Chesterton knew the importance of sociability and We may be inclined to dismiss – and even and Man was rejected of communal interaction amid the bustle of to denigrate as lunatic - those who wish men.’ a large city.